Difference between revisions of "Afrobeat" - New World Encyclopedia

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v'''Afrobeat''' is a combination of [[Yoruba music]], [[jazz]], and [[funk]] [[rhythm]]s, fused with [[Africa]]n [[Percussion instrument|percussion]] and [[vocal]] styles, popularized in [[Africa]] in the 1970s.
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'''Afrobeat''' is a combination of [[Yoruba music]], [[jazz]], and [[funk]] [[rhythm]]s, fused with [[Africa]]n [[Percussion instrument|percussion]] and [[vocal]] styles, popularized in [[Africa]] in the 1970s.
  
 
Afrobeat's most famous artist was the [[Nigeria]]n multi-[[Musical instruments|instrumentalist]] and [[bandleader]] [[Fela Kuti]], who coined the term Afrobeat, shaped the musical structure and shaped the political context of the genre. He launched Afrobeat in the early 60s.
 
Afrobeat's most famous artist was the [[Nigeria]]n multi-[[Musical instruments|instrumentalist]] and [[bandleader]] [[Fela Kuti]], who coined the term Afrobeat, shaped the musical structure and shaped the political context of the genre. He launched Afrobeat in the early 60s.
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{{Genres of African popular music}}
 
{{Genres of African popular music}}
[[Category:African music]]
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[[Category:Art, music, literature, sports & leisure]]
 
 
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Revision as of 21:43, 17 January 2007

Afrobeat is a combination of Yoruba music, jazz, and funk rhythms, fused with African percussion and vocal styles, popularized in Africa in the 1970s.

Afrobeat's most famous artist was the Nigerian multi-instrumentalist and bandleader Fela Kuti, who coined the term Afrobeat, shaped the musical structure and shaped the political context of the genre. He launched Afrobeat in the early 60s.

Afrobeat also has influences from Highlife music, a style of African pop-jazz. Kuti had earlier played this type of music with the Koola Lobitos Band.

Characteristics of Afrobeat are:

  • Big bands: A large group of musicians playing various instruments (Fela Kuti's band in the 80s Egypt 80 featured 80 musicians);
  • Energy: Energetic, exciting and with high tempo, polyrhythmic percussion;
  • Repetition: The same musical movements are repeated many times;
  • Improvisation: Performing without set music;
  • Combination of genres: A mixture of various musical influences.

Afrobeat originated from the southern part of Nigeria in the 60s, influenced in part by the American free jazz movement. Fela Anikulapo Kuti experimented with many different forms of music - first with High-Life jazz, and then other forms of contemporary music of the time. Prevalent in his music are native African harmonies and rhythms, taking different elements and combining, modernizing and improvizing upon them.

Politics are essential to the genre of Afrobeat, since the founder Fela Kuti was deeply concerned in social criticism to pave way to social change. His message can be described as confrontational and controversial, which can be related to the political climate of most of the African countries in the 60s, many of which were dealing with political injustice and military corruption while recovering from the transition from colonial governments to self-determination.

As the genre spread throughout the African continent, many bands took up the style in the 60s and 70s. The recordings of these bands and their songs were rarely heard or exported outside the originating countries and are quite rare finds nowadays.

Jazz musicians have always been attracted to Afrobeat. From Roy Ayers in the seventies to Randy Weston in the nineties there have been collaborations which have resulted in albums such as Africa: Centre of the World by Roy Ayers, released on the Polydor label in 1981. In 1994 Branford Marsalis, the American jazz saxophonist, included samples of Fela's "Beast of No Nation" on his Buckshot leFonque album.

Afrobeat has profoundly influenced important contemporary producers like Brian Eno, who credits Fela Kuti as an influence.

New generation DJs of the 2000s who have fallen in love with both Kuti's material and other rare releases have made compilations and remixes of these recordings, thus re-introducing the genre to new generations of listeners and fans of Afropop and Groove.

Post-Fela, the Afrobeat scene is spreading and the music