|B. B. King|
|Birth name||Riley B. King|
|Also known as||B.B. King, Beale Street Blues Boy|
|Born||September 16 1925(age 89)|
|Origin||Itta Bena, Mississippi, USA|
|Genre(s)||Memphis blues, soul-blues, rhythm and blues|
|Instrument(s)||Vocals, guitar, piano|
|Years active||1947 – present|
|Label(s)||Bullet, RPM, Kent, Crown, ABC-Paramount, MCA, Geffen etc.|
King had a a large number of hits in the R&B market in the 1950s and early 60s, including such blues classics as "Sweet Little Angel," "Everyday I Have the Blues," and "Sweet Sixteen." In 1968 he broke into the mainstream with "Thrill Is Gone," which reached number three on the pop charts and won a Grammy Award for Best Male R&B Vocal Performance.
King's virtuoso guitar style strongly influenced the new generation of rock and blues guitarists, such as Eric Clapton, Jimi Hendrix, Stevie Ray Vaughn, and many others. He is the recipient of numerous awards, including the Presidential Medal of Freedom and the National Heritage Fellowship of the National Endowment for the Arts.
A vegetarian and abstainer from alcohol, King is also a prominent spokesman for diabetes awareness and treatment. He was inducted into the Rock & Roll Hall of Fame in 1987, one of the first artists to be honored by the museum. As of late 2008, he continued to perform regularly, having performed more than 15,000 dates in a career spanning more than 50 years.
King was born on a cotton plantation in rural Mississippi in 1925. One of five children, he moved with his mother to the town of Kilmichael after his parents separated and lived with his grandmother after his mother's death in 1935. He sang gospel music in church learned and the rudiments of the guitar from a preacher. As a teenager, King sang in a gospel group called the Elkhorn Jubilee Singers but also listened to blues music by singers such as Lonnie Johnson and Blind Lemon Jefferson. King reports that he intended on a career in gospel music.
After being inducted into the army at age 18, King served locally and was able to hear live performances in Indianola, Mississippi by such diverse performers as Robert Nighthawk, Duke Ellington, Count Basie, Sonny Boy Williamson, and Robert Jr. Lockwood. Meanwhile, he started a new gospel group, the Famous St. John Gospel Singers, and played his guitar for tips in Indianola.
After World War II ended and King was released from the army, he traveled to Memphis, Tennessee, where his cousin, Delta bluesman Bukka White, lived. King and White played amateur performances, but King went back to Indianola after ten months. There he worked to develop his skills, and returned to Memphis two years later.
In addition to Delta bluesmen like White, King was also influenced by the recordings of a range of more citified guitarists, from bluesman T-Bone Walker to jazz players like Django Reinhardt and Charlie Christian. As a singer, besides his gospel and traditional blues roots, he cites Frank Sinatra as a major influence, who helped him add a sophisticated touch to his timing and delivery of the blues forms.
When he returned to Memphis, King initially worked at the local R&B radio channel WDIA as a singer. He also gained a reputation as an impressive young guitarist, playing in Beale Street blues clubs and collaborating with such singers as Bobby "Blue" Bland. King also worked as a disc jockey, where he gained the nickname "Beale Street Blues Boy," later shortened to "B.B."
King debuted as a recording artist on Bullet Records, issuing the single "Miss Martha King" (1949), which received a bad review in Billboard magazine and did not chart well. Later that year, he began recording songs under contract with Los Angeles-based RPM Records, also recording for its Kent and Crown affiliates.
In the 1950s, King became one of the most important names in R&B music. His first hit was his slow 12-bar blues classic “Three O’Clock Blues,” which reached the top of rhythm & blues chart in 1951, for five weeks. It remains today one of the great examples of perfectly combined blues singing and lead guitar playing. King amassed an impressive list of other hits including the R & B chart-toppers "You Upset Me Baby," "You Know I Love You," and "Please Love Me." Other blues classics recorded by King during this period included "When My Heart Beats like a Hammer," "Every Day I Have the Blues," "Sweet Little Angel," and others.
