Tyr

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Týr, depicted here with both hands intact, is identified with Mars in this illustration from an 18th century Icelandic manuscript.

Tyr (Old Norse: Týr) is the god of single combat and heroic glory in Norse mythology, portrayed as a one-handed man. In the late Icelandic Eddas, he is portrayed, alternately, as the son of Odin (Prose Edda) or of Hymir (Poetic Edda), while the origins of his name and his possible relationship to Tuisto (see Tacitus' Germania) suggest he was once considered the father of the gods and head of the pantheon. Corresponding names in other Germanic languages include Tyz (Gothic), Ty (Old Norwegian), Ti (Old Swedish), Tiw, Tiu, Tio, and Tig (Old English) Týr (Modern Icelandic and Faroese), Ziu and Zio (Old High German), and possibly, even Teiw (in lith. tevas, tevs - father; dievas, deive - god) in Proto-Germanic, ie. the Negau helmet.

Tyr in a Norse Context

Main article: Norse Mythology

As mentioned above, Tyr is a Norse deity, a designation that signifies his membership in a complex of religious, mythological and cosmological beliefs shared by the Scandinavian and Germanic peoples. This mythological tradition, of which the Scandinavian (and particularly Icelandic) sub-groups are best preserved, developed in the period from the first manifestations of religious and material culture in approximately 1000 B.C.E. until the Christianization of the area, a process that occurred primarily from 900-1200 C.E.[1] The tales recorded within this mythological corpus tend to exemplify a unified cultural focus on physical prowess and military might.

Within this framework, Norse cosmology postulates three separate "clans" of deities: the Aesir, the Vanir, and the Jotun. The distinction between Aesir and Vanir is relative, for the two are said to have made peace, exchanged hostages, intermarried and reigned together after a prolonged war, which the Aesir had finally won. In fact, the most major divergence between the two groups is in their respective areas of influence, with the Aesir representing war and conquest, and the Vanir representing exploration, fertility and wealth.[2] The Jotun, on the other hand, are seen as a generally malefic (though wise) race of giants who represented the primary adversaries of the Aesir and Vanir.

Tyr is generally recognized as a "ruler" god among the Aesir, and it is postulated that his role as the head of the pantheon was displaced only gradually by the worship of Odin.

Characteristics

Historical Origins

The name Tyr meant "god" (cf. Hangatyr, the "god who hung" [referring to when Odin hung in a tree for nine days]) as one of Odin's names; probably inherited from Tyr in his role as judge—compare with the Irish "Midir", the judge par excellence) and goes back to a Proto-Germanic Tîwaz, earlier Teiwaz, continuing Proto-Indo-European *deywos "god", a word related to but distinct from the name of the sky-god Dyeus (in lith. both Dyeus and Deywos has the same meaning Dievas or god, but Deives means the goddess).

It should be noted however, that direct reference between Tyr/Teiw and "leader of the Gods" may be debatable. While the Proto-Indo-European origins of the term is common wisdom, "Dyaus" , "Deywos" and "Devas" have always been used in a generic way to refer to the gods. "Dyaus-pater" which literally means the "father of Gods" later transformed through common uses in ancient Greece and Rome into "Zeus-pater" and then to "Jupiter" have been applied to Zeus/Jupiter and to Woden/Odin (Nordic). While youthful-"looking" gods such as Tyr and Vedic counterparts such as Indra have been linked to similar roles as leader, this was primarily done during times of war. Woden or Odin is generally accepted as the all-seeing father of the Aesir. (Dr. Bik DasGupta, 2006)

The oldest attestation of the god is Gothic Tyz (Vienna cod. 140), though the "Teiw" found on the Negau Helm may very well be a direct reference to the God, rather than a god, and predates the Gothic (and indeed runic script) by several centuries.

Tîwaz was overtaken in popularity and in authority by both Odin and Thor at some point before the Migration Age. In terms of his relationship to Thor, it is clear that Tyr's linguistic cognates in other Indo-European pantheons were the original possessors of the thunder, eg. Zeus, and in some cases ultimately passed that attribute on to another god, eg. Dyaus to Indra. In Eddaic myth, and apart from that aspect of Thor named Magni (meaning "spiritual strength", as in "with all my might and main"), only Tyr's strength is ever compared to Thor's.

There is sketchy evidence of a consort, in German named Zisa: Tacitus mentions one Germanic tribe who worshipped "Isis", and Jacob Grimm pointed to Cisa/Zisa, the patroness of Augsburg, in this connection. The name Zisa would be derived from Ziu etymologically, in agreement with other consorts to the chief god in Indo-European pantheons, e. g. Zeus and Dione.

Tyr sacrifices his arm to Fenris

Major Mythic Tales

According to the Edda, at one stage the gods decided to shackle the wolf Fenrisulfr (Fenris), but the beast broke every chain they put upon him. Eventually they had the dwarves make them a magical ribbon called Gleipnir from such items as a woman's beard and a mountain's roots. But Fenris sensed the gods' deceit and refused to be bound with it unless one of them put his hand in the wolf's mouth. Tyr, known for his great courage, agreed, and the other gods bound the wolf. Fenris sensed that he had been tricked and bit off the god's hand. Fenris will remain bound until the day of Ragnarök.

As a result of this deed, Tyr is called the "Leavings of the Wolf". As the wolf is a frequent metaphor for the all-devouring grave, and with the well-known Eddaic adage "Cattle die, kinsmen die…" in mind, the meaning of this by-name becomes clear. Tyr is glory, the name undying, which shall endure after one's death. And indeed, at the root of his name and the basic Indo-Germanic idea of godhood we find the meaning of "heavenly radiance". Various Germanic words that spring from this same root are the Anglo-Saxon tir (glory), the Old High German Ziori (splendour), and the Old Norse tiv (god, hero).

