Watkins, Vernon

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'''Vernon Watkins''' ([[June 27]], [[1906]] — [[October 8]], [[1967]]), was a [[Wales|Welsh]] poet, and a painter.
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{{epname|Watkins, Vernon}}
  
== Family history and Upbringing==
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'''Vernon Watkins''' (June 27, 1906 — October 8, 1967), was a [[Wales|Welsh]] poet, commonly known for his friendship with his fellow Welsh poet, [[Dylan Thomas]], and was considered to be a great but underexposed writer of his age. During his lifetime he published eight volumes of poetry, and several others were released after his death.  
Vernon was born in  [[Maesteg]] in [[Glamorgan]], and brought up mainly in [[Swansea]]. His birth coincided with slight earth tremors; another baby born that night was christened John Earthquake Jones. His mother was Sarah (known as Sally) daughter of Esther Thomas and James Phillips of Sarnau, Meidrim. Her father was a  devoted Congregationalist and was reputed to know most of his Welsh bible by heart. Sarah had a great love of poetry and literature, her headmistress arranging for her to spend two years as a pupil-teacher in Germany. Sarah married William Watkins in 1902 and in addition to Vernon they had two daughters, Marjorie and Dorothy. William was a bank manager for Lloyds Bank at Wind Street, Swansea and the family lived at Redcliffe, Caswell Bay, a large Victorian house about four miles from Swansea.
 
  
Vernon read fluently by the age of 4 and announced that he would be a poet at the age of 5, although he did not wish to be published until after his death. He wrote poetry and read widely from about eight or nine years of age and was especially fond of the works of [[Keats]] and [[Shelley]] (Evans 1994).
+
Known for his optimistic, lyrical writing style he was highly praised by peers. Employed in the financial field, his writing was limited by his lack of time. Nonetheless, he earned a place among some of the most remarkable poetic figures of the twentieth century, especially within the realm of New Apocalypse poetry. 
 +
{{toc}}
 +
Lacking the drama that many celebrities bring to the public eye, Watkins led a placid life: one wife, five children, a love of sports and of the sea. Perhaps the secret to his one-of-a-kind [[poetry]] was the contentment brought to his life through his relationship with both his [[family]] and [[creation]].
  
== Education and a mental breakdown ==
+
== Personal Life ==
He was educated at a preparatory school in Sussex and then sent to [[Repton School]] in Derbyshire, and [[Magdalene College, Cambridge]]. His headmaster at Repton was Dr.Fisher, who went on to become [[Archbishop of Canterbury]]. Despite his parents being strict [[Nonconformists]], his school experiences influenced him to join the [[Church of England]]. He was reading modern languages at Cambridge: but left before completing his degree, the start of a very troubled period in his life at the end of the 1920s. His sister Dorothy later wrote that, ''"although intellectually advanced he was in most ways very immature. His absorption in poetry and total a lack of knowledge of all practical aspects of real life made him quite unfit to cope with the demands of self-sufficiency in university life"''. ['Vernon Watkins, the Early Years', a privately published booklet]. He wanted to travel abroad, but family pressure made him take a bank job in [[Cardiff]]; it ended in a breakdown that marked him permanently. One Saturday evening he had been reading poetry when he started to become increasingly manic. He started shouting that he had conquered time and could now control both his own destiny and that of others. At this very moment he heard a crash outside and on going to the window he saw a motor-cyclist dead on the road and his bloodstained pillion passenger staggering up the path towards him. Vernon was convinced that he had willed this to happen and promptly collapsed. The next day he caught a train to Repton, attended chapel, then burst into Dr.Fisher's study and attacked him. He was committed to a mental hospital in Derbyshire, on one occasion trying to leap from a window to see if the angels would save him. After a year he returned home to Cardiff.
+
=== Early Life and Education ===  
 +
Watkins was born and raised in the [[Wales|Welsh]] town of Maesteg, Glamorgan. It remained his preferred residence throughout most of his life. His parents, William and Sarah Watkins, raised Vernon and his two sisters, Marjorie and Dorothy, in the typical Welsh cultural context of the time.  
  
==Career==
+
As a youngster, Watkins was educated at a preparatory school in [[Sussex]] and later at Repton School in Derbyshire. He went on to attend Magdalene College, [[Cambridge]] from 1924 to 1925 where he studied modern languages. He left school before completing his degree, as personal problems began to plague him.
He started work at Lloyds bank in Cardiff in the autumn of 1925 and after moving to the St. Helens Road branch in Swansea, he would remain there, with little responsibility, for much of his life. He used to joke that his father had been the Bank's youngest manager and he was its oldest cashier. He had many a battle with branch managers who wanted to promote him, however his only interest was having sufficient time to work on his poetry.
 
