Difference between revisions of "Samhain" - New World Encyclopedia

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It is important to remember that all of the written documents in places like Ireland and Wales date to a time after the arrival of Christianity in the 5th century. Thus, while evidence such as folklore and ancient sagas may suggest certain associations with Samhain, these all are observed in a Christian context. There is absolutely no evidence as to whether and how this time might have been observed in any pre-Christian culture.
 
It is important to remember that all of the written documents in places like Ireland and Wales date to a time after the arrival of Christianity in the 5th century. Thus, while evidence such as folklore and ancient sagas may suggest certain associations with Samhain, these all are observed in a Christian context. There is absolutely no evidence as to whether and how this time might have been observed in any pre-Christian culture.
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''Samain'' or ''Samuin'' was the name of the ''feis'' or festival marking the beginning of winter in [[Gaelic Ireland]]. It is attested in some of the earliest [[Old Irish literature]], from the 10th century onward. It was one of four Gaelic seasonal festivals: Samhain (~1 November), [[Imbolc]] (~1 February), [[Beltane]] (~1 May) and [[Lughnasadh]] (~1 August). Samhain and Beltane, at the witherward side of the year from each other, are thought to have been the most important. Sir [[James George Frazer]] wrote in ''[[The Golden Bough|The Golden Bough: A Study in Magic and Religion]]'' that 1 May and 1 November are of little importance to European crop-growers, but of great importance to herdsmen. It is at the beginning of summer that cattle is driven to the upland summer pastures and the beginning of winter that they are led back. Thus, Frazer suggests that halving the year at 1 May and 1 November dates from a time when the Celts were mainly a pastoral people, dependent on their herds.<ref>[[James George Frazer|Frazer, Sir James George]]. ''[[The Golden Bough]]: A Study in Magic and Religion''. Forgotten Books, 2008. p.644</ref> In medieval Ireland the festival marked the end of the season for trade and warfare and was an ideal date for tribal gatherings. These gatherings are a popular setting for early Irish tales.<ref name="Stations361">Hutton, Ronald (1996) ''Stations of the Sun: A History of the Ritual Year in Britain''. Oxford, Oxford University Press ISBN 0-19-288045-4, p. 361.</ref>
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===In Irish mythology===
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[[File:Cuinbattle.jpg|thumb|left|[[Cú Chulainn]] going into battle in the ''Táin Bó Cúailnge'', which was said to have begun at Samhain]]
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Irish mythology was originally a spoken tradition, but the tales were eventually written down by Christian [[monk]]s in the Middle Ages, who are thought to have Christianized many of them. According to Irish mythology, Samhain (like [[Beltane]]) was a time when the doorways to the [[Celtic Otherworld|Otherworld]] opened, allowing the spirits and the dead to come into our world; but while Beltane was a summer festival for the living, Samhain "was essentially a festival for the dead".<ref>Monaghan, Patricia. ''The Encyclopedia of Celtic Mythology and Folklore''. Infobase Publishing, 2004. p.41</ref> ''[[The Boyhood Deeds of Fionn]]'' says that the ''[[Aos Sí|sídhe]]'' (fairy mounds or portals to the Otherworld) "were always open at Samhain".<ref>Koch, John T. ''Celtic Culture: A Historical Encyclopedia''. 2006. p.388</ref> Like Beltane, Lughnasadh and Imbolc, Samhain also involved great feasts.<ref>Monaghan, p.180</ref> Mythology suggests that drinking alcohol was part of the feast, and it is noteworthy that every tale that features drunkenness is said to take place at Samhain.<ref name=monaghan407>Monaghan, p.407</ref>
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Many important events in Irish mythology happen or begin on Samhain. The invasion of [[Ulster]] that makes up the main action of the ''[[Táin Bó Cúailnge]]'' (Cattle Raid of Cooley) begins on Samhain. As cattle-raiding typically was a summer activity, the invasion during this off-season surprised the Ulstermen.<ref>Monaghan, p.438</ref> The ''[[Cath Maige Tuired|Second Battle of Maighe Tuireadh]]'' also begins on Samhain.<ref>Monaghan, p.345</ref> [[The Morrígan]] (Morríghan) and [[The Dagda]] (Daghdha) meet and have sex before the battle against the [[Fomorians]]; in this way the Morrígan acts as a [[sovereignty]] figure and gives the victory to the Dagda's people, the [[Tuatha Dé Danann]].
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According to the ''[[Dindsenchas]]'' and ''[[Annals of the Four Masters]]'', which were written by Christian monks, Samhain in ancient Ireland was associated with the god [[Crom Cruach]]. The texts claim that King [[Tigernmas]] (Tighearnmhas) made offerings to Crom Cruach each Samhain, sacrificing a first-born child by smashing their head against a stone idol of the god.<ref>Monaghan, p.105</ref> The ''Four Masters'' says that Tigernmas, with "three-fourths of the men of Ireland about him" died while worshiping Crom Cruach at [[Magh Slécht]] on Samhain.<ref>[http://www.ucc.ie/celt/published/T100005A/text006.html ''Annals of the Four Masters: Part 6''] at Corpus of Electronic Texts.</ref> Other texts say that Irish kings [[Diarmait mac Cerbaill]] and [[Muirchertach mac Muiredaig (Mac Ercae)|Muirchertach mac Ercae]] both die a [[threefold death]] on Samhain, which may be linked to human sacrifice.<ref name=koch690>Koch, John T. ''The Celts: History, Life, and Culture''. 2012. p.690</ref>
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The [[Ulster Cycle]] contains many references to Samhain. In the 10th-century ''[[Tochmarc Emire]]'' (the Wooing of Emer), Samhain is the first of the four "quarter days" of the year mentioned by the heroine Emer.<ref name="Stations361"/> The 12th century tales ''[[Mesca Ulad]]'' and ''[[Serglige Con Culainn]]'' begin at Samhain. In ''Serglige Con Culainn'', it is said that the festival of the [[Ulaid]]h at Samhain lasted a week: Samhain itself, and the three days before and after. They would gather on the Plain of Muirthemni where there would be meetings, games, and feasting.<ref name="Stations361"/> In ''Aislinge Óengusa'' (the Dream of Óengus) it is when he and his bride-to-be switch from bird to human form, and in ''[[Tochmarc Étaíne]]'' (the Wooing of Étaín) is the day on which Óengus claims the kingship of [[Brú na Bóinne]].<ref name=koch690/> In ''Echtra Neraí'' (the Adventure of Nera),<ref>Monaghan, p.107</ref> one [[Nera (mythology)|Nera]] from [[Connacht]] undergoes a test of bravery on Samhain put forth by King [[Ailill mac Máta|Ailill]]. The prize is the king's own gold-hilted sword. To win it, a man must leave the warmth and safety of Ailill's hall and make their way through the night to a [[gallows]] where two prisoners had been hanged the day before, tie a twig around one man's ankle, and return. Others had been thwarted by the demons and spirits that harried them as they attempted the task, quickly coming back to Ailill's hall in shame. However, Nera fulfills the task and infiltrates the fairy mound where he remains trapped until next Samhain. Taking etymology into consideration, it is interesting to note that the word for summer in the ''Echtra Nerai'' is ''samraid''.
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The other cycles feature Samhain as well. The 14th century ''Aided Chrimthainn maic Fidaig'' (the Killing of Crimthann mac Fidaig) tells how [[Mongfind]] (Mongfhionn) tried to kill her own brother [[Crimthann mac Fidaig|Crimthann]] (the King of Munster) to make sure her son Brian succeeded to the throne. Mongfind offered Crimthann a poisoned drink at the Samhain feast, but he dared her to drink from it first. Having no other choice but to drink the poison, she died on the eve of Samhain, after which the festival came to be known as Mongfind's or Mongfhionn's Feast, "wherefore women and the rabble make petitions to her on ''samain''-eve."<ref>{{cite journal | last1 = Stokes | first1 = Whitley | year = 1903 | title = | url = http://www.archive.org/details/revueceltiqu24pari | journal = Revue Celtique | volume = 24 | issue = | page = 179 }}</ref>
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In the aforesaid ''Boyhood Deeds of Fionn'', the young [[Fionn Mac Cumhaill]] visits [[Hill of Tara|Tara]] where [[Aillen]] the Burner puts everyone to sleep at Samhain and burns the place. However, Fionn is able to stay awake and slays Aillen, and is made the head of the [[fianna]].
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[[File:Owenagcat.jpg|thumb|[[Rathcroghan#Oweynagat|Oweynagat]] ('cave of the cats'), one of the many 'gateways to the Otherword' from whence beings and spirits were said to have emerged on Samhain]]
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Several sites in Ireland are especially linked to Samhain. A host of otherworldly beings was said to emerge from [[Rathcroghan#Oweynagat|Oweynagat]] ("cave of the cats"), near [[Rathcroghan]] in [[County Roscommon]], each Samhain.<ref>O'Halpin, Andy. ''Ireland: An Oxford Archaeological Guide''. Oxford University Press, 2006. p.236</ref> The [[Hill of Ward]] (or Tlachta) in [[County Meath]] is thought to have been the site of a great Samhain gathering and bonfire;<ref name=monaghan407/> the [[Iron Age]] [[ringfort]] is said to have been where the goddess or druid [[Tlachtga|Tlachta]] died, giving birth to triplets that resulted from rape.
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In ''The Stations of the Sun: A History of the Ritual Year in Britain'' (1996), [[Ronald Hutton]] writes: "No doubt there were [pagan] religious observances as well, but none of the tales ever portrays any". The only historic reference to religious rites is in the work of the "thoroughly unreliable" [[Geoffrey Keating]] (died 1644), who says that the [[druids]] of Ireland would gather on Tlachta on Samhain night to kindle a sacred fire. However, his source is unknown. Hutton says it may be that religious rites aren't mentioned because, centuries after Christianization, the writers didn't know what they had been.<ref name="Stations361"/>
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The idea that, in Old Irish literature, Samhain is particularly associated with the supernatural is due to Jeffrey Gantz and others. Hutton criticises this as unfounded; he argues that the gatherings of royalty and warriors on Samhain are simply an ideal setting for such tales in the same way that many [[List of books about King Arthur|Arthurian]] tales are set at courtly gatherings at Christmas or Pentecost.<ref name="Stations362">Hutton, Ronald (1996) ''Stations of the Sun: A History of the Ritual Year in Britain''. Oxford, Oxford University Press ISBN 0-19-288045-4, p. 362.</ref>
  
