Difference between revisions of "Ymir" - New World Encyclopedia

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As implied above, these issues were systematically addressed by Snorri Sturluson's ''Prose Edda'', which systematizes the accounts referenced above into a holistic, mythic unit. In this particular case, Snorri argued that creation occurred due to the interaction between the cool, wet, frigid air of Niflheim and the hot, dry air of Muspelheim, the union of which would produce the type of gradual accretion described in the Vafthruthnismol:
 
As implied above, these issues were systematically addressed by Snorri Sturluson's ''Prose Edda'', which systematizes the accounts referenced above into a holistic, mythic unit. In this particular case, Snorri argued that creation occurred due to the interaction between the cool, wet, frigid air of Niflheim and the hot, dry air of Muspelheim, the union of which would produce the type of gradual accretion described in the Vafthruthnismol:
 
<blockquote>Ginnungagap, which faced toward the northern quarter, became filled with heaviness, and masses of ice and rime, and from within, drizzling rain and gusts; but the southern part of the Yawning Void was lighted by those sparks and glowing masses which flew out of Múspellheim. ... Just as cold arose out of Niflheim, and all terrible things, so also all that looked toward Múspellheim became hot and glowing; but Ginnungagap was as mild as windless air, and when the breath of heat met the rime, so that it melted and dripped, life was quickened from the yeast-drops, by the power of that which sent the heat, and became a man's form. And that man is named Ymir, but the Rime-Giants call him Aurgelimir and thence are come the races of the Rime-Giants.<ref>Snorri Sturluson, ''Gylfaginning'' V, Brodeur 17-18. This cosmological schema (cold/wet meeting hot/dry and generating life) is discussed from a cross-cultural perspective in Bruce Lincoln's "The Center of the World and the Origins of Life," ''History of Religions'' 40(4) (May 2001): 311-326.</ref></blockquote>
 
<blockquote>Ginnungagap, which faced toward the northern quarter, became filled with heaviness, and masses of ice and rime, and from within, drizzling rain and gusts; but the southern part of the Yawning Void was lighted by those sparks and glowing masses which flew out of Múspellheim. ... Just as cold arose out of Niflheim, and all terrible things, so also all that looked toward Múspellheim became hot and glowing; but Ginnungagap was as mild as windless air, and when the breath of heat met the rime, so that it melted and dripped, life was quickened from the yeast-drops, by the power of that which sent the heat, and became a man's form. And that man is named Ymir, but the Rime-Giants call him Aurgelimir and thence are come the races of the Rime-Giants.<ref>Snorri Sturluson, ''Gylfaginning'' V, Brodeur 17-18. This cosmological schema (cold/wet meeting hot/dry and generating life) is discussed from a cross-cultural perspective in Bruce Lincoln's "The Center of the World and the Origins of Life," ''History of Religions'' 40(4) (May 2001): 311-326.</ref></blockquote>
Of course, the use of the term "man" as a descriptor is simply poetic license, a fact that follows naturally from the depiction of this being as the progenitor of the [[Jotun]].
+
Of course, the use of the term "man" as a descriptor is simply poetic license, a fact that follows naturally from the depiction of this being as the progenitor of the [[Jotun]].  
  