  
== Friendship with Dylan Thomas and other poets==
+
Watkins' family encouraged him to take a job under the tutelage of his father at Lloyds Bank. Having been concerned with his difficulties at college and his inability to complete his studies, they felt it better for him to be near his family.
He met [[Dylan Thomas]], who was to be a close friend, in 1935 when Watkins had returned to a job in a bank in Swansea. Dylan would come to Vernon's parents house, situated on the very top of the cliffs of the beautiful Gower peninsula, about once a week. Vernon was the only person from whom Dylan took advice when writing poetry and he was invariably the first to read his finished work. They remained life-long friends, despite Thomas's failure, in the capacity of [[best man]], to turn up to the wedding of Vernon and Gwen in 1944. Dylan used to laugh affectionately at his friend's gossamer-like personality and extreme sensibility. A story is told that one evening in Chelsea, during the war time blackout, they were walking along and Vernon tripped over something and fell to the ground. Dylan looked with a torch to see what the offending object was and to his delight all that they could find was a small, black feather (FitzGibbon 1966). Vernon was godfather to Dylan's son Llewelyn, the others being [[Richard Hughes]] and [[Augustus John]]. ''Letters to Vernon Watkins'' by Thomas was published in 1957. The 1983 book ''Portrait of a Friend'' by Watkins' wife Gwen(doline) (nee Davies) deals with the relationship.
 
  
Others in the Swansea group known as the 'Kardomah boys' were the composer [[Daniel Jones (composer)|Daniel Jenkyn Jones]], writer [[Charles Fisher (poet)|Charles Fisher]] and the artists [[Alfred Janes]] and [[Ceri Richards]]. Vernon wrote the obituary for Dylan Thomas and when he died, [[Philip Larkin]] wrote his obituary.
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Unable to handle day-to-day stress, Watkins soon suffered a [[nervous breakdown]]. When a motorcycle crashed in his front yard and the driver died, he believed it was his responsibility. His delusional state then came to a head and he was placed in a special home, under restraint, for a year.
  
== Bletchley Park and his marriage ==
+
=== Marriage and Later Life ===
Watkins had met Gwen, who came from Harborne, [[Birmingham]] at [[Bletchley Park]], where he worked during [[World War II]] as part of the cryptographic team. They were married at the Church of St. Bartholomews the Great in London on 2 October 1944. The couple had five children, Rhiannon Mary, Gareth Vernon. William Tristran David, Dylan Valentine and Conrad Meredith.
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In 1944, Watkins married the woman who was to be his lifelong mate, Gwen Watkins. Together they had five children, Rhiannon Mary, Gareth Vernon, William Tristran David, Dylan Valentine, and Conrad Meredith. The family was raised in his beloved Glamorgon home.
 +
 
 +
Watkins was a visiting professor of poetry at the University of Washington ([[United States|U.S.A.]]) in 1963 and 1967. While in [[Seattle]] on October 8, 1967, he suffered a fatal heart attack following a game of tennis. At the time of his death he was under consideration to be named Poet Laureate.
 +
 
 +
He was buried in Pennard churchyard. A small granite memorial to him stands at Hunt's Bay, Gower, on which are quoted two lines from Vernon's poem, "Taliesin in Gower;"
 +
:::"I have been taught the script of stones
 +
:::and I know the tongue of the wave."
 +
 
 +
== Career ==
 +
=== Developing Career ===
 +
Following Watkins' recovery from his breakdown, he returned to Lloyds Bank, where he would remain for much of his life. While using the job for a steady base of income, he dismissed the several promotions offered to him during his tenure there. His first priority was his poetry, which he wrote in his spare time. He was concerned that the increased responsibilities that would accompany a promotion would consume his writing time.
 +
 
 +
Watkins wrote some 1,000 poems prior to publishing his first volume in 1941, ''The Ballad of the Mari Lwyd and Other Poems''. He continued to publish his works, primarily under Faber & Faber, for the remainder of his life. Watkins continuously revised his poems, both new and unpublished works as well as previously published ones. As he was such a recursive writer, he would spend several hours on a single work and put out collections for the public every few years.
 +
 
 +
In addition to his growing accumulation of volumes, Watkins also translated [[Europe]]an verse into [[English language|English]] and eventually outgrew his under-appreciated state as a poet, being awarded a number of poetry prizes, including the Levinson prize in 1953 and the Guinness Poetry Prize in 1957.
 +
 