 
===Historic customs===
 
===Historic customs===

Revision as of 21:27, 13 November 2013


Samhain
Observed by Gaels (Irish people, Scottish people),
Neopagans (Wiccans, Celtic Reconstructionists)
Type Festival of the Dead
Begins Northern Hemisphere=Evening of October 31

Southern Hemisphere=Evening of April 30

Ends Northern Hemisphere: November 1 or November 11

Southern Hemisphere: May 1

Celebrations Traditional first day of winter in Ireland
Related to Hallowe'en, All Saints Day, All Souls Day


Samhain (pronounced /ˈsɑːwɪn/, /ˈsaʊ.ɪn/, or /ˈsaʊn/ in English; from Irish samhain, Scottish samhuinn, Old Irish samain "summer's end," from sam "summer" and fuin "end") is a festival on the end of the harvest season in Gaelic and Brythonic cultures, with aspects of a festival of the dead. Many scholars believe that it was the beginning of the Celtic year. [1][2][3]

The term derives from the name of a month in the ancient Celtic calendar, in particular the first three nights of this month, with the festival marking the end of the summer season and the end of the harvest. The Gaelic festival became associated with the Catholic All Souls' Day, and appears to have influenced the secular customs now connected with Halloween. Samhain is also the name of a festival in various currents of Neopaganism inspired by Gaelic tradition.[2][3][4]

Samhain and an t-Samhain are also the Irish and Scottish Gaelic names of November, respectively.

Etymology

The Irish word Samhain is derived from the Old Irish samain, samuin, or samfuin, all referring to 1 November (latha na samna: 'samhain day'), and the festival and royal assembly held on that date in medieval Ireland (oenaig na samna: 'samhain assembly'). Its meaning is glossed as 'summer's end', and the frequent spelling with f suggests analysis by popular etymology as sam ('summer') and fuin ('sunset', 'end'). The Old Irish sam ('summer') is from Proto-Indo-European language (PIE) *semo-; cognates are Welsh haf, Breton hañv, English summer and Old Norse language sumar, all meaning 'summer', and the Sanskrit sáma ("season").[5]

Whitley Stokes in KZ 40:245 (1907) suggests an etymology from Proto-Celtic *samani ('assembly'), cognate to Sanskrit sámana, and the Gothic samana. J. Vendryes in Lexique Étymologique de l'Irlandais Ancien (1959) concludes that these words containing *semo- ('summer') are unrelated to samain, remarking that furthermore the Celtic 'end of summer' was in July, not November, as evidenced by Welsh gorffennaf ('July'). We would therefore be dealing with an Insular Celtic word for 'assembly', *samani or *samoni, and a word for 'summer', saminos (derived from *samo-: 'summer') alongside samrad, *samo-roto-. The Irish samain would be etymologically unrelated to 'summer', and derive from 'assembly'. But note that the name of the month is of Proto-Celtic age, cf. Gaulish SAMON[IOS] from the Coligny calendar, and the association with 'summer' by popular etymology may therefore in principle date to even pre-Insular Celtic times.

