Difference between revisions of "Pindar" - New World Encyclopedia

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Of this vast and varied corpus, only the victory odes survive in complete form. The rest are known to us only by quotations in other ancient authors or papyrus scraps unearthed in [[Egypt]].   
 
Of this vast and varied corpus, only the victory odes survive in complete form. The rest are known to us only by quotations in other ancient authors or papyrus scraps unearthed in [[Egypt]].   
  
The victory odes were composed for aristocratic victors in the four most prominent athletic festivals in early [[Classical Greece]]: the [[Ancient Olympic Games|Olympian]], [[Pythian Games|Pythian]], [[Isthmian Games|Isthmian]] and [[Nemean Games|Nemean Games]]. Rich and [[allusion|allusive]] in style, they are packed with dense parallels between the athletic victor, his illustrious ancestors, and the myths of gods and heroes underlying the athletic festival.  But "Pindar's power does not lie in the pedigrees of ... athletes, ... or the misbehavior of minor deities.  It lies in a splendour of phrase and imagery that suggests the gold and purple of a sunset sky."  <ref name="greekpoetry">{{cite book  | title=Greek Poetry for Everyman  | author=Lucas, F. L.  | publisher=Macmillan Company, New York  | pages=p. 262}}</ref> Two of Pindar's most famous victory odes are Olympian 1 and Pythian 1.
+
The victory odes were composed for aristocratic victors in the four most prominent athletic festivals in early [[Classical Greece]]: the [[Ancient Olympic Games|Olympian]],  
 +
Pythian, Isthmian and Nemean Games. Rich and allusive in style, they are packed with dense parallels between the athletic victor, his illustrious ancestors, and the myths of gods and heroes underlying the athletic festival.  But "Pindar's power does not lie in the pedigrees of ... athletes, ... or the misbehavior of minor deities.  It lies in a splendour of phrase and imagery that suggests the gold and purple of a sunset sky."  <ref name="greekpoetry">{{cite book  | title=Greek Poetry for Everyman  | author=Lucas, F. L.  | publisher=Macmillan Company, New York  | pages=p. 262}}</ref> Two of Pindar's most famous victory odes are Olympian 1 and Pythian 1. The opening stanza of Olympian 1 may give the reader a glimpse of Pindar's effortlessly metaphorical and allusive style:
  
Pindar is to be conceived, then, as standing within the circle of those families for whom the heroic myths were domestic records. He had a personal link with the memories which everywhere were most cherished by Dorians, no less than with those which appealed to men of "Cadmean" or of Achaean stock. And the wide ramifications of the Aegidae throughout Hellas rendered it peculiarly fitting that a member of that illustrious clan should celebrate the glories of many cities in verse which was truly Pan-Hellenic.
+
:Best of all things is water; but gold, like a gleaming fire
 +
::by night outshines all pride of wealth beside.
 +
::But, my heart, would you chant the glory of games,  
 +
:look no farther than the sun
  
Pindar is said to have received lessons in [[aulos]]-playing from one [[Scopelinus]] at Thebes, and afterwards to have studied at [[Athens]] under the musicians [[Apollodorus (musician)|Apollodorus]] (or [[Agathocles]]) and [[Lasus of Hermione]]. Several passages in Pindar's extant [[ode]]s glance at the long technical development of Greek [[lyric poem|lyric poetry]] before his time, and at the various elements of art which the lyricist was required to temper into a harmonious whole. The facts that stand out from these meagre traditions are that Pindar was precocious and laborious. Preparatory labour of a somewhat severe and complex kind was, indeed, indispensable for the Greek lyric poet of that age.
+
Pindar is said to have begun his training as a poet through music: he received lessons in [[lyre]]-playing from one Scopelinus at Thebes, and afterwards to have studied at [[Athens]] under the musicians Apollodorus and Lasus of Hermione. Several passages in Pindar's extant [[ode]]s glance at the long technical development of Greek [[lyric poem|lyric poetry]] before his time, and at the various elements of musical, performative, and literary art which the lyricist was required to temper into a harmonious whole. The fact that stands out is that Pindar was precocious, laborious, and widely trained in all the arts of classic Greece.  
  
Pindar's wife's name was [[Megacleia]], and he had a son named Daiphantus and two daughters, [[Eumetis]] and [[Protomache]]. He is said to have died at [[Argos]], at the age of seventy-nine, in 443 B.C.E.
+
Pindar's wife's name was Megacleia, and he had a son named Daiphantus and two daughters, Eumetis and Protomache. He is said to have died at Argos, at the age of seventy-nine, in 443 B.C.E.
  
