Difference between revisions of "Snorri Sturluson" - New World Encyclopedia

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==Life==
 
==Life==
  
He was twice [[lawspeaker]] at the Icelandic parliament, the [[Althing]]. He was the author of the ''[[Prose Edda]]'' or ''Younger Edda'', which is comprised of ''[[Gylfaginning]]'' ("the fooling of Gylfi"), a narrative of [[Norse Mythology|Norse mythology]], the ''[[Skáldskaparmál]]'', a book of poetic language, and the ''[[Háttatal]]'', a list of verse forms. He was also the author of the ''[[Heimskringla]]'', a history of the Norse kings that begins with legendary material in ''[[Ynglinga saga]]'' and moves through to early medieval [[Scandinavia]]n history. For stylistic and methodological reasons, Snorri is often taken to be the author of ''[[Egils saga]]''.
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Little definitive is known of Sturluson's life, and much of what is known is subject to dispute and conjecture. Sturluson has almost become a mythological figure in his own right, nearly as mysterious as the heroes and demigods found in his poems. Nonetheless, a handful of facts are generally agreed upon. Snorri Sturluson was born in 1178. He was a distant descendent of [[Egill Skallagrimsson]], the semi-mythical poet-warrior who is the protagonist of the ''Egils saga''. His parents were Sturla Þórðarson and Guðný Böðvarsdóttir. He was raised in the village of Oddi by Jon Loptsson, one of the most powerful chieftains in all of Iceland, from whom he learned much of the traditions of Icelandic culture and literature.
  
As an historian and [[mythographer]], Snorri is remarkable for proposing the theory (in the Prose Edda) that mythological gods begin as human war leaders and kings whose funereal sites develop cults (see [[euhemerism]]). As people call upon the dead war leader as they go to battle, or the dead king as they face tribal hardship, they begin to venerate the figure. Eventually, the king or warrior is remembered only as a god. He also proposed that as tribes defeat others, they explain their victory by proposing that their own gods were in battle with the gods of the others.
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In 1199 Sturluson married. His marriage made him a wealthy man, and by 1206 he and his wife had settled in Reykjaholt. The remains of his farm, including his hot outdoor bath have been preserved to some extent. He was said to have had many children, but only five are said to have survived to adulthood. It would be in Reykjaholt that Sturluson would compose almost all of his poetry. He quickly became known as a poet, but was also a successful lawyer. Eventually, he would serve as lawspeaker at the Althing, the Icelandic parliament. As lawspeaker, Sturluson was one of the most important politicians in Iceland.  
  
Snorri was raised by [[Jón Loptsson]] in [[Oddi]]. He had two older brothers, [[Þórðr Sturluson]] (the oldest) and [[Sighvatr Sturluson]]. His parents were Sturla Þórðarson and Guðný Böðvarsdóttir. His marriage made him a wealthy man, and in 1206 he settled in [[Reykholt]]. The remains of his farm, including his hot outdoor bath ([[Snorralaug]]), have been preserved to some extent. He was said to have had many love affairs, and thus many children, but only five are said to have survived to adulthood. He quickly became known as a poet, but was also a successful lawyer, and from 1215 became the [[lawspeaker]], or president of Iceland's legislative assembly and supreme court.  
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In the summer of 1218, Snorri sailed from Iceland to Norway, by royal invitation. There he became well-acquainted with King Hákon Hákonarson. There he met a number of great Norweigan thinkers and poets who would influence his eddas. In the summer of 1219 he met his Swedish colleague, the lawspeaker Eskil Magnusson and his wife Kristina Nilsdotter Blake in Skara. They were both related to royalty and may have given Snorri insight into the history of [[Sweden]].  
  
In the summer of 1218, Snorri sailed from Iceland to [[Norway]], by royal invitation. There he became well-acquainted with King [[Haakon IV of Norway|Hákon Hákonarson]], visited [[Skule of Norway|Jarl Skúli]] during the winter, and in the summer of 1219 met his Swedish colleague, the [[lawspeaker]] [[Eskil Magnusson]] and his wife [[Kristina Nilsdotter Blake]] in [[Skara]]. They were both related to royalty and may have given Snorri insight into the history of [[Sweden]].
+
Snorri became involved in an unsuccessful rebellion against Hákon Hákonarson, which resulted in his assassination in his house at Reykjaholt in 1241 by Gizurr Þorvaldsson, an agent of the king. Snorri's last words were reportedly ''Eigi skal höggva!'' — "Don't strike!"
  
