Difference between revisions of "Vairocana" - New World Encyclopedia

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{{otheruses4|the primordial Buddha Vairocana|the Tibetan translator|Vairotsana}}
<em>This article is about the primordial Buddha Vairocana.  For the Tibetan translator, please see [[Vairotsana]]</em>
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{{Buddha Infobox
 +
| name            = Vairocana
 +
| img              = Mikeswe3.jpg
 +
| img_size        = 200px
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| img_capt        = Gilt-bronze Vairocana Buddha at the Bulguksa Temple and a National Treasure of South Korea.
 +
| landscape        =
 +
| sanskrit_name    = Vairocana
 +
| pali_name        =
 +
| chinese_name    = Dàrì Rúlái
 +
| japanese_name    = Dainichi Nyorai
 +
| tibetan_name    = rNam-par-snang mdzad
 +
| korean_name      = Birokana
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| thai_name        =
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| vietnamese_name = Đại Nhật Như Lai
 +
| veneration      = [[Vajrayana]]
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| attributes      = Emptiness
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| shakti          =
 +
| preceded_by      =
 +
| succeeded_by    =
 +
}}
 +
[[Image:TodaijiDaibutsu0224.jpg|thumb|right|The [[Daibutsu]] of [[Tōdai-ji]] (a [[Kegon]] [[Buddhist]] temple in [[Nara, Nara|Nara]], [[Japan]]). A representation of Vairocana.]]
  
[[Image:Mahavairochana.jpg|thumb|right|250px|18/19th Century Indo-Nepali Style gilt and painted figure, distinct in its six-armed form, which illustrates the embodiment of the [[Six Perfections]] that are the practice of a [[Bodhisattva]].]]
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'''Vairocana''' (also '''Vairochana''' or '''Mahāvairocana'''; वैरोचन [[Sanskrit language|Sanskrit]] or 毘盧遮那佛 [[Chinese language|Chinese]]: ''Dàrì Rúlái'' or ''Piluzhenafo'', [[Korean language|Korean]], "Birokana", [[Japanese language|Japanese]]: ''Dainichi Nyorai'', 大日如来; [[Tibetan language|Tibetan]]: ''རྣམ་པར་སྣང་མཛད། {{Polytonic|}}rNam-par-snang mdzad''; [[Mongolian language|Mongolian]]: ''Teyin böged geyigülügci''; [[Vietnamese language|Vietnamese]]: ''Đại Nhật Như Lai'') is a [[Buddhahood|Buddha]] who is the embodiment of [[Dharmakaya]], and which therefore can be seen as the universal aspect of the historical [[Gautama Buddha]].  In Sino-Japanese Buddhism, Vairocana is also seen as the embodiment of the Buddhist concept of [[shunyata]] or Emptiness.
 
 
'''Vairocana''' (also '''Vairochana''' or '''Mahāvairocana'''; or 毘盧遮那佛 [[Chinese language|Chinese]]: ''Dàrì Rúlái'' or ''Piluzhenafo'', [[Korean|Korean language]], "Birokana," [[Japanese language|Japanese]]: ''Dainichi Nyorai'', 大日如来; [[Tibetan language|Tibetan]]: ''rNam-par-snang mdzad''; [[Mongolian language|Mongolian]]: ''Teyin böged geyigülügci'') or sometimes ''Mahāvairocana'' is a [[Buddha]] who is the embodiment of [[Dharmakaya]], and which therefore can be seen as the universal aspect of the historical [[Gautama Buddha]].  In Sino-Japanese Buddhism, Vairocana is also seen as the embodiment of the Buddhist concept of [[shunyata]] or Emptiness.
 
  
 
In the conception of the [[Five Wisdom Buddhas]] of [[Vajrayana]] Buddhism, Vairocana is at the center.  The Vairocana statue in [[Nara, Nara|Nara]]'s [[Tōdai-ji]] in Japan is the largest bronze image of Vairocana Buddha in the world.  The larger of the [[Buddhas of Bamyan|monumental statues]] that were destroyed at [[Bamyan]] in [[Afghanistan]] was also a depiction of Vairocana.
 
