Grocheio, Johannes de
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== External links == | == External links == | ||
| − | *{{en icon}} [http://www.uga.edu/thema/gro-har.html Latin text of the Ars musicae] | + | *{{en icon}} [http://www.uga.edu/thema/gro-har.html/ Latin text of the Ars musicae] |
| − | *{{en icon}} [http://www.musicologie.org/publirem/jmw/notices/jean_de_grouchy.html Musicologie] | + | *{{en icon}} [http://www.musicologie.org/publirem/jmw/notices/jean_de_grouchy.html/ Musicologie] |
*{{en icon}} [http://www.ohiolink.edu/etd/view.cgi?ucin983290571 Abstract of John William Trout, The ars musicae of Johannes de Grocheio, University of Cincinnati, College-Conservatory of Music] | *{{en icon}} [http://www.ohiolink.edu/etd/view.cgi?ucin983290571 Abstract of John William Trout, The ars musicae of Johannes de Grocheio, University of Cincinnati, College-Conservatory of Music] | ||
| − | *{{en icon}} [http://members.aol.com/ENVOIjrnl2/HTML/Norwood_4_1.html Patricia P. Norwood, book review for Christopher Page, ''The Owl and the Nightingale: Musical Life and Ideas in France'', 1100-1300] | + | *{{en icon}} [http://members.aol.com/ENVOIjrnl2/HTML/Norwood_4_1.html/ Patricia P. Norwood, book review for Christopher Page, ''The Owl and the Nightingale: Musical Life and Ideas in France'', 1100-1300] |
*{{en icon}} [http://www.trombamarina.com/unprofitable/waisted_vielle.htm#_ftn1 Waisted vielle] | *{{en icon}} [http://www.trombamarina.com/unprofitable/waisted_vielle.htm#_ftn1 Waisted vielle] | ||
| − | *{{en icon}} [http://people.cs.uchicago.edu/~elias/MEDIEVAL/2003/1.html Round dance history] | + | *{{en icon}} [http://people.cs.uchicago.edu/~elias/MEDIEVAL/2003/1.html/ Round dance history] |
==References== | ==References== | ||
Revision as of 23:01, 18 April 2007
Johannes de Grocheio (Grocheo) (ca. 1255-ca.1320) was a Parisian musical theorist of the early fourteenth century. His French name was Jean de Grouchy, but he is more commonly known by his Latinized name. A Master of Arts, he is the author of the treatise Ars musicae ("The art of music") (ca. 1300), an attempt to describe the music of his time as it was practiced in and around Paris.
He divides music into three categories:
- Musica simplex (popular music; music of the layperson)
- Composita (according to metrical rules; music of the educated person)
- Ecclesiastica (music of the Church)
Grocheio departed from Boethius' taxonomy, which divided music between music of the world, human music, and instrumental music.
Almost one-third of Grocheio's treatise is devoted to liturgical and composed music. The rest is devoted to secular music, and Grocheio surveyed its new social importance in a systematic and pedagogical fashion. Grocheio writes, for example, that "a good fiddler generally performs every kind of cantus and cantilena [cantilène], and every musical form."[1]
Grocheio was also one of the first scholars to define a motet. Grocheio believed that the motet was "not intended for the vulgar who do not understand its finer points and derive no pleasure from hearing it: it is meant for educated people and those who look for refinement in art."[2]
The sociology of music in Grocheio's treatise
Grocheio attempted to address the sociological functions of specific musical forms and genres, and touted music as a cure for the ailments of society, imbuing it with the power to restrain social vices. Grocheio believed that when the elderly, the laborers, and the middle classes sang of the hardships endured by the heroes of the chansons de geste, it helped them to bear their miseries, thus contributing to the welfare of the state. Narrative epics, Grocheio concluded, contributed to the stability of the city due to the fact that they encouraged citizens of all ages and stations to be satisfied with their lot in life.
Conversely, Grocheio believed that 'trouvère' songs inspired kings and noblemen to do great things and to be great: "This kind of song is customarily composed by kings and nobles and sung in the presence of kings and princes of the land so that it may move their minds to boldness and fortitude, magnanimity and liberality..."[3]
Notes
- ^ Christopher Page, "Listening to the trouvères," Early Music, Vol. 25, No. 4, November 1997.
External links
- (English) Latin text of the Ars musicae
- (English) Musicologie
- (English) Abstract of John William Trout, The ars musicae of Johannes de Grocheio, University of Cincinnati, College-Conservatory of Music
- (English) Patricia P. Norwood, book review for Christopher Page, The Owl and the Nightingale: Musical Life and Ideas in France, 1100-1300
- (English) Waisted vielle
- (English) Round dance history
ReferencesISBN links support NWE through referral fees
- DeWitt, Patricia Alice Mitchell, "A new perspective on Johannes de Grocheio's Ars Musicae", University of Michigan, 1973. OCLC 59418438
- Page, Christopher, "Discarding images: reflections on music and culture in medieval France", Oxford: Clarendon Press; NY: Oxford University Press, 1993. ISBN 0-198-16346-0
- Trout, John William, "The Ars Musicae of Johannes de Grocheio: unanswered questions and a glimpse of medieval culture, traditions, and thinking", thesis/dissertation/manuscript, 2001. OCLC 48045162
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