Difference between revisions of "Apep" - New World Encyclopedia

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[[Image:Apep_1.jpg|right|250px|thumbnail|An [[Deities#Egyptian_mythology|Egyptian deity]] wards off the snake-like Apep]]
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[[Image:Apep_1.jpg|right|250px|thumbnail|An Egyptian deity wards off the snake-like Apep.]]
In Egyptian mythology, '''Apep''' (also spelled '''Apepi''', and '''Aapep''', or '''Apophis''' in [[Greek language|Greek]]) was a serpent [[demon]] who represented the forces of chaos, death, and disorder. As such, he was the mortal enemy (and polar opposite) of order, personified as the goddess [[Ma'at]], and light, as incarnated in the form of [[Ra]]. This adversarial construal of the demon is evidenced in various surviving texts from the Middle Kingdom period onwards (ca. 2000-1650 BCE), including the [[Book of the Dead]] and the [[Book of Gates]]—both of which are concerned with the geography and mythology of the underworld.
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In [[Egyptian mythology]], '''Apep''' (also spelled '''Apepi''', and '''Aapep''', or '''Apophis''' in [[Greek language|Greek]]) was a serpent [[demon]] who represented the forces of chaos, death, and disorder. As such, he was the mortal enemy (and polar opposite) of order, personified as the goddess [[Ma'at]], and light, as incarnated in the form of [[Ra]]. This adversarial construal of the demon is evidenced in various surviving texts from the Middle Kingdom period onwards (ca. 2000-1650 B.C.E.), including the ''[[Book of the Dead]]'' and the ''[[Book of Gates]]''—both of which are concerned with the geography and mythology of the underworld.
 
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Although Apep was depicted in a serpentine form, this should not be extrapolated as signifying a general demonization of snakes within Egyptian culture. As counter-examples, one should note that the creator god [[Atum]] was occasionally represented as a serpent in religious iconography, and that many apotropaic [[talisman]]s were fashioned in the form of reptiles.<ref>Brian Brown, "Egyptian Magic" in [http://www.sacred-texts.com/egy/woe/woe08.htm The Wisdom of the Egyptians], 1923. Retrieved August 18, 2007. 256-257.</ref>
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Although Apep was depicted in a serpentine form, this should not be extrapolated as signifying a general demonization of [[snake]]s within Egyptian culture. As counter-examples, one should note that the creator god [[Atum]] was occasionally represented as a serpent in religious iconography, and that many apotropaic [[talisman]]s were fashioned in the form of [[reptile]]s.<ref>Brian Brown, "Egyptian Magic" in [http://www.sacred-texts.com/egy/woe/woe08.htm The Wisdom of the Egyptians], 1923. 256-257. Retrieved August 18, 2007.</ref>
  
 
==Apep in an Egyptian Context==
 
==Apep in an Egyptian Context==
 
{{Hiero|Apep|<hiero>O29:p*p-I15</hiero><ref>Hieroglyph as per Budge (1969), Vol. I, 180.</ref>||align=right|era=egypt}}
 
{{Hiero|Apep|<hiero>O29:p*p-I15</hiero><ref>Hieroglyph as per Budge (1969), Vol. I, 180.</ref>||align=right|era=egypt}}
As an Egyptian demon, Apep belonged to a complex religious, mythological and cosmological belief system developed in the [[Nile]] river basin from earliest prehistory to 525 BCE.<ref>This particular "cut-off" date has been chosen because it corresponds to the Persian conquest of the kingdom, which marks the end of its existence as a discrete and (relatively) circumscribed cultural sphere. Indeed, as this period also saw an influx of immigrants from Greece, it was also at this point that the Hellenization of Egyptian religion began. While some scholars suggest that even when "these beliefs became remodeled by contact with Greece, in essentials they remained what they had always been" (Erman, 203), it still seems reasonable to address these traditions, as far as is possible, within their own cultural milieu.</ref> Indeed, it was during this relatively late period in Egyptian cultural development, a time when they first felt their beliefs threatened by foreigners, that many of their myths, legends and religious beliefs were first recorded.<ref>The numerous inscriptions, stelae and papyri that resulted from this sudden stress on historical posterity provide much of the evidence used by modern archeologists and Egyptologists to approach the ancient Egyptian tradition (Pinch, 31-32).</ref> The cults within this framework, whose beliefs comprise the myths we have before us, were generally fairly localized phenomena, with different deities having the place of honor in different communities.<ref>These local groupings often contained a particular number of deities and were often constructed around the incontestably primary character of a creator god (Meeks and Meeks-Favard, 34-37).</ref> Despite this apparently unlimited diversity, however, the gods (unlike those in many other pantheons) were relatively ill-defined. As Frankfort notes, “the Egyptian gods are imperfect as individuals. If we compare two of them … we find, not two personages, but two sets of functions and emblems. … The hymns and prayers addressed to these gods differ only in the epithets and attributes used. There is no hint that the hymns were addressed to individuals differing in character.”<ref>Frankfort, 25-26.</ref> One reason for this was the undeniable fact that the Egyptian gods were seen as utterly [[immanent|immanental]]&mdash;they represented (and were continuous with) particular, discrete elements of the natural world.<ref>Zivie-Coche, 40-41; Frankfort, 23, 28-29.</ref> Thus, those who did develop characters and mythologies were generally quite portable, as they could retain their discrete forms without interfering with the various cults already in practice elsewhere. Also, this flexibility was what permitted the development of multipartite cults (i.e. the cult of [[Amun-Re]], which unified the domains of [[Amun]] and [[Re]]), as the spheres of influence of these various deities were often complimentary.<ref>Frankfort, 20-21.</ref>
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As an Egyptian deity, Apep belonged to a religious, mythological and cosmological belief system that developed in the [[Nile]] river basin from earliest prehistory to around 525 B.C.E.<ref>This particular "cut-off" date has been chosen because it corresponds to the Persian conquest of the kingdom, which marks the end of its existence as a discrete and (relatively) circumscribed cultural sphere. Indeed, as this period also saw an influx of immigrants from Greece, it was also at this point that the Hellenization of Egyptian religion began. While some scholars suggest that even when "these beliefs became remodeled by contact with Greece, in essentials they remained what they had always been" (Erman, 203), it still seems reasonable to address these traditions, as far as is possible, within their own cultural milieu.</ref> Indeed, it was during this relatively late period in Egyptian cultural development, a time when they first felt their beliefs threatened by foreigners, that many of their myths, legends and religious beliefs were first recorded.<ref>The numerous inscriptions, stelae and papyri that resulted from this sudden stress on historical posterity provide much of the evidence used by modern archeologists and Egyptologists to approach the ancient Egyptian tradition (Pinch, 31-32).</ref> The cults were generally fairly localized phenomena, with different deities having the place of honor in different communities.<ref>These local groupings often contained a particular number of deities and were often constructed around the incontestably primary character of a creator god (Meeks and Meeks-Favard, 34-37).</ref> Yet, the Egyptian gods (unlike those in many other pantheons) were relatively ill-defined. As Frankfort notes, “If we compare two of [the Egyptian gods] … we find, not two personages, but two sets of functions and emblems. … The hymns and prayers addressed to these gods differ only in the epithets and attributes used. There is no hint that the hymns were addressed to individuals differing in character.”<ref>Frankfort, 25-26.</ref> One reason for this was the undeniable fact that the Egyptian gods were seen as utterly immanent&mdash;they represented (and were continuous with) particular, discrete elements of the natural world.<ref>Zivie-Coche, 40-41; Frankfort, 23, 28-29.</ref> Thus, those Egyptian gods who did develop characters and mythologies were generally quite portable, as they could retain their discrete forms without interfering with the various cults already in practice elsewhere. Furthermore, this flexibility was what permitted the development of multipartite cults (i.e. the cult of [[Amun-Re]], which unified the domains of [[Amun]] and [[Re]]), as the spheres of influence of these various deities were often complimentary.<ref>Frankfort, 20-21.</ref>
  