 +
Faced with this explanation, we (as readers) are left with another question. How can an entire race of gods (or in this case giants) emerge from a single founding being? As above, this very issue was also raised by Odin in the Vafthruthnismol:
 +
:''Othin spake:''
 +
:"Seventh answer me well, | if wise thou art called,
 +
:If thou knowest it, Vafthruthnir, now:
 +
:How begat he children, | the giant grim,
 +
:Who never a giantess knew?"
 +
:''Vafthruthnir spake:''
 +
:"They say 'neath the arms | of the giant of ice
 +
:Grew man-child and maid together;
 +
:And foot with foot | did the wise one fashion
 +
:A son that six heads bore."<ref>Vafthruthnismol (32-33), [http://www.sacred-texts.com/neu/poe/poe05.htm Poetic Edda], 77. Translated by Henry Adams Bellows, 1936. Retrieved June 23, 2007.</ref>
 +
Thus, the race of giants were understood to have emerged through a process of asexual reproduction from (the sweat of (?))<ref>One of the few elaborations Snorri makes on this point is to explicitly list "sweat" as the creative fluid from which the male and female giants sprung. Sturluson, ''Gylfaginning'' V, Brodeur 18.</ref> Ymir. The only notable addition that Snorri's account makes to this depiction is that it provides an explicit moral evaluation of the proceedings, stating: "By no means do we acknowledge him God [for his role in the creation]; he was evil and all his kindred: we call them Rime-Giants."<ref>Snorri Sturluson, ''Gylfaginning'' V, Brodeur 18.</ref>
 +
 +
Following the spontaneous generation of Ymir (and his offspring), these proto-beings found themselves without a source of sustenance. Fortunately, the primordial fluids also congealed into the form of an enormous bovine, ''Audhumla'' ("hornless and fecund"),<ref>Orchard, 42.</ref> whose copious udders produced four rivers of milk.<ref>Orchard (''ibid'') notes that these four rivers could be a reference to the four rivers of [[Paradise]] mentioned in the [[Book of Revelations]].</ref> This cow, in turn, fed off of the salty blocks of ice that made up much of the early world. As she licked away the rime ice, she eventually revealed the body of a god named [[Búri]] (the first of the [[Aesir]]). Eventually, Búri married a giantess (one of the children of [[Ymir]]) and fathered [[Borr]]. After a time, Borr and his wife [[Bestla]] (another female [[Jotun]]) had three sons, named [[Odin]], [[Vili]] and [[Vé]].<ref>Snorri Sturluson, ''Gylfaginning'' VI, Brodeur 18-19.</ref> Though it was not apparent to the unwitting giant Ymir, the birth of these divine beings was the first step towards his own undoing.
 +
 +
==Death of Ymir==
 +
The sons of Borr killed Ymir, and when Ymir fell the blood from his wounds poured forth. Ymir's blood drowned almost the entire tribe of frost giants.  Only two giants survived the flood of Ymir's blood, one was Ymir's grandson [[Bergelmir]] (son of Þrúðgelmir), and the other his wife. Bergelmir and his wife brought forth new families of frost giants. 
 +
 +
Odin and his brothers used Ymir's body to create [[Midgard]] at the center of Ginnungagap. His flesh became the earth. The blood of Ymir formed seas and lakes.  From his bones mountains were erected. His teeth and bone fragments became stones. From his hair grew trees and [[maggot]]s from his flesh became the race of dwarves. The gods set Ymir's skull above Ginnungagap and made the sky, supported by four [[Norse dwarves|dwarves]].  These dwarves were given the names East, West, North and South.  Odin then created winds by placing one of Bergelmir's sons, in the form of an eagle, at the ends of the earth .  He cast Ymir's brains into the wind to become the clouds. 
  
 +
Next, the sons of Borr took sparks from Muspelheim and dispersed them throughout Ginnungagap, thus creating stars and light for Heaven and Earth.  From pieces of driftwood trees the sons of Borr made men.  They made a man named [[Ask]] and a woman named [[Embla]].  On the brow of Ymir the sons of Bor built a stronghold to protect the race of men from the giants.
  
combined several sources, along with some of his own conclusions, to explain Ymir's role in the Norse creation myth.  The main sources available .  According to these poems, [[Ginnungagap]] existed before Heaven and Earth.  The Northern region of Ginnungagap became full of ice, and this harsh land was known as [[Niflheim]].  Opposite of Niflheim  was the southern region known as [[Muspelheim]], which contained bright sparks and glowing embers. Ymir was conceived in Ginnungagap when the ice of Niflheim met with Muspelheim's heat and melted, releasing "eliwaves" and drops of [[eitr]]. The eitr drops stuck together and formed a giant of rime frost (a ''[[hrimthurs]]'') between the two worlds and the sparks from Muspelheim gave him life. While Ymir slept, he fell into a sweat and conceived the race of giants.  Under his left arm grew a man and a woman, and his legs begat his six-headed son [[Þrúðgelmir]].
 
  
Ymir fed from the primeval cow [[Auðhumla]]'s four rivers of milk, who in turn fed from licking the salty ice blocks. Her licking the rime ice eventually revealed the body of a man named [[Búri]].  Búri fathered [[Borr]], and Borr and his wife [[Bestla]] had three sons given the names [[Odin]], [[Vili]] and [[Vé]].
 