 +
=== Friendship Among Poets ===
 +
Through Watkins' pursuit of poetry, he began to develop several relationships with his poetic peers of the time, some of the most significant being [[William Butler Yeats]], [[T.S. Eliot]], [[Philip Larkin]], [[Kathleen Raine]], and [[Dylan Thomas]].
 +
 
 +
He and Thomas were in continuous communication regarding their poetry and both held the other in high regard. Though conflict did arise from time to time, both in the vein of differing poetic views and in the sense that Thomas' tendency was to vacillate in his desire to associate with Watkins, their relationship was one notable enough to have been written and published about. Watkins was the only person from whom Thomas took advice when writing poetry and he was invariably the first to read his finished work. They remained life-long friends, despite Thomas's failure, in the capacity of best man, to turn up to the wedding of Vernon and Gwen in 1944.
 +
 
 +
Thomas had written "Letters to Vernon Watkins," which was published by J. M. Dent & Sons of London in 1957, and later Waktin's wife had "Portrait of a Friend" published by Gomer Press in 1983, both of which were important descriptions of the arduous relationship between Watkins and Thomas.  
 +
 
 +
It is said that Thomas considered Watkins to be "the most profound and greatly accomplished Welshman writing poems in English."
  
 
== Poetry ==
 
== Poetry ==
His ambitions were for his poetry; in critical terms they were not to be fulfilled. On the other hand, he became a major figure for the Anglo-Welsh poetry tradition, and his poems were included in major anthologies. During the war he was for a time associated with the [[New Apocalyptics]] group. With his first book ''Ballad of the Mari Llwyd'' (1941) accepted by [[Faber and Faber]], he had a publisher with a policy of sticking by their authors. In his case this may be considered to have had an adverse long-term effect on his reputation, in that it is generally thought that he over-published. He wrote poetry for several hours every night and by way of contrast, Caitlin, Dylan Thomas's wife, could not recall her husband staying in even for one night during their whole married life! Vernon knew [[William Butler Yeats]], [[T.S.Eliot]] and [[Philip Larkin]]. He was awarded a degree of Doctor of Literature from Swansea University in 1966 after retiring from the Bank. He was being considered for poet laureate at the time of his death.
+
Although Watkins' poetry was to remain relatively unknown through most of his lifetime, his particular and unique style named him easily praiseworthy by his peers, and especially notable in his commencing of Welsh legends as inspiration. 
 +
 
 +
His works were primarily composed using lyrical images directed toward themes portraying paradoxical truths of life and its simple benevolences—a sharp contrast to many of his fellow writers whose poems were essentially the opposite, investigating and emphasizing life's pessimistic qualities. Quite possibly, Vernon Watkins was discerned between the rest of the poets of his time in that he had a deep love for poetry and was truly moved by the beauty experienced in different combinations of words, even to the extent of tears, as when delving into his passion for the art.  
 +
 
 +
Its therefore not surprising that his ecstatic theory of poetry extended into the way he viewed the world. His poems were his earnest attempts to instigate contemplation in those who viewed life and death as subtleties, and the musical and rhythmic nature of his writing elicited genuine emotion when describing life in a truly embracing way that would move the readers' heart. Throughout his poetry, he ambitiously utilized his talent for composing words, lyrically producing images which were geared towards reflecting the natural and original content in what made the world such a phenomenal place in his perspective. One of Watkins' colleagues, [[Kathleen Raine]], quoted him to be "the greatest lyric poet of our generation," and [[Philip Larkin]] wrote:
 +
::"In Vernon's presence poetry seemed like a living stream, in which one had only to dip the vessel of one's devotion. He made it clear how one could, in fact, 'live by poetry'; it was a vocation, at once difficult as sainthood and easy as breathing."
  
 
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::That July morning when the poet's widow
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::::Here, where the earth is green,
::Stayed here, at breakfast looking through the window
+
::::where heaven is true
::We saw young rabbits leap, and in a pother
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::::Opening the windows
::Frisk, dance and scurry, dodging one another,
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::::touched with earliest dawn,
::Returning always to the selfsame corner
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::::In the first frost of cool September days,
::Between low beech-trees and the grassy border.
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::::Chrysanthemum weather,
::They scattered when my children running out
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::::presaging great birth,
::Found a young Redpoll injured on the ground.
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::::Who in his heart could murmur or complain;
::This sacrifice had made the rabbits dance.
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::::'The light we look for is not in this land?'
::It had fallen from the fuschia bush or branch
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::::That light is present, and that distant time
::Of beech that shook down dewdrops on my head.
+
::::Is always here, continually redeemed.
::I for a moment thought the brilliant red
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:::::::Watkins, ''From Peace in the Welsh Hills''
::Of breast and crest had come from a hawk's wound,
 
::But found no blood. The heart beat faintly. Soon
 
::We had laid it in a box, propped upon silk.
 