The worldview engendered by ancient Egyptian religion was uniquely appropriate to (and defined by) the geographical and calendrical realities of its believer’s lives. Unlike the beliefs of the [[Hebrews]], [[Mesopotamia]]ns and others within their cultural sphere, the Egyptians viewed both history and cosmology as being well ordered, cyclical and dependable. As a result, all changes were interpreted as either inconsequential deviations from the cosmic plan or cyclical transformations required by it.<ref>Assmann, 73-80; Zivie-Coche, 65-67; Breasted argues that one source of this cyclical timeline was the dependable yearly fluctuations of the Nile (8, 22-24).</ref> The major result of this perspective, in terms of the religious imagination, was to reduce the relevance of the present, as the entirety of history (when conceived of cyclically) was ultimately defined during the creation of the cosmos. The only other aporia in such an understanding is death, which seems to present a radical break with continuity. To maintain the integrity of this worldview, an intricate system of practices and beliefs (including the extensive mythic geographies of the afterlife, texts providing moral guidance (for this life and the next) and rituals designed to facilitate the transportation into the afterlife) was developed, whose primary purpose was to emphasize the unending continuation of existence.<ref>Frankfort, 117-124; Zivie-Coche, 154-166.</ref> Given these two cultural foci, it is understandable that the tales recorded within this mythological corpus tended to be either creation accounts or depictions of the world of the dead, with a particular focus on the relationship between the gods and their human constituents.
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The worldview engendered by ancient Egyptian religion was uniquely defined by the geographical and calendrical realities of its believers' lives. The Egyptians viewed both history and cosmology as being well ordered, cyclical and dependable. As a result, all changes were interpreted as either inconsequential deviations from the cosmic plan or cyclical transformations required by it.<ref>Assmann, 73-80; Zivie-Coche, 65-67; Breasted argues that one source of this cyclical timeline was the dependable yearly fluctuations of the Nile (8, 22-24).</ref> The major result of this perspective, in terms of the religious imagination, was to reduce the relevance of the present, as the entirety of history (when conceived of cyclically) was defined during the creation of the cosmos. The only other aporia in such an understanding is death, which seems to present a radical break with continuity. To maintain the integrity of this worldview, an intricate system of practices and beliefs (including the extensive mythic geographies of the afterlife, texts providing moral guidance (for this life and the next) and rituals designed to facilitate the transportation into the afterlife) was developed, whose primary purpose was to emphasize the unending continuation of existence.<ref>Frankfort, 117-124; Zivie-Coche, 154-166.</ref> Given these two cultural foci, it is understandable that the tales recorded within this mythological corpus tended to be either creation accounts or depictions of the world of the dead, with a particular focus on the relationship between the gods and their human constituents.
  
==Development==
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==The Development of Apep==
Apep formed part of the more complex cosmic system resulting from the identification of [[Ra]] as [[Atum]], i.e. the creation of ''Atum-Ra'', and the subsequent merging of the [[Ogdoad]] and [[Ennead]] systems. Consequently, since Atum-Ra, who was later referred to simply as Ra, was the [[solar deity]], bringer of light, and thus the upholder of Ma'at, Apep was viewed as the greatest enemy of Ra, and thus was given the title ''Enemy of Ra''.
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From earliest Egyptian prehistory, snakes (and other reptiles) were regarded with a mixture of awe, fear and respect. Their alien appearance, coupled with the dangers inherent in their venom-laced attacks and their ability to "return to life" following a period of hibernation, guaranteed reverence from the Egyptians (likely due to their naturalistic cosmology and theology ([[#Apep in an Egyptian Context|described above]])).<ref>Budge (1969), Vol. I, 23-24.</ref> As a result of these generalized (and historically ancient) attitudes towards serpents, it is understandable that they would suggested themselves to the mythic imagination as suitable aggressors against the forces of order and light: "Apep, the serpent-devil of mist, darkness, storm, and night, ... and his fiends, the 'children of rebellion,' were not the result of the imagination of the Egyptians in historic times, but their existence dates from the period when Egypt was overrun by mighty beasts, huge serpents, and noxious reptiles of all kinds."<ref>Budge (1969), Vol. I, 11.</ref>
  
As the personification of all that was evil, Apep was seen as a giant [[snake]], [[crocodile]], [[Serpent (symbolism)|serpent]], or in later years, in a few cases, as a [[European dragon|dragon]], leading to titles such as ''Serpent from the Nile'', and ''Evil [[lizard]]''. Some elaborations even said that he stretched 16 [[yard]]s in length and had a head made of [[flint]]. It is to be noted that already on a Naqada I (ca. 4000 BC) C-ware dish (now in Cairo) a snake was painted combined with other desert and aquatic animals as a possible enemy of a solar god who is invisibly hunting in a big rowing vessel (C.Wolterman, in: Jaarbericht van Ex Oriente Lux, Leiden (Holland) Nr. 37 (2002)). Also, comparable hostile snakes as enemies of the sun god existed under other names (in the Pyramid Texts and Coffin Texts) already before the name Apep occurred.
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More specifically, Apep (when characterized as a single, discrete antagonist to the gods) emerged during the twenty-first century B.C.E., as the Egyptian pantheon was coalescing into a [[henotheism]] ruled by a sun god. This deity, alternately identified as [[Ra]], [[Atum]]-Ra, [[Amun]]-Ra, or Ra-[[Horus|Horekhty]], was seen as the creator of the universe and the upholder of [[Ma'at]] (order). As a result, the demonic serpent, already associated with darkness and disorder, came to be seen as the greatest enemy of Ra.<ref>This is the earliest attestable date (see, for example, Pinch, 106; Wilkinson, 221), but earlier evidence possibly exists. For example, a Naqada I (ca. 4000 B.C.E.) C-ware dish (now in Cairo) features a snake was painted combined with other desert and aquatic animals, who is depicted as a possible enemy of a solar god. See C. Wolterman, in ''Jaarbericht van Ex Oriente Lux'', Leiden (Holland) Nr. 37 (2002)).</ref> Given the cyclical understanding of time that dominated the Egyptian worldview ([[#Apep in an Egyptian Context|as described above]]), the contention between the solar deity and the serpent of darkness was understood to be enacted every day, from the disappearance of the sun at dusk to its triumphant return at dawn. This notion led to the development of an involved mythology of conflict between these forces, as will be [[#Battles with Ra|explored below]].
The etymology of his name ('pp) is perhaps to be sought in some west-semitic language where a word root "pp meaning 'to slither' existed. A verb root 'pp does at any rate not exist elsewhere in Ancient Egyptian. Apep's name much later came to be falsely connected etymologically in Egyptian with a different root meaning ''(he who was) spat out''; the [[Ancient Rome|Romans]] referred to Apep by this translation of his name.  
 