  
==Primary Sources==
 
 
<cosmos>
 
<cosmos>
 
:Out of Ymir's flesh | was fashioned the earth,
 
:Out of Ymir's flesh | was fashioned the earth,
Line 51: Line 68:
 
:And the ocean out of his blood.<ref>Vafthruthnismol (21), [http://www.sacred-texts.com/neu/poe/poe05.htm Poetic Edda], 74. Translated by Henry Adams Bellows, 1936. Retrieved June 23, 2007.</ref>
 
:And the ocean out of his blood.<ref>Vafthruthnismol (21), [http://www.sacred-texts.com/neu/poe/poe05.htm Poetic Edda], 74. Translated by Henry Adams Bellows, 1936. Retrieved June 23, 2007.</ref>
  
 
<asexual origins of first giants from Ymir>
 
:''Othin spake:''
 
:"Seventh answer me well, | if wise thou art called,
 
:If thou knowest it, Vafthruthnir, now:
 
:How begat he children, | the giant grim,
 
:Who never a giantess knew?"
 
:''Vafthruthnir spake:''
 
:"They say 'neath the arms | of the giant of ice
 
:Grew man-child and maid together;
 
:And foot with foot | did the wise one fashion
 
:A son that six heads bore."<ref>Vafthruthnismol (32-33), [http://www.sacred-texts.com/neu/poe/poe05.htm Poetic Edda], 77. Translated by Henry Adams Bellows, 1936. Retrieved June 23, 2007.</ref>
 
  
 
<The early cosmos in Voluspa>
 
<The early cosmos in Voluspa>
Line 81: Line 86:
 
:They made to move on high.<ref>Grimnismol (40-41), [http://www.sacred-texts.com/neu/poe/poe05.htm Poetic Edda], 100-101. Translated by Henry Adams Bellows, 1936. Retrieved June 23, 2007.</ref>
 
:They made to move on high.<ref>Grimnismol (40-41), [http://www.sacred-texts.com/neu/poe/poe05.htm Poetic Edda], 100-101. Translated by Henry Adams Bellows, 1936. Retrieved June 23, 2007.</ref>
  
 +
The striking imagery surrounding the creation of the cosmos inspired a number of standardized poetic kennings for various worldly phenomena. Some of these, presented in the dialogical format of the ''Skáldskaparmál'', include:
 
"How should the heaven be periphrased? Thus: call it Skull of Ymir, and hence, Giant's Skull ... How should one periphrase the earth? Thus: by calling her Flesh of Ymir ... How should one periphrase the sea? Thus: by calling it Ymir's Blood."<ref>Snorri Sturluson, ''Skáldskaparmál'' XXIII, XXIV, XXV, Brodeur 134, 136, 137.</ref>
 
"How should the heaven be periphrased? Thus: call it Skull of Ymir, and hence, Giant's Skull ... How should one periphrase the earth? Thus: by calling her Flesh of Ymir ... How should one periphrase the sea? Thus: by calling it Ymir's Blood."<ref>Snorri Sturluson, ''Skáldskaparmál'' XXIII, XXIV, XXV, Brodeur 134, 136, 137.</ref>
 
==Edit==
 
The sons of Borr killed Ymir, and when Ymir fell the blood from his wounds poured forth. Ymir's blood drowned almost the entire tribe of frost giants.  Only two giants survived the flood of Ymir's blood, one was Ymir's grandson [[Bergelmir]] (son of Þrúðgelmir), and the other his wife. Bergelmir and his wife brought forth new families of frost giants. 
 
 
Odin and his brothers used Ymir's body to create [[Midgard]] at the center of Ginnungagap. His flesh became the earth. The blood of Ymir formed seas and lakes.  From his bones mountains were erected. His teeth and bone fragments became stones. From his hair grew trees and [[maggot]]s from his flesh became the race of dwarves. The gods set Ymir's skull above Ginnungagap and made the sky, supported by four [[Norse dwarves|dwarves]].  These dwarves were given the names East, West, North and South.  Odin then created winds by placing one of Bergelmir's sons, in the form of an eagle, at the ends of the earth .  He cast Ymir's brains into the wind to become the clouds. 
 