In the conception of the [[Five Wisdom Buddhas]] of [[Vajrayana]] Buddhism, Vairocana is at the center.  The Vairocana statue in [[Nara, Nara|Nara]]'s [[Tōdai-ji]] in Japan is the largest bronze image of Vairocana Buddha in the world.  The larger of the [[Buddhas of Bamyan|monumental statues]] that were destroyed at [[Bamyan]] in [[Afghanistan]] was also a depiction of Vairocana.
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In Sino-Japanese Buddhism, Vairocana was gradually superseded as an object of reverence by [[Amitabha|Amitabha Buddha]], due in large part to the increasing popularity of [[Pure Land]] Buddhism, but Vairocana's legacy still remains in the [[Tōdai-ji]] temple with its massive bronze statue and in [[Shingon]] Buddhism, which holds a sizeable minority among Japanese Buddhists.
 
In Sino-Japanese Buddhism, Vairocana was gradually superseded as an object of reverence by [[Amitabha|Amitabha Buddha]], due in large part to the increasing popularity of [[Pure Land]] Buddhism, but Vairocana's legacy still remains in the [[Tōdai-ji]] temple with its massive bronze statue and in [[Shingon]] Buddhism, which holds a sizeable minority among Japanese Buddhists.
  
Vairocana is not to be confused with [[Virocana]] who, according to the [[Buddhism|Buddhist]] [[Trikaya]] doctrine, is the king of the [[Asura]].
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Vairocana is not to be confused with [[Virocana]], who appears in the eighth chapter of the [[Chandogya Upanishad]] as the king of the [[Asura]].
 
 
[[Image:TodaijiDaibutsu0224.jpg|thumb|right|250px|The [[Daibutsu]] of [[Tōdai-ji]] (a [[Kegon]] [[Buddhist]] temple in [[Nara, Nara|Nara]], [[Japan]]). A representation of Vairocana.]]
 
  
 
==Doctrine==
 
==Doctrine==
 
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[[Image:Mahavairochana.jpg|thumb|left|18/19th Century Indo-Nepali Style gilt and painted figure, distinct in its six-armed form, which illustrates the embodiment of the [[Paramita#Mahayana_Buddhism|Six Perfections]] that are the practice of a [[Bodhisattva]].]]
In the [[Rigveda]] of Hinduism, the word ‘vairocana' has the connotation of a brilliant and luminous sun. Indeed, Vairocana in [[Tibetan language|Tibetan]] is called ‘Namnang' (rnang.par snang.mdzad), meaning ‘the illuminator', and the Japanese 大日''(Dainichi)'' translates as "Great Sun."
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In the [[Rigveda]] of Hinduism, the word ‘vairocana' has the connotation of a brilliant and luminous sun. Indeed, Vairocana in [[Tibetan language|Tibetan]] is called ‘Namnang' (rnang.par snang.mdzad), meaning ‘the illuminator', and the Japanese 大日(''Dainichi'') translates as "Great Sun".
  
 
In the Buddhist [[Mahavairocana Sutra]], Vairocana teaches the Dharma to [[Vajrasattva]], but it is utterly incomprehensible, so Vairocana provides esoteric techniques and rituals to help conceptualize the Dharma beyond verbal form.  It was this sutra that prompted the Japanese monk, [[Kukai]] to journey to China to learn more about Tantric Buddhism.
 
In the Buddhist [[Mahavairocana Sutra]], Vairocana teaches the Dharma to [[Vajrasattva]], but it is utterly incomprehensible, so Vairocana provides esoteric techniques and rituals to help conceptualize the Dharma beyond verbal form.  It was this sutra that prompted the Japanese monk, [[Kukai]] to journey to China to learn more about Tantric Buddhism.
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==Iconography==
 
==Iconography==
 
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[[Image:Noufukuji-hyogodaibutu.JPG|thumb|right|An image of the Hyōgo Daibutsu depicting Vairocana in [[Kobe]], [[Hyōgo Prefecture|Hyōgo]] [[Japan]].]]
[[Image:Noufukuji-hyogodaibutu.JPG|thumb|right|250px|An image of the Hyōgo Daibutsu depicting Vairocana in [[Kobe]], [[Hyōgo Prefecture|Hyōgo]] [[Japan]].]]
 
 
Significantly, Vairocana is said to be the sum of all the [[Five Wisdom Buddhas|Dhyani Buddhas]] and combines all their qualities. He is therefore, pure white, since white is a blend of all colors.
 
