Watkins, Vernon

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'''Vernon Watkins''' (June 27, 1906 — October 8, 1967), was a [[Wales|Welsh]] poet, commonly known for his friendship with his fellow Welsh poet, [[Dylan Thomas]], and considered to be both a great but somewhat underexposed writer of his age. Throughout his lifetime he published 8 volumes of poetry in addition to another which was released after his death, and his optimistic, lyrical writing style named him worthy of praise from peers and fame within his genre of poetry as a Welshman. Contrarily he spent much of his life working at a banking job accredited to him by his father, working on poetry all the while, but despite such minimal distraction, Watkins' ambitions acquired him a spot among some of the most remarkable poetic figures of the 1900's—especially seeing to it that he, unlike many of his time, found it not only possible but rather unavoidable to effectively and eloquently describe life in an embracing manner which brought out the best of his poetic abilities. It wasn't until Watkins' later life, however, that he truly began to receive his share of recognition, and he died having been awarded with a few major poetry prizes as well as being considered for poet laureate.  
+
'''Vernon Watkins''' (June 27, 1906 — October 8, 1967), was a [[Wales|Welsh]] poet, commonly known for his friendship with his fellow Welsh poet, [[Dylan Thomas]], and was considered to be a great but underexposed writer of his age. During his lifetime he published eight volumes of poetry, and several others were released after his death.  
  
== Life ==
+
Known for his optimistic, lyrical writing style he was highly praised by peers. Employed in the financial field, his writing was limited by his lack of time. Nonetheless, he earned a place among some of the most remarkable poetic figures of the twentieth century, especially within the realm of New Apocalypse poetry.
=== Early Life and Breakdown ===
+
{{toc}}
Vernon was born in the [[Welsh]] town, Maesteg, Glamorgan, and raised in that same county, which would remain to be his preferred area of residence for much of his life.  His parents were William and Sarah Watkins, and they raised Vernon as well as his two sisters, Marjorie and Dorothy in a Welsh cultural context as that was the background that the couple had come from. Their home was located in Redcliffe, Caswell Bay, which was a few miles from one of the county's largest cites, Swansea.  For his earlier years, Vernon was educated at a preparatory school in Sussex and later at Repton School in Derbyshire which would account for his primary schooling. He then attended Magdalene College, [[Cambridge]] from 1924 to 1925 where he studied modern languages, leaving before having acquired a degree as that time was the start of a troubled period in his life.  He was said to have been unable to manage a self-sufficiency as a university student and at the time was still somewhat immature in that regard. Ensuingly, he took a job under his father, who was the manager of Lloyds Bank. His family had urged him to do so, as they were concerned with his well-being while at college, and they felt that the job might serve as a better environment for him. Around that time, Vernon suffered a nervous breakdown, as day-to-day distress grew to be all too overwhelming for his particular character to take on, and his delusional state came to a climax when a motorcyclist crashed in his front yardan occurrence he observed to be his fault and in accordance with his will for it to come about. Following the event, Watkins was placed in a home where he would spend the next few months under restraint.  
+
Lacking the drama that many celebrities bring to the public eye, Watkins led a placid life: one wife, five children, a love of sports and of the sea. Perhaps the secret to his one-of-a-kind [[poetry]] was the contentment brought to his life through his relationship with both his [[family]] and [[creation]].
  
 +
== Personal Life ==
 +
=== Early Life and Education ===
 +
Watkins was born and raised in the [[Wales|Welsh]] town of Maesteg, Glamorgan. It remained his preferred residence throughout most of his life. His parents, William and Sarah Watkins, raised Vernon and his two sisters, Marjorie and Dorothy, in the typical Welsh cultural context of the time.   
 +
 +
As a youngster, Watkins was educated at a preparatory school in [[Sussex]] and later at Repton School in Derbyshire. He went on to attend Magdalene College, [[Cambridge]] from 1924 to 1925 where he studied modern languages. He left school before completing his degree, as personal problems began to plague him. 
 +
 +
Watkins' family encouraged him to take a job under the tutelage of his father at Lloyds Bank. Having been concerned with his difficulties at college and his inability to complete his studies, they felt it better for him to be near his family. 
 +
 +
Unable to handle day-to-day stress, Watkins soon suffered a [[nervous breakdown]]. When a motorcycle crashed in his front yard and the driver died, he believed it was his responsibility. His delusional state then came to a head and he was placed in a special home, under restraint, for a year.
 +
 +
=== Marriage and Later Life ===
 +
In 1944, Watkins married the woman who was to be his lifelong mate, Gwen Watkins. Together they had five children, Rhiannon Mary, Gareth Vernon, William Tristran David, Dylan Valentine, and Conrad Meredith. The family was raised in his beloved Glamorgon home.
 +
 +
Watkins was a visiting professor of poetry at the University of Washington ([[United States|U.S.A.]]) in 1963 and 1967. While in [[Seattle]] on October 8, 1967, he suffered a fatal heart attack following a game of tennis. At the time of his death he was under consideration to be named Poet Laureate.
 +
 +
He was buried in Pennard churchyard. A small granite memorial to him stands at Hunt's Bay, Gower, on which are quoted two lines from Vernon's poem, "Taliesin in Gower;"
 +
:::"I have been taught the script of stones
 +
:::and I know the tongue of the wave."
 +
 +
== Career ==
 
