Veliky Novgorod

From New World Encyclopedia


Historic Monuments of Novgorod and Surroundings*
UNESCO World Heritage Site

The medieval walls of Novgorod (pictured) withstood many sieges
State Party Flag of Russia.svg Russian Federation
Type Cultural
Criteria ii, iv, vi
Reference 604
Region** European Russia
Inscription history
Inscription 1992  (16th Session)
* Name as inscribed on World Heritage List.
** Region as classified by UNESCO.

Novgorod, the third largest city in Russia, has deep historical roots to Russian culture as a whole.[1] Novgorod is famed as a center for Russian folk culture, because it does not experience the same influx of Western ideas and peoples found in Moscow or St. Petersburg. The preeminence of Veliky Novgorod in Russian culture is represented by the root of the name, where "Novgorod" is said to be the Russian word for "new city", and "Veliky" means "the Great".

Geography

Ancient Novgorod rose to a political force partially due to its ideal location with easy access to both the Oka and the Volga rivers. It is located in the North-West region of Russia, an area commonly referred to as Russia's heartland. The title of the area reflects the high agricultural productivity of the region, as well as the overall economic importance of the area to Russia as a whole.

In modern times, when rivers are no longer the main means of conveyance, Novgorod can be reached by the Russian Route M10. It is situated between the major metropolises Moscow and St. Petersburg, and is rising to become a population center in its own right. Recent estimates put the population at 216, 856, which while lower than the measurements in Soviet Times, still represents a large city by Russian standards.

Economy

Education is an incredibly important part of the Novgorod culture, as it was one of the first cities in Russian history to build a schoolhouse large enough to hold three hundred students at once. The high levels of education in Novgorod directly spawned many of the key industries for the city, particularly the book making and printing industries. Novgorod also expressed its intellectual history through art, becoming a major center for icon painting and applied decorative arts.

Currently, much of the Novgorod economy is funded through foreign investment sources. Novgorod is widely considered to be one of the most econoically open Russian cities, a fact corroborated by tax breaks offted to foreign investors by the local government. Foreign investors tend to focus on heavy industry, particularly the radioelectronical, furniture, chemical fields. The high levels of investment have had some effect on the local population, raising the living standard above many other urban centers in Russia. In paricular, Novgorod has a smaller homeless population than Moscow or St. Petersburg.

History

Novgorod was among the first cities to be formed in ancient Russia. Due to its proximity to the rivers, a small civilization sprouted up that connected the Greek markets to the Russain and Baltic markets. Archaelogical evidence regarding the trade dates the city back to the tenth century C.E. , when Christianity first made its way into Russia. [2] Along with the ideas of Christianity, religious evangelists brought trade items to be traded in urban centers to fund their travels. While some records mention Novgorod as an urban center prior to the tenth century C.E. it must be assumed that earlier accounts exagerate the importance of the settlement, due to the lack of archaeological evidence to support a large city at an earlier time.

After the tenth century C.E., Novgorod emerged as a strong political and religious center. Its secure position was primarily due to Novogorod's stong military onslaught against Constantinople. As a result of the military campaign, Novgorod maintained equal trading rights with Byzantine and began a cultural interchange. East Slavic tribes from Byzantine began pouring into the ancient Slavic state, influencing the art and culture of Novgorod.

Bronze monument to the Millennium of Russia (1862)

The growing economic and political authority of Novgorod soon drew the attention of Oleg of Novgorod, a political leader who led a campaign to capture Novgorod. Because of the power of Novgorod, it became the second most powerful city in the newly formed Kievan Rus. The city was ruled by a series of political organizations, called posadnicks, which governed when the ruler had no son to inherit the throne. When not being ruled by posadnicks, Novgorod had the good forune to experience a series of benevolent rulers who governed with the best interest of the city's inhabitants in mind. The most notable among the benevolent leaders of Novgorod was Yaroslav I the Wise, who implemented the first written code of laws in the city.