 
== Chronology of the Odes ==
 
== Chronology of the Odes ==
  
Modern editors (e.g. Snell and Maehler in their [[Teubner]] edition), have assigned dates, securely or tentatively, to Pindar's victory odes, based on ancient sources and other grounds.  (Doubt is indicated by a question mark immediately following the number of an ode in the list below.)  The result is a fairly clear chronological outline of Pindar's career as an [[epinician]] poet:
+
Modern editors have assigned dates, securely or tentatively, to Pindar's victory odes, based on ancient sources and other grounds.  (Doubt is indicated by a question mark immediately following the number of an ode in the list below.)  The result is a fairly clear chronological outline of Pindar's career as a poet:
  
*[[498 B.C.E.]]: ''Pythian Odes'' 10
+
*498 B.C.E.: ''Pythian Odes'' 10
*[[490 B.C.E.]]: ''Pythian Odes'' 6, 12
+
*490 B.C.E.: ''Pythian Odes'' 6, 12
*[[488 B.C.E.]]: ''Olympian Odes'' 14 (?)
+
*488 B.C.E.: ''Olympian Odes'' 14 (?)
*[[485 B.C.E.]]: ''Nemean Odes'' 2 (?), 7 (?)
+
*485 B.C.E.: ''Nemean Odes'' 2 (?), 7 (?)
*[[483 B.C.E.]]: ''Nemean Odes'' 5 (?)
+
*483 B.C.E.: ''Nemean Odes'' 5 (?)
*[[486 B.C.E.]]: ''Pythian Odes'' 7
+
*486 B.C.E.: ''Pythian Odes'' 7
*[[480 B.C.E.]]: ''Isthmian Odes'' 6
+
*480 B.C.E.: ''Isthmian Odes'' 6
*[[478 B.C.E.]]: ''Isthmian Odes'' 5 (?); ''Isthmian Odes'' 8
+
*478 B.C.E.: ''Isthmian Odes'' 5 (?); ''Isthmian Odes'' 8
*[[476 B.C.E.]]: ''Olympian Odes'' 1, 2, 3, 11; ''Nemean Odes'' 1 (?)
+
*476 B.C.E.: ''Olympian Odes'' 1, 2, 3, 11; ''Nemean Odes'' 1 (?)
*[[475 B.C.E.]]: ''Pythian Odes'' 2 (?); ''Nemean Odes'' 3 (?)
+
*475 B.C.E.: ''Pythian Odes'' 2 (?); ''Nemean Odes'' 3 (?)
*[[474 B.C.E.]]: ''Olympian Odes'' 10 (?); ''Pythian Odes'' 3 (?), 9, 11; ''Nemean Odes'' 9 (?)
+
*474 B.C.E.: ''Olympian Odes'' 10 (?); ''Pythian Odes'' 3 (?), 9, 11; ''Nemean Odes'' 9 (?)
*[[474 BC|474]]/[[473 B.C.E.]]: ''Isthmian Odes'' 3/4 (?)
+
*474/473 B.C.E.: ''Isthmian Odes'' 3/4 (?)
*[[473 B.C.E.]]: ''Nemean Odes'' 4 (?)
+
*473 B.C.E.: ''Nemean Odes'' 4 (?)
*[[470 B.C.E.]]: ''Pythian Odes'' 1; ''Isthmian Odes'' 2 (?)
+
*470 B.C.E.: ''Pythian Odes'' 1; ''Isthmian Odes'' 2 (?)
*[[468 B.C.E.]]: ''Olympian Odes'' 6
+
*468 B.C.E.: ''Olympian Odes'' 6
*[[466 B.C.E.]]: ''Olympian Odes'' 9, 12
+
*466 B.C.E.: ''Olympian Odes'' 9, 12
*[[465 B.C.E.]]: ''Nemean Odes'' 6 (?)
+
*465 B.C.E.: ''Nemean Odes'' 6 (?)
*[[464 B.C.E.]]: ''Olympian Odes'' 7, 13
+
*464 B.C.E.: ''Olympian Odes'' 7, 13
*[[462 B.C.E.]]: ''Pythian Odes'' 4
+
*462 B.C.E.: ''Pythian Odes'' 4
*[[462 B.C.E.|462]]/[[461 B.C.E.]]: ''Pythian Odes'' 5
+
*462/461 B.C.E.: ''Pythian Odes'' 5
*[[460 B.C.E.]]: ''Olympian Odes'' 8
+
*460 B.C.E.: ''Olympian Odes'' 8
*[[459 B.C.E.]]: ''Nemean Odes'' 8 (?)
+
*459 B.C.E.: ''Nemean Odes'' 8 (?)
*[[458 B.C.E.]]: ''Isthmian Odes'' 1 (?)
+
*458 B.C.E.: ''Isthmian Odes'' 1 (?)
*[[460 B.C.E.]] or [[456 B.C.E.]]: ''Olympian Odes'' 4 (?), 5 (?)
+
*460 B.C.E. or 456 B.C.E.: ''Olympian Odes'' 4 (?), 5 (?)
*[[454 B.C.E.]]: ''Isthmian Odes'' 7 (?)
+
*454 B.C.E.: ''Isthmian Odes'' 7 (?)
*[[446 B.C.E.]]: ''Pythian Odes'' 8; ''Nemean Odes'' 11 (?)
+
*446 B.C.E.: ''Pythian Odes'' 8; ''Nemean Odes'' 11 (?)
*[[444 B.C.E.]]: ''Nemean Odes'' 10 (?)
+
*444 B.C.E.: ''Nemean Odes'' 10 (?)
  