=== Developing Career ===
 
=== Developing Career ===
After Watkins' recovery, he started work again at Lloyds Bank in Cardiff and would remain there, with little responsibility, for much of his life. He used the job for a steady basis of income while focusing on his poetry on the side, and throughout his career there, he continually dismissed the several promotions offered to him as his first priority and concern was with having enough time to work on his poems—such promotions being seen as possible interferences.  
+
Following Watkins' recovery from his breakdown, he returned to Lloyds Bank, where he would remain for much of his life. While using the job for a steady base of income, he dismissed the several promotions offered to him during his tenure there. His first priority was his poetry, which he wrote in his spare time. He was concerned that the increased responsibilities that would accompany a promotion would consume his writing time.  
  
He wrote some 1000 poems prior to publishing his first volume in 1941, ''The Ballad of the Mari Lwyd and Other Poems'' and continued to publish his works, primarily under Faber & Faber, for the remainder of his life. His work as a poet was continually seen to be his first preference throughout his days, and he was constantly revising his poems, both new and unpublished works as well as the previously published ones. As he was such a recursive writer, he would spend several hours on a single work and would then put out collections for the public every few years. Particularly, his style became such as to be noticeable by many of his poetic peers of the time, however, his general audience was never to become all that impressive.  
+
Watkins wrote some 1,000 poems prior to publishing his first volume in 1941, ''The Ballad of the Mari Lwyd and Other Poems''. He continued to publish his works, primarily under Faber & Faber, for the remainder of his life. Watkins continuously revised his poems, both new and unpublished works as well as previously published ones. As he was such a recursive writer, he would spend several hours on a single work and put out collections for the public every few years.  
  
=== Marriage and Later Life ===
+
In addition to his growing accumulation of volumes, Watkins also translated [[Europe]]an verse into [[English language|English]] and eventually outgrew his under-appreciated state as a poet, being awarded a number of poetry prizes, including the Levinson prize in 1953 and the Guinness Poetry Prize in 1957.
Watkins married in 1944 to the woman who was to be his wife for the rest of his life, Gwen Watkins, and together the couple had five children: Rhiannon Mary, Gareth Vernon, William Tristran David, Dylan Valentine, and Conrad Meredith. As Vernon was apt to stay in his beloved home area around Glamorgon, their family was raised there, and Watkins continued with his career as it was—still not necessarily recognized by the masses but all the more praised by his colleagues. Continuing with his accumulation of volumes, Vernon also translated European verse into English and eventually came to grow out of his under-appreciated state as a poet with time, being awarded with a few poetry prizes including the Levinson prize in 1953 and the Guinness Poetry Prize in 1957. He was also a visiting professor of poetry at the University of Washington in 1963 and 1967, and he died while consideration for selecting him as poet laureate was pending. He suffered a fatal heart attack on October 8, 1967, actually while in Seattle as a visiting professor of poetry, after playing a game of tennis (which was said to be one of Vernon's preferred hobbies). Afterwards another volume of poetry of his was published, making a total of 9 volumes in addition to the other works he did including those poetry translations of others' into English, literary essays, and correspondences with various writers.  
+
 
 +
=== Friendship Among Poets ===
 +
Through Watkins' pursuit of poetry, he began to develop several relationships with his poetic peers of the time, some of the most significant being [[William Butler Yeats]], [[T.S. Eliot]], [[Philip Larkin]], [[Kathleen Raine]], and [[Dylan Thomas]].
 +
 
 +
He and Thomas were in continuous communication regarding their poetry and both held the other in high regard. Though conflict did arise from time to time, both in the vein of differing poetic views and in the sense that Thomas' tendency was to vacillate in his desire to associate with Watkins, their relationship was one notable enough to have been written and published about. Watkins was the only person from whom Thomas took advice when writing poetry and he was invariably the first to read his finished work. They remained life-long friends, despite Thomas's failure, in the capacity of best man, to turn up to the wedding of Vernon and Gwen in 1944.
 +
 
 +
Thomas had written "Letters to Vernon Watkins," which was published by J. M. Dent & Sons of London in 1957, and later Waktin's wife had "Portrait of a Friend" published by Gomer Press in 1983, both of which were important descriptions of the arduous relationship between Watkins and Thomas.  
  