  
Apparently because of the ''spat out'' interpretation of the name Apep, it was said that he had been formed by [[Neith]], who had been the deification of the primordial waters in the [[Ennead]], from a length of [[spittle|spit]] she had spat at [[Naunet|Nu]], the deification of the primordial waters in the [[Ogdoad]]. Some subsequent commentators speculated that Apep must have been an earlier creator, and chief god, thus explaining why he had so much [[enmity]] towards Ra, but evidence for such a conclusion is slight.
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In a later creation account, the problem of [[theodicy]] is explicitly addressed by claiming that Apep (and the forces of chaos and confusion that he represents) are an inherent part of the created order. Specifically, he was thought to have sprung into existence from the spittle of [[Neith]] (the personification of the primordial waters), which meant that Apep was a part of the creation from the very beginning. As Zivie-Coche notes, "in this particular vision of the world, which I think has no parallel, evil was created in its symbolic form of Apopis. The faults worked in the cosmos by the presence of evil were not contrary to the creative will of the creator god, and this point of view was a way of mythically ratifying the reality of this world and its deficiencies."<ref>Zivie-Coche, 64.</ref>
  
After the end of the Middle Kingdom, the foreign [[Hyksos]], now rulers over Egypt, chose [[Set (god)|Set]], as their favorite deity, since he had been protector of Ra, and was associated with Lower Egypt, where their power base was. Consequently, because the foreign overlords were hated by [[nationalism|nationalistic]] groups, Set became gradually demonised, and started being thought of as an evil god. Indeed, because of the extreme level of nationalism and [[xenophobia]], Set eventually became thought of as the god of evil, and gradually took on all the characteristics of Apep. Consequently, Apep's identity was eventually entirely subsumed by that of Set.{{Fact|date=April 2007}}
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Though Apep was generally understood to be the ultimate force of evil in the Egyptian theology, other deities occasionally came to occupy a similarly reviled place. One of the most notable was [[Set]], former patron of the deserts and guardian of the Lower Kingdom, who was adopted as a chief deity by the [[Hyksos]] after their conquest of Egypt (ca. 1650 B.C.E.). Since these foreign overlords were hated by nationalistic groups, Set was gradually demonized, to the extent that he came to be characterized as an evil god. As a result, he eventually took on many of the characteristics of Apep.<ref>Wilkinson, 197-198; Pinch, 191-193; Erman, 168-169. See also Zivie-Coche, 64, which addresses the "equivocal personality of Seth."</ref> Despite this development, Set never entirely displaced Apep, likely because he was still identified as one of the most potent defenders of the Sun God on his nightly voyage.<ref>Pinch, 191; Wilkinson, 198.</ref>
  
 
==Battles with Ra==
 
==Battles with Ra==
[[Image:Apep_2.jpg|right|175px|thumbnail|An Egyptian deity (likely [[Ra]] in his "Great Tom Cat" guise)<ref>Pinch, 107.</ref> slays the snake-like Apep]]
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[[Image:Apep_2.jpg|right|175px|thumbnail|An Egyptian deity (likely [[Ra]] in the guise of the "Great Tom Cat")<ref>Pinch, 107.</ref> slays the snake-like Apep.]]
Tales of Apep's battles against Ra were elaborated during the [[New Kingdom]]. Since nearly everyone can see that the sun is not attacked by a giant snake during the day, every day, story tellers said that Apep must lie just below the horizon. This appropriately made him a part of the [[duat|underworld]], which attacked the sun each night. In some stories Apep waited for Ra in a western mountain called [[Bakhu]], where the sun [[sunset|set]], and in others Apep lurked just before [[dawn]], in the ''Tenth region of the Night''. The wide range of Apep's possible location gaining it the title ''World Encircler''. It was thought that his terrifying roar would cause the underworld to rumble. Myths sometimes say that Apep was trapped there, because he had been the previous chief god and suffered a [[coup d'etat]] by Ra, or because he was evil and had been imprisoned.
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The tales of the sun's nightly battles against the forces of darkness (represented by Apep) were extensively elaborated upon during the [[New Kingdom]] period (1550-1070 B.C.E.). In this cosmological understanding, the serpent demon was thought to reside below the horizon, in the heart of the ''duat'' (underworld). In some versions, Apep waited for Ra (ensconced in the solar barque) in a western mountain called ''Bakhu'', where the sun set, and in others Apep lurked just before dawn, in the ''Tenth region of the Night''. The wide range of possible locations for this dreadful battle earned Apep the title ''World Encircler''.  
  
—Book of Gates (9th Division)—
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In these battles, Apep attempted to transfix the assembled gods using his hypnotic gaze, after which point he sought to devour them (whilst simultaneously choking the river on which they traveled). In his efforts, Apep was thought to be aided by a coterie of lesser demons, all of whom had to be slain or driven away by the defenders of the god. Fortunately for Ra, he also had the assistance of various powerful deities, including [[Set (god)|Set]] (a being renowned for his might), Mehen (a serpent god), Serket (a scorpion goddess), [[Maahes]] (a lion god), [[Bast (goddess)|Bast]] (a cat goddess), and [[Shu (Egyptian deity)|Shu]] (the primordial personification of air).<ref>Wilkinson, 221; Pinch, 106-108. Meeks and Favard-Meeks, 114-117.</ref> These myths are best explored through the surviving textual corpus, accounts from which are quoted at length below.
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The earliest part of the night, when the sun has first disappeared beyond the horizon, is described in the ''Book of Gates'':
 
:When [[Ra|AFU-Ra]] has passed through, and the Gate is closed, the gods outside set up a wail, for they must abide in darkness until he re-appears. So soon as the god has entered the DIVISION four gods of the Tuat appear and take hold of the tow-line, but they cannot advance until a path is cleared for them. The obstacles in their way take the forms of the huge serpent APEP, and a great crocodile, the tail of which is in the form of a serpent's head and neck; the name of the latter monster is given both as SESHSESH and SESSI. These have taken up their positions at the end of the DIVISION, in that portion of the Tuat which is not very far from the place of sunrise, and a company of beings appear on behalf of AFU-RA, and proceed to remove the monsters by means of words of power and magical ceremonies.
 
:When [[Ra|AFU-Ra]] has passed through, and the Gate is closed, the gods outside set up a wail, for they must abide in darkness until he re-appears. So soon as the god has entered the DIVISION four gods of the Tuat appear and take hold of the tow-line, but they cannot advance until a path is cleared for them. The obstacles in their way take the forms of the huge serpent APEP, and a great crocodile, the tail of which is in the form of a serpent's head and neck; the name of the latter monster is given both as SESHSESH and SESSI. These have taken up their positions at the end of the DIVISION, in that portion of the Tuat which is not very far from the place of sunrise, and a company of beings appear on behalf of AFU-RA, and proceed to remove the monsters by means of words of power and magical ceremonies.
 
:...
 
:...
:Having taken up their positions for attacking Apep the men with the harpoons work the rope which is attached to AM, the goddesses and the apes shake out their rope nets over their heads, and recite their spells, and the men who know the proper words of power shake out their nets and recite the formulae which shall have the effect of throwing APEP and SESSI into the state of stupefaction wherein it will be easy to slay them. The spells and words of power have their proper effect, the monsters are fascinated and slain, and the path of AFU-RA is clear.<ref>"The Book of the Gates" (IX) in [http://www.sacred-texts.com/egy/gate/gate27.htm The Egyptian Heaven and Hell]], translated by E. A. Budge, 182-183, 184-185.</ref>
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:Having taken up their positions for attacking Apep the men with the harpoons work the rope which is attached to AM, the goddesses and the apes shake out their rope nets over their heads, and recite their spells, and the men who know the proper words of power shake out their nets and recite the formulae which shall have the effect of throwing APEP and SESSI into the state of stupefaction wherein it will be easy to slay them. The spells and words of power have their proper effect, the monsters are fascinated and slain, and the path of AFU-RA is clear.<ref name=budge>"The Book of the Gates" (IX) in [http://www.sacred-texts.com/egy/gate/gate27.htm The Egyptian Heaven and Hell], translated by E. A. Budge, 182-183, 184-185.</ref>
  