In 1962, King signed to ABC-Paramount Records, which was later absorbed into MCA Records. Enjoying his new contract's guarantee of larger royalties, he scored major R&B hits, including his signature "Sweet Sixteen," and "Don't Answer the Door," both of which reached number two on the R&B chart. His 1965 Live at the Regal LP is considered a classic concert album, which captures the dynamic interplay between the masterful King and his enthusiastic black audience.
In the later 1960s, King began to attract the attention of white blues fans, who particularly appreciated his guitar work. Top rock and blues guitarists like Mike Bloomfield, Eric Clapton, Jimi Hendrix, and others credited him has a major influence, expanding his album sales to a wider audience.
King's first major success outside the blues market was his 1969 remake of Roy Hawkins' tune "The Thrill Is Gone." King's version became a hit on both pop and R&B charts, which was rare at the time for a blues artist. The record won a Grammy and later gained the number 193 spot in Rolling Stone's Top 500 Songs Of All Time. King won further rock visibility as an opening act on The Rolling Stones 1969 American Tour. His mainstream success continued throughout the 1970s, with songs like "To Know You Is to Love You" and "I Like to Live the Love."
By the 1980s, King had become a blues legend and was much in demand as a concert artist. The 80s, 90s, and 2000s saw him recording less, but throughout this time he maintained a highly visible and active career, appearing on various television shows and performing live concerts 300 nights a year. He also received numerous prestigious awards, from Grammy Awards, to honorary doctorates, and the Presidential Medal of Freedom.
In 1988, King reached a new generation of fans with the single “When Love Comes To Town,” a collaborative effort between King and the Irish band U2 on their Rattle and Hum album. In the same year, he appeared in feature film The Blues Brothers 2000, playing the part of the lead singer of the Louisiana Gator Boys, along with Eric Clapton, Dr. John, Koko Taylor, and Bo Diddley. In 2000, King teamed up with guitarist Eric Clapton to record Riding With the King. In 2003, he shared the stage with the rock band Phish in New Jersey, performing three of his classics and jamming with the band for over 45 minutes.
He also made an appearance at the Crossroads Guitar Festival organized by Eric Clapton. On the DVD version of the event, he plays "Paying The Cost To Be The Boss" and "Rock Me Baby" with Robert Cray, Jimmie Vaughan, and Hubert Sumlin.
On March 29, 2006, King played at England's Sheffield's Hallam Arena, the first date of his UK and European farewell tour. The British leg of the tour ended on April 4 with a final UK concert at Wembley Arena. He returned to Europe in July, playing twice in the fortieth edition of the Montreux Jazz Festival. He also appeared in Zürich at the Blues at Sunset on July 14. In November and December, King played six times in Brazil.
During a press conference on November 29, in São Paulo, a journalist asked King if that would be the "actual" farewell tour. He answered: "One of my favorite actors is a man from Scotland named Sean Connery. Most of you know him as James Bond, 007. He made a movie called "Never Say Never Again."
On July 28, 2007, B.B. King Played again at Eric Clapton's Crossroads Guitar Festival with 20 other guitarists to raise money for the Crossroads Center, Antigua, for addictive disorders. As of late 2008, King was still touring energetically in the United Sates.
His album One Kind Favor, released in August 2008, was hailed by Rolling Stone magazine as "B.B. King's best album in years… [and] one of the strongest studio sets of his career."
A licensed pilot, B. B. King is also a vegetarian, non-drinker, and non-smoker, but admits to gambling. Delta blues artist Bukka White was King's first cousin, and former heavyweight boxing champion Sonny Liston was his uncle.
His favorite singer is Frank Sinatra, whom he has cited as a significant influence in this timing and delivery. King has also credited Sinatra for opening doors to black entertainers who were not given the chance to play in "white dominated" venues, including helping King get into main Las Vegas venues during the 1960s.
King has lived with Type II Diabetes for over 20 years and is a prominent spokesman in the fight against the disease, appearing in advertisements for diabetes-management products.
King is associated with three B.B. King Blues Clubs in Memphis, Orlando, and Nashville, and the B.B. King Blues Club & Grill, Lucille Cafe in New York City.