Snorri became involved in an unsuccessful rebellion against [[Haakon IV of Norway|Hákon Hákonarson]], the [[List of Norwegian monarchs|King of Norway]], which resulted in his assassination in his house at [[Reykholt]] in 1241 by [[Gizurr Þorvaldsson]], an agent of the king. Snorri's last words were ''Eigi skal höggva!'' — "Don't strike!"
+
==Works==
  
 +
As an historian and mythographer, Snorri is remarkable for proposing the theory (in the ''Prose Edda'') that mythological gods began as human warlords and kings whose funereal sites developed cults of worship. As people called upon the dead warlord as they went into battle or faced hardship, they began to venerate the figure as more than just a man. Eventually, the king or warrior, Sturluson argues, would be remembered only as a god. This theory about the evolution and development of polytheistic religions is strikingly modern, and it is extraordinary that Sturluson, a poet living hundreds of years before the advent of modern anthropology, would have the intellectual resources and historical knowledge to be able to articulate such a radical idea. Sturluson also proposed that as tribes would explain their history in religious terms, arguing that, for instance, when one tribe conquered another they would view it in terms of their gods conquering the opposing tribe's gods.
 +
 +
Today, Sturluson's works are read by scholars of medieval Scandinavia due to the wealth of historical information found in them. In addition to this, Sturluson's Old Norse, while quite different from contemporary Icelandic, is still readable by most Icelandic speakers, and as a result Sturluson's works are still an important part of the Icelandic literary curriculum. Moreover, a number of poets of diverse backgrounds have been attracted to the terseness of Icelandic poetry, and Sturluson is often seen as the pinnacle of the period. Between the ''Prose Edda'', with its invaluable details on the art of Old Norse verse, the ''Heimskringla'', with its rollicking stories of adventurer-kings, and ''Egils saga', which is universally considered one of the greatest of all the Icelandic sagas, Sturluson is an author of many virtues, who offers insight and excitement to readers of all backgrounds and disciplines.
 +
 
==References==
 
==References==
 
*Bagge, Sverre (1991). ''Society and politics in Snorri Sturluson's Heimskringla''. University of California Press. ISBN 0-520-06887-4
 
*Bagge, Sverre (1991). ''Society and politics in Snorri Sturluson's Heimskringla''. University of California Press. ISBN 0-520-06887-4
 
==Notes==
 
<references/>
 
  
 
==External links==
 
==External links==
{{wikisource author}}
 
 
* [http://www.hi.is/~eybjorn/ugm/sources_of_skaldskaparmal.pdf Faulkes, Anthony (1993). "The sources of Skáldskaparmál: Snorri's intellectual background", ''Snorri Sturluson. Kolloquium anläßlich der 750. Wiederkehr seines Todestages'', pp.&nbsp;59&ndash;76. Tübingen: Narr] (PDF.)
 
* [http://www.hi.is/~eybjorn/ugm/sources_of_skaldskaparmal.pdf Faulkes, Anthony (1993). "The sources of Skáldskaparmál: Snorri's intellectual background", ''Snorri Sturluson. Kolloquium anläßlich der 750. Wiederkehr seines Todestages'', pp.&nbsp;59&ndash;76. Tübingen: Narr] (PDF.)
 
* {{gutenberg author}}
 
* {{gutenberg author}}

Revision as of 20:09, 9 October 2006

A statue of Snorri Sturluson by Norwegian sculptor Gustav Vigeland was erected at Reykholt in 1947.