Significantly, Vairocana is said to be the sum of all the [[Five Wisdom Buddhas|Dhyani Buddhas]] and combines all their qualities. He is therefore, pure white, since white is a blend of all colors.
  
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== Miscellaneous ==
 
== Miscellaneous ==
 
 
During the initial stages of his predication in Japan, the Catholic missionary [[Francis Xavier]] was welcomed by the Shingon monks since he used the word ''[[Dainichi]]'' for the [[Christian God]].  As Xavier learned more about the religious nuances of the word, he changed to ''Deusu'' from the Latin and Portuguese ''Deus''.  The monks also realized by that point that Xavier was preaching a rival religion.
 
During the initial stages of his predication in Japan, the Catholic missionary [[Francis Xavier]] was welcomed by the Shingon monks since he used the word ''[[Dainichi]]'' for the [[Christian God]].  As Xavier learned more about the religious nuances of the word, he changed to ''Deusu'' from the Latin and Portuguese ''Deus''.  The monks also realized by that point that Xavier was preaching a rival religion.
  
== See also ==
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== Sources ==
* [[Five Dhyani Buddhas]]
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*''Hua-Yen Buddhism: The Jewel Net of Indra'' (Pennsylvania State University Press, December 1977) by Francis H. Cook
 
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* Vessantara. ''Meeting The Buddhas'', Sheffield : Windhorse Publications, 1993. ISBN 0904766535.
== References ==
 
 
 
*Cook, Francis Harold. ''Hua-Yen Buddhism: The Jewel Net of Indra'' University Park : Pennsylvania State University Press, ©1977. ISBN 0271012455
 
* Vessantara. ''Meeting The Buddhas'', Sheffield : Windhorse Publications, ©1993. ISBN 0904766535.
 
 
 
 
 
 
 
  
 
==External links==
 
==External links==
All links Retrieved November 12, 2007.
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* [http://www.tibetan-museum-society.org/tibetan-art-museum-gallery/exhibit.php?id=15&sortby=deity Mahavairochana Museum Exhibit] Retrieved September 20, 2008.
* [http://www.tibetan-museum-society.org/tibetan-art-museum-gallery/exhibit.php?id=15&sortby=deity Mahavairochana Museum Exhibit]
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* [http://www.visiblemantra.org/vairocana.html Mantras of Vairocana] Retrieved September 20, 2008.
* [http://www.exoticindiaart.com/article/dhyanibuddhas The Five Meditating Buddhas]
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* [http://www.mahavairocana.org/ Cosmic Sun Buddha MahaVairocana] Retrieved September 20, 2008.
* [http://www.visiblemantra.org/vairocana.html Mantras of Vairocana]
 
 
 
 
 
 
 
{{buddhism2}}
 
  
 
[[Category: Philosophy and religion]]
 
[[Category: Philosophy and religion]]
 
 
[[Category: Religion]]
 
[[Category: Religion]]
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[[Category: Buddhism]]
  
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Revision as of 00:32, 20 September 2008

This article is about the primordial Buddha Vairocana. For the Tibetan translator, see Vairotsana.

Template:Buddha Infobox

The Daibutsu of Tōdai-ji (a Kegon Buddhist temple in Nara, Japan). A representation of Vairocana.

Vairocana (also Vairochana or Mahāvairocana; वैरोचन Sanskrit or 毘盧遮那佛 Chinese: Dàrì Rúlái or Piluzhenafo, Korean, "Birokana", Japanese: Dainichi Nyorai, 大日如来; Tibetan: རྣམ་པར་སྣང་མཛད། rNam-par-snang mdzad; Mongolian: Teyin böged geyigülügci; Vietnamese: Đại Nhật Như Lai) is a Buddha who is the embodiment of Dharmakaya, and which therefore can be seen as the universal aspect of the historical Gautama Buddha. In Sino-Japanese Buddhism, Vairocana is also seen as the embodiment of the Buddhist concept of shunyata or Emptiness.

In the conception of the Five Wisdom Buddhas of Vajrayana Buddhism, Vairocana is at the center. The Vairocana statue in Nara's Tōdai-ji in Japan is the largest bronze image of Vairocana Buddha in the world. The larger of the monumental statues that were destroyed at Bamyan in Afghanistan was also a depiction of Vairocana.