== Friendship Among Poets ==
+
It is said that Thomas considered Watkins to be "the most profound and greatly accomplished Welshman writing poems in English."
Throughout Watkins' pursuit of poetry, he began to develop several relationships with his poetic peers of the time—some of the most significant including [[William Butler Yeats]], [[T.S. Eliot]], [[Philip Larkin]], [[Kathleen Raine]], and [[Dylan Thomas]]. The latter was specifically one of interest as the two were in consistent consultation of each other's poetry and both held the other in high regard (at least in terms of each other's poetic abilities). They came together, both as poets drawing from their Welsh backgrounds in their writings, and mutually found a consensus through which they would meet together and cooperatively discuss new works. Though conflict did arise from time to time, both in the sense that their poetic views slightly differed and in the sense that Thomas' tendency was to vacillate in his desire to associate with Watkins, their relationship was one notable enough to have been written and published about on two accounts. Thomas had written "Letters to Vernon Watkins," which was published by J. M. Dent & Sons of London in 1957, and later Vernon's wife had "Portrait of a Friend" published by Gomer Press—both of which were important descriptions of the arduous relationship between Watkins and Thomas. In whole, the friendship could possibly be best portrayed in that, though Thomas considered Vernon to be "the most profound and greatly accomplished Welshman writing poems in English," Thomas had been nominated to be Watkins' best man at his wedding yet abandoned his attendance to the duty.
 
  
 
== Poetry ==
 
== Poetry ==
Although Watkins' poetry was to remain relatively unpopular through the majority of his lifetime, his particular and unique style named him easily praiseworthy by those peers who knew him, and especially notable in his commencing of Welsh legends as inspiration.  His works were primarily composed using lyrical images written directed toward themes portraying paradoxical truths about life and its simple benevolences—a sharp contrast to many of his fellow writers whose poems were essentially the opposite, investigating and emphasizing life's pessimistic qualities.  Quite possibly, Vernon Watkins was discerned between the rest of the poets of his time in that he had a deep love for poetry and was truly moved by the beauty experienced in different combinations of words—even to the extent of tears, as he mentioned when delving into his passion for the art.  Ensuingly so, it's not surprising that his ecstatic acceptance of poetry extended out into the way he viewed the world.  His poems were his earnest attempt to instigate hesitation in those who viewed life and death as subtleties, and the musical and rhythmic nature of his writing made to bring out a genuinity of emotion when attempting—and debatably succeeding at—describing life in a truly embracing way that others could relate to.  Throughout all of his poems, he ambitiously utilized his talent for composing words, lyrically producing images which were geared towards reflecting the natural and original content in what made the world such a phenomenal place in his perspective.  In such a way, his poetry was able to entice many of those poets who came to adore Vernon's poetic ability.  One of Watkins' colleagues, [[Kathleen Raine]], quoted him to be "the greatest lyric poet of [her] generation," and [[Philip Larkin]] wrote:
+
Although Watkins' poetry was to remain relatively unknown through most of his lifetime, his particular and unique style named him easily praiseworthy by his peers, and especially notable in his commencing of Welsh legends as inspiration.   
  
"In Vernon's presence poetry seemed like a living stream, in which one had only to dip the vessel of one's devotion. He made it clear how one could, in fact, 'live by poetry'; it was a vocation, at once difficult as sainthood and easy as breathing."
+
His works were primarily composed using lyrical images directed toward themes portraying paradoxical truths of life and its simple benevolences—a sharp contrast to many of his fellow writers whose poems were essentially the opposite, investigating and emphasizing life's pessimistic qualities. Quite possibly, Vernon Watkins was discerned between the rest of the poets of his time in that he had a deep love for poetry and was truly moved by the beauty experienced in different combinations of words, even to the extent of tears, as when delving into his passion for the art.
 +
 
