Difference between revisions of "James Baldwin" - New World Encyclopedia

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'''James Baldwin''' ([[August 2]], [[1924]] – [[December 1]], [[1987]]) was a [[novelist]], [[short story]] [[writer]], and [[essayist]], best known for his novel ''[[Go Tell it on the Mountain]]''.  
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[[Image:jamesbaldwin.jpg|thumb|right|James Baldwin, photographed by [[Carl Van Vechten]], 1955]]
Most of Baldwin's work deals with [[racism|racial]] and [[human sexuality|sexual]] issues in the mid-20th century [[United States]]. His novels are notable for the personal way in which they explore questions of identity as well as for the way in which they mine complex social and psychological pressures related to being black and [[homosexuality|gay]], well before the social, cultural or political equality of these groups could be assumed.
 
  
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'''James Baldwin''' (August 2, 1924 – December 1], 1987) was a novelist, short story writer, and essayist, who is regarded as one of the most important African-American writers of the mid 20th-century. As a young man Baldwin was primarily influenced by [[Richard Wright]] and other novelists of the black radical tradition, and Baldwin himself would come into his prime as a writer during the 1950's and 60's as one of the most outspoken and poignant authors in a period of immense cultural change. Today Baldwin as regarded as one of the most eloquent and one of the most progressive of all African-American novelists; his works were among some of the first in African-American literature to move outside the black experience, to address issues of identity pertinent to people of all races and backgrounds. Baldwin is also considered by many critics to be one of the most inherently talented American writers of the mid 20th-century who was capable of producing masterpieces in a variety of genres, including novels such as ''Go Tell It On The Mountain'', essays such as ''The Fire Next Time'', and haunting short stories like ''Sonny's Blues''. In the years since his death, Baldwin has become an influence not only to African-American writers, but to American literature at large.
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==History==
 
==History==
[[Image:jamesbaldwin.jpg|thumb|left|James Baldwin, photographed by [[Carl Van Vechten]], 1955]]
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Baldwin was born in [[New York City|New York]]'s Harlem neighborhood in 1924, the first of his mother's nine children. He never met his biological father and may never have even known the man's identity. Instead, he considered his stepfather, David Baldwin, his only father figure. David, a factory worker and store-front preacher, was allegedly very cruel at home, and the young Baldwin never forgave him for it. While Baldwin's father opposed his literary aspirations, he was able to find support for his writing from teachers as well from the mayor of New York City, Fiorello H. LaGuardia, who took the young Baldwin under his wing.  
Baldwin was born in [[New York City|New York]]'s Harlem neighborhood in 1924, the first of his mother's nine children. He never met his biological father and may never have even known the man's identity. Instead, he considered his stepfather, David Baldwin, his only father figure. David, a factory worker and a store-front [[preacher]], was allegedly very cruel at home, which the young Baldwin hated. While his father opposed his literary aspirations, Baldwin found support from a teacher as well from the mayor of [[New York City]], [[Fiorello H. LaGuardia]].  
 
  
His most important source of support, however, came from his idol [[Richard Wright (author)|Richard Wright]], whom he called "the greatest black writer in the world for me". Wright and Baldwin became friends for a short time and Wright helped him to secure the ''Eugene F. Saxon Memorial Award''. Indeed, Baldwin titled a collection of essays ''[[Notes of a Native Son]]'', in clear reference to Wright's enraged and despairing novel ''[[Native Son]]''. However, Baldwin's 1949 essay ''"Everybody's Protest Novel"'' ended the two authors' friendship because Baldwin asserted that Wright's novel ''Native Son'', like [[Harriet Beecher Stowe]]'s ''[[Uncle Tom's Cabin]]'', lacked credible characters and psychological complexity. However, during an interview with Julius Lester [http://www.nytimes.com/books/98/03/29/specials/baldwin-reflections.html] Baldwin explained that his adoration for Wright remained: "I knew Richard and I loved him. I was not attacking him; I was trying to clarify something for myself."
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Baldwin's most important source of support, however, came from his idol [[Richard Wright]], whom he called "the greatest black writer in the world for me". Wright and Baldwin became friends for a short time and Wright helped him to secure the a scholarshpi which assured him his financial independence. Baldwin titled a collection of essays ''Notes of a Native Son'', in homage to Wright. The close friendship between the two writers, however, would come to an end with the publication of Baldwin's 1949 essay "Everybody's Protest Novel", in which Baldwin asserted that ''Native Son'', like [[Harriet Beecher Stowe]]'s ''Uncle Tom's Cabin'', lacked credible characters and psychological complexity. Wright never forgave Baldwin for the criticism, and the two stayed on icy terms until the elder writer's death. Many years later, during an interview with Julius Lester [http://www.nytimes.com/books/98/03/29/specials/baldwin-reflections.html] Baldwin explained that his adoration for Wright remained: "I knew Richard and I loved him. I was not attacking him; I was trying to clarify something for myself."
[[Image:Heston Baldwin Brando Civil Rights March 1963.jpg|thumb|250px|Baldwin (right of center) with [[Charlton Heston]], [[Marlon Brando]], and [[Harry Belafonte]] at the [[1963]] [[March on Washington for Jobs and Freedom|Civil Rights March on Washington, D.C.]] Prominent Black actor [[Sidney Poitier]] can also be seen in the crowd.]]
 