 
Next, the sons of Borr took sparks from Muspelheim and dispersed them throughout Ginnungagap, thus creating stars and light for Heaven and Earth.  From pieces of driftwood trees the sons of Borr made men.  They made a man named [[Ask]] and a woman named [[Embla]].  On the brow of Ymir the sons of Bor built a stronghold to protect the race of men from the giants.
 
 
Two other names associated with Ymir are '''Brimir''' and '''Bláin''' according to ''Völuspá'', stanza 9, where the gods discuss forming the race of dwarfs from the "blood of Brimir and the limbs of Bláin". Later in stanza 37, Brimir is mentioned as having a [[beer]] hall in [[Ókólnir]]. In ''[[Gylfaginning]]'' "Brimir" is the name of the hall itself, destined to survive the destruction of [[Ragnarök]] and providing an "abundance of good drink" for the souls of the virtuous.
 
  
 
==Ymir and Yama==
 
==Ymir and Yama==

Revision as of 08:45, 24 June 2007

Ymir is killed by the sons of Borr in this artwork by Lorenz Frølich

In Norse mythology, Ymir ("groaner" or "twin"),[1] among the giants themselves, was the founder of the race of frost giants and an important figure in Norse cosmology.

also named Aurgelmir (Old Norse gravel-yeller)

Ymir in a Norse Context

As a Norse deity, Ymir belonged to a complex religious, mythological and cosmological belief system shared by the Scandinavian and Germanic peoples. This mythological tradition, of which the Scandinavian (and particularly Icelandic) sub-groups are best preserved, developed in the period from the first manifestations of religious and material culture in approximately 1000 B.C.E. until the Christianization of the area, a process that occurred primarily from 900-1200 C.E..[2] The tales recorded within this mythological corpus tend to exemplify a unified cultural focus on physical prowess and military might.

Within this framework, Norse cosmology postulates three separate "clans" of primary deities: the Aesir, the Vanir, and the Jotun. The distinction between Aesir and Vanir is relative, for the two are said to have made peace, exchanged hostages, intermarried and reigned together after a prolonged war. In fact, the most significant divergence between the two groups is in their respective areas of influence, with the Aesir representing war and conquest, and the Vanir representing exploration, fertility and wealth.[3] The Jotun, on the other hand, are seen as a generally malefic (though wise) race of giants who represented the primary adversaries of the Aesir and Vanir. Over and above these three, there also existed races of secondary supernatural spirits, including the alfár (elves) and the dwarves (craftsmen for the Aesir).[4]

Ymir, much like Purusha in the Indian tradition and Tiamat in Mesopotamian mythology, was a being who represented the ultimate ground of the cosmos. More specifically, he was a primordial entity who was killed and dismembered to allow for the creation of the present world order. Thus, as perhaps is fitting for a mythological system that was so focus on battle and conquest, the only way for Odin to form the kingdom of Midgard (and various other elements in the natural world) was by physically prevailing over an adversary.

Mythic Accounts

Ymir as Cosmic Progenitor

See also: Niflheim

Given the insatiable nature of human curiosity, it is perhaps unsurprising that one universal genre of folklore is the cosmogony: the mythic attempt to explain the origin and fundamental principles of the universe. In the Norse context, these foundational myths center on the character of Ymir, who was universally recognized as the first living being. These tales are found in their earliest extant form in the Poetic Edda, with specific mention of Ymir in the exhaustive question and answer poem Vafþrúðnismál, the exhaustive mythic catalog of the Grímnismál, and the historically expansive Völuspá (which describes the cosmos from its creation to its destruction in the fires of Ragnarök). However, they reach their most synoptic form in the Prose Edda of Snorri Sturluson, who unites the sources mentioned above with others that have not survived into the present into a coherent and systematic whole.[5]

The most basic account of the earliest days in cosmic history can be found in the Völuspá, which seems to imply that Ymir was simply an element of the cosmos that predated the created order:

Of old was the age | when Ymir lived;
Sea nor cool waves | nor sand there were;
Earth had not been, | nor heaven above,
But a yawning gap, | and grass nowhere.[6]