 +
Its therefore not surprising that his ecstatic theory of poetry extended into the way he viewed the world. His poems were his earnest attempts to instigate contemplation in those who viewed life and death as subtleties, and the musical and rhythmic nature of his writing elicited genuine emotion when describing life in a truly embracing way that would move the readers' heart. Throughout his poetry, he ambitiously utilized his talent for composing words, lyrically producing images which were geared towards reflecting the natural and original content in what made the world such a phenomenal place in his perspective. One of Watkins' colleagues, [[Kathleen Raine]], quoted him to be "the greatest lyric poet of our generation," and [[Philip Larkin]] wrote:
 +
::"In Vernon's presence poetry seemed like a living stream, in which one had only to dip the vessel of one's devotion. He made it clear how one could, in fact, 'live by poetry'; it was a vocation, at once difficult as sainthood and easy as breathing."
  
 
<div class="notice spoilerbox">
 
<div class="notice spoilerbox">
Line 29: Line 57:
 
| <div class="toccolours spoilercontents">
 
| <div class="toccolours spoilercontents">
  
::Here, where the earth is green,
+
::::Here, where the earth is green,
::where heaven is true
+
::::where heaven is true
::Opening the windows
+
::::Opening the windows
::touched with earliest dawn,
+
::::touched with earliest dawn,
::In the first frost of cool September days,
+
::::In the first frost of cool September days,
::Chrysanthemum weather,
+
::::Chrysanthemum weather,
::presaging great birth,
+
::::presaging great birth,
::Who in his heart could murmur or complain;
+
::::Who in his heart could murmur or complain;
::'The light we look for is not in this land?'
+
::::'The light we look for is not in this land?'
::That light is present, and that distant time
+
::::That light is present, and that distant time
::Is always here, continually redeemed.
+
::::Is always here, continually redeemed.
:::Watkins, ''From Peace in the Welsh Hills''
+
:::::::Watkins, ''From Peace in the Welsh Hills''
  
 
</div>
 
</div>
 
|}</div>
 
|}</div>
  
==Works==
+
===Works===
 +
Collections of poetry published during Vernon Watkins' lifetime:
 +
* '''The Ballad of the Mari Lwyd and Other Poems''' (1941) - Watkins' first volume of poetry and publication
 +
* '''The Lamp and the Veil''' (1945)
 +
* '''Selected Poems''' (1948)
 +
* '''The Lady with the Unicorn''' (1948)
 +
* '''The Death Bell''' (1954)
 +
* '''Cypress and Acacia''' (1959)
 +
* '''Affinities''' (1962)
 +
 
 +
 
 +
The following are assortments of collected poems that were published after Watkins' death:
 +
* '''Fidelities''' (1968)
 +
* '''Uncollected Poems''' (1969)
 +
* '''The Breaking of the Wave''' (1979)
 +
* '''The Ballad of the Outer Dark''' (1979)
 +
* '''New Selected Poems''' (2006) - selectively picked anthology of poems found in the previous eleven collections.  Many were chosen by Watkins' wife, Gwen, and were said to essentially encapsulate his life story.  It was published as an attempt to resurrect Watkins' poetry and reintroduce it to a new generation of readers.
 +
 
 +
 
 +
Watkins also translated European verse into English, including
 +
* Heine's '''The North Sea''' (1955), and after his death,
 +
* '''Selected Verse Translations''' was published in 1977.
  
 
== References ==
 
== References ==
* Evans, Philip. ''A History of the Thomas Family'', Privately published, 1994  
+
* Evans, Philip. ''A History of the Thomas Family''. Privately published, 1994  
* Fitzgibbon, Constantine. 1965. ''The Life of Dylan Thomas'', Boston. Readers Union. OCLC 367245     
+
* Fitzgibbon, Constantine. 1965. ''The Life of Dylan Thomas''. Boston. Readers Union. OCLC 367245     
 +
* Stanford, Donald E. 1983. ''British poets, 1914-1945''. Dictionary of literary biography, v. 20. Detroit, MI: Gale Research Co. ISBN 0810317028
 
* Watkins, Vernon. ''The Anglo-Welsh review''. 1958. Pembroke Dock: Dock Leaves Press.  
 