—Book of Gates (11th Division)—
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Despite the grim profile of Apep on the horizon, the solar barque&mdash;propelled by the magical utterances of the divine host&mdash;sails inexorably forward:
:Those who are in this scene [with] their weapons in their hand take their knives and hack [with them] at Apep; they make gashes in him and slaughter him, and they drive stakes whereby to fetter him in the regions which are in the upper height. The fetters of the REBEL are in the hands of the Children of Horus, who stand threateningly by this god with their chains between their fingers. This god reckoneth up his members after he whose arms are hidden hath opened [the door] to make a way for Ra.<ref>"The Book of the Gates" (IX) in [http://www.sacred-texts.com/egy/gate/gate27.htm The Egyptian Heaven and Hell]], translated by E. A. Budge, 182-183, 184-185.</ref>
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:The Majesty of this great god taketh up his abode in the Hall of Osiris, and the Majesty of this god addresseth words to the Hall of the gods who dwell therein. This god performeth all the rites proper [for entering] this Hall, and he advanceth on his way against Apep by means of the words of power of Isis, and by means of the words of power of the Sovereign God.<ref>"The Book of the Am-Tuat" (VII) in [http://www.sacred-texts.com/egy/bat/bat10.htm The Egyptian Heaven and Hell], translated by E. A. Budge, 139-140.</ref>
  
—7th Hour—
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When the assembled gods finally descend upon the venomous serpent, they fall upon him in a furious array:
:The Majesty of this great god taketh up his abode in the Hall of Osiris, and the Majesty of this god
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:Those who are in this scene [with] their weapons in their hand take their knives and hack [with them] at Apep; they make gashes in him and slaughter him, and they drive stakes whereby to fetter him in the regions which are in the upper height. The fetters of the REBEL are in the hands of the Children of Horus, who stand threateningly by this god with their chains between their fingers. This god reckoneth up his members after he whose arms are hidden hath opened [the door] to make a way for Ra.<ref name=budge/>
addresseth words to the Hall of the gods who dwell therein. This god performeth all the rites proper [for entering] this Hall, and he advanceth on his way against Apep by means of the words of power of Isis, and by means of the words of power of the Sovereign God.<ref>"The Book of the Am-Tuat" (VII) in [[http://www.sacred-texts.com/egy/bat/bat10.htm The Egyptian Heaven and Hell]], translated by E. A. Budge, 139-140.</ref>
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With this, the serpent god is repelled, his odious influence mitigated until the recommencement of hostilities the following night.
  
<describe in context of the image> "The goddesses who hack at Apep in the Tuat, who repulse (or, bring to nought) the affairs (or, matters) of the enemies of Ra."<ref>"The Book of the Am-Tuat" (VII) in [[http://www.sacred-texts.com/egy/bat/bat10.htm The Egyptian Heaven and Hell]], translated by E. A. Budge, 145.</ref>
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In addition to their role in the mythic cosmology, some of these tales also had an etiological function. Specifically, various natural occurrences were explained by suggesting that they were instances where Apep had briefly gained the upper hand in the titanic struggle. For example, the rumbling of thunder and the chthonic trembling of earthquakes were both attributed to the thrashings of the giant reptile. Further, it was even thought that Apep could occasionally manage to swallow Ra during the day, which would cause a solar eclipse. Fortunately, Ra's defenders were present to cut the god free, meaning that eclipses always ended within a few minutes.<ref>Pinch, 107; Wilkinson, 222.</ref>
 
 
:The [[Ra|great god]] maketh his way over it in his holy boat, and he passeth over this road which has no water, and none to tow. He maketh his way by means of the words of power of [[Isis]], and by means of the words of power of SEMSU (?), and the utterances of this great god himself [act as] magical protectors, and perform the slaughters of APEP in the Tuat, in this Circle in his windings in the sky.<ref>"The Book of the Am-Tuat" (VII) in [[http://www.sacred-texts.com/egy/bat/bat10.htm The Egyptian Heaven and Hell]], translated by E. A. Budge, 146-147.</ref>
 
 
 
In his battles, Apep was thought to use a [[magic (paranormal)|magical]]  [[gaze]] to [[hypnotise]] Ra and his entourage, attempting to devour them whilst [[choking]] the river on which they travelled through the underworld with his coils. Sometimes Apep had assistance from other demons, named Sek and [[Mot]]. Ra was assisted by a number of defenders who travelled with him, the most powerful being [[Set (god)|Set]], who sat at the [[Tiller|helm]]. Other gods who feature in later tales as the defenders include fierce warriors such as [[Mehen]], [[Serket]], [[Maahes]], and [[Bast (goddess)|Bast]], together with [[Shu (Egyptian deity)|Shu]].
 
 
 
In a bid to explain natural phenomena it was said that occasionally Apep got the upper hand. The damage to order caused thunderstorms and earthquakes. Indeed: it was even thought that sometimes Apep actually managed to swallow Ra during the day, causing a solar eclipse, but since Ra's defenders quickly cut him free of Apep, the eclipse always ended within a few minutes. On the occasions when Apep was said to have been killed, he was able to return each night (since he lived in the world of the dead already). In [[Atenism]] it is [[Aten]] who kills the monster, obviously, since Aten is the only god in the belief system.
 
  
 
==Worship==
 
==Worship==
Apep was not so much [[worship]]ped, as worshipped against. His defeat each night, in favour of Ra, was thought to be ensured by the prayers of the [[Ancient Egypt|Egyptian]] [[priest]]s and worshipers at [[temple]]s. The Egyptians practiced a number of [[ritual]]s and [[superstition]]s that were thought to ward off Apep, and aid Ra to continue his journey across the sky.
+
As Apep represented a demonic impediment to the daily resurrection of the sun, many religious practices were embarked upon for the specific purpose of transcending his noxious influence. These rituals, which were enacted nightly by the priests and laity, were thought to help ensure the victory of [[Ra]] in his life-and-death struggle with darkness. A more involved version of this rite, entitled the ''Banishing of Apep'', was carried out annually. In it, priests would build an [[scapegoat|effigy of Apep]] that was thought to contain all of the evil and darkness in [[Egypt]], and burn it to protect everyone from Apep's influence for another year.<ref>The specifics of this ritual are described in detail in Budge (1969), Vol. I, 270-271. See also: Wilkinson, 222.</ref>
 
 
In an annual [[rite]], called the ''Banishing of Apep'', priests would build an effigy of Apep that was thought to contain all of the evil and darkness in [[Egypt]], and burn it to protect everyone from Apep's influence for another year, in a similar manner to modern rituals such as [[Zozobra]].
 
 
 
The Egyptian priests even had a detailed ''guide'' to fighting Apep, referred to as ''The Books of Overthrowing Apep'' or (in Greek) the ''Book of Apophis''. The chapters described a gradual process of dismemberment and disposal, and include:
 
*''Spitting Upon Apep''
 
*''Defiling Apep with the Left Foot''
 
*''Taking a Lance to Smite Apep''
 
*''[[Fetter]]ing Apep''
 
*''Taking a Knife to Smite Apep''
 
*''Putting Fire Upon Apep''
 
 
 
In addition to stories about Apep's defeats, this guide had instructions for making [[wax]] models, or small drawings, of the serpent, which would be spat on, mutilated and burnt, whilst reciting [[Spell (paranormal)|spells]] that would aid Ra. Fearing that even the image of Apep could give power to the [[demon]], any rendering would always include another deity to subdue the monster.  
 
 
 
As Apep was thought to live in the underworld, he was sometimes thought of as an ''Eater-up of [[Egyptian soul|Soul]]s''. Thus the dead also needed protection, so they were sometimes buried with spells that could destroy Apep. The [[Book of the Dead]] frequently described occasions when Ra defeated Apep.
 
