Lewis Carroll

From New World Encyclopedia
Charles Lutwidge Dodgson ('Lewis Carroll') - believed to be a self-portrait

Charles Lutwidge Dodgson (January 27 1832 – January 14 1898), better known by the pen name Lewis Carroll, was an English author, mathematician, logician, clergyman, and photographer who is best remembered today as one of the world's most beloved authors of children's stories and nonsense poetry. Carroll's genius for surreal storytelling, wordplay, and pure humor has made him one of the most enduring and critically acclaimed of all writers in the genre. His most famous works are Alice's Adventures in Wonderland and its sequel Through the Looking-Glass as well as the poems "The Hunting of the Snark" and "Jabberwocky". His facility at word play, logic, and fantasy has delighted audiences ranging from children to the literary elite. But beyond this, his work has become embedded deeply in modern culture, and he has influenced a wide range of artists, from other children's writers to literary giants such as Borges and Joyce.

Early life

Antecedents

Dodgson's family was predominantly northern English, with some Irish connections. Conservative and High Church Anglican, most of Dodgson's ancestors were army officers or Church of England clergymen. His great-grandfather, also Charles Dodgson, had risen through the ranks of the church to become a bishop; his grandfather, another Charles, had been an army captain, killed in action in 1803 when his two sons were hardly more than babies.

The elder of these sons — yet another Charles — was Carroll's father. He reverted to the other family business and took holy orders. He went to Rugby School, and thence to Christ Church, Oxford. He was mathematically gifted and won a double first degree which could have been the prelude to a brilliant academic career. Instead he married his first cousin in 1827 and retired into obscurity as a country parson.

Young Charles

Young Charles Dodgson was born in the little parsonage of Daresbury in Warrington, Cheshire, the oldest boy but already the third child of the four-and-a-half year old marriage. Eight more were to follow and, remarkably for the time, all of them—seven girls and four boys — survived into adulthood. When Charles was 11, his father was given the living of Croft-on-Tees in north Yorkshire, and the whole family moved to the spacious Rectory. This remained their home for the next twenty-five years.

In his early years, young Dodgson was educated at home. His "reading lists" preserved in the family testify to a precocious intellect: at the age of seven the child was reading The Pilgrim's Progress. He also suffered from a stammer — a condition shared by his siblings — that often influenced his social life throughout his years. At twelve he was sent away to a small private school at nearby Richmond, where he appears to have been happy and settled. But in 1845, young Dodgson moved on to Rugby School, where he was evidently greatly depressed.

Oxford

He left Rugby at the end of 1849 and, after an interval which remains unexplained, went on in January 1851 to Oxford, attending his father's old college, Christ Church. He had only been at Oxford two days when he received a summons home. His mother had died of "inflammation of the brain" — perhaps meningitis or a stroke — at the age of forty-seven.

His early academic career veered between high-octane promise and irresistible distraction. He may not always have worked hard, but he was exceptionally gifted and achievement came easily to him. In 1852 he received a first in Honour Moderations, and shortly after he was nominated to a Studentship, by his father's old friend Canon Edward Pusey. However, a little later he failed an important scholarship through his self-confessed inability to apply himself to study. Even so, his talent as a mathematician won him the Christ Church Mathematical Lectureship, which he continued to hold for the next twenty-six years. The income was good, but the work bored him. Many of his pupils were older and richer than he was, and almost all of them were uninterested. However, despite early unhappiness, Dodgson was to remain at Christ Church, in various capacities, until his death.

Dodgson the artist

From a young age, Dodgson wrote poetry and short stories, sending them to various magazines and enjoying moderate success. Between 1854 and 1856, his work appeared in the national publications, The Comic Times and The Train, as well as smaller magazines like the Whitby Gazette and the Oxford Critic. Most of this output was humorous, sometimes satirical, but his standards and ambitions were exacting. "I do not think I have yet written anything worthy of real publication (in which I do not include the Whitby Gazette or the Oxonian Advertiser), but I do not despair of doing so some day", he wrote in July 1855.

In 1856 he published his first piece of work under the name that would make him famous. A very predictable little romantic poem called "Solitude" appeared in The Train under the authorship of 'Lewis Carroll'.