While this early cosmic vision does provide an origin point, it begs a rather important question: from whence came this primeval being? Fortunately, this same question is explicitly asked by Odin in his dialog with the preternaturally clever giant, Vafthruthnir (as recorded in the Vafþrúðnismál):

Answer me well, | if wise thou art called,
If thou knowest it, Vafthruthnir, now
Whence did Aurgelmir come | with the giants' kin,
Long since, thou giant sage?"
Vafthruthnir spake:
Down from Elivagar | did venom drop,
And waxed till a giant it was;
And thence arose | our giants' race,
And thus so fierce are we found.[7]

In this way, the text suggests that the elemental being somehow congealed from the frosty waters of Elivagar ("storm-waves"), which implies an image of the roiling, unordered waters. It should be noted that the "Aurgelmir" referred to in this passage can be positively identified with Ymir, as suggested by a genealogical account elsewhere in the text.[8] While this provides a more detailed picture of the cosmic genesis, it still leaves many elements unexplored and many questions unanswered.

As implied above, these issues were systematically addressed by Snorri Sturluson's Prose Edda, which systematizes the accounts referenced above into a holistic, mythic unit. In this particular case, Snorri argued that creation occurred due to the interaction between the cool, wet, frigid air of Niflheim and the hot, dry air of Muspelheim, the union of which would produce the type of gradual accretion described in the Vafthruthnismol:

Ginnungagap, which faced toward the northern quarter, became filled with heaviness, and masses of ice and rime, and from within, drizzling rain and gusts; but the southern part of the Yawning Void was lighted by those sparks and glowing masses which flew out of Múspellheim. ... Just as cold arose out of Niflheim, and all terrible things, so also all that looked toward Múspellheim became hot and glowing; but Ginnungagap was as mild as windless air, and when the breath of heat met the rime, so that it melted and dripped, life was quickened from the yeast-drops, by the power of that which sent the heat, and became a man's form. And that man is named Ymir, but the Rime-Giants call him Aurgelimir and thence are come the races of the Rime-Giants.[9]

Of course, the use of the term "man" as a descriptor is simply poetic license, a fact that follows naturally from the depiction of this being as the progenitor of the Jotun.

Faced with this explanation, we (as readers) are left with another question. How can an entire race of gods (or in this case giants) emerge from a single founding being? As above, this very issue was also raised by Odin in the Vafthruthnismol:

Othin spake:
"Seventh answer me well, | if wise thou art called,
If thou knowest it, Vafthruthnir, now:
How begat he children, | the giant grim,
Who never a giantess knew?"
Vafthruthnir spake:
"They say 'neath the arms | of the giant of ice
Grew man-child and maid together;
And foot with foot | did the wise one fashion
A son that six heads bore."[10]

Thus, the race of giants were understood to have emerged through a process of asexual reproduction from (the sweat of (?))[11] Ymir. The only notable addition that Snorri's account makes to this depiction is that it provides an explicit moral evaluation of the proceedings, stating: "By no means do we acknowledge him God [for his role in the creation]; he was evil and all his kindred: we call them Rime-Giants."[12]

Following the spontaneous generation of Ymir (and his offspring), these proto-beings found themselves without a source of sustenance. Fortunately, the primordial fluids also congealed into the form of an enormous bovine, Audhumla ("hornless and fecund"),[13] whose copious udders produced four rivers of milk.[14] This cow, in turn, fed off of the salty blocks of ice that made up much of the early world. As she licked away the rime ice, she eventually revealed the body of a god named Búri (the first of the Aesir). Eventually, Búri married a giantess (one of the children of Ymir) and fathered Borr. After a time, Borr and his wife Bestla (another female Jotun) had three sons, named Odin, Vili and .[15] Though it was not apparent to the unwitting giant Ymir, the birth of these divine beings was the first step towards his own undoing.

Death of Ymir

The sons of Borr killed Ymir, and when Ymir fell the blood from his wounds poured forth. Ymir's blood drowned almost the entire tribe of frost giants. Only two giants survived the flood of Ymir's blood, one was Ymir's grandson Bergelmir (son of Þrúðgelmir), and the other his wife. Bergelmir and his wife brought forth new families of frost giants.