* Watkins, Vernon. ''The Anglo-Welsh review''. 1958. Pembroke Dock: Dock Leaves Press.  
* Stanford, Donald E. 1983. ''British poets, 1914-1945''. Dictionary of literary biography, v. 20. Detroit, MI: Gale Research Co. ISBN 0810317028
 
  
 
== External links ==
 
== External links ==
* Janes, Alfred, [http://www.swanseaheritage.net/article/gat.asp?ARTICLE_ID=1813 Portrait of Vernon Watkins], ''Swansea Heritage'', Accessed March 16, 2007
+
All links retrieved May 3, 2023.
* Webster, Loren, [http://www.lorenwebster.net/In_a_Dark_Time/category/poets/vernon-watkins/ The Real Job],'' Lorenwebster'', Accessed March 16, 2007
+
 
 +
* Webster, Loren, [http://www.lorenwebster.net/In_a_Dark_Time/category/poets/vernon-watkins/ The Real Job] ''Lorenwebster''.
  
[[Category:History and biography]]
 
 
[[Category:Biography]]
 
[[Category:Biography]]
 
[[Category:Art, music, literature, sports and leisure]]
 
[[Category:Art, music, literature, sports and leisure]]
 
+
[[Category:Image wanted]]
  
 
{{credit|112775640}}
 
{{credit|112775640}}

Latest revision as of 18:02, 3 May 2023

Vernon Watkins (June 27, 1906 — October 8, 1967), was a Welsh poet, commonly known for his friendship with his fellow Welsh poet, Dylan Thomas, and was considered to be a great but underexposed writer of his age. During his lifetime he published eight volumes of poetry, and several others were released after his death.

Known for his optimistic, lyrical writing style he was highly praised by peers. Employed in the financial field, his writing was limited by his lack of time. Nonetheless, he earned a place among some of the most remarkable poetic figures of the twentieth century, especially within the realm of New Apocalypse poetry.

Lacking the drama that many celebrities bring to the public eye, Watkins led a placid life: one wife, five children, a love of sports and of the sea. Perhaps the secret to his one-of-a-kind poetry was the contentment brought to his life through his relationship with both his family and creation.

Personal Life

Early Life and Education

Watkins was born and raised in the Welsh town of Maesteg, Glamorgan. It remained his preferred residence throughout most of his life. His parents, William and Sarah Watkins, raised Vernon and his two sisters, Marjorie and Dorothy, in the typical Welsh cultural context of the time.

As a youngster, Watkins was educated at a preparatory school in Sussex and later at Repton School in Derbyshire. He went on to attend Magdalene College, Cambridge from 1924 to 1925 where he studied modern languages. He left school before completing his degree, as personal problems began to plague him.

Watkins' family encouraged him to take a job under the tutelage of his father at Lloyds Bank. Having been concerned with his difficulties at college and his inability to complete his studies, they felt it better for him to be near his family.

Unable to handle day-to-day stress, Watkins soon suffered a nervous breakdown. When a motorcycle crashed in his front yard and the driver died, he believed it was his responsibility. His delusional state then came to a head and he was placed in a special home, under restraint, for a year.

Marriage and Later Life

In 1944, Watkins married the woman who was to be his lifelong mate, Gwen Watkins. Together they had five children, Rhiannon Mary, Gareth Vernon, William Tristran David, Dylan Valentine, and Conrad Meredith. The family was raised in his beloved Glamorgon home.

Watkins was a visiting professor of poetry at the University of Washington (U.S.A.) in 1963 and 1967. While in Seattle on October 8, 1967, he suffered a fatal heart attack following a game of tennis. At the time of his death he was under consideration to be named Poet Laureate.

He was buried in Pennard churchyard. A small granite memorial to him stands at Hunt's Bay, Gower, on which are quoted two lines from Vernon's poem, "Taliesin in Gower;"

"I have been taught the script of stones
and I know the tongue of the wave."

Career

Developing Career

Following Watkins' recovery from his breakdown, he returned to Lloyds Bank, where he would remain for much of his life. While using the job for a steady base of income, he dismissed the several promotions offered to him during his tenure there. His first priority was his poetry, which he wrote in his spare time. He was concerned that the increased responsibilities that would accompany a promotion would consume his writing time.

Watkins wrote some 1,000 poems prior to publishing his first volume in 1941, The Ballad of the Mari Lwyd and Other Poems. He continued to publish his works, primarily under Faber & Faber, for the remainder of his life. Watkins continuously revised his poems, both new and unpublished works as well as previously published ones. As he was such a recursive writer, he would spend several hours on a single work and put out collections for the public every few years.

In addition to his growing accumulation of volumes, Watkins also translated European verse into English and eventually outgrew his under-appreciated state as a poet, being awarded a number of poetry prizes, including the Levinson prize in 1953 and the Guinness Poetry Prize in 1957.