According to the Prose version of Ragnarok, Tyr is destined to kill and be killed by Garm, the guard dog of Hel. However, in the two poetic versions of Ragnarok, he goes unmentioned; unless one believes that he is the "Mighty One".

In the Lokasenna, Tyr is taunted with cuckoldry by Loki, maybe another hint that he had a consort or wife at one time.

Toponyms of Tyr

Tyr/Tiw had become relatively unimportant compared to Odin/Woden in both North and West Germanic, and specifically in the sphere of organized warfare. Traces of the god remain, however, in Tuesday ("Tiw's day"), named after Tyr in both the North and the West Germanic languages (corresponding to Martis dies, dedicated to the Roman god of war and the father-god of Rome, Mars) and also in the names of some plants: Old Norse Týsfiola (after the Latin Viola Martis), Týrhialm (Aconitum, one of the most poisonous plants in Europe whose helmet-like shape might suggest a warlike connection) and Týviðr, "Tý's wood", in the Helsingor dialect Tistbast, modern Swedish Tibast (the Daphne mezereum, a shrub which blooms before the leaves appear in spring). The Swedish forest Tiveden may also be named after Tyr, or reflecting Tyr as a generic word for "god" (i.e. the forest of the gods). In Norway the parish and municipality of Tysnes are named after the god.

Tyr rune

Tyr rune

The t-rune ᛏ is named after Tyr, and was identified with this god., the reconstructed Proto-Germanic name is Tîwaz (lith. Tevas - father, Dievas or Deivas - god). The rune is sometimes also referred to as Teiwaz, or spelling variants.

The rune was also compared with Mars as in the Icelandic rune poem:

Týr er einhendr áss
ok ulfs leifar
ok hofa hilmir.
Mars tiggi.
Tyr is a one-handed god,
and leavings of the wolf
and prince of temples.

Modern popular culture

Although representations of Tyr are less common than those of Thor, Odin or Loki, Tyr is often referenced or appears as a warrior figure in many modern depictions, particularly those relating to high fantasy, usually most identifiable by his missing arm and lust for battle.

Tyr has also become a character in the daily comic strip Ink Pen, by Phil Dunlap. Tyr is upset that his brother Thor has a comic book and he doesn't, so he tries to get a job as the mascot for a company. However, Tyr can't find work, mainly due to his "male pattern baldness, atrocious personal hygiene, and uncontrollable anger."

Notes

  1. Lindow, 6-8. Though some scholars have argued against the homogenizing effect of grouping these various traditions together under the rubric of “Norse Mythology,” the profoundly exploratory/nomadic nature of Viking society tends to overrule such objections. As Thomas DuBois cogently argues, “[w]hatever else we may say about the various peoples of the North during the Viking Age, then, we cannot claim that they were isolated from or ignorant of their neighbors…. As religion expresses the concerns and experiences of its human adherents, so it changes continually in response to cultural, economic, and environmental factors. Ideas and ideals passed between communities with frequency and regularity, leading to and interdependent and intercultural region with broad commonalities of religion and worldview.” (27-28).
  2. More specifically, Georges Dumézil, one of the foremost authorities on the Norse tradition and a noted comparitivist, argues quite persuasively that the Aesir / Vanir distinction is a component of a larger triadic division (between ruler gods, warrior gods, and gods of agriculture and commerce) that is echoed among the Indo-European cosmologies (from Vedic India, through Rome and into the Germanic North). Further, he notes that this distinction conforms to patterns of social organization found in all of these societies. See Georges Dumézil's Gods of the Ancient Northmen (especially pgs. xi-xiii, 3-25) for more details.

Bibliography

  • DuBois, Thomas A. Nordic Religions in the Viking Age. Philadelphia: University of Pennsylvania Press, 1999. ISBN 0-8122-1714-4.
  • Dumézil, Georges. Gods of the Ancient Northmen. Edited by Einar Haugen; Introduction by C. Scott Littleton and Udo Strutynski. Berkeley: University of California Press, 1973. ISBN 0-520-02044-8.
  • Lindow, John. Handbook of Norse mythology. Santa Barbara, CA: ABC-CLIO, 2001. ISBN 1-57607-217-7.
  • Munch, P. A. Norse Mythology: Legends of Gods and Heroes. In the revision of Magnus Olsen; translated from the Norwegian by Sigurd Bernhard Hustvedt. New York: The American-Scandinavian foundation; London: H. Milford, Oxford University Press, 1926.
  • Orchard, Andy. Cassell's Dictionary of Norse Myth and Legend. London: Cassell; New York: Distributed in the United States by Sterling Pub. Co., 2002. ISBN 0-304-36385-5.
  • Sturlson, Snorri. The Prose Edda of Snorri Sturluson: Tales from Norse Mythology. Introduced by Sigurdur Nordal; Selected and translated by Jean I. Young. Berkeley, CA: University of California Press, 1954. ISBN 0-520-01231-3.
  • Snorri Sturluson. The Prose Edda. Translated from the Icelandic and with an introduction by Arthur Gilchrist Brodeur. New York: American-Scandinavian foundation, 1916.
  • Turville-Petre, Gabriel. Myth and Religion of the North: The Religion of Ancient Scandinavia. New York: Holt, Rinehart and Winston, 1964.


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