::I touched the twig-like leg. White bread and milk
 
::We gave it, but the beak at once refused,
 
::After one drop, to drink, and the eyes closed.
 
::It woke when my warm hand, encircling, took it,
 
::Straining to perch; but whether claw was crooked
 
::Or the wing hurt, it could not fly or stand.
 
::We left it where life's ember might be fanned
 
::By sunlight through a window. It revived
 
::A little. But the warmth on which it lived
 
::Diminished then, in the late afternoon.
 
::It was so small, so quiet in my room,
 
::That when I turned to lift it from the sill
 
::And feel its weight upon my fingers, still
 
::I counted to awaken it, nor saw
 
::What breath had chilled the feathers, gripped the claw;
 
::Nor did the dainty bird with that red stain
 
::Seem dead at all, until I looked again.
 
:::Watkins, ''The Redpoll'', a later poem, never fully revised.
 
  
 
</div>
 
</div>
 
|}</div>
 
|}</div>
  
A poem by Vernon Watkins from the ''[[Anglo-Welsh Review]]''.  The widow mentioned may be [[Caitlin Thomas]].
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===Works===
 +
Collections of poetry published during Vernon Watkins' lifetime:
 +
* '''The Ballad of the Mari Lwyd and Other Poems''' (1941) - Watkins' first volume of poetry and publication
 +
* '''The Lamp and the Veil''' (1945)
 +
* '''Selected Poems''' (1948)
 +
* '''The Lady with the Unicorn''' (1948)
 +
* '''The Death Bell''' (1954)
 +
* '''Cypress and Acacia''' (1959)
 +
* '''Affinities''' (1962)
 +
 
 +
 
 +
The following are assortments of collected poems that were published after Watkins' death:
 +
* '''Fidelities''' (1968)
 +
* '''Uncollected Poems''' (1969)
 +
* '''The Breaking of the Wave''' (1979)
 +
* '''The Ballad of the Outer Dark''' (1979)
 +
* '''New Selected Poems''' (2006) - selectively picked anthology of poems found in the previous eleven collectionsMany were chosen by Watkins' wife, Gwen, and were said to essentially encapsulate his life story.  It was published as an attempt to resurrect Watkins' poetry and reintroduce it to a new generation of readers.
 +
 
  
== Death and memorial ==
+
Watkins also translated European verse into English, including
Vernon had developed a serious heart condition which he made light of, insisting on playing his beloved tennis and squash with his usual vigour. He died on [[8 October]] 1967, playing tennis in Seattle, where he had gone to teach a course in Modern Poetry at the University of Washington. He was buried in Pennard churchyard. A small granite memorial to him stands at Hunt's Bay, Gower, on which are quoted two lines from Vernon's poem, 'Taliesin in Gower'; '''I have been taught the script of stones, and I know the tongue of the wave'.''
+
* Heine's '''The North Sea''' (1955), and after his death,
 +
* '''Selected Verse Translations''' was published in 1977.
  
 
== References ==
 
== References ==
* Evans, Philip, A History of the Thomas family, Privately published, 1994  
+
* Evans, Philip. ''A History of the Thomas Family''. Privately published, 1994  
* Fitzgibbon, Constantine, The Life of Dylan Thomas, Boston, Readers Union, 1965, OCLC 367245     
+
* Fitzgibbon, Constantine. 1965. ''The Life of Dylan Thomas''. Boston. Readers Union. OCLC 367245     
* Watkins, Vernon, The Anglo-Welsh Review, Unpublished
+
* Stanford, Donald E. 1983. ''British poets, 1914-1945''. Dictionary of literary biography, v. 20. Detroit, MI: Gale Research Co. ISBN 0810317028
 +
* Watkins, Vernon. ''The Anglo-Welsh review''. 1958. Pembroke Dock: Dock Leaves Press.
  