Confusingly, Gaulish Samonios (October/November lunation) corresponds to GIAMONIOS, the seventh month (the April/May lunation) and the beginning of the summer season. Giamonios, the beginning of the summer season, is clearly related to the word for winter, Proto-Indo-European *g'hei-men- (Latin hiems, Slavic zima, Greek kheimon, Hittite gimmanza), cf. Old Irish gem-adaig ('winter's night'). It appears, therefore, that in Proto-Celtic the first month of the summer season was named 'wintry', and the first month of the winter half-year 'summery', possibly by ellipsis, '[month at the end] of summer/winter', so that samfuin would be a restitution of the original meaning. This interpretation would either invalidate the 'assembly' explanation given above, or push back the time of the re-interpretation by popular etymology to very early times indeed.

Bealtaine, Lúnasa and Samhain are still today the names of the months of May, August and November in the Irish language. Similarly, an Lùnasdal and an t-Samhain are the modern Scottish Gaelic names for August and November.

History

The Gaulish calendar appears to have divided the year into two halves: the 'dark' half, beginning with the month Samonios (the October/November lunation), and the 'light' half, beginning with the month Giamonios (the April/May lunation). The entire year may have been considered as beginning with the 'dark' half, so that the beginning of Samonios may be considered the Celtic New Year's day. The celebration of New Year itself may have taken place during the 'three nights of Samonios' (Gaulish trinux[tion] samo[nii]), the beginning of the lunar cycle which fell nearest to the midpoint between the autumnal equinox and the winter solstice. The lunations marking the middle of each half-year may also have been marked by specific festivals. The Coligny calendar marks the mid-summer moon (see Lughnasadh), but omits the mid-winter one (see Imbolc). The seasons are not oriented at the solar year, viz. solstice and equinox, so the mid-summer festival would fall considerably later than summer solstice, around 1 August (Lughnasadh). It appears that the calendar was designed to align the lunations with the agricultural cycle of vegetation, and that the exact astronomical position of the Sun at that time was considered less important.

In medieval Ireland, Samhain became the principal festival, celebrated with a great assembly at the royal court in Tara, lasting for three days. After being ritually started on the Hill of Tlachtga, a bonfire was set alight on the Hill of Tara, which served as a beacon, signaling to people gathered atop hills all across Ireland to light their ritual bonfires. The custom has survived to some extent, and recent years have seen a resurgence in participation in the festival.[6]

Samhain was identified in Celtic literature as the beginning of the Celtic year and its description as "Celtic New Year" was popularized in 18th century literature.[1][7] From this usage in the Romanticist Celtic Revival, Samhain is still popularly regarded as the "Celtic New Year" in the contemporary Celtic cultures, both in the Six Celtic Nations and the diaspora.

It is important to remember that all of the written documents in places like Ireland and Wales date to a time after the arrival of Christianity in the 5th century. Thus, while evidence such as folklore and ancient sagas may suggest certain associations with Samhain, these all are observed in a Christian context. There is absolutely no evidence as to whether and how this time might have been observed in any pre-Christian culture.


Samain or Samuin was the name of the feis or festival marking the beginning of winter in Gaelic Ireland. It is attested in some of the earliest Old Irish literature, from the 10th century onward. It was one of four Gaelic seasonal festivals: Samhain (~1 November), Imbolc (~1 February), Beltane (~1 May) and Lughnasadh (~1 August). Samhain and Beltane, at the witherward side of the year from each other, are thought to have been the most important. Sir James George Frazer wrote in The Golden Bough: A Study in Magic and Religion that 1 May and 1 November are of little importance to European crop-growers, but of great importance to herdsmen. It is at the beginning of summer that cattle is driven to the upland summer pastures and the beginning of winter that they are led back. Thus, Frazer suggests that halving the year at 1 May and 1 November dates from a time when the Celts were mainly a pastoral people, dependent on their herds.[8] In medieval Ireland the festival marked the end of the season for trade and warfare and was an ideal date for tribal gatherings. These gatherings are a popular setting for early Irish tales.[9]

In Irish mythology

Cú Chulainn going into battle in the Táin Bó Cúailnge, which was said to have begun at Samhain

Irish mythology was originally a spoken tradition, but the tales were eventually written down by Christian monks in the Middle Ages, who are thought to have Christianized many of them. According to Irish mythology, Samhain (like Beltane) was a time when the doorways to the Otherworld opened, allowing the spirits and the dead to come into our world; but while Beltane was a summer festival for the living, Samhain "was essentially a festival for the dead".[10] The Boyhood Deeds of Fionn says that the sídhe (fairy mounds or portals to the Otherworld) "were always open at Samhain".[11] Like Beltane, Lughnasadh and Imbolc, Samhain also involved great feasts.[12] Mythology suggests that drinking alcohol was part of the feast, and it is noteworthy that every tale that features drunkenness is said to take place at Samhain.[13]

Many important events in Irish mythology happen or begin on Samhain. The invasion of Ulster that makes up the main action of the Táin Bó Cúailnge (Cattle Raid of Cooley) begins on Samhain. As cattle-raiding typically was a summer activity, the invasion during this off-season surprised the Ulstermen.[14] The Second Battle of Maighe Tuireadh also begins on Samhain.[15] The Morrígan (Morríghan) and The Dagda (Daghdha) meet and have sex before the battle against the Fomorians; in this way the Morrígan acts as a sovereignty figure and gives the victory to the Dagda's people, the Tuatha Dé Danann.

According to the Dindsenchas and Annals of the Four Masters, which were written by Christian monks, Samhain in ancient Ireland was associated with the god Crom Cruach. The texts claim that King Tigernmas (Tighearnmhas) made offerings to Crom Cruach each Samhain, sacrificing a first-born child by smashing their head against a stone idol of the god.[16] The Four Masters says that Tigernmas, with "three-fourths of the men of Ireland about him" died while worshiping Crom Cruach at Magh Slécht on Samhain.[17] Other texts say that Irish kings Diarmait mac Cerbaill and Muirchertach mac Ercae both die a threefold death on Samhain, which may be linked to human sacrifice.[18]

The Ulster Cycle contains many references to Samhain. In the 10th-century Tochmarc Emire (the Wooing of Emer), Samhain is the first of the four "quarter days" of the year mentioned by the heroine Emer.[9] The 12th century tales Mesca Ulad and Serglige Con Culainn begin at Samhain. In Serglige Con Culainn, it is said that the festival of the Ulaidh at Samhain lasted a week: Samhain itself, and the three days before and after. They would gather on the Plain of Muirthemni where there would be meetings, games, and feasting.[9] In Aislinge Óengusa (the Dream of Óengus) it is when he and his bride-to-be switch from bird to human form, and in Tochmarc Étaíne (the Wooing of Étaín) is the day on which Óengus claims the kingship of Brú na Bóinne.[18] In Echtra Neraí (the Adventure of Nera),[19] one Nera from Connacht undergoes a test of bravery on Samhain put forth by King Ailill. The prize is the king's own gold-hilted sword. To win it, a man must leave the warmth and safety of Ailill's hall and make their way through the night to a gallows where two prisoners had been hanged the day before, tie a twig around one man's ankle, and return. Others had been thwarted by the demons and spirits that harried them as they attempted the task, quickly coming back to Ailill's hall in shame. However, Nera fulfills the task and infiltrates the fairy mound where he remains trapped until next Samhain. Taking etymology into consideration, it is interesting to note that the word for summer in the Echtra Nerai is samraid.