Friendship Among Poets

Through Watkins' pursuit of poetry, he began to develop several relationships with his poetic peers of the time, some of the most significant being William Butler Yeats, T.S. Eliot, Philip Larkin, Kathleen Raine, and Dylan Thomas.

He and Thomas were in continuous communication regarding their poetry and both held the other in high regard. Though conflict did arise from time to time, both in the vein of differing poetic views and in the sense that Thomas' tendency was to vacillate in his desire to associate with Watkins, their relationship was one notable enough to have been written and published about. Watkins was the only person from whom Thomas took advice when writing poetry and he was invariably the first to read his finished work. They remained life-long friends, despite Thomas's failure, in the capacity of best man, to turn up to the wedding of Vernon and Gwen in 1944.

Thomas had written "Letters to Vernon Watkins," which was published by J. M. Dent & Sons of London in 1957, and later Waktin's wife had "Portrait of a Friend" published by Gomer Press in 1983, both of which were important descriptions of the arduous relationship between Watkins and Thomas.

It is said that Thomas considered Watkins to be "the most profound and greatly accomplished Welshman writing poems in English."

Poetry

Although Watkins' poetry was to remain relatively unknown through most of his lifetime, his particular and unique style named him easily praiseworthy by his peers, and especially notable in his commencing of Welsh legends as inspiration.

His works were primarily composed using lyrical images directed toward themes portraying paradoxical truths of life and its simple benevolences—a sharp contrast to many of his fellow writers whose poems were essentially the opposite, investigating and emphasizing life's pessimistic qualities. Quite possibly, Vernon Watkins was discerned between the rest of the poets of his time in that he had a deep love for poetry and was truly moved by the beauty experienced in different combinations of words, even to the extent of tears, as when delving into his passion for the art.

Its therefore not surprising that his ecstatic theory of poetry extended into the way he viewed the world. His poems were his earnest attempts to instigate contemplation in those who viewed life and death as subtleties, and the musical and rhythmic nature of his writing elicited genuine emotion when describing life in a truly embracing way that would move the readers' heart. Throughout his poetry, he ambitiously utilized his talent for composing words, lyrically producing images which were geared towards reflecting the natural and original content in what made the world such a phenomenal place in his perspective. One of Watkins' colleagues, Kathleen Raine, quoted him to be "the greatest lyric poet of our generation," and Philip Larkin wrote:

"In Vernon's presence poetry seemed like a living stream, in which one had only to dip the vessel of one's devotion. He made it clear how one could, in fact, 'live by poetry'; it was a vocation, at once difficult as sainthood and easy as breathing."
Here, where the earth is green,
where heaven is true
Opening the windows
touched with earliest dawn,
In the first frost of cool September days,
Chrysanthemum weather,
presaging great birth,
Who in his heart could murmur or complain;
'The light we look for is not in this land?'
That light is present, and that distant time
Is always here, continually redeemed.
Watkins, From Peace in the Welsh Hills

Works

Collections of poetry published during Vernon Watkins' lifetime:

  • The Ballad of the Mari Lwyd and Other Poems (1941) - Watkins' first volume of poetry and publication
  • The Lamp and the Veil (1945)
  • Selected Poems (1948)
  • The Lady with the Unicorn (1948)
  • The Death Bell (1954)
  • Cypress and Acacia (1959)
  • Affinities (1962)


The following are assortments of collected poems that were published after Watkins' death:

  • Fidelities (1968)
  • Uncollected Poems (1969)
  • The Breaking of the Wave (1979)
  • The Ballad of the Outer Dark (1979)
  • New Selected Poems (2006) - selectively picked anthology of poems found in the previous eleven collections. Many were chosen by Watkins' wife, Gwen, and were said to essentially encapsulate his life story. It was published as an attempt to resurrect Watkins' poetry and reintroduce it to a new generation of readers.


Watkins also translated European verse into English, including

  • Heine's The North Sea (1955), and after his death,
  • Selected Verse Translations was published in 1977.

References
ISBN links support NWE through referral fees

  • Evans, Philip. A History of the Thomas Family. Privately published, 1994
  • Fitzgibbon, Constantine. 1965. The Life of Dylan Thomas. Boston. Readers Union. OCLC 367245
  • Stanford, Donald E. 1983. British poets, 1914-1945. Dictionary of literary biography, v. 20. Detroit, MI: Gale Research Co. ISBN 0810317028
  • Watkins, Vernon. The Anglo-Welsh review. 1958. Pembroke Dock: Dock Leaves Press.

External links

All links retrieved May 3, 2023.


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