 
== Notes ==
 
== Notes ==
Line 79: Line 83:
 
*[http://216.71.135.198/HW/pindar.html Example of Pindar's Poems]
 
*[http://216.71.135.198/HW/pindar.html Example of Pindar's Poems]
 
*[http://www.fofweb.com/Onfiles/Ancient/AncientDetail.asp?iPin=GRE0406 Pindar]
 
*[http://www.fofweb.com/Onfiles/Ancient/AncientDetail.asp?iPin=GRE0406 Pindar]
 +
 +
==References==
 +
 +
*Michael Schmidt, ''The First Poets: Lives of the Ancient Greek Poets''. New York: Knopf, 2005. ISBN 0375411208
 +
*William H. Race, ''The Olympian Odes''. Athens: Greek Font Society, 2004. ISBN 9608815606
 +
*William H. Race, ''Pindar''. Boston: Twayne Publishers, 1980. ISBN 0805766243
  
 
[[Category: Art, music, literature, sports and leisure]]
 
[[Category: Art, music, literature, sports and leisure]]
 
{{credit|99562460}}
 
{{credit|99562460}}

Revision as of 04:31, 8 February 2007

Pindar (or Pindarus) (probably * 522 B.C.E. in Cynoscephalae; † 443 B.C.E. in Argos), was one of the canonical nine poets of ancient Greece who is considered, almost without dispute, to be the single greatest lyric poet of all Greek literature. Although critics of antiquity report that Pindar was a versatile poet who mastered a wide range of genres, only his odes have survived into the present-day. Although Pindar was influenced by earlier lyric poets and Stesichorus in particular, he is now nearly considered to be the founder of the ode as a poetic form. His influence on the development of later ancient lyric poetry, well into the Latin era, is tremendous. It is a testament to his triumphant skill as a poet that, although only a tiny fraction of his works have survived, what works remain are considered to be among the most valuable masterpieces of antiquity.

Biography and works

Pindar was born at Cynoscephalae, a village in Thebes. He was the son of Daiphantus and Cleodice. The traditions of his family have left their impression on his poetry, and are not without importance for a correct estimate of his relation to his contemporaries. The clan of the Aegidae – tracing their line from the hero Aegeus – belonged to the elder nobility of Thebes. It is no doubt due in part to this aristocratic background that Pindar — in contrast to a number of other Greek poets of his times — remained staunchly patriotic and traditional in the majority of his works.

Employing himself by writing choral works in praise of notable personages, events and princes, his house in Thebes was spared by Alexander the Great in recognition of the complimentary works composed for king Alexander I of Macedon.

Pindar composed choral songs of several types. According to one contemporary biographer, these works were grouped into seventeen books by scholars at the Library of Alexandria. They were, by genre:[1]

  • 1 book of humnoi (hymns)
  • 1 book of paianes (paeans)
  • 2 books of dithuramboi "dithyrhambs"
  • 2 book of prosodia "preludes"
  • 3 books of parthenia "songs for maidens"
  • 2 book of huporchemata "songs to support dancing"
  • 1 book of enkomia "praise-songs"
  • 1 book of threnoi "laments"
  • 4 books of epinikia "victory odes"

Of this vast and varied corpus, only the victory odes survive in complete form. The rest are known to us only by quotations in other ancient authors or papyrus scraps unearthed in Egypt.