Odin and his brothers used Ymir's body to create Midgard at the center of Ginnungagap. His flesh became the earth. The blood of Ymir formed seas and lakes. From his bones mountains were erected. His teeth and bone fragments became stones. From his hair grew trees and maggots from his flesh became the race of dwarves. The gods set Ymir's skull above Ginnungagap and made the sky, supported by four dwarves. These dwarves were given the names East, West, North and South. Odin then created winds by placing one of Bergelmir's sons, in the form of an eagle, at the ends of the earth . He cast Ymir's brains into the wind to become the clouds.

Next, the sons of Borr took sparks from Muspelheim and dispersed them throughout Ginnungagap, thus creating stars and light for Heaven and Earth. From pieces of driftwood trees the sons of Borr made men. They made a man named Ask and a woman named Embla. On the brow of Ymir the sons of Bor built a stronghold to protect the race of men from the giants.


<cosmos>

Out of Ymir's flesh | was fashioned the earth,
And the mountains were made of his bones;
The sky from the frost-cold | giant's skull,
And the ocean out of his blood.[16]


<The early cosmos in Voluspa>

Then Bur's sons lifted | the level land,
Mithgarth [Midgard] the mighty | there they made;
The sun from the south | warmed the stones of earth,
And green was the ground | with growing leeks.[17]

<Grimnismol>

Out of Ymir's flesh | was fashioned the earth,
And the ocean out of his blood;
Of his bones the hills, | of his hair the trees,
Of his skull the heavens high.
 
Mithgarth the gods | from his eyebrows made,
And set for the sons of men;
And out of his brain | the baleful clouds
They made to move on high.[18]

The striking imagery surrounding the creation of the cosmos inspired a number of standardized poetic kennings for various worldly phenomena. Some of these, presented in the dialogical format of the Skáldskaparmál, include: "How should the heaven be periphrased? Thus: call it Skull of Ymir, and hence, Giant's Skull ... How should one periphrase the earth? Thus: by calling her Flesh of Ymir ... How should one periphrase the sea? Thus: by calling it Ymir's Blood."[19]

Ymir and Yama

In a disputable etymology, W. Meid (1992) has linked the names Ymir (which can be reconstructed in Proto-Germanic as *umijaz or *jumijaz, in the latter case possibly deriving from Proto-Indo-European *ym̩yos) and the name of the Indic death deity Yama, reconstructed in PIE as *yemos, from the root yem "twin". Yama shares with Ymir the characteristics of being primeval and mortal, but in other respects is a very different character, the first of mortal men and kings who after death becomes ruler of the realm of the dead.

See also

References
ISBN links support NWE through referral fees

  • DuBois, Thomas A. Nordic Religions in the Viking Age. Philadelphia: University of Pennsylvania Press, 1999. ISBN 0-8122-1714-4.
  • Dumézil, Georges. Gods of the Ancient Northmen. Edited by Einar Haugen. Berkeley: University of California Press, 1973. ISBN 0-520-02044-8.
  • Grammaticus, Saxo. The Danish History (Volumes I-IX). Translated by Oliver Elton (Norroena Society, New York, 1905). Accessed online at The Online Medieval & Classical Library.
  • Lindow, John. Handbook of Norse mythology. Santa Barbara, CA: ABC-CLIO, 2001. ISBN 1-57607-217-7.
  • Meid, W. Die Germanische Religion im Zeugnis der Sprache. In Beck et al., Germanische Religionsgeschichte – Quellen und Quellenprobleme. New York, de Gruyter, 1992. 486-507.
  • Munch, P. A. Norse Mythology: Legends of Gods and Heroes. In the revision of Magnus Olsen; translated from the Norwegian by Sigurd Bernhard Hustvedt. New York: The American-Scandinavian foundation; London: H. Milford, Oxford University Press, 1926.
  • Orchard, Andy. Cassell's Dictionary of Norse Myth and Legend. London: Cassell; New York: Distributed in the United States by Sterling Pub. Co., 2002. ISBN 0-304-36385-5.
  • Page, R.I. Norse Myths. Bath Press, 1990, University of Texas Press, 1996.
  • Sturluson, Snorri. The Prose Edda. New York: American-Scandinavian foundation, 1916. Available online at http://www.northvegr.org/lore/prose/index.php.
  • Turville-Petre, Gabriel. Myth and Religion of the North: The Religion of Ancient Scandinavia. New York: Holt, Rinehart and Winston, 1964. ISBN 0837174201.
  • "Völuspá" in The Poetic Edda. Translated and with notes by Henry Adams Bellows. Princeton: Princeton University Press, 1936. Accessed online at sacred-texts.com. Retrieved April 13, 2007.
  • Winterbourne, Anthony: When the Norns have Spoken: Time and Fate in Germanic Paganism. Rosemont Publishing & Printing Corp., 2004. ISBN 0-8386-4048-6.
  • Young, Jean I. The Prose Edda of Snorri Sturluson: Tales from Norse Mythology. Bowes & Bowes, 1954.