Baldwin, like many American authors of the time, left to live in Europe for an extended period of time beginning in 1948. His first destination was [[Paris]] where [[Ernest Hemingway]], [[Gertrude Stein]], [[F. Scott Fitzgerald]], Richard Wright, and many others had lived during their writing careers. When Baldwin returned to America, he became actively involved in the [[American Civil Rights Movement (1955-1968)|Civil Rights Movement]]. He marched with [[Martin Luther King, Jr.]] to [[Washington, D.C.]]
 
  
During the early 1980s, Baldwin was on the faculty of the [[Five Colleges (Massachusetts)|Five Colleges]] in Western [[Massachusetts]].  While there, he mentored [[Mount Holyoke College]] future playwright [[Suzan-Lori Parks]], who won the [[Pulitzer Prize for Drama]] in 2002. Baldwin died of [[cancer]] in 1987 at the age of 63.
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Baldwin, like many American authors of the time, left to live in Europe for an extended period of time beginning in 1948. His first destination was [[Paris]] where [[Ernest Hemingway]], [[Gertrude Stein]], [[F. Scott Fitzgerald]], Richard Wright, and many others had lived during their writing careers. While living in Paris Baldwin wrote his first two novels, ''Go Tell It On The Mountain'', (1953) and ''Giovanni's Room'' (1956). ''Go Tell It On The Mountain'', Baldwin's largely autobiographical tale of a dysfunctional black family's experiences on a single day at church, would catapult the writer to instantaneous fame. ''Giovanni's Room'', however, would shock and confuse many of Baldwin's readers with its frank depictions of sexuality as well as for its complete absence of black characters. When Baldwin returned to America, he became actively involved in the [[Civil Rights Movement]]. He participated in the march on Washington, D.C., with [[Martin Luther King, Jr.]].
  
In 2005 the USPS created a First-Class Postage Stamp dedicated to him which featured him on the front, and on the back of the peeling paper had a short biography.  One of Baldwin's richest short stories, "Sonny's Blues," inevitably appears in most anthologies of short fiction used in introductory literature classes at the college level.
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After returning to the United States, Baldwin would continue to write, but with the exception of ''The Fire Next Time'', a book of essays on the Civil Rights Movement and published in 1963, most of his works would be of diminishing quality. During this time Baldwin attempted to write another, extremely ambitious novel ''Another Country'', dealing with issues of racial, gender, and sexual identity through a large cast of multicultural characters, but the book proved to be a critical failure. After attempting to make a new career for himself as a playwright, Baldwin would largely resign himself from literary writing, splitting his time between lecturing in the United States and writing essays in Southern France. He would sporadically continue to make attempts at fiction over the last two decades of his life, but none of Baldwin's works from his later period have garnered any critical acclaim. Baldwin died of [[cancer]] in 1987 at the age of 63.
 
 
==Quotes==
 
 
 
* "What societies really, ideally, want is a citizenry which will simply obey the rules of society. If a society succeeds in this, that society is about to perish. The obligation of anyone who thinks of himself as responsible is to examine society and try to change it and to fight it-at no matter what risk. This is the only hope society has. This is the only ways societies change."
 
* "The price one pays for pursuing any profession or calling is an intimate knowledge of its ugly side."
 
* "I love America more than any other country in this world, and, exactly for this reason, I insist on the right to criticize her perpetually."
 
* "All of Africa will be free before we can get a lousy cup of coffee."
 
* "People pay for what they do, and still more for what they have allowed themselves to become, and they pay for it, very simply, by the lives they lead."
 
* "Artists are here to disturb the peace."
 
* "Everything depends on how relentlessly one forces from experience the last drop, sweet or bitter, it can possibly give."
 
* "Ignorance, allied with power, is the most ferocious enemy justice can have."
 
* "All roles are dangerous.  The world tends to trap you in the role you play and it is always extremely hard to maintain a watchful, mocking distance between oneself as one appears to be and oneself as one actually is."
 
* "Life is more important than art, that's what makes art important."
 
* "Not everything that is faced can be changed.  But nothing can be changed until it is faced."
 