One of King's trademarks is "Lucille," the name he has given to his guitars since the 1950s. He gave his guitar this name after escaping from a club fire which was started during a fight over a woman named Lucille. When King escaped the club, he realized that he had left his guitar in the building and ran back inside to get it. He named his guitar "Lucille" to remind himself never to behave so recklessly again.
In a career lasting well over 50 years, B. B. King played at least 15,000 performances. His virtuoso guitar stylings have influenced subsequent generations of blues and rock guitarists probably more than any other single player. Often underestimated as a singer because of his prodigious talent on the guitar, King left a corpus of powerful, yet sensitively nuanced blues vocal performances that is perhaps unequaled.
He also reached millions through his appearances on television, making guest appearances in numerous popular shows, including The Cosby Show, The Young and the Restless, General Hospital, The Fresh Prince of Bel-Air, Sesame Street, Married With Children, and Sanford and Son. He is the subject of several biographies, including B.B. King: There is Always One More Time, by the noted New York-based music writer David McGee.
In June 2006, King was present to memorialize his first radio broadcast at the Three Deuces Building in Greenwood, Mississippi, where an official marker of the Mississippi Blues Trail was erected. In the same year, a groundbreaking was held for a new B. B. King Museum and Delta Interpretive Center in Indianola, Mississippi, which was scheduled to open in 2008.
|1957||Singin' the Blues (Crown Records)|
|1958||The Blues (Crown Records)|
|1960||My Kind of Blues|
|1965||Live at the Regal (live)|
|1969||Live & Well|
|1970||Indianola Mississippi Seeds|
|1971||Live in Cook County Jail|
|B. B. King in London|
|1974||Together for the First Time (With Bobby 'Blue' Bland)||Gold|
|1975||Lucille Talks Back|
|1976||Bobby Bland and B. B. King Together Again...Live|
|1979||Take It Home|
|1980||Now Appearing at Ole Miss (live)|
|1981||There Must Be a Better World Somewhere|
|1982||Love Me Tender|
|1983||Why I Sing the Blues|
|1985||Six Silver Strings|
|1990||B. B. King and Sons Live (live)|
|1991||Live at San Quentin|
|Live at the Apollo (live)|
|There is Always One More Time|
|Bacon Double Cheeseburger|
|1992||King of the Blues|
|1995||Lucille & Friends|
|1997||Best of King||Platinum|
|1998||Blues on the Bayou|
|1999||Live in Japan|
|Let the Good Times Roll|
|2000||Riding with the King||2x Multi-Platinum|
|Makin' Love Is Good for You|
|2005||The Ultimate Collection|
|B. B. King & Friends: 80|
|2007||The Best of the Early Years|
|2008||One Kind Favor|
Some data is currently unavailable for King's early singles
|1949||"Miss Martha King" (Bullet)|
|1949||"Got the Blues"|
|1950||"Mistreated Woman" (RPM)|
|"The Other Night Blues"|
|"My Baby's Gone"|
|1951||"B. B. Blues"|
|"She's a Mean Woman"|
|"Three O'Clock Blues"||#1||
|"Shake It Up and Go"|
|"You Didn't Want Me"|
|"Story from My Heart and Soul"|
|1953||"Woke Up this Morning with a Bellyache"|
|"Please Love Me"|
|"Why Did You Leave Me"|
|"Praying to the Lord"|
|1954||"Love Me Baby"|
|"Everything I Do Is Wrong"|