The other cycles feature Samhain as well. The 14th century Aided Chrimthainn maic Fidaig (the Killing of Crimthann mac Fidaig) tells how Mongfind (Mongfhionn) tried to kill her own brother Crimthann (the King of Munster) to make sure her son Brian succeeded to the throne. Mongfind offered Crimthann a poisoned drink at the Samhain feast, but he dared her to drink from it first. Having no other choice but to drink the poison, she died on the eve of Samhain, after which the festival came to be known as Mongfind's or Mongfhionn's Feast, "wherefore women and the rabble make petitions to her on samain-eve."[20]

In the aforesaid Boyhood Deeds of Fionn, the young Fionn Mac Cumhaill visits Tara where Aillen the Burner puts everyone to sleep at Samhain and burns the place. However, Fionn is able to stay awake and slays Aillen, and is made the head of the fianna.

Oweynagat ('cave of the cats'), one of the many 'gateways to the Otherword' from whence beings and spirits were said to have emerged on Samhain

Several sites in Ireland are especially linked to Samhain. A host of otherworldly beings was said to emerge from Oweynagat ("cave of the cats"), near Rathcroghan in County Roscommon, each Samhain.[21] The Hill of Ward (or Tlachta) in County Meath is thought to have been the site of a great Samhain gathering and bonfire;[13] the Iron Age ringfort is said to have been where the goddess or druid Tlachta died, giving birth to triplets that resulted from rape.

In The Stations of the Sun: A History of the Ritual Year in Britain (1996), Ronald Hutton writes: "No doubt there were [pagan] religious observances as well, but none of the tales ever portrays any". The only historic reference to religious rites is in the work of the "thoroughly unreliable" Geoffrey Keating (died 1644), who says that the druids of Ireland would gather on Tlachta on Samhain night to kindle a sacred fire. However, his source is unknown. Hutton says it may be that religious rites aren't mentioned because, centuries after Christianization, the writers didn't know what they had been.[9]

The idea that, in Old Irish literature, Samhain is particularly associated with the supernatural is due to Jeffrey Gantz and others. Hutton criticises this as unfounded; he argues that the gatherings of royalty and warriors on Samhain are simply an ideal setting for such tales in the same way that many Arthurian tales are set at courtly gatherings at Christmas or Pentecost.[22]

Historic customs

Samhain was one of the four main festivals of the Gaelic calendar, marking the end of the harvest and beginning of winter.[13] Traditionally, Samhain was a time to take stock of the herds and food supplies. Cattle were brought down to the winter pastures after six months in the higher summer pastures.[13] It was also the time to choose which animals would need to be slaughtered for the winter. This custom is still observed by many who farm and raise livestock[23][3] because it is when meat will keep since the freeze has come and also since summer grass is gone and free foraging is no longer possible. It is thought that some of the rituals associated with the slaughter have been transferred to other holidays. On St. Martin's Day (11 November) in Ireland, one of the animals was offered to Saint Martin, who may have taken the place of a god.[24] At New Year in the Hebrides, people would circle their district sunwise dressed in a cowhide. A bit of the hide would be burnt and the smoke inhaled by each person.[24] These customs were meant to keep away bad luck, and similar customs were found in other Celtic regions.[24] The slaughter would be followed by feasting.

Bonfires were a big part of the festival in many areas (pictured is a Beltane bonfire in Scotland)

As at Beltane, bonfires were lit on hilltops at Samhain and there were rituals involving them.[13] However, by the modern era, they only seem to have been common along Scotland's Highland Line, on the Isle of Man, in north and mid Wales, and in parts of Ulster heavily settled by Scots.[25] F. Marian McNeill says that a force-fire (or need-fire) was once the usual way of lighting them, but notes that this gradually fell out of use.[3] Likewise, only certain kinds of wood may once have been used, but later records show that many kinds of flammable material were burnt.[26] It is suggested that the fires were a kind of imitative or sympathetic magic – they mimicked the Sun, helping the "powers of growth" and holding back the decay and darkness of winter.[27][3][24] They may also have served to symbolically "burn up and destroy all harmful influences".[27] Accounts from the 18th and 19th centuries suggest that the fires (as well as their smoke and ashes) were deemed to have protective and cleansing powers.[28] In Moray, boys asked for bonfire fuel from each house in the village. When the fire was lit, "one after another of the youths laid himself down on the ground as near to the fire as possible so as not to be burned, and in such a position as to let the smoke roll over him. The others ran through the smoke and jumped over him". When the bonfire burnt down, they scattered the ashes, vying with each other who should scatter them most.[28] Sometimes, two bonfires would be built side by side, and the people – sometimes with their livestock – would walk between them as a cleansing ritual. The bones of slaughtered cattle were said to have been cast upon bonfires. In the pre-Christian Gaelic world, cattle were the main form of wealth and were the center of agricultural and pastoral life.

People also took flames from the bonfire back to their homes. In northeastern Scotland, they carried burning fir around their fields to protect them, and on South Uist they did likewise with burning turf.[25] In some places, people doused their hearth fires on Samhain night. Each family then solemnly re-lit its hearth from the communal bonfire, thus bonding the families of the village together.[23][3] In the 17th century, Geoffrey Keating wrote that the druids of ancient Ireland would gather on Tlachta on Samhain night to kindle a sacred fire. From this, every bonfire in the land was lit, and from thence every home in the land relit their hearth, which had been doused that night. However, his source is unknown, and Ronald Hutton supposes that Keating had mistaken a Beltane custom for a Samhain one.[9] Dousing the old fire and bringing in the new may have been a way of banishing evil, which was done at New Year festivals in many countries.[24]

Snap-Apple Night (1833), painted by Daniel Maclise, shows people playing divination games on 31 October in Ireland

The bonfires were also used in divination rituals. In the late 18th century, in Ochtertyre, a ring of stones was laid round the fire to represent each person. Everyone then ran round it with a torch, "exulting". In the morning, the stones were examined and if any was mislaid it was said that the person for whom it was set would not live out the year. A similar custom was observed in north Wales[28] and in Brittany.[29] James Frazer says that this may come from "an older custom of actually burning them" (i.e. human sacrifice) or may have always been symbolic.[30] Divination has likely been a part of the festival since ancient times,[13] and it has survived in some rural areas.[31] At household festivities throughout the Gaelic regions and Wales, there were many rituals intended to divine the future of those gathered, especially with regard to death and marriage.[13][32] Seasonal foods such as apples and nuts were often used in these rituals. Apples were peeled, the peel tossed over the shoulder, and its shape examined to see if it formed the first letter of the future spouse's name.[33] Nuts were roasted on the hearth and their behaviour interpreted – if the nuts stayed together, so would the couple. Egg whites were dropped in water, and the shapes foretold the number of future children. Children would also chase crows and divine some of these things from the number of birds or the direction they flew.[23][3][26]