Under a series of benevolent rulers, the inhabitants of Novgorod were steadily granted increased independence and political autonomy. As a result of their increased role in the political process, it soon became apparent to the inhabitants of Novgorod that a singular ruling authority was not nessary for Novgorod to function. As a result of this revelation, the Novgorodians dismissed their prince in 1136. In order to fill the political void, Novgorod established the Novgorod Republic, which invited and dismissed a series of princes in order to rule Novgorod. While the veche, or electing authority, maintained supreme nominal power, some powerful leaders were able to assert a strong agenda over the objections of the people.[3]

12-century Novgorod icon called Angel with Golden Locks

Novgorod, with its unique political structure,soon became a thriving center for arts and culture. During the Medieval Ages Novgorod gained its reputation for literacy and education, a reputation that stayed with the city for most of its legacy. Written records at this time are in the form of birch bark documents, many of which were written in the archbishop's scriptorium. Possibly due to the intellectual and cultural strength of Novgorod, Novgorod did not fall during the Mongol invasion of ancient Russia. During this invasion, many surrounding cities fell to the MOngol invaders, but the cultural beacon of Novgorod resisted the invasion.

Despite being able to resist the MOngol invaders, Novgorod began to falter politicaly in the early 15th century C.E. Many scholars trace Novgorod's crumblin political power to an inability to provide the basic needs for its inhabitants. The citizens of Novgorod were particularly threatened by a lack of grain, which drove many citizens close to starvation. In order to rectify the lack of bread Novgorod made a political agreement with Moscow and Tver to provide much needed grain. THese cities used the agreement to exercise political control over Novgorod, and the city's independence began to weaken in proportionate to its dependence on Moscow and Tver for grain. Novgorod was eventually annexed by Moscow in 1478.

City plan of Novgorod in the first half of the 18th century

The difficulties for Novgorod continued in the Time of Trouble, when the city fell to Swedish troops. According to some accounts, the city voluntarily submitted to Swedish rule. Novgorod continued under Swedish authority for six years, after which time it was returned to Russia and allowed to rebuilt a level of political authority. After the transfer of Novgorod to Russia, Novgorod began an ambitious program of building and many of its most famous structures were constructed during this time period. Notable examples of this period of architecture include the Cathedral of the Sign and Vyazhischi MOnastery. Novgorod became the administrative center of the Novgorod Governorate in 1727, demonstrating its reclaimed importance to Russia. Novgorod continued to be important to Russia until World War II, when German troops occupied the city and destoyed many of the historical and cultural landmarks.

Sights

St Nicholas Cathedral, built by Mstislav I near his palace at Yaroslav's Court, Novgorod, contains 12th-century frescoes depicting his illustrious family.
Walls of the Novgorod Kremlin.
Nereditsa church formerly contained the finest 12th-century frescoes in Russia. The frescoes were destroyed when the church was blown up by the Germans in 1944.

No other Russian or Ukrainian city can compete with Novgorod in the variety and age of its medieval monuments. The foremost among these is the St Sophia Cathedral, built between 1045 and 1050 under the patronage of Vladimir Yaroslavich, the son of Yaroslav the Wise (Vladimir is buried in the cathedral along with his mother, Anna.)[4] It is the best preserved of 11th century churches, probably the oldest structure still in use in Russia and the first one to represent original features of Russian architecture (austere stone walls, five helmet-like cupolas). Its frescoes were painted in the 12th century originally on the orders of Bishop Nikita (died 1108) (the "porches" or side chapels were painted in 1144 under Archbishop Nifont) and renovated several times over the centuries, most recently in the nineteenth century.[5] The cathedral features famous bronze gates, which now hang in the west entrance, allegedly made in Magdeburg in 1156 (other sources see them originating in Plock in Poland) and reportedly snatched by Novgorodians from the Swedish town of Sigtuna in 1187. More recent scholarship has determined that the gates probably were purchased in the mid-fifteenth century, apparently at the behest of Archbishop Evfimii II (1429-1458), a lover of Western art and architectural styles.[6]

The Novgorod Kremlin, traditionally known as the Detinets, also contains the oldest palace in Russia (the so-called Chamber of the Facets, 1433), which served as the main meeting hall of the archbishops; the oldest Russian bell tower (mid-15th cent.), and the oldest Russian clock tower (1673). The Palace of Facets, the bell tower, and the clock tower were originally built on the orders of Archbishop Evfimii II, although the clock tower collapsed in the seventeenth century and had to be rebuilt and much of the palace of Evfimii II is no longer extant. Among later structures, the most remarkable are a royal palace (1771) and a bronze monument to the Millennium of Russia, representing the most important figures from the country's history (unveiled in 1862).