The victory odes were composed for aristocratic victors in the four most prominent athletic festivals in early Classical Greece: the Olympian, Pythian, Isthmian and Nemean Games. Rich and allusive in style, they are packed with dense parallels between the athletic victor, his illustrious ancestors, and the myths of gods and heroes underlying the athletic festival. But "Pindar's power does not lie in the pedigrees of ... athletes, ... or the misbehavior of minor deities. It lies in a splendour of phrase and imagery that suggests the gold and purple of a sunset sky." [2] Two of Pindar's most famous victory odes are Olympian 1 and Pythian 1. The opening stanza of Olympian 1 may give the reader a glimpse of Pindar's effortlessly metaphorical and allusive style:

Best of all things is water; but gold, like a gleaming fire
by night outshines all pride of wealth beside.
But, my heart, would you chant the glory of games,
look no farther than the sun

Pindar is said to have begun his training as a poet through music: he received lessons in lyre-playing from one Scopelinus at Thebes, and afterwards to have studied at Athens under the musicians Apollodorus and Lasus of Hermione. Several passages in Pindar's extant odes glance at the long technical development of Greek lyric poetry before his time, and at the various elements of musical, performative, and literary art which the lyricist was required to temper into a harmonious whole. The fact that stands out is that Pindar was precocious, laborious, and widely trained in all the arts of classic Greece.

Pindar's wife's name was Megacleia, and he had a son named Daiphantus and two daughters, Eumetis and Protomache. He is said to have died at Argos, at the age of seventy-nine, in 443 B.C.E.

Chronology of the Odes

Modern editors have assigned dates, securely or tentatively, to Pindar's victory odes, based on ancient sources and other grounds. (Doubt is indicated by a question mark immediately following the number of an ode in the list below.) The result is a fairly clear chronological outline of Pindar's career as a poet:

  • 498 B.C.E.: Pythian Odes 10
  • 490 B.C.E.: Pythian Odes 6, 12
  • 488 B.C.E.: Olympian Odes 14 (?)
  • 485 B.C.E.: Nemean Odes 2 (?), 7 (?)
  • 483 B.C.E.: Nemean Odes 5 (?)
  • 486 B.C.E.: Pythian Odes 7
  • 480 B.C.E.: Isthmian Odes 6
  • 478 B.C.E.: Isthmian Odes 5 (?); Isthmian Odes 8
  • 476 B.C.E.: Olympian Odes 1, 2, 3, 11; Nemean Odes 1 (?)
  • 475 B.C.E.: Pythian Odes 2 (?); Nemean Odes 3 (?)
  • 474 B.C.E.: Olympian Odes 10 (?); Pythian Odes 3 (?), 9, 11; Nemean Odes 9 (?)
  • 474/473 B.C.E.: Isthmian Odes 3/4 (?)
  • 473 B.C.E.: Nemean Odes 4 (?)
  • 470 B.C.E.: Pythian Odes 1; Isthmian Odes 2 (?)
  • 468 B.C.E.: Olympian Odes 6
  • 466 B.C.E.: Olympian Odes 9, 12
  • 465 B.C.E.: Nemean Odes 6 (?)
  • 464 B.C.E.: Olympian Odes 7, 13
  • 462 B.C.E.: Pythian Odes 4
  • 462/461 B.C.E.: Pythian Odes 5
  • 460 B.C.E.: Olympian Odes 8
  • 459 B.C.E.: Nemean Odes 8 (?)
  • 458 B.C.E.: Isthmian Odes 1 (?)
  • 460 B.C.E. or 456 B.C.E.: Olympian Odes 4 (?), 5 (?)
  • 454 B.C.E.: Isthmian Odes 7 (?)
  • 446 B.C.E.: Pythian Odes 8; Nemean Odes 11 (?)
  • 444 B.C.E.: Nemean Odes 10 (?)

Notes

  1. M.M. Willcock, Pindar: Victory Odes (Cambridge UP, 1995), p. 3
  2. Lucas, F. L.. Greek Poetry for Everyman. Macmillan Company, New York, p. 262. 

External links

References
ISBN links support NWE through referral fees

  • Michael Schmidt, The First Poets: Lives of the Ancient Greek Poets. New York: Knopf, 2005. ISBN 0375411208
  • William H. Race, The Olympian Odes. Athens: Greek Font Society, 2004. ISBN 9608815606
  • William H. Race, Pindar. Boston: Twayne Publishers, 1980. ISBN 0805766243

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