As noted earlier, Samhain was seen as a liminal time, when spirits or fairies (the aos sí) could more easily come into our world. Many scholars see the aos sí as remnants of the pagan gods and nature spirits.[34][35] At Samhain, it was believed that the aos sí needed to be propitiated to ensure that the people and their livestock survived the harsh winter. As such, offerings of food and drink were left for the aos sí.[36][37][38] Portions of the crops might also be left in the ground for them.[39] One custom—described a "blatant example" of a "pagan rite surviving into the Christian epoch"—was observed in the Outer Hebrides until the early 19th century. On 31 October, the locals would go down to the shore. One man would wade into the water up to his waist, where he would pour out a cup of ale and ask 'Seonaidh' ('Shoney'), whom he called "god of the sea", to bestow blessings on them.[25] People also took special care not to offend the aos sí and sought to ward-off any who were out to cause mischief. They stayed near to home or, if forced to walk in the darkness, turned their clothing inside-out or carried iron or salt to keep them at bay.[13] The souls of the dead were also thought to revisit their homes. Places were set at the dinner table or by the fire to welcome them.[40][23] The belief that the souls of the dead return home on one night or day of the year seems to have ancient origins and is found in many cultures throughout the world.[41] However, the souls of thankful kin could return to bestow blessings just as easily as that of a murdered person could return to wreak revenge.[42]

A Mari Lwyd, the Welsh equivalent of the Láir Bhán

Mumming and guising was a part of Samhain from at least the 16th century and was recorded in parts of Ireland, Scotland, Mann and Wales.[43] It involved people going from house to house in costume (or in disguise), usually reciting songs or verses in exchange for food.[43] The costumes may have been a way of imitating, or disguising oneself from, the aos sí.[43] S. V. Peddle writes that they "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[44] McNeill suggests that the ancient festival included people in masks or costumes representing these spirits and that the modern custom came from this.[45] In Ireland, costumes were sometimes worn by those who went about before nightfall collecting for a Samhain feast.[43] In parts of southern Ireland during the 19th century, the guisers included a hobby horse known as the Láir Bhán (white mare). A man covered in a white sheet and carrying a decorated horse skull (representing the Láir Bhán) would lead a group of youths, blowing on cow horns, from farm to farm. At each they recited verses, some of which "savoured strongly of paganism", and the farmer was expected to donate food. If the farmer donated food he could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[46] This is akin to the Mari Lwyd (grey mare) procession in Wales. Some have linked this custom with pagan goddesses of sovereignty, who were often associated with white horses.[47] In some places, young people dressed as the opposite gender.[43] In Scotland, young men went house-to-house with masked, veiled, painted or blackened faces,[26][48] often threatening to do mischief if they were not welcomed.[43] This was common in the 16th century in the Scottish countryside and persisted into the 20th.[49] It is suggested that the blackened faces comes from using the bonfire's ashes for protection.[45] Elsewhere in Europe, costumes, mumming and hobby horses were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[43]

An Irish Seán Na Gealaí turnip lantern from the early 20th century at the Museum of Country Life

Hutton writes: "When imitating malignant spirits it was a very short step from guising to playing pranks". Playing pranks at Samhain is recorded in the Scottish Highlands as far back as 1736 and was also common in Ireland, which led to Samhain being nicknamed "Mischief Night" in some parts.[43] Wearing costumes at Halloween spread to England in the 20th century, as did the custom of playing pranks, though there had been mumming at other festivals.[43] At the time of mass transatlantic Irish and Scottish immigration, which popularised Halloween in North America, Halloween in Ireland and Scotland had a strong tradition of guising and pranks.[50] Trick-or-treating may have come from the custom of going door-to-door collecting food for Samhain feasts, fuel for Samhain bonfires and/or offerings for the aos sí. Alternatively, it may have come from the All Saints/All Souls custom of collecting soul cakes.

The "traditional illumination for guisers or pranksters abroad on the night in some places was provided by turnips or mangel wurzels, hollowed out to act as lanterns and often carved with grotesque faces to represent spirits or goblins".[43] They may have also been used to protect oneself from harmful spirits.[48] These were common in parts of Ireland and the Scottish Highlands in 19th century.[43] They were also found in Somerset (see Punkie Night). In the 20th century they spread to other parts of England and became generally known as jack-o'-lanterns.[43]


Celtic folklore

The Samhain celebrations have survived in several guises as a festival dedicated to the harvest and the dead. In Ireland and Scotland, the Féile na Marbh, the 'festival of the dead' took place on Samhain.

"Samhain (1 November) was the beginning of the Celtic year, at which time any barriers between man and the supernatural were lowered."[1]


The night of Samhain, in Irish, Oíche Shamhna and Scots Gaelic, Oidhche Shamhna, is one of the principal festivals of the Celtic calendar, and falls on the 31st of October. It represents the final harvest. In modern Ireland and Scotland, the name by which Halloween is known in the Gaelic language is still Oíche/Oidhche Shamhna. It is still the custom in some areas to set a place for the dead at the Samhain feast, and to tell tales of the ancestors on that night.[2][3][23]


Traditionally, Samhain was time to take stock of the herds and grain supplies, and decide which animals would need to be slaughtered in order for the people and livestock to survive the winter. This custom is still observed by many who farm and raise livestock.[2][3][23]

Bonfires played a large part in the festivities celebrated down through the last several centuries, and up through the present day in some rural areas of the Celtic nations and the diaspora. Villagers were said to have cast the bones of the slaughtered cattle upon the flames. In the pre-Christian Gaelic world, cattle were the primary unit of currency and the center of agricultural and pastoral life. Samhain was the traditional time for slaughter, for preparing stores of meat and grain to last through the coming winter. The word 'bonfire', or 'bonefire' is a direct translation of the Gaelic tine cnámh. With the bonfire ablaze, the villagers extinguished all other fires. Each family then solemnly lit its hearth from the common flame, thus bonding the families of the village together. Often two bonfires would be built side by side, and the people would walk between the fires as a ritual of purification. Sometimes the cattle and other livestock would be driven between the fires, as well.[2][3][23]

Divination is a common folkloric practice that has also survived in rural areas. The most common uses were to determine the identity of one's future spouse, the location of one's future home, and how many children a person might have. Seasonal foods such as apples and nuts were often employed in these rituals. Apples were peeled, the peel tossed over the shoulder, and its shape examined to see if it formed the first letter of the future spouse's name. Nuts were roasted on the hearth and their movements interpreted - if the nuts stayed together, so would the couple. Egg whites were dropped in a glass of water, and the shapes foretold the number of future children. Children would also chase crows and divine some of these things from how many birds appeared or the direction the birds flew.[2][3][23][26]

Ireland

The Ulster Cycle is peppered with references to Samhain. Many of the adventures and campaigns undertaken by the characters therein begin at the Samhain Night feast. One such tale is Echtra Nerai ('The Adventure of Nera') concerning one Nera from Connacht who undergoes a test of bravery put forth by King Ailill. The prize is the king's own gold-hilted sword. The terms hold that a man must leave the warmth and safety of the hall and pass through the night to a gallows where two prisoners had been hanged the day before, tie a twig around one man's ankle, and return. Others had been thwarted by the demons and spirits that harassed them as they attempted the task, quickly coming back to Ailill's hall in shame. Nera goes on to complete the task and eventually infiltrates the sídhe where he remains trapped until next Samhain. Taking etymology into consideration, it is interesting to note that the word for summer expressed in the Echtra Nerai is samraid.

The other cycles feature Samhain as well. The Cath Maige Tuireadh (Battle of Mag Tuired) takes place on Samhain. The deities Morrígan and Dagda meet and have sex before the battle against the Fomorians; in this way the Morrígan acts as a sovereignty figure and gives the victory to The Dagda's people, the Tuatha Dé Danann.

The tale The Boyhood Deeds of Fionn includes an important scene at Samhain. The young Fionn Mac Cumhail visits Tara where Aillen the Burner, one of the Tuatha Dé Danann, puts everyone to sleep at Samhain and burns the place. Through his ingenuity Fionn is able to stay awake and slays Aillen, and is given his rightful place as head of the fianna.

Celtic Revival

During the late 19th and early 20th century Celtic Revival, there was an upswell of interest in Samhain and the other Celtic festivals. Sir John Rhys put forth that it had been the "Celtic New Year". He inferred it from contemporary folklore in Ireland and Wales, which he felt was "full of Hallowe'en customs associated with new beginnings". He visited Mann and found that the Manx sometimes called 31 October "New Year's Night" or Hog-unnaa. The Tochmarc Emire, written in the Middle Ages, reckoned the year around the four festivals at the beginning of the seasons, and put Samhain at the beginning of those. However, Hutton says that the evidence for it being the Celtic or Gaelic New Year's Day is flimsy.[51] Rhys's theory was popularised by Sir James George Frazer, though at times he did acknowledge that the evidence is inconclusive. Frazer also put forth that Samhain had been the pagan Celtic festival of the dead and that it had been Christianized as All Saints and All Souls.[51] Since then, Samhain has been popularly seen as the Celtic New Year and an ancient festival of the dead. The calendar of the Celtic League, for example, begins and ends at Samhain.[52]

Related festivals

File:WA Crowd06II.jpg
Crowd at the NH Renaissance Faire Samhain Celebration, 2006.

In the Brythonic branch of the Celtic languages, Samhain is known as the 'calends of winter'. The Brythonic lands of Wales, Cornwall and Brittany held festivals on 31 October similar to the Gaelic one. In Wales it is Calan Gaeaf, in Cornwall it is Allantide or Kalan Gwav and in Brittany it is Kalan Goañv.[18]

Brittany

In parts of western Brittany, Samhain is still heralded by the baking of kornigou, cakes baked in the shape of antlers to commemorate the god of winter shedding his 'cuckold' horns as he returns to his kingdom in the Otherworld. The Romans[attribution needed] identified Samhain with their own feast of the dead, the Lemuria. This, however, was observed in the days leading up to May 13. With Christianization, the festival in November (not the Roman festival in May) became All Hallows' Day on November 1 followed by All Souls' Day, on November 2. Over time, the night of October 31 came to be called All Hallow's Eve, and the remnants festival dedicated to the dead eventually morphed into the secular holiday known as Halloween.

Wales

The Welsh equivalent of this holiday is called Galan Gaeaf. As with Samhain, this marks the beginning of the dark half of the year, or winter, and it officially begins at sunset on the 31st. The night before is Nos Calan Gaeaf, an Ysbrydnos when spirits are abroad. People avoid churchyards, stiles, and crossroads, since spirits are thought to gather there.

Isle of Man

The Manx celebrate Hop-tu-Naa, which is a celebration of the original New Year's Eve. The term is Manx Gaelic in origin, deriving from Shogh ta’n Oie, meaning "this is the night." Traditionally, children dress as scary beings, carry turnips rather than pumpkins and sing an Anglicized version of Jinnie the Witch. They go from house to house asking for sweets or money.

The Manx celebrate Hop-tu-Naa on 31 October, which is a celebration of the original New Year's Eve. The term is Manx Gaelic in origin, possibly from Shogh ta'n Oie, meaning "this is the night". Traditionally, children dress as scary beings, carry turnips rather than pumpkins and sing an Anglicized version of Jinnie the Witch and may go from house to house asking for sweets or money.

Hop-tu-Naa is a Celtic festival celebrated in the Isle of Man on 31 October. Predating Halloween, it is the celebration of the original New Year's Eve (Oie Houney). The term is Manx Gaelic in origin, deriving from Shogh ta’n Oie, meaning "this is the night". Hogmanay, which is the Scottish New Year, comes from the same root.

For Hop-tu-Naa children dress up as scary beings and go from house to house with the hope of being given sweets or money, as elsewhere. However the children carry turnips rather than pumpkins and sing an Anglicized version of Jinnie the Witch. The changeover from turnips to pumpkins has also happened in Scotland, where the similar practice is called "guising".

In older times children would have also brought the stumps of turnips with them and batter the doors of those who refused to give them any money! (An ancient form of trick or treat, however this practice appears to have died out.)

All Saints' Day

The Roman Catholic holy day of All Saints (or All Hallows) was introduced in the year 609, but was originally celebrated on 13 May.[53] In 835, Louis the Pious switched it to 1 November in the Carolingian Empire, at the behest of Pope Gregory IV.[53] However, from the testimony of Pseudo-Bede, it is known that churches in what are now England and Germany were already celebrating All Saints on 1 November at the beginning of the 8th century.[53][54][55] Thus, Louis merely made official the custom of celebrating it on 1 November. James Frazer suggests that 1 November was chosen because it was the date of the Celtic festival of the dead (Samhain) – the Celts had influenced their English neighbors, and English missionaries had influenced the Germans. However, Ronald Hutton points out that, according to Óengus of Tallaght (d. ca. 824), the 7th/8th century church in Ireland celebrated All Saints on 20 April. He suggests that the 1 November date was a Germanic rather than a Celtic idea.[53]

Over time, the night of 31 October came to be called All Hallows' Eve (or All Hallows' Even). Samhain influenced All Hallows' Eve and vice-versa, and the two eventually morphed into the secular holiday known as Halloween.

Neopaganism

Samhain is observed by various Neopagans in various ways. As forms of Neopaganism can differ widely in both their origins and practices, these representations can vary considerably despite the shared name. Some Neopagans have elaborate rituals to honor the dead, and the deities who are associated with the dead in their particular culture or tradition. Some celebrate in a manner as close as possible to how the Ancient Celts and Living Celtic cultures have maintained the traditions, while others observe the holiday with rituals culled from numerous other unrelated sources, Celtic culture being only one of the sources used.[56][57][4]

Neopagans usually celebrate Samhain on 31 October – 1 November in the Northern Hemisphere and 30 April – 1 May in the Southern Hemisphere, beginning and ending at sundown.[58][59][60][61] Some Neopagans celebrate it at the astronomical midpoint between the autumn equinox and winter solstice (or the full moon nearest this point). In the Northern Hemisphere, this midpoint is when the ecliptic longitude of the Sun reaches 225 degrees.[62]

Celtic Reconstructionism

Celtic Reconstructionist Pagans tend to celebrate Samhain on the date of first frost, or when the last of the harvest is in and the ground is dry enough to have a bonfire. Like other Reconstructionist traditions, Celtic Reconstructionists place emphasis on historical accuracy, and base their celebrations and rituals on traditional lore from the living Celtic cultures, as well as research into the older beliefs of the polytheistic Celts. At bonfire rituals, some observe the old tradition of building two bonfires, which celebrants and livestock then walk or dance between as a ritual of purification.[63][57][2][3][23]

According to Celtic lore, Samhain is a time when the boundaries between the world of the living and the world of the dead become thinner, allowing spirits and other supernatural entities to pass between the worlds to socialize with humans. It is the time of the year when ancestors and other departed souls are especially honored. Though Celtic Reconstructionists make offerings to the spirits at all times of the year, Samhain in particular is a time when more elaborate offerings are made to specific ancestors. Often a meal will be prepared of favorite foods of the family's and community's beloved dead, a place set for them at the table, and traditional songs, poetry and dances performed to entertain them. A door or window may be opened to the west and the beloved dead specifically invited to attend. Many leave a candle or other light burning in a western window to guide the dead home. Divination for the coming year is often done, whether in all solemnity or as games for the children. The more mystically inclined may also see this as a time for deeply communing with the deities, especially those whom the lore mentions as being particularly connected with this festival.[2][3][23][63][57]

Wicca

The Wheel of the Year in the Northern Hemisphere. In the Southern Hemisphere these festivals are commonly shifted by six months to match the local seasons. The Wheel of the Year is a Wiccan and Neopagan term for the annual cycle of the Earth's seasons. It consists of eight festivals, spaced at approximately even intervals throughout the year. These festivals are referred to by Wiccans as Sabbats.

Samhain is one of the eight annual festivals, often referred to as 'Sabbats', observed as part of the Wiccan Wheel of the Year. It is considered by most Wiccans to be the most important of the four 'greater Sabbats'. It is generally observed on October 31st in the Northern Hemisphere, starting at sundown. Samhain is considered by some Wiccans as a time to celebrate the lives of those who have passed on, and it often involves paying respect to ancestors, family members, elders of the faith, friends, pets and other loved ones who have died. In some rituals the spirits of the departed are invited to attend the festivities. It is seen as a festival of darkness, which is balanced at the opposite point of the wheel by the spring festival of Beltane, which Wiccans celebrate as a festival of light and fertility.[64]

Notes

  1. 1.0 1.1 1.2 Nora Chadwick, The Celts (London: Penguin, 1970, ISBN 0140212116).
  2. 2.0 2.1 2.2 2.3 2.4 2.5 2.6 2.7 Kevin Danaher, The Year in Ireland: Irish Calendar Customs Dublin: Mercier, 1972, ISBN 1856350932).
  3. 3.00 3.01 3.02 3.03 3.04 3.05 3.06 3.07 3.08 3.09 3.10 3.11 3.12 F. Marian McNeill, Silver Bough: Calendar of Scottish National Festivals - Hallowe'en to Yule Vol. 3 (Glasgow: Stuart Titles Ltd, 1990, ISBN 0948474041). Cite error: Invalid <ref> tag; name "McNeill" defined multiple times with different content
  4. 4.0 4.1 Ronald Hutton, The Pagan Religions of the Ancient British Isles: Their Nature and Legacy (Oxford: Blackwell, 1993, ISBN 0631189467).
  5. Pokorny, Julius. IEW (1959), s.v. "sem-3," p. 905.
  6. Samhain 2007 photos and account of Samhain ritual on the Hill of Tara (and worldwide), Oct. 31, 2007
  7. Ronald Hutton, Stations of the Sun: A History of the Ritual Year in Britain (Oxford, Oxford University Press, 1997, ISBN 0192880454).
  8. Frazer, Sir James George. The Golden Bough: A Study in Magic and Religion. Forgotten Books, 2008. p.644
  9. 9.0 9.1 9.2 9.3 9.4 Hutton, Ronald (1996) Stations of the Sun: A History of the Ritual Year in Britain. Oxford, Oxford University Press ISBN 0-19-288045-4, p. 361.
  10. Monaghan, Patricia. The Encyclopedia of Celtic Mythology and Folklore. Infobase Publishing, 2004. p.41
  11. Koch, John T. Celtic Culture: A Historical Encyclopedia. 2006. p.388
  12. Monaghan, p.180
  13. 13.0 13.1 13.2 13.3 13.4 13.5 13.6 13.7 Monaghan, p.407
  14. Monaghan, p.438
  15. Monaghan, p.345
  16. Monaghan, p.105
  17. Annals of the Four Masters: Part 6 at Corpus of Electronic Texts.
  18. 18.0 18.1 18.2 Koch, John T. The Celts: History, Life, and Culture. 2012. p.690
  19. Monaghan, p.107
  20. (1903). [1]. Revue Celtique 24.
  21. O'Halpin, Andy. Ireland: An Oxford Archaeological Guide. Oxford University Press, 2006. p.236
  22. Hutton, Ronald (1996) Stations of the Sun: A History of the Ritual Year in Britain. Oxford, Oxford University Press ISBN 0-19-288045-4, p. 362.
  23. 23.0 23.1 23.2 23.3 23.4 23.5 23.6 23.7 23.8 23.9 Robert O'Driscoll, (ed.), The Celtic Consciousness (New York, NY: Braziller, 1981, ISBN 0807611360).
  24. 24.0 24.1 24.2 24.3 24.4 MacCulloch, John Arnott (1911). The Religion of the Ancient Celts. Chapter 18: Festivals.
  25. 25.0 25.1 25.2 Hutton, p.369
  26. 26.0 26.1 26.2 26.3 Campbell, John Gregorson (1900, 1902, 2005) The Gaelic Otherworld. Edited by Ronald Black. Edinburgh, Birlinn Ltd. ISBN 1-84158-207-7 pp.559–62 Cite error: Invalid <ref> tag; name "Campbell" defined multiple times with different content
  27. 27.0 27.1 Frazer, James George (1922). The Golden Bough: A Study in Magic and Religion. Chapter 63, Part 1: On the Fire-festivals in general.
  28. 28.0 28.1 28.2 Hutton, pp.365–368
  29. Frazer, p.647
  30. Frazer, pp.663–664
  31. Danaher (1972), pp.218–227
  32. Hutton, p.380
  33. Danaher (1972), p.223
  34. Monaghan, p.167
  35. Santino, Jack. The Hallowed Eve: Dimensions of Culture in a Calendar Festival of Northern Ireland. University Press of Kentucky, 1998. p.105
  36. MacLeod, Sharon. Celtic Myth and Religion. McFarland, 2011.
  37. Evans-Wentz, Walter (1911). The Fairy-Faith in Celtic Countries. p.44.
  38. McNeill, F. Marian (1961). The Silver Bough, Volume 3. p.34.
  39. Danaher (1972), p.200
  40. McNeill, The Silver Bough, Volume 3, pp.11–46
  41. Miles, Clement A. (1912). Christmas in Ritual and Tradition. Chapter 7: All Hallow Tide to Martinmas.
  42. Monaghan, p.120
  43. 43.00 43.01 43.02 43.03 43.04 43.05 43.06 43.07 43.08 43.09 43.10 43.11 Hutton, pp.380–382
  44. Peddle, S. V. (2007). Pagan Channel Islands: Europe's Hidden Heritage. p.54
  45. 45.0 45.1 McNeill, F. Marian. Hallowe'en: its origin, rites and ceremonies in the Scottish tradition. Albyn Press, 1970. pp.29–31
  46. Journal of the Royal Society of Antiquaries of Ireland, Volume 2. 1855. pp.308–309
  47. MacLeod, pp.61, 175
  48. 48.0 48.1 Arnold, Bettina (31 October 2001). Bettina Arnold – Halloween Lecture: Halloween Customs in the Celtic World. Halloween Inaugural Celebration. Center for Celtic Studies. Retrieved 16 October 2007.
  49. Bannatyne, Lesley Pratt (1998) Forerunners to Halloween Pelican Publishing Company. ISBN 1-56554-346-7 p.44
  50. Rogers, Nicholas. (2002) "Festive Rights:Halloween in the British Isles". Halloween: From Pagan Ritual to Party Night. pp.43, p.48. Oxford University Press.
  51. 51.0 51.1 Hutton, p.363
  52. The Celtic League Calendar. Celticleague.org. Retrieved 5 March 2013.
  53. 53.0 53.1 53.2 53.3 Hutton, p.364
  54. Pseudo-Bede, Homiliae subdititiae; John Hennig, 'The Meaning of All the Saints', Mediaeval Studies 10 (1948), 147-161.
  55. "All Saints Day," The Oxford Dictionary of the Christian Church, 3rd edition, ed. E. A. Livingstone (Oxford: Oxford University Press, 1997), 41-42; The New Catholic Encyclopedia, eo.loc.
  56. Margot Adler, Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today (Boston, MA: Beacon Press, 1981, ISBN 0807032379).
  57. 57.0 57.1 57.2 Carl McColman, Complete Idiot's Guide to Celtic Wisdom (Alpha Press, 2003, ISBN 0028644174).
  58. Nevill Drury (2009). "The Modern Magical Revival: Esbats and Sabbats", Handbook of Contemporary Paganism. Leiden, Netherlands: Brill Publishers, 63–67. ISBN 9789004163737. 
  59. Hume, Lynne (1997). Witchcraft and Paganism in Australia. Melbourne: Melbourne University Press. ISBN 9780522847826. 
  60. Vos, Donna (2002). Dancing Under an African Moon: Paganism and Wicca in South Africa. Cape Town: Zebra Press, 79–86. ISBN 9781868726530. 
  61. Bodsworth, Roxanne T (2003). Sunwyse: Celebrating the Sacred Wheel of the Year in Australia. Victoria, Australia: Hihorse Publishing. ISBN 9780909223038. 
  62. Equinoxes, Solstice, Cross Quarters shown as seasonal cusps, worshipped by pagans and later religious holidays. Archaeoastronomy.com. Retrieved 2013-03-05.
  63. 63.0 63.1 Isaac Bonewits, Bonewits's Essential Guide to Druidism (New York, NY: Kensington Publishing Group, 2006, ISBN 0806527102).
  64. Starhawk, The Spiral Dance: A Rebirth of the Ancient Religion of the Great Goddess, 2nd rev. ed. (New York, Harper and Row, 1989, ISBN 0062508148).

References
ISBN links support NWE through referral fees

  • Carmichael, Alexander. Carmina Gadelica. Lindisfarne Press, 1992. ISBN 0940262509
  • Chadwick, Nora. The Celts. London: Penguin, 1970. ISBN 0140212116
  • Danaher, Kevin. The Year in Ireland. Dublin: Mercier, 1972. ISBN 1856350932
  • Evans-Wentz, W. Y. The Fairy-Faith in Celtic Countries. New York, NY: Citadel, 1990. ISBN 0806511605
  • MacKillop, James. Dictionary of Celtic Mythology. Oxford University Press, 1998. ISBN 0192801201
  • McNeill, F. Marian. Silver Bough: Calendar of Scottish National Festivals - Hallowe'en to Yule Vol. 3. Glasgow: Stuart Titles Ltd, 1990. ISBN 0948474041
  • Hutton, Ronald. The Pagan Religions of the Ancient British Isles: Their Nature and Legacy. Oxford: Blackwell, 1993. ISBN 0631189467
  • O'Driscoll, Robert (ed.). The Celtic Consciousness. New York, NY: George Braziller, 1985. ISBN 0807611360
  • Campbell, John Gregorson, and Ronald Black. The Gaelic Otherworld. Edinburgh: Birlinn Ltd., 2005. ISBN 1841582077
  • Adler, Margot. Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today. Boston, MA: Beacon Press, 1981. ISBN 0807032379
  • McColman, Carl. Complete Idiot's Guide to Celtic Wisdom. Alpha Press, 2003. ISBN 0028644174
  • Bonewits, Isaac. Bonewits's Essential Guide to Druidism. New York, NY: Kensington Publishing Group, 2006. ISBN 0806527102
  • Starhawk. The Spiral Dance: A Rebirth of the Ancient Religion of the Great Goddess, 2nd rev. ed. New York, Harper and Row, 1989. ISBN 0062508148
  • Kondratiev, Alexei. Samhain: Season of Death and Renewal, An Tríbhís Mhór: The IMBAS Journal of Celtic Reconstructionism 2(1/2) (Samhain 1997/Iombolg 1998). Retrieved February 3, 2009.
  • Cabot, Laurie, and Jean Mills. Celebrate the Earth: A Year of Holidays in the Pagan Tradition. New York, NY: Dell Publisching, 1994. ISBN 0385309201
  • Hamilton, Claire. Celtic Book of Seasonal Meditations: Celebrate the Traditions of the Ancient Celts. York Beach, ME: Red Wheel/Weiser, 2003. ISBN 1590030559

External links

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