  
 
==Bibliography==
 
==Bibliography==
[[Image:Tellitcover.jpg|thumb|right|220px|Cover of a Knopf edition of ''Go Tell it on the Mountain'']]
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*''Go Tell it on the Mountain'' (novel; 1953)
*''[[Go Tell it on the Mountain]]'' (novel; 1953)
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*''Stranger in the Village'' (1953)
*''[[Stranger in the Village]]'' (1953)
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*''Notes of a Native Son'' (essays and stories; 1955)
*''[[Notes of a Native Son]]'' (essays and stories; 1955)
+
*''The Amen Corner'' (play; 1954)
*''[[The Amen Corner]]'' (play; 1954)
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*''Giovanni's Room'' (novel; 1956)
*''[[Giovanni's Room]]'' (novel; 1956)
+
*''Sonny's Blues'' (1957)
*''[[Sonny's Blues (short story) |Sonny's Blues]]'' (1957)
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*''Nobody Knows My Name: More Notes of a Native Son'' (essays and stories; 1961)
*''[[Nobody Knows My Name: More Notes of a Native Son]]'' (essays and stories; 1961)
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*''Another Country'' (novel; 1962)
*''[[Another Country (novel)|Another Country]]'' (novel; 1962)
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*''The Fire Next Time'' (essays; 1963)
*''[[The Fire Next Time]]'' (essays; 1963)
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*''Blues for Mister Charlie'' (play; 1964)
*''[[Blues for Mister Charlie]]'' (play; 1964)
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*''Going to Meet the Man'' (essays and stories; 1965)
*''[[Going to Meet the Man]]'' (essays and stories; 1965)
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*''Tell Me How Long the Train's Been Gone'' (novel; 1968)
*''[[Tell Me How Long the Train's Been Gone]]'' (novel; 1968)
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*''No Name in the Streets'' (essays; 1972)
*''[[No Name in the Streets]]'' (essays; 1972)
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*''If Beale Street Could Talk'' (novel; 1974)
*''[[If Beale Street Could Talk]]'' (novel; 1974)
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*''The Devil Finds Work'' (essays; 1976)
*''[[The Devil Finds Work]]'' (essays; 1976)
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*''Just Above My Head'' (novel; 1979)
*''[[Just Above My Head]]'' (novel; 1979)
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*''Jimmy's blues'' (poems; 1985)
*''[[Jimmy's blues]]'' (poems; 1985)
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*''The Price of the Ticket'' (essays; 1985)
*''[[The Price of the Ticket]]'' (essays; 1985)
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*''The Evidence of Things Not Seen'' (essays; 1985)  
*''[[The Evidence of Things Not Seen]]'' (essays; 1985)  
 
  
Together with others:
+
Collaborative Works:
  
*''[[Nothing personal]] (with Richard Avedon (photogr.))'' (1964)
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*''Nothing Personal (with Richard Avedon)'' (1964)
*''[[A Rap on Race]] (with Margaret Mead)'' (1971)  
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*''A Rap on Race (with Margaret Mead)'' (1971)  
*''[[One day when I was lost]]'' (orig.: A. Haley; 1972)
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*''One Day When I Was Lost'' (orig.: A. Haley; 1972)
*''[[A Dialogue]] (with Nikki Giovanni)'' (1973)
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*''A Dialogue (with Nikki Giovanni)'' (1973)
*''[[Little man, little man]] (with Yoran Lazac''; for children; 1976)
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*''Little Man, Little Man (with Yoran Lazac''; for children; 1976)
  
 +
==External links==
  
==External links==
 
{{commons|James Baldwin}}
 
{{wikiquote}}
 
 
*[http://historyisaweapon.com/defcon1/itcitmbaldwin.html "An Open Letter to My Sister, Angela Y. Davis" by James Baldwin]
 
*[http://historyisaweapon.com/defcon1/itcitmbaldwin.html "An Open Letter to My Sister, Angela Y. Davis" by James Baldwin]
 
*[http://www.pbs.org/wnet/americanmasters/database/baldwin_j.html Baldwin's ''American Masters'' page]
 
*[http://www.pbs.org/wnet/americanmasters/database/baldwin_j.html Baldwin's ''American Masters'' page]

Revision as of 19:53, 17 October 2006

James Baldwin, photographed by Carl Van Vechten, 1955


James Baldwin (August 2, 1924 – December 1], 1987) was a novelist, short story writer, and essayist, who is regarded as one of the most important African-American writers of the mid 20th-century. As a young man Baldwin was primarily influenced by Richard Wright and other novelists of the black radical tradition, and Baldwin himself would come into his prime as a writer during the 1950's and 60's as one of the most outspoken and poignant authors in a period of immense cultural change. Today Baldwin as regarded as one of the most eloquent and one of the most progressive of all African-American novelists; his works were among some of the first in African-American literature to move outside the black experience, to address issues of identity pertinent to people of all races and backgrounds. Baldwin is also considered by many critics to be one of the most inherently talented American writers of the mid 20th-century who was capable of producing masterpieces in a variety of genres, including novels such as Go Tell It On The Mountain, essays such as The Fire Next Time, and haunting short stories like Sonny's Blues. In the years since his death, Baldwin has become an influence not only to African-American writers, but to American literature at large.