 
== External links ==
 
== External links ==
* Janes, Alfred, [http://www.swanseaheritage.net/article/gat.asp?ARTICLE_ID=1813 Portrait of Vernon Watkins], ''Swansea Heritage'', Accessed March 16, 2007
+
All links retrieved May 3, 2023.
* Webster, Loren, [http://www.lorenwebster.net/In_a_Dark_Time/category/poets/vernon-watkins/ The Real Job],'' Lorenwebster'', Accessed March 16, 2007
 
  
[[Category:1906 births|Watkins, Vernon]]
+
* Webster, Loren, [http://www.lorenwebster.net/In_a_Dark_Time/category/poets/vernon-watkins/ The Real Job] – ''Lorenwebster''.
[[Category:1967 deaths|Watkins, Vernon]]
 
[[Category:Anglo-Welsh poets|Watkins, Vernon]]
 
[[Category:People associated with Bletchley Park|Watkins, Vernon]]
 
  
[[cy:Vernon Watkins]]
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[[Category:Biography]]
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[[Category:Art, music, literature, sports and leisure]]
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[[Category:Image wanted]]
  
 
{{credit|112775640}}
 
{{credit|112775640}}

Latest revision as of 18:02, 3 May 2023

Vernon Watkins (June 27, 1906 — October 8, 1967), was a Welsh poet, commonly known for his friendship with his fellow Welsh poet, Dylan Thomas, and was considered to be a great but underexposed writer of his age. During his lifetime he published eight volumes of poetry, and several others were released after his death.

Known for his optimistic, lyrical writing style he was highly praised by peers. Employed in the financial field, his writing was limited by his lack of time. Nonetheless, he earned a place among some of the most remarkable poetic figures of the twentieth century, especially within the realm of New Apocalypse poetry.

Lacking the drama that many celebrities bring to the public eye, Watkins led a placid life: one wife, five children, a love of sports and of the sea. Perhaps the secret to his one-of-a-kind poetry was the contentment brought to his life through his relationship with both his family and creation.

Personal Life

Early Life and Education

Watkins was born and raised in the Welsh town of Maesteg, Glamorgan. It remained his preferred residence throughout most of his life. His parents, William and Sarah Watkins, raised Vernon and his two sisters, Marjorie and Dorothy, in the typical Welsh cultural context of the time.

As a youngster, Watkins was educated at a preparatory school in Sussex and later at Repton School in Derbyshire. He went on to attend Magdalene College, Cambridge from 1924 to 1925 where he studied modern languages. He left school before completing his degree, as personal problems began to plague him.

Watkins' family encouraged him to take a job under the tutelage of his father at Lloyds Bank. Having been concerned with his difficulties at college and his inability to complete his studies, they felt it better for him to be near his family.

Unable to handle day-to-day stress, Watkins soon suffered a nervous breakdown. When a motorcycle crashed in his front yard and the driver died, he believed it was his responsibility. His delusional state then came to a head and he was placed in a special home, under restraint, for a year.

Marriage and Later Life

In 1944, Watkins married the woman who was to be his lifelong mate, Gwen Watkins. Together they had five children, Rhiannon Mary, Gareth Vernon, William Tristran David, Dylan Valentine, and Conrad Meredith. The family was raised in his beloved Glamorgon home.

Watkins was a visiting professor of poetry at the University of Washington (U.S.A.) in 1963 and 1967. While in Seattle on October 8, 1967, he suffered a fatal heart attack following a game of tennis. At the time of his death he was under consideration to be named Poet Laureate.

He was buried in Pennard churchyard. A small granite memorial to him stands at Hunt's Bay, Gower, on which are quoted two lines from Vernon's poem, "Taliesin in Gower;"

"I have been taught the script of stones
and I know the tongue of the wave."

Career

Developing Career

Following Watkins' recovery from his breakdown, he returned to Lloyds Bank, where he would remain for much of his life. While using the job for a steady base of income, he dismissed the several promotions offered to him during his tenure there. His first priority was his poetry, which he wrote in his spare time. He was concerned that the increased responsibilities that would accompany a promotion would consume his writing time.

Watkins wrote some 1,000 poems prior to publishing his first volume in 1941, The Ballad of the Mari Lwyd and Other Poems. He continued to publish his works, primarily under Faber & Faber, for the remainder of his life. Watkins continuously revised his poems, both new and unpublished works as well as previously published ones. As he was such a recursive writer, he would spend several hours on a single work and put out collections for the public every few years.

In addition to his growing accumulation of volumes, Watkins also translated European verse into English and eventually outgrew his under-appreciated state as a poet, being awarded a number of poetry prizes, including the Levinson prize in 1953 and the Guinness Poetry Prize in 1957.