The doctrine of Vairocana Buddha is based largely on the teachings of the Mahavairocana Sutra (also known as the Mahāvairocana-abhisaṃbodhi-tantra) and to a lesser degree the Vajrasekhara Sutra (also known as the Sarvatathāgatatattvasaṃgraha Tantra). Vairocana features prominently in the Chinese school of Hua-Yen Buddhism, and also later schools including Japanese Kegon Buddhism, and Japanese esoteric, or Shingon Buddhism. In the case of Shingon Buddhism, Vairocana is the central figure.

In Sino-Japanese Buddhism, Vairocana was gradually superseded as an object of reverence by Amitabha Buddha, due in large part to the increasing popularity of Pure Land Buddhism, but Vairocana's legacy still remains in the Tōdai-ji temple with its massive bronze statue and in Shingon Buddhism, which holds a sizeable minority among Japanese Buddhists.

Vairocana is not to be confused with Virocana, who appears in the eighth chapter of the Chandogya Upanishad as the king of the Asura.

Doctrine

File:Mahavairochana.jpg
18/19th Century Indo-Nepali Style gilt and painted figure, distinct in its six-armed form, which illustrates the embodiment of the Six Perfections that are the practice of a Bodhisattva.

In the Rigveda of Hinduism, the word ‘vairocana' has the connotation of a brilliant and luminous sun. Indeed, Vairocana in Tibetan is called ‘Namnang' (rnang.par snang.mdzad), meaning ‘the illuminator', and the Japanese 大日(Dainichi) translates as "Great Sun".

In the Buddhist Mahavairocana Sutra, Vairocana teaches the Dharma to Vajrasattva, but it is utterly incomprehensible, so Vairocana provides esoteric techniques and rituals to help conceptualize the Dharma beyond verbal form. It was this sutra that prompted the Japanese monk, Kukai to journey to China to learn more about Tantric Buddhism.

Vairocana often displays the Dharmacakra mudrā. Dharmacakra in Sanskrit means the Wheel of Dharma. This mudra symbolizes one of the most important moments in the historical life of the Buddha, the occasion when he preached to his companions the first sermon after his Enlightenment in the Deer Park at Sarnath. It thus denotes the setting into motion of the Wheel of the teaching of the Dharma.

Vairocana is an idealization of this central function of the Buddha as a teacher, without which there would have been no Buddhism, and no path to enlightenment. While Amitabha Buddha is seen as a personification of Compassion (balanced by Wisdom), Vairocana is often seen as a personification of Wisdom.

Iconography

File:Noufukuji-hyogodaibutu.JPG
An image of the Hyōgo Daibutsu depicting Vairocana in Kobe, Hyōgo Japan.

Significantly, Vairocana is said to be the sum of all the Dhyani Buddhas and combines all their qualities. He is therefore, pure white, since white is a blend of all colors.

Indeed, his lotus seat is supported by a pair of two great lions. The lion is the king of beasts and when he roars all others fall silent. Similar is the roar of Buddha's teachings, in relation to the grandeur of which all other voices of our everyday life become insignificant and fall silent. Not surprisingly, meditating on the image of Vairocana is specifically believed to transform the delusion of ignorance into the wisdom preached by the Dharma. When Gautama Buddha turned the wheel of the Dharma, it illuminated (like a sun), the hearts of men and women darkened by ignorance.

With regard to Emptiness, the massive size and brilliance of Vairocana statues is intended to serve as a reminder that all existence is empty, and without a permanent identity.

Vairocana's distinguishing emblem is the golden or solar wheel.

Miscellaneous

During the initial stages of his predication in Japan, the Catholic missionary Francis Xavier was welcomed by the Shingon monks since he used the word Dainichi for the Christian God. As Xavier learned more about the religious nuances of the word, he changed to Deusu from the Latin and Portuguese Deus. The monks also realized by that point that Xavier was preaching a rival religion.

Sources

  • Hua-Yen Buddhism: The Jewel Net of Indra (Pennsylvania State University Press, December 1977) by Francis H. Cook
  • Vessantara. Meeting The Buddhas, Sheffield : Windhorse Publications, 1993. ISBN 0904766535.

External links

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