  
<individual religious observance —> how the worshiper was thought to take part in the nightly battle
+
Various other religious procedures for defending the world from the influence of the demon serpent were recorded in an encyclopedic tome called the ''The Book of Overthrowing Apep''. It was divided into various chapters describing the gradual process of dishonoring, dismembering and disposing of the beast, including the following:
:The majesty of [[Ra|the god]], who is to be feared, setteth forth and cometh unto the land of Manu; he maketh bright the earth at his birth each day; he cometh unto the place where he was yesterday. O mayest thou be at peace with me; may I behold thy beauties; may I advance upon the earth; may I smite the Ass; may I crush the evil one; may I destroy Apep in his hour...<ref>[http://www.sacred-texts.com/egy/ebod/ebod13.htm Egyptian Book of the Dead] (XV), translated by Budge, 248. See also ([http://www.sacred-texts.com/egy/ebod/ebod19.htm CXLVII]), where the deceased (in the guise of Osiris) states: "I have driven back Apep for thee" (295).</ref>
+
* The Chapter of Spitting Upon Apep
 +
* The Chapter of Defiling Apep with the Left Foot
 +
* The Chapter of Taking a Lance to Smite Apep
 +
* The Chapter of Fettering Apep
 +
* The Chapter of Taking a Knife to Smite Apep
 +
* The Chapter of Putting Fire Upon Apep
 +
In addition to stories about Apep's defeats, this guide had instructions for constructing wax models (or small drawings) of the serpent, which would be spat on, mutilated and burnt, whilst the ritual participants were reciting spells that would aid Ra.<ref>This chapter overview has been quoted from Caroline Seawright's "[http://www.thekeep.org/~kunoichi/kunoichi/themestream/apep.html Apep, Water Snake-Demon of Chaos, Enemy of Ra]" Retrieved August 18, 2007. See also Budge (1969), Vol. I, 325 for an exhaustive description of this text.</ref>  
  
<Personalized again —> Apep could interfere with an individual's quest for resurrection>
+
Though the battle between [[Ra]] and Apep was usually set on the cosmic scale, the serpent was also seen as a potential impediment to the successful posthumous journey of individual souls. Thus, the priestly class created various spells and talismans to defend the spirits of the dead against his venomous depredations. For example, "the Snake's Head talisman was worn to protect its wearer from the attacks of Rerek, or Apep, the servant of Set, who was typified as a terrible serpent, which when killed had the power of rising in new forms and who obstructed the passage to the heaven world."<ref>Brian Brown, "Egyptian Magic" in [http://www.sacred-texts.com/egy/woe/woe08.htm The Wisdom of the Egyptians], 1923. 256. Retrieved August 18, 2007.</ref> Further, the [[Book of the Dead]] also suggests that the individual soul will take part in the titanic struggle with the forces of evil on its way to the land of the dead:
The Snake's Head talisman (Illustration No. 42, Plate III) was worn to protect its wearer from the attacks of Rerek, or Apep, the servant of Set, who was typified as a terrible serpent, which when killed had the power of rising in new forms and who obstructed the passage to the heaven world. The serpent, although sometimes assumed to be a form of evil, was generally regarded as a protecting influence, and for this reason was usually sculptured on either side of the doorways to the tombs of kings, temples, and other sacred buildings to guard the dead from enemies of every kind, and to prevent the entrance of evil in any shape or form. It was also placed round the heads of divinities and round the crowns of their kings as a symbol of royal might and power, being one of the forms or types of [[Atum|Tem]] the son of [[Ptah]], who is thought by some authorities to have been the first living man god of the Egyptians, and the god of the setting sun (in contrast to [[Horus]], who was the god of the rising sun).<ref>Brian Brown, "Egyptian Magic" in [http://www.sacred-texts.com/egy/woe/woe08.htm The Wisdom of the Egyptians], 1923. Retrieved August 18, 2007. 256-257.</ref>  
+
:O mayest thou be at peace with me; may I behold thy beauties; may I advance upon the earth; may I smite the Ass; may I crush the evil one; may I destroy Apep in his hour... may my soul come forth and walk hither and thither and whithersoever it pleaseth.... [M]ay there be prepared for me a seat in the boat of the Sun on the day of the going forth of the god; and may I be received into the presence of Osiris in the land of triumph!<ref>[http://www.sacred-texts.com/egy/ebod/ebod13.htm Egyptian Book of the Dead] (XV), translated by Budge, 248-249. See also ([http://www.sacred-texts.com/egy/ebod/ebod19.htm CXLVII]), where the deceased (in the guise of Osiris) states: "I have driven back Apep for thee" (295). For further episodes from this posthumous journey, please refer to Breasted (292-293). Retrieved June 12, 2008.</ref>
  
 
==Notes==
 
==Notes==
Line 73: Line 60:
  
 
==References==
 
==References==
* Assmann, Jan. ''In search for God in ancient Egypt''. Translated by David Lorton. Ithica: Cornell University Press, 2001. ISBN 0801487293.
+
* Assmann, Jan. ''In search for God in ancient Egypt''. Translated by David Lorton. Ithica: Cornell University Press, 2001. ISBN 0801487293
* Breasted, James Henry. ''Development of religion and thought in ancient Egypt''. Philadelphia: University of Pennsylvania Press, 1986. ISBN 0812210454.
+
* Breasted, James Henry. ''Development of religion and thought in ancient Egypt''. Philadelphia: University of Pennsylvania Press, 1986. ISBN 0812210454
* Budge, E. A. Wallis (translator). ''The Egyptian Book of the Dead''. 1895. Accessed at [http://www.sacred-texts.com/egy/ebod/index.htm sacred-texts.com].
+
* Budge, E. A. Wallis (translator). ''The Egyptian Book of the Dead''. 1895. Accessed at [http://www.sacred-texts.com/egy/ebod/index.htm sacred-texts.com] Retrieved June 12, 2008.
* Budge, E. A. Wallis (translator). ''The Egyptian Heaven and Hell''. 1905. Accessed at [www.sacred-texts.com/egy/ehh.htm sacred-texts.com].
+
* &mdash;&mdash;&mdash;. ''The Egyptian Heaven and Hell''. 1905. Accessed at [http://www.sacred-texts.com/egy/ebod/index.htm sacred-texts.com] Retrieved June 12, 2008.
* Budge, E. A. Wallis. ''The gods of the Egyptians; or, Studies in Egyptian mythology''. A Study in Two Volumes. New York: Dover Publications, 1969.
+
* &mdash;&mdash;&mdash;. ''The gods of the Egyptians; or, Studies in Egyptian mythology''. A Study in Two Volumes. New York: Dover Publications, 1969.
* Budge, E. A. Wallis (translator). ''Legends of the Gods: The Egyptian texts''. 1912. Accessed at [http://www.sacred-texts.com/egy/leg/index.htm sacred-texts.com].
+
* &mdash;&mdash;&mdash;. ''Legends of the Gods: The Egyptian texts''. 1912. Accessed at [http://www.sacred-texts.com/egy/leg/index.htm sacred-texts.com] Retrieved June 12, 2008.
* Budge, E. A. Wallis (translator). ''The Rosetta Stone''. 1893, 1905. Accessed at [http://www.sacred-texts.com/egy/trs/index.htm sacred-texts.com].
+
* &mdash;&mdash;&mdash;. ''The Rosetta Stone''. 1893, 1905. Accessed at [http://www.sacred-texts.com/egy/trs/index.htm sacred-texts.com] Retrieved June 12, 2008.
* Dennis, James Teackle (translator). ''The Burden of Isis''. 1910. Accessed at [http://www.sacred-texts.com/egy/boi/index.htm sacred-texts.com].
+
* Dennis, James Teackle (translator). ''The Burden of Isis''. 1910. Accessed at [http://www.sacred-texts.com/egy/boi/index.htm sacred-texts.com] Retrieved June 12, 2008.
* Dunand, Françoise and Zivie-Coche, Christiane. ''Gods and men in Egypt: 3000 BCE to 395 CE''. Translated from the French by David Lorton. Ithaca, NY: Cornell University Press, 2004. ISBN 080144165X.
+
* Dunand, Françoise and Christiane Zivie-Coche. ''Gods and men in Egypt: 3000 B.C.E. to 395 C.E.''. Translated from the French by David Lorton. Ithaca, NY: Cornell University Press, 2004. ISBN 080144165X
 
* Erman, Adolf. ''A handbook of Egyptian religion''. Translated by A. S. Griffith. London: Archibald Constable, 1907.
 