Outside the kremlin walls, there are three large churches constructed during the reign of Mstislav the Great. St Nicholas Cathedral (1113-23), containing frescoes of Mstislav's family, graces Yaroslav's Court (formerly the chief square of Novgorod). The Yuriev Monastery (one of the oldest in Russia, 1030) contains a tall, three-domed cathedral from 1119 (built by Mstislav's son, Vsevolod. and Kyurik, the head of the monastery. A similar three-domed cathedral (1117), probably designed by the same masters, stands in the Antoniev Monastery, built on the orders of Antonii, the founder of that monstery.

There are now some fifty still-extant medieval and early modern churches scattered throughout the city and its environs. Some of them were blown up by the Nazis and subsequently restored. The most ancient pattern is represented by those dedicated to Sts Peter and Pavel (on the Swallow's Hill, 1185-92), to Annunciation (in Myachino, 1179), to Assumption (on Volotovo Field, 1180s) and to St Paraskeva-Piatnitsa (at Yaroslav's Court, 1207). The greatest masterpiece of early Novgorod architecture is the Saviour church at Nereditsa (1198).

In the 13th century, tiny churches of the three-paddled design were in vogue. These are represented by a small chapel at the Peryn Monastery (1230s) and St Nicholas' on the Lipnya Islet (1292, also notable for its 14th-century frescoes). The next century saw development of two original church designs, one of them culminating in St Theodor's church (1360-61, fine frescoes from 1380s), and another one leading to the Saviour church on Ilyina street (1374, painted in 1378 by Feofan Grek). The Saviour' church in Kovalevo (1345) was originally frescoed by Serbian masters, but the church was destroyed during the war. While the church has since been rebuilt, the frescoes have not been restored.

During the last century of republican government, some new churches were consecrated to Sts Peter and Paul (on Slavna, 1367; in Kozhevniki, 1406), to Christ's Nativity (at the Cemetery, 1387), to St John the Apostle's (1384), to the Twelve Apostles (1455), to St Demetrius (1467), to St Simeon (1462), and other saints. Generally, they are not thought so innovative as the churches from the previous epoch. Several 12th-century shrines (i.e., in Opoki) were demolished brick by brick and then reconstructed exactly as they used to be, several of them in the mid fifteenth century, again under Archbishop Evfimii II, perhaps one of the greatest patrons of architecture in medieval Novgorod.

Novgorod's conquest by Ivan III in 1478 decisively changed the character of local architecture. Large commissions were thenceforth executed by Muscovite masters and patterned after cathedrals of Moscow Kremlin: e.g., the Saviour Cathedral of Khutyn Monastery (1515), the Cathedral of the Mother of God of the Sign (1688), the St. Nicholas Cathedral of Vyaschizhy Monastery (1685). Nevertheless, the styles of some parochial churches were still in keeping with local traditions: e.g., the churches of Myrrh-bearing Women(1510) and of Sts Boris and Gleb (1586).

In Vitoslavlitsy, along the Volkhov River and the Myachino Lake, close to the Yuriev Monastery, a picturesque museum of wooden architecture was established in 1964. Over 20 wooden buildings (churches, houses and mills) dating from the 14th to the 19th century were transported there from all around the Novgorod region.

Sister cities

Notes

  1. The Archaeology of Novgorod, by Valentin L. Yanin, in Ancient Cities, Special Issue, (Scientific American), pp 120–127, c 1994. Covers, History, Kremlin of Novgorod, Novgorod Museum of History, preservation dynamics of the soils, and the production of Birch bark documents.
  2. V. L. (Valentin Lavrent’evich) Ianin and M. Kh. (Mark Khaimovich) Aleshkovskii, “Proskhozhdenie Novgoroda: (k postanovke problemy),” Istoriia SSSR 2 (1971): 32-61.
  3. Michael C. Paul, “The Iaroslavichi and the Novgorodian Veche 1230-1270: A Case Study on Princely Relations with the Veche,” Russian History/ Histoire Russe 31, No. 1-2 (Spring-Summer 2004): 39-59.
  4. Tatiana Tsarevskaia, St. Sophia's Cathedral in Novgorod (Moscow: Severnyi Palomnik, 2005), 3.
  5. Ibid, 14, 19-22, 24, 29, 35.
  6. Irena Daniec Jadwiga, The Message of Faith and Symbol in European Medieval Bronze Church Doors (Danbury, CT: Rutledge Books, 1999), Chapter III "An Enigma: The Medieval Bronze Church Door of Płock in the Cathedral of Novgorod," 67-97; Mikhail Tsapenko, ed., Early Russian Architecture (Moscow: Progress Publisher, 1969), 34-38

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