|"When My Heart Beats Like a Hammer"|
|"You Upset Me Baby"|
|"Every Day I Have the Blues"||#8|
|"Lonely and Blue"|
|"Shut Your Mouth"|
|"Talkin' the Blues"|
|"What Can I Do (Just Sing the Blues)"|
|"Ten Long Years"||#9|
|1956||"I'm Cracking Up Over You"|
|"Crying Won't Help You"||#15|
|"Did You Ever Love a Woman?"|
|"Dark Is the Night, Pts. I & II"|
|"Sweet Little Angel"||#6|
|"On My Word of Honor"||#3|
|1957||"Early in the Morning"|
|"How Do I Love You"|
|"I Want to Get Married"||#14|
|"Troubles, Troubles, Troubles"||#13|
|"(I'm Gonna) Quit My Baby"|
|"Be Careful with a Fool"||#95|
|"The Keyblade to My Kingdom"|
|1958||"Why Do Everything Happen to Me" (Kent)|
|"Don't Look Now, But You Got the Blues"|
|"Please Accept My Love"||#9|
|"You've Been an Angel"||#16|
|1959||"A Lonely Lover's Plea"|
|"Time to Say Goodbye"|
|1960||"Sweet Sixteen, Pt. I"||#2|
|"You Done Lost Your Good Thing"|
|"Things Are Not the Same"|
|"Bad Luck Soul"|
|"Hold That Train"|
|"Peace of Mind"||#7|
|"Bad Case of Love"|
|"I'm Gonna Sit Till You Give In" (ABC)|
|"Down Now" (Kent)|
|1963||"The Road I Travel"|
|1964||"How Blue Can You Get" (ABC)||#97|
|"You're Gonna Miss Me" (Kent)|
|"Help the Poor" (ABC)||#98|
|"The Worst Thing in My Life" (Kent)|
|"The Hurt" (ABC)|
|"Never Trust a Woman"||#90|
|"Please Send Me Someone to Love"|
|1965||"I Need You"|
|"All Over Again"|
|"I'd Rather Drink Muddy Water"|
|"Blue Shadows" (Kent)|
|"Just a Dream"|
|"You're Still a Parallelogram" (ABC)|
|"Broken Promise" (Kent)|
|1966||"Eyesight to the Blind"|
|"Five Long Years"|
|"Ain't Nobody's Business"|
|"Don't Answer the Door, Pt. I" (ABC)||#2||#72|
|"I Say in the Mood" (Kent)||#45|
|"Waitin' for You" (ABC)|
|1967||"Blues Stay Away" (Kent)|
|1968||"Blues for Me"|
|"I Don't Want You Cuttin' Off Your Hair" (Bluesway)|
|"Shoutin' the Blues" (Kent)|
|"Paying the Cost to Be the Boss" (Bluesway)||#10||#39|
|"I'm Gonna Do What They Do to Me"||#26||#74|
|"The B. B. Jones"||#98|
|"You Put It on Me"||#25||#82|
|"The Woman I Love"||#31||#94|
|1969||"Get Myself Somebody"|
|"I Want You So Bad"|
|"Get Off My Back Woman"||#32||#74|
|"Why I Sing the Blues"||#13||#61|
|"Just a Little Love"||#15||#76|
|"I Want You So Bad"||#34|
|1970||"The Thrill Is Gone"||#3||#15|
|"Ask Me No Questions" (ABC)||#18||#40|
|"Chains and Things"||#6||#45|
|1971||"Nobody Loves Me But My Mother"|
|"Help the Poor" (re-recording)||#36||#90|
|"The Evil Child"||#34||#97|
|1972||"Sweet Sixteen" (re-recording)||#37||#93|
|"I Got Some Help I Don't Need"||#28||#92|
|"Ain't Nobody Home"||#28||#46|
|1973||"To Know You Is to Love You"||#12||#38|
|1974||"I Like to Live the Love"||#6||#28|
|"Who Are You"||#27||#78|
|1976||"Let the Good Times Roll"||#20|
|1977||"Slow and Easy"||#88|
|1978||"Never Make a Move Too Soon"||#19|
|"I Just Can't Leave Your Love Alone"||#90|
|1979||"Better Not Look Down"||#30|
|1981||"There Must Be a Better World Somewhere"||#91|
|1985||"Into the Night"||#15|
|"Big Boss Man"||#62|
|1988||"When Love Comes to Town" (with U2)||#68||#2||#6|
|1992||"The Blues Come Over Me"||#63|
|"Since I Met You Baby"||#59|
|2000||"Riding with the King" (with Eric Clapton)||#26|
All links retrieved June 19, 2014..
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