In the same year, 1856, a new Dean, Henry Liddell, arrived at Christ Church, bringing with him his young family, all of whom would figure largely in Dodgson's life, and greatly influence his writing career, over the following years. Dodgson became close friends with the mother, Lorina, and the children, particularly the three sisters: Ina, Edith and Alice Liddell. Although Dodgson himself later denied his "little heroine" was based on any real child, [1], he is widely assumed to have derived his own "Alice" from Alice Liddell. However,there is an acrostic poem at the end of Through the Looking Glass which supports this view. Reading downward, taking the first letter of each line, spells out Alice's name in full. The poem has no title in Through the Looking Glass but is usually referred to by its first line, "A Boat Beneath a Sunny Sky"

Though information is scarce, it does seem clear that his friendship with the family was an important part of his life in the late 1850s, and he grew into the habit of taking the children (first the boy, Harry, and later the three girls) on rowing trips to nearby Nuneham or Godstow.

It was on one such expedition, on July 4 1862, that Dodgson invented the outline of the story that eventually became his first and largest commercial success. Having told the story and been begged by Alice Liddell to write it down, Dodgson eventually presented her with a handwritten, illustrated manuscript entitled Alice's Adventures Under Ground in November 1864.

Before this, the family of friend and mentor George MacDonald read Dodgson's incomplete manuscript and the enthusiasm of the MacDonald children encouraged Dodgson to seek publication. In 1863, he had taken the unfinished manuscript to Macmillan the publisher, who liked it immediately. After the possible alternative titles Alice Among the Fairies and Alice's Golden Hour were rejected, the work was finally published as Alice's Adventures in Wonderland in 1865. The illustrations this time were by Sir John Tenniel; Dodgson evidently realised that a published book would need the skills of a professional artist.

The overwhelming commercial success of the first Alice book changed Dodgson's life in many ways. The fame of his alter ego 'Lewis Carroll' soon spread around the world. He was inundated with fan mail and with sometimes unwanted attention. He also began earning quite substantial sums of money. However, perhaps oddly, he didn't use this income as a means of abandoning his seemingly disliked post at Christ Church.

In 1872, a sequel — Through the Looking-Glass — was published. Its somewhat darker mood possibly reflects the changes in Dodgson's life. His father had recently died (1868), plunging him into a depression that would last some years.

In 1876, Dodgson produced his last great work, The Hunting of the Snark a fantastic nonsense poem, exploring the adventures of a bizarre crew of variously inadequate beings, and one beaver, who set off to find the eponymous creature.

The later years

Over the remaining twenty years of his life, throughout his growing wealth and fame, Dodgson's existence remained little changed. He continued to teach at Christ Church until 1881, and remained in residence there until his death. His last novel, the two-volume Sylvie and Bruno, was published in 1889 and 1893 respectively. Its extraordinary convolutions and apparent confusion baffled most readers and it achieved little success. He died at his sisters' home in Guildford on January 14 1898 of pneumonia following influenza. He was not quite sixty-six years old. He is buried in Guildford at the Mount Cemetery.

Notes

  1. Cohen, Morton N. (ed), The Letters of Lewis Carroll, London: Macmillan, 1979.

References
ISBN links support NWE through referral fees

  • Bowman, Isa (1899), The Story of Lewis Carroll, Told by the Real Alice in Wonderland, London: Dent ISBN 0-8128-2870-4
  • Cohen, Morton N. (1995), Lewis Carroll: A Biography, London: Macmillan ISBN 0679745629
  • Collingwood, Stuart Dodgson (1898), The Life and Letters of Lewis Carroll, London: T. Fisher Unwin ISBN 1417926252
  • Huxley, Francis (1976), The Raven and the Writing Desk. (ISBN 0-06-012113-0).
  • Kelly, Richard, Lewis Carroll. Boston: Twayne Publishers, 1990. ISBN 155111223X
  • Leach, Karoline (1999), In the Shadow of the Dreamchild: A New Understanding of Lewis Carroll, London: Peter Owen Publishers ISBN 0720610443
  • Lennon, Florence Becker (1947), Lewis Carroll, London: Cassell ISBN 048622838X
  • Reed, Langford (1932), The Life of Lewis Carroll, London: W. and G. Foyle ISBN 0848222512
  • Taylor, Alexander L., Knight (1952), The White Knight, Edinburgh: Oliver and Boyd ISBN 0849227003
  • Taylor, Roger & Wakeling, Edward, Lewis Carroll, Photographer, 2002 (Catalogues nearly every Carroll photograph known to be still in existence.) ISBN 0691074437
  • Wullschläger, Jackie, Inventing Wonderland, (ISBN 0-7432-2892-8)

External links

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