History

Baldwin was born in New York's Harlem neighborhood in 1924, the first of his mother's nine children. He never met his biological father and may never have even known the man's identity. Instead, he considered his stepfather, David Baldwin, his only father figure. David, a factory worker and store-front preacher, was allegedly very cruel at home, and the young Baldwin never forgave him for it. While Baldwin's father opposed his literary aspirations, he was able to find support for his writing from teachers as well from the mayor of New York City, Fiorello H. LaGuardia, who took the young Baldwin under his wing.

Baldwin's most important source of support, however, came from his idol Richard Wright, whom he called "the greatest black writer in the world for me". Wright and Baldwin became friends for a short time and Wright helped him to secure the a scholarshpi which assured him his financial independence. Baldwin titled a collection of essays Notes of a Native Son, in homage to Wright. The close friendship between the two writers, however, would come to an end with the publication of Baldwin's 1949 essay "Everybody's Protest Novel", in which Baldwin asserted that Native Son, like Harriet Beecher Stowe's Uncle Tom's Cabin, lacked credible characters and psychological complexity. Wright never forgave Baldwin for the criticism, and the two stayed on icy terms until the elder writer's death. Many years later, during an interview with Julius Lester [1] Baldwin explained that his adoration for Wright remained: "I knew Richard and I loved him. I was not attacking him; I was trying to clarify something for myself."

Baldwin, like many American authors of the time, left to live in Europe for an extended period of time beginning in 1948. His first destination was Paris where Ernest Hemingway, Gertrude Stein, F. Scott Fitzgerald, Richard Wright, and many others had lived during their writing careers. While living in Paris Baldwin wrote his first two novels, Go Tell It On The Mountain, (1953) and Giovanni's Room (1956). Go Tell It On The Mountain, Baldwin's largely autobiographical tale of a dysfunctional black family's experiences on a single day at church, would catapult the writer to instantaneous fame. Giovanni's Room, however, would shock and confuse many of Baldwin's readers with its frank depictions of sexuality as well as for its complete absence of black characters. When Baldwin returned to America, he became actively involved in the Civil Rights Movement. He participated in the march on Washington, D.C., with Martin Luther King, Jr..

After returning to the United States, Baldwin would continue to write, but with the exception of The Fire Next Time, a book of essays on the Civil Rights Movement and published in 1963, most of his works would be of diminishing quality. During this time Baldwin attempted to write another, extremely ambitious novel Another Country, dealing with issues of racial, gender, and sexual identity through a large cast of multicultural characters, but the book proved to be a critical failure. After attempting to make a new career for himself as a playwright, Baldwin would largely resign himself from literary writing, splitting his time between lecturing in the United States and writing essays in Southern France. He would sporadically continue to make attempts at fiction over the last two decades of his life, but none of Baldwin's works from his later period have garnered any critical acclaim. Baldwin died of cancer in 1987 at the age of 63.

Bibliography

  • Go Tell it on the Mountain (novel; 1953)
  • Stranger in the Village (1953)
  • Notes of a Native Son (essays and stories; 1955)
  • The Amen Corner (play; 1954)
  • Giovanni's Room (novel; 1956)
  • Sonny's Blues (1957)
  • Nobody Knows My Name: More Notes of a Native Son (essays and stories; 1961)
  • Another Country (novel; 1962)
  • The Fire Next Time (essays; 1963)
  • Blues for Mister Charlie (play; 1964)
  • Going to Meet the Man (essays and stories; 1965)
  • Tell Me How Long the Train's Been Gone (novel; 1968)
  • No Name in the Streets (essays; 1972)
  • If Beale Street Could Talk (novel; 1974)
  • The Devil Finds Work (essays; 1976)
  • Just Above My Head (novel; 1979)
  • Jimmy's blues (poems; 1985)
  • The Price of the Ticket (essays; 1985)
  • The Evidence of Things Not Seen (essays; 1985)

Collaborative Works:

  • Nothing Personal (with Richard Avedon) (1964)
  • A Rap on Race (with Margaret Mead) (1971)
  • One Day When I Was Lost (orig.: A. Haley; 1972)
  • A Dialogue (with Nikki Giovanni) (1973)
  • Little Man, Little Man (with Yoran Lazac; for children; 1976)

External links

Credits

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