Friendship Among Poets

Through Watkins' pursuit of poetry, he began to develop several relationships with his poetic peers of the time, some of the most significant being William Butler Yeats, T.S. Eliot, Philip Larkin, Kathleen Raine, and Dylan Thomas.

He and Thomas were in continuous communication regarding their poetry and both held the other in high regard. Though conflict did arise from time to time, both in the vein of differing poetic views and in the sense that Thomas' tendency was to vacillate in his desire to associate with Watkins, their relationship was one notable enough to have been written and published about. Watkins was the only person from whom Thomas took advice when writing poetry and he was invariably the first to read his finished work. They remained life-long friends, despite Thomas's failure, in the capacity of best man, to turn up to the wedding of Vernon and Gwen in 1944.

Thomas had written "Letters to Vernon Watkins," which was published by J. M. Dent & Sons of London in 1957, and later Waktin's wife had "Portrait of a Friend" published by Gomer Press in 1983, both of which were important descriptions of the arduous relationship between Watkins and Thomas.

It is said that Thomas considered Watkins to be "the most profound and greatly accomplished Welshman writing poems in English."

Poetry

Although Watkins' poetry was to remain relatively unknown through most of his lifetime, his particular and unique style named him easily praiseworthy by his peers, and especially notable in his commencing of Welsh legends as inspiration.

His works were primarily composed using lyrical images directed toward themes portraying paradoxical truths of life and its simple benevolences—a sharp contrast to many of his fellow writers whose poems were essentially the opposite, investigating and emphasizing life's pessimistic qualities. Quite possibly, Vernon Watkins was discerned between the rest of the poets of his time in that he had a deep love for poetry and was truly moved by the beauty experienced in different combinations of words, even to the extent of tears, as when delving into his passion for the art.

Its therefore not surprising that his ecstatic theory of poetry extended into the way he viewed the world. His poems were his earnest attempts to instigate contemplation in those who viewed life and death as subtleties, and the musical and rhythmic nature of his writing elicited genuine emotion when describing life in a truly embracing way that would move the readers' heart. Throughout his poetry, he ambitiously utilized his talent for composing words, lyrically producing images which were geared towards reflecting the natural and original content in what made the world such a phenomenal place in his perspective. One of Watkins' colleagues, Kathleen Raine, quoted him to be "the greatest lyric poet of our generation," and Philip Larkin wrote:

"In Vernon's presence poetry seemed like a living stream, in which one had only to dip the vessel of one's devotion. He made it clear how one could, in fact, 'live by poetry'; it was a vocation, at once difficult as sainthood and easy as breathing."
Here, where the earth is green,
where heaven is true
Opening the windows
touched with earliest dawn,
In the first frost of cool September days,
Chrysanthemum weather,
presaging great birth,
Who in his heart could murmur or complain;
'The light we look for is not in this land?'
That light is present, and that distant time
Is always here, continually redeemed.
Watkins, From Peace in the Welsh Hills

Works

Collections of poetry published during Vernon Watkins' lifetime:

  • The Ballad of the Mari Lwyd and Other Poems (1941) - Watkins' first volume of poetry and publication
  • The Lamp and the Veil (1945)
  • Selected Poems (1948)
  • The Lady with the Unicorn (1948)
  • The Death Bell (1954)
  • Cypress and Acacia (1959)
  • Affinities (1962)


The following are assortments of collected poems that were published after Watkins' death:

  • Fidelities (1968)
  • Uncollected Poems (1969)
  • The Breaking of the Wave (1979)
  • The Ballad of the Outer Dark (1979)
  • New Selected Poems (2006) - selectively picked anthology of poems found in the previous eleven collections. Many were chosen by Watkins' wife, Gwen, and were said to essentially encapsulate his life story. It was published as an attempt to resurrect Watkins' poetry and reintroduce it to a new generation of readers.


Watkins also translated European verse into English, including

  • Heine's The North Sea (1955), and after his death,
  • Selected Verse Translations was published in 1977.

References
ISBN links support NWE through referral fees

  • Evans, Philip. A History of the Thomas Family. Privately published, 1994
  • Fitzgibbon, Constantine. 1965. The Life of Dylan Thomas. Boston. Readers Union. OCLC 367245
  • Stanford, Donald E. 1983. British poets, 1914-1945. Dictionary of literary biography, v. 20. Detroit, MI: Gale Research Co. ISBN 0810317028
  • Watkins, Vernon. The Anglo-Welsh review. 1958. Pembroke Dock: Dock Leaves Press.

External links

All links retrieved May 3, 2023.


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