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  1. Orchard, 404; Turville-Petre, 278.
  2. Lindow, 6-8. Though some scholars have argued against the homogenizing effect of grouping these various traditions together under the rubric of “Norse Mythology,” the profoundly exploratory/nomadic nature of Viking society tends to overrule such objections. As Thomas DuBois cogently argues, “[w]hatever else we may say about the various peoples of the North during the Viking Age, then, we cannot claim that they were isolated from or ignorant of their neighbors…. As religion expresses the concerns and experiences of its human adherents, so it changes continually in response to cultural, economic, and environmental factors. Ideas and ideals passed between communities with frequency and regularity, leading to and interdependent and intercultural region with broad commonalities of religion and worldview.” (27-28).
  3. More specifically, Georges Dumézil, one of the foremost authorities on the Norse tradition and a noted comparitivist, argues quite persuasively that the Aesir / Vanir distinction is a component of a larger triadic division (between ruler gods, warrior gods, and gods of agriculture and commerce) that is echoed among the Indo-European cosmologies (from Vedic India, through Rome and into the Germanic North). Further, he notes that this distinction conforms to patterns of social organization found in all of these societies. See Georges Dumézil's Gods of the Ancient Northmen (especially pgs. xi-xiii, 3-25) for more details.
  4. Lindow, 99-101; 109-110.
  5. See Turville-Petre for a brief discussion of this process of composition (275).
  6. Völuspá (3), Poetic Edda, 4. Translated by Henry Adams Bellows, 1936. Retrieved June 23, 2007.
  7. Vafthruthnismol (30-31), Poetic Edda, 76-77. Translated by Henry Adams Bellows, 1936. Retrieved June 23, 2007.
  8. Orchard, 43. The interchangeability of these names is also attested to in Turville-Petre, 275-276.
  9. Snorri Sturluson, Gylfaginning V, Brodeur 17-18. This cosmological schema (cold/wet meeting hot/dry and generating life) is discussed from a cross-cultural perspective in Bruce Lincoln's "The Center of the World and the Origins of Life," History of Religions 40(4) (May 2001): 311-326.
  10. Vafthruthnismol (32-33), Poetic Edda, 77. Translated by Henry Adams Bellows, 1936. Retrieved June 23, 2007.
  11. One of the few elaborations Snorri makes on this point is to explicitly list "sweat" as the creative fluid from which the male and female giants sprung. Sturluson, Gylfaginning V, Brodeur 18.
  12. Snorri Sturluson, Gylfaginning V, Brodeur 18.
  13. Orchard, 42.
  14. Orchard (ibid) notes that these four rivers could be a reference to the four rivers of Paradise mentioned in the Book of Revelations.
  15. Snorri Sturluson, Gylfaginning VI, Brodeur 18-19.
  16. Vafthruthnismol (21), Poetic Edda, 74. Translated by Henry Adams Bellows, 1936. Retrieved June 23, 2007.
  17. Völuspá (3-4), Poetic Edda, 4. Translated by Henry Adams Bellows, 1936. Retrieved June 23, 2007.
  18. Grimnismol (40-41), Poetic Edda, 100-101. Translated by Henry Adams Bellows, 1936. Retrieved June 23, 2007.
  19. Snorri Sturluson, Skáldskaparmál XXIII, XXIV, XXV, Brodeur 134, 136, 137.