Snorri Sturluson (1178 – September 23, 1241) was an Icelandic historian, poet and politician, considered to be one of the most important poets in Icelandic literature. He is known today as the author of two lengthy verse works, or eddas, the Prose Edda, and the Heimskringla. The Prose Edda, an instructional poem of great value to scholars, Sturluson recounts a number of stories out of Norse mythology while explicating on the verse-forms and literary techniques utilized in each of the myths he recounts. The Heimskringla is a more traditional sequence of semi-mythological sagas relating the history of the Norse kings. Sturluson is also believed, through stylistic and linguistic evidence, to be the author of Egils Saga, one of the most important and widely-read of all the Icelandic sagas. As an author of poetry, history, and instructional verse, Sturluson is one of the most informative sources for scholars of medieval Scandinavian history and culture. His works are also generally considered to be among the most beautiful and brilliantly-crafted of all Icelandic poetry. A major influence on the Icelandic poets of his own times, Sturluson has also been an influence on a number of non-Scandinavian authors, including the Argentinian poet and story-writer Jorge Luis Borges and a number of minor poets of German Romanticism.

Life

Little definitive is known of Sturluson's life, and much of what is known is subject to dispute and conjecture. Sturluson has almost become a mythological figure in his own right, nearly as mysterious as the heroes and demigods found in his poems. Nonetheless, a handful of facts are generally agreed upon. Snorri Sturluson was born in 1178. He was a distant descendent of Egill Skallagrimsson, the semi-mythical poet-warrior who is the protagonist of the Egils saga. His parents were Sturla Þórðarson and Guðný Böðvarsdóttir. He was raised in the village of Oddi by Jon Loptsson, one of the most powerful chieftains in all of Iceland, from whom he learned much of the traditions of Icelandic culture and literature.

In 1199 Sturluson married. His marriage made him a wealthy man, and by 1206 he and his wife had settled in Reykjaholt. The remains of his farm, including his hot outdoor bath have been preserved to some extent. He was said to have had many children, but only five are said to have survived to adulthood. It would be in Reykjaholt that Sturluson would compose almost all of his poetry. He quickly became known as a poet, but was also a successful lawyer. Eventually, he would serve as lawspeaker at the Althing, the Icelandic parliament. As lawspeaker, Sturluson was one of the most important politicians in Iceland.

In the summer of 1218, Snorri sailed from Iceland to Norway, by royal invitation. There he became well-acquainted with King Hákon Hákonarson. There he met a number of great Norweigan thinkers and poets who would influence his eddas. In the summer of 1219 he met his Swedish colleague, the lawspeaker Eskil Magnusson and his wife Kristina Nilsdotter Blake in Skara. They were both related to royalty and may have given Snorri insight into the history of Sweden.

Snorri became involved in an unsuccessful rebellion against Hákon Hákonarson, which resulted in his assassination in his house at Reykjaholt in 1241 by Gizurr Þorvaldsson, an agent of the king. Snorri's last words were reportedly Eigi skal höggva! — "Don't strike!"

Works

As an historian and mythographer, Snorri is remarkable for proposing the theory (in the Prose Edda) that mythological gods began as human warlords and kings whose funereal sites developed cults of worship. As people called upon the dead warlord as they went into battle or faced hardship, they began to venerate the figure as more than just a man. Eventually, the king or warrior, Sturluson argues, would be remembered only as a god. This theory about the evolution and development of polytheistic religions is strikingly modern, and it is extraordinary that Sturluson, a poet living hundreds of years before the advent of modern anthropology, would have the intellectual resources and historical knowledge to be able to articulate such a radical idea. Sturluson also proposed that as tribes would explain their history in religious terms, arguing that, for instance, when one tribe conquered another they would view it in terms of their gods conquering the opposing tribe's gods.

Today, Sturluson's works are read by scholars of medieval Scandinavia due to the wealth of historical information found in them. In addition to this, Sturluson's Old Norse, while quite different from contemporary Icelandic, is still readable by most Icelandic speakers, and as a result Sturluson's works are still an important part of the Icelandic literary curriculum. Moreover, a number of poets of diverse backgrounds have been attracted to the terseness of Icelandic poetry, and Sturluson is often seen as the pinnacle of the period. Between the Prose Edda, with its invaluable details on the art of Old Norse verse, the Heimskringla, with its rollicking stories of adventurer-kings, and Egils saga', which is universally considered one of the greatest of all the Icelandic sagas, Sturluson is an author of many virtues, who offers insight and excitement to readers of all backgrounds and disciplines.

References
ISBN links support NWE through referral fees

  • Bagge, Sverre (1991). Society and politics in Snorri Sturluson's Heimskringla. University of California Press. ISBN 0-520-06887-4

External links

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