* Erman, Adolf. ''A handbook of Egyptian religion''. Translated by A. S. Griffith. London: Archibald Constable, 1907.
* Frankfort, Henri. ''Ancient Egyptian Religion''. New York: Harper Torchbooks, 1961. ISBN 0061300772.
+
* Frankfort, Henri. ''Ancient Egyptian Religion''. New York: Harper Torchbooks, 1961. ISBN 0061300772
* Griffith, F. Ll. and Thompson, Herbert (translators). ''The Leyden Papyrus''. 1904. Accessed at [http://www.sacred-texts.com/egy/dmp/index.htm sacred-texts.com].
+
* Griffith, F. L. and Herbert Thompson (translators). ''The Leyden Papyrus''. 1904. Accessed at [http://www.sacred-texts.com/egy/dmp/index.htm sacred-texts.com] Retrieved June 12, 2008.
* Klotz, David. ''Adoration of the Ram: Five Hymns to Amun-Re from Hibis Temple''. New Haven, 2006. ISBN 0974002526.
+
* Klotz, David. ''Adoration of the Ram: Five Hymns to Amun-Re from Hibis Temple''. New Haven, 2006. ISBN 0974002526
 
* Larson, Martin A. ''The Story of Christian Origins''. 1977. ISBN 0883310902.
 
* Larson, Martin A. ''The Story of Christian Origins''. 1977. ISBN 0883310902.
* Lindemans, Micha. "Apep" in [http://www.pantheon.org/articles/a/apep.html Encyclopedia Mythica]. Retrieved August 17, 2007.
+
* Lindemans, Micha. "Apep" in [http://www.pantheon.org/articles/a/apep.html Encyclopedia Mythica] Retrieved August 17, 2007.
* Meeks, Dimitri and Meeks-Favard, Christine. ''Daily life of the Egyptian gods''. Translated from the French by G.M. Goshgarian. Ithaca, NY : Cornell University Press, 1996. ISBN 0801431158.
+
* Meeks, Dimitri and Christine Meeks-Favard. ''Daily life of the Egyptian gods''. Translated from the French by G.M. Goshgarian. Ithaca, NY: Cornell University Press, 1996. ISBN 0801431158
* Mercer, Samuel A. B. (translator). ''The Pyramid Texts''. 1952. Accessed online at [www.sacred-texts.com/egy/pyt/index.htm sacred-texts.com].
+
* Mercer, Samuel A. B. (translator). ''The Pyramid Texts''. 1952. Accessed at [http://www.sacred-texts.com/egy/dmp/index.htm sacred-texts.com] Retrieved June 12, 2008.
* Pinch, Geraldine. ''Handbook of Egyptian mythology''. Santa Barbara, CA: ABC-CLIO, 2002. ISBN 1576072428.
+
* Pinch, Geraldine. ''Handbook of Egyptian mythology''. Santa Barbara, CA: ABC-CLIO, 2002. ISBN 1576072428
* Shafer, Byron E. (editor). ''Temples of ancient Egypt''. Ithaca, NY: Cornell University Press, 1997. ISBN 0801433991.
+
* Shafer, Byron E. (editor). ''Temples of ancient Egypt''. Ithaca, NY: Cornell University Press, 1997. ISBN 0801433991
* Wilkinson, Richard H. ''The Complete Gods and Goddesses of Ancient Egypt''. London: Thames and Hudson, 2003. ISBN 0500051208.
+
* Wilkinson, Richard H. ''The Complete Gods and Goddesses of Ancient Egypt''. London: Thames and Hudson, 2003. ISBN 0500051208
  
 
==External links==
 
==External links==
* [http://www.thekeep.org/~kunoichi/kunoichi/themestream/apep.html Apep, Water Snake-Demon of Chaos, Enemy of Ra...] - Retrieved August 17, 2007
+
All links retrieved August 11, 2023.  
* [http://www.egyptianmyths.net/apep.htm ancient Egypt: The Mythology - Apep] - Retrieved August 17, 2007
 
  
{{Ancient Egypt}}
+
* [http://www.egyptianmyths.net/apep.htm Ancient Egypt: The Mythology - Apep]
  
[[Category:Egyptian demons]]
 
[[Category:Dragons]]
 
 
[[Category:Religion]]
 
[[Category:Religion]]
 
[[Category:Philosophy and religion]]
 
[[Category:Philosophy and religion]]
  
 
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Latest revision as of 06:00, 11 August 2023


An Egyptian deity wards off the snake-like Apep.

In Egyptian mythology, Apep (also spelled Apepi, and Aapep, or Apophis in Greek) was a serpent demon who represented the forces of chaos, death, and disorder. As such, he was the mortal enemy (and polar opposite) of order, personified as the goddess Ma'at, and light, as incarnated in the form of Ra. This adversarial construal of the demon is evidenced in various surviving texts from the Middle Kingdom period onwards (ca. 2000-1650 B.C.E.), including the Book of the Dead and the Book of Gates—both of which are concerned with the geography and mythology of the underworld.

Although Apep was depicted in a serpentine form, this should not be extrapolated as signifying a general demonization of snakes within Egyptian culture. As counter-examples, one should note that the creator god Atum was occasionally represented as a serpent in religious iconography, and that many apotropaic talismans were fashioned in the form of reptiles.[1]

Apep in an Egyptian Context

Apep
in hieroglyphs
O29
p p
I15
[2]

As an Egyptian deity, Apep belonged to a religious, mythological and cosmological belief system that developed in the Nile river basin from earliest prehistory to around 525 B.C.E.[3] Indeed, it was during this relatively late period in Egyptian cultural development, a time when they first felt their beliefs threatened by foreigners, that many of their myths, legends and religious beliefs were first recorded.[4] The cults were generally fairly localized phenomena, with different deities having the place of honor in different communities.[5] Yet, the Egyptian gods (unlike those in many other pantheons) were relatively ill-defined. As Frankfort notes, “If we compare two of [the Egyptian gods] … we find, not two personages, but two sets of functions and emblems. … The hymns and prayers addressed to these gods differ only in the epithets and attributes used. There is no hint that the hymns were addressed to individuals differing in character.”[6] One reason for this was the undeniable fact that the Egyptian gods were seen as utterly immanent—they represented (and were continuous with) particular, discrete elements of the natural world.[7] Thus, those Egyptian gods who did develop characters and mythologies were generally quite portable, as they could retain their discrete forms without interfering with the various cults already in practice elsewhere. Furthermore, this flexibility was what permitted the development of multipartite cults (i.e. the cult of Amun-Re, which unified the domains of Amun and Re), as the spheres of influence of these various deities were often complimentary.[8]

The worldview engendered by ancient Egyptian religion was uniquely defined by the geographical and calendrical realities of its believers' lives. The Egyptians viewed both history and cosmology as being well ordered, cyclical and dependable. As a result, all changes were interpreted as either inconsequential deviations from the cosmic plan or cyclical transformations required by it.[9] The major result of this perspective, in terms of the religious imagination, was to reduce the relevance of the present, as the entirety of history (when conceived of cyclically) was defined during the creation of the cosmos. The only other aporia in such an understanding is death, which seems to present a radical break with continuity. To maintain the integrity of this worldview, an intricate system of practices and beliefs (including the extensive mythic geographies of the afterlife, texts providing moral guidance (for this life and the next) and rituals designed to facilitate the transportation into the afterlife) was developed, whose primary purpose was to emphasize the unending continuation of existence.[10] Given these two cultural foci, it is understandable that the tales recorded within this mythological corpus tended to be either creation accounts or depictions of the world of the dead, with a particular focus on the relationship between the gods and their human constituents.

The Development of Apep

From earliest Egyptian prehistory, snakes (and other reptiles) were regarded with a mixture of awe, fear and respect. Their alien appearance, coupled with the dangers inherent in their venom-laced attacks and their ability to "return to life" following a period of hibernation, guaranteed reverence from the Egyptians (likely due to their naturalistic cosmology and theology (described above)).[11] As a result of these generalized (and historically ancient) attitudes towards serpents, it is understandable that they would suggested themselves to the mythic imagination as suitable aggressors against the forces of order and light: "Apep, the serpent-devil of mist, darkness, storm, and night, ... and his fiends, the 'children of rebellion,' were not the result of the imagination of the Egyptians in historic times, but their existence dates from the period when Egypt was overrun by mighty beasts, huge serpents, and noxious reptiles of all kinds."[12]

More specifically, Apep (when characterized as a single, discrete antagonist to the gods) emerged during the twenty-first century B.C.E., as the Egyptian pantheon was coalescing into a henotheism ruled by a sun god. This deity, alternately identified as Ra, Atum-Ra, Amun-Ra, or Ra-Horekhty, was seen as the creator of the universe and the upholder of Ma'at (order). As a result, the demonic serpent, already associated with darkness and disorder, came to be seen as the greatest enemy of Ra.[13] Given the cyclical understanding of time that dominated the Egyptian worldview (as described above), the contention between the solar deity and the serpent of darkness was understood to be enacted every day, from the disappearance of the sun at dusk to its triumphant return at dawn. This notion led to the development of an involved mythology of conflict between these forces, as will be explored below.

In a later creation account, the problem of theodicy is explicitly addressed by claiming that Apep (and the forces of chaos and confusion that he represents) are an inherent part of the created order. Specifically, he was thought to have sprung into existence from the spittle of Neith (the personification of the primordial waters), which meant that Apep was a part of the creation from the very beginning. As Zivie-Coche notes, "in this particular vision of the world, which I think has no parallel, evil was created in its symbolic form of Apopis. The faults worked in the cosmos by the presence of evil were not contrary to the creative will of the creator god, and this point of view was a way of mythically ratifying the reality of this world and its deficiencies."[14]

Though Apep was generally understood to be the ultimate force of evil in the Egyptian theology, other deities occasionally came to occupy a similarly reviled place. One of the most notable was Set, former patron of the deserts and guardian of the Lower Kingdom, who was adopted as a chief deity by the Hyksos after their conquest of Egypt (ca. 1650 B.C.E.). Since these foreign overlords were hated by nationalistic groups, Set was gradually demonized, to the extent that he came to be characterized as an evil god. As a result, he eventually took on many of the characteristics of Apep.[15] Despite this development, Set never entirely displaced Apep, likely because he was still identified as one of the most potent defenders of the Sun God on his nightly voyage.[16]

Battles with Ra

An Egyptian deity (likely Ra in the guise of the "Great Tom Cat")[17] slays the snake-like Apep.

The tales of the sun's nightly battles against the forces of darkness (represented by Apep) were extensively elaborated upon during the New Kingdom period (1550-1070 B.C.E.). In this cosmological understanding, the serpent demon was thought to reside below the horizon, in the heart of the duat (underworld). In some versions, Apep waited for Ra (ensconced in the solar barque) in a western mountain called Bakhu, where the sun set, and in others Apep lurked just before dawn, in the Tenth region of the Night. The wide range of possible locations for this dreadful battle earned Apep the title World Encircler.

In these battles, Apep attempted to transfix the assembled gods using his hypnotic gaze, after which point he sought to devour them (whilst simultaneously choking the river on which they traveled). In his efforts, Apep was thought to be aided by a coterie of lesser demons, all of whom had to be slain or driven away by the defenders of the god. Fortunately for Ra, he also had the assistance of various powerful deities, including Set (a being renowned for his might), Mehen (a serpent god), Serket (a scorpion goddess), Maahes (a lion god), Bast (a cat goddess), and Shu (the primordial personification of air).[18] These myths are best explored through the surviving textual corpus, accounts from which are quoted at length below.

The earliest part of the night, when the sun has first disappeared beyond the horizon, is described in the Book of Gates:

When AFU-Ra has passed through, and the Gate is closed, the gods outside set up a wail, for they must abide in darkness until he re-appears. So soon as the god has entered the DIVISION four gods of the Tuat appear and take hold of the tow-line, but they cannot advance until a path is cleared for them. The obstacles in their way take the forms of the huge serpent APEP, and a great crocodile, the tail of which is in the form of a serpent's head and neck; the name of the latter monster is given both as SESHSESH and SESSI. These have taken up their positions at the end of the DIVISION, in that portion of the Tuat which is not very far from the place of sunrise, and a company of beings appear on behalf of AFU-RA, and proceed to remove the monsters by means of words of power and magical ceremonies.
...
Having taken up their positions for attacking Apep the men with the harpoons work the rope which is attached to AM, the goddesses and the apes shake out their rope nets over their heads, and recite their spells, and the men who know the proper words of power shake out their nets and recite the formulae which shall have the effect of throwing APEP and SESSI into the state of stupefaction wherein it will be easy to slay them. The spells and words of power have their proper effect, the monsters are fascinated and slain, and the path of AFU-RA is clear.[19]

Despite the grim profile of Apep on the horizon, the solar barque—propelled by the magical utterances of the divine host—sails inexorably forward:

The Majesty of this great god taketh up his abode in the Hall of Osiris, and the Majesty of this god addresseth words to the Hall of the gods who dwell therein. This god performeth all the rites proper [for entering] this Hall, and he advanceth on his way against Apep by means of the words of power of Isis, and by means of the words of power of the Sovereign God.[20]

When the assembled gods finally descend upon the venomous serpent, they fall upon him in a furious array:

Those who are in this scene [with] their weapons in their hand take their knives and hack [with them] at Apep; they make gashes in him and slaughter him, and they drive stakes whereby to fetter him in the regions which are in the upper height. The fetters of the REBEL are in the hands of the Children of Horus, who stand threateningly by this god with their chains between their fingers. This god reckoneth up his members after he whose arms are hidden hath opened [the door] to make a way for Ra.[19]

With this, the serpent god is repelled, his odious influence mitigated until the recommencement of hostilities the following night.

In addition to their role in the mythic cosmology, some of these tales also had an etiological function. Specifically, various natural occurrences were explained by suggesting that they were instances where Apep had briefly gained the upper hand in the titanic struggle. For example, the rumbling of thunder and the chthonic trembling of earthquakes were both attributed to the thrashings of the giant reptile. Further, it was even thought that Apep could occasionally manage to swallow Ra during the day, which would cause a solar eclipse. Fortunately, Ra's defenders were present to cut the god free, meaning that eclipses always ended within a few minutes.[21]

Worship

As Apep represented a demonic impediment to the daily resurrection of the sun, many religious practices were embarked upon for the specific purpose of transcending his noxious influence. These rituals, which were enacted nightly by the priests and laity, were thought to help ensure the victory of Ra in his life-and-death struggle with darkness. A more involved version of this rite, entitled the Banishing of Apep, was carried out annually. In it, priests would build an effigy of Apep that was thought to contain all of the evil and darkness in Egypt, and burn it to protect everyone from Apep's influence for another year.[22]

Various other religious procedures for defending the world from the influence of the demon serpent were recorded in an encyclopedic tome called the The Book of Overthrowing Apep. It was divided into various chapters describing the gradual process of dishonoring, dismembering and disposing of the beast, including the following:

  • The Chapter of Spitting Upon Apep
  • The Chapter of Defiling Apep with the Left Foot
  • The Chapter of Taking a Lance to Smite Apep
  • The Chapter of Fettering Apep
  • The Chapter of Taking a Knife to Smite Apep
  • The Chapter of Putting Fire Upon Apep

In addition to stories about Apep's defeats, this guide had instructions for constructing wax models (or small drawings) of the serpent, which would be spat on, mutilated and burnt, whilst the ritual participants were reciting spells that would aid Ra.[23]

Though the battle between Ra and Apep was usually set on the cosmic scale, the serpent was also seen as a potential impediment to the successful posthumous journey of individual souls. Thus, the priestly class created various spells and talismans to defend the spirits of the dead against his venomous depredations. For example, "the Snake's Head talisman was worn to protect its wearer from the attacks of Rerek, or Apep, the servant of Set, who was typified as a terrible serpent, which when killed had the power of rising in new forms and who obstructed the passage to the heaven world."[24] Further, the Book of the Dead also suggests that the individual soul will take part in the titanic struggle with the forces of evil on its way to the land of the dead:

O mayest thou be at peace with me; may I behold thy beauties; may I advance upon the earth; may I smite the Ass; may I crush the evil one; may I destroy Apep in his hour... may my soul come forth and walk hither and thither and whithersoever it pleaseth.... [M]ay there be prepared for me a seat in the boat of the Sun on the day of the going forth of the god; and may I be received into the presence of Osiris in the land of triumph![25]

Notes

  1. Brian Brown, "Egyptian Magic" in The Wisdom of the Egyptians, 1923. 256-257. Retrieved August 18, 2007.
  2. Hieroglyph as per Budge (1969), Vol. I, 180.
  3. This particular "cut-off" date has been chosen because it corresponds to the Persian conquest of the kingdom, which marks the end of its existence as a discrete and (relatively) circumscribed cultural sphere. Indeed, as this period also saw an influx of immigrants from Greece, it was also at this point that the Hellenization of Egyptian religion began. While some scholars suggest that even when "these beliefs became remodeled by contact with Greece, in essentials they remained what they had always been" (Erman, 203), it still seems reasonable to address these traditions, as far as is possible, within their own cultural milieu.
  4. The numerous inscriptions, stelae and papyri that resulted from this sudden stress on historical posterity provide much of the evidence used by modern archeologists and Egyptologists to approach the ancient Egyptian tradition (Pinch, 31-32).
  5. These local groupings often contained a particular number of deities and were often constructed around the incontestably primary character of a creator god (Meeks and Meeks-Favard, 34-37).
  6. Frankfort, 25-26.
  7. Zivie-Coche, 40-41; Frankfort, 23, 28-29.
  8. Frankfort, 20-21.
  9. Assmann, 73-80; Zivie-Coche, 65-67; Breasted argues that one source of this cyclical timeline was the dependable yearly fluctuations of the Nile (8, 22-24).
  10. Frankfort, 117-124; Zivie-Coche, 154-166.
  11. Budge (1969), Vol. I, 23-24.
  12. Budge (1969), Vol. I, 11.
  13. This is the earliest attestable date (see, for example, Pinch, 106; Wilkinson, 221), but earlier evidence possibly exists. For example, a Naqada I (ca. 4000 B.C.E.) C-ware dish (now in Cairo) features a snake was painted combined with other desert and aquatic animals, who is depicted as a possible enemy of a solar god. See C. Wolterman, in Jaarbericht van Ex Oriente Lux, Leiden (Holland) Nr. 37 (2002)).
  14. Zivie-Coche, 64.
  15. Wilkinson, 197-198; Pinch, 191-193; Erman, 168-169. See also Zivie-Coche, 64, which addresses the "equivocal personality of Seth."
  16. Pinch, 191; Wilkinson, 198.
  17. Pinch, 107.
  18. Wilkinson, 221; Pinch, 106-108. Meeks and Favard-Meeks, 114-117.
  19. 19.0 19.1 "The Book of the Gates" (IX) in The Egyptian Heaven and Hell, translated by E. A. Budge, 182-183, 184-185.
  20. "The Book of the Am-Tuat" (VII) in The Egyptian Heaven and Hell, translated by E. A. Budge, 139-140.
  21. Pinch, 107; Wilkinson, 222.
  22. The specifics of this ritual are described in detail in Budge (1969), Vol. I, 270-271. See also: Wilkinson, 222.
  23. This chapter overview has been quoted from Caroline Seawright's "Apep, Water Snake-Demon of Chaos, Enemy of Ra" Retrieved August 18, 2007. See also Budge (1969), Vol. I, 325 for an exhaustive description of this text.
  24. Brian Brown, "Egyptian Magic" in The Wisdom of the Egyptians, 1923. 256. Retrieved August 18, 2007.
  25. Egyptian Book of the Dead (XV), translated by Budge, 248-249. See also (CXLVII), where the deceased (in the guise of Osiris) states: "I have driven back Apep for thee" (295). For further episodes from this posthumous journey, please refer to Breasted (292-293). Retrieved June 12, 2008.

References
ISBN links support NWE through referral fees

  • Assmann, Jan. In search for God in ancient Egypt. Translated by David Lorton. Ithica: Cornell University Press, 2001. ISBN 0801487293
  • Breasted, James Henry. Development of religion and thought in ancient Egypt. Philadelphia: University of Pennsylvania Press, 1986. ISBN 0812210454
  • Budge, E. A. Wallis (translator). The Egyptian Book of the Dead. 1895. Accessed at sacred-texts.com Retrieved June 12, 2008.
  • ———. The Egyptian Heaven and Hell. 1905. Accessed at sacred-texts.com Retrieved June 12, 2008.
  • ———. The gods of the Egyptians; or, Studies in Egyptian mythology. A Study in Two Volumes. New York: Dover Publications, 1969.
  • ———. Legends of the Gods: The Egyptian texts. 1912. Accessed at sacred-texts.com Retrieved June 12, 2008.
  • ———. The Rosetta Stone. 1893, 1905. Accessed at sacred-texts.com Retrieved June 12, 2008.
  • Dennis, James Teackle (translator). The Burden of Isis. 1910. Accessed at sacred-texts.com Retrieved June 12, 2008.
  • Dunand, Françoise and Christiane Zivie-Coche. Gods and men in Egypt: 3000 B.C.E. to 395 C.E.. Translated from the French by David Lorton. Ithaca, NY: Cornell University Press, 2004. ISBN 080144165X
  • Erman, Adolf. A handbook of Egyptian religion. Translated by A. S. Griffith. London: Archibald Constable, 1907.
  • Frankfort, Henri. Ancient Egyptian Religion. New York: Harper Torchbooks, 1961. ISBN 0061300772
  • Griffith, F. L. and Herbert Thompson (translators). The Leyden Papyrus. 1904. Accessed at sacred-texts.com Retrieved June 12, 2008.
  • Klotz, David. Adoration of the Ram: Five Hymns to Amun-Re from Hibis Temple. New Haven, 2006. ISBN 0974002526
  • Larson, Martin A. The Story of Christian Origins. 1977. ISBN 0883310902.
  • Lindemans, Micha. "Apep" in Encyclopedia Mythica Retrieved August 17, 2007.
  • Meeks, Dimitri and Christine Meeks-Favard. Daily life of the Egyptian gods. Translated from the French by G.M. Goshgarian. Ithaca, NY: Cornell University Press, 1996. ISBN 0801431158
  • Mercer, Samuel A. B. (translator). The Pyramid Texts. 1952. Accessed at sacred-texts.com Retrieved June 12, 2008.
  • Pinch, Geraldine. Handbook of Egyptian mythology. Santa Barbara, CA: ABC-CLIO, 2002. ISBN 1576072428
  • Shafer, Byron E. (editor). Temples of ancient Egypt. Ithaca, NY: Cornell University Press, 1997. ISBN 0801433991
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External links

All links retrieved August 11, 2023.

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