Difference between revisions of "New York school" - New World Encyclopedia

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The '''New York School''' was an informal group of American [[poet]]s, [[painter]]s and [[musician]]s active in [[1950s]] [[New York City]].  Critics argued that their work was a reaction to the [[Confessionalism (poetry)|Confessionalist]] movement in contemporary poetry.   
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The '''New York School''' was an informal group of American [[poet]]s, [[painter]]s and [[musician]]s active in [[1950s]] [[New York City]].  Critics suggest that their work was a reaction to the [[Confessionalism (poetry)|Confessionalist]] movement in contemporary poetry.   
  
 
Poets:   
 
Poets:   

Revision as of 06:55, 20 October 2006

The New York School was an informal group of American poets, painters and musicians active in 1950s New York City. Critics suggest that their work was a reaction to the Confessionalist movement in contemporary poetry.

Poets:

Poets most often associated with this group are John Ashbery, Ted Berrigan, Kenneth Koch, Frank O'Hara, Bernadette Mayer, Alice Notley, Barbara Guest, Kenward Elmslie, Ron Padgett, and James Schuyler. There are also commonalities between the New York School and the earlier Beat Generation poets active in 1940s and 1950s New York City. Their poetic subject matter was often light, violent, or observational, while their writing style was often described as cosmopolitan and world-traveled. The poets often drew inspiration from Surrealism and the contemporary avant-garde art movement, in particular the action painting of their friends in the New York City art circle.

Artists:

Painters most often associated with the group are Jane Freilicher, Fairfield Porter, Larry Rivers, Joe Brainard, Mark Rothko and to a lesser extent Grace Hartigan, Jackson Pollock and Willem de Kooning.

Composers:

The term also refers to a circle of composers in the 1950's who orbited around John Cage: Morton Feldman, Earle Brown, Christian Wolff and David Tudor above all. Their music paralleled the music and events of the Fluxus group, and drew its name from the Abstract Expressionist painters above. What brought these artists together was a faith in the liberation of the unconscious and an excitement drawn from the street energies of Manhattan.

Books

  • Statutes of Liberty, The New York School of Poets, Geoff Ward, Second Edition, 2001
  • The New American Poetry, 1945-1960, Donald Merriam Allen, 1969
  • An Anthology of New York Poets, Ron Padgett (ed.) and David Shapiro (ed.), 1970
  • Frank O'Hara: Poet Among Painters, Marjorie Perloff, 1977
  • The Last Avant-Garde: The Making of the New York School of Poets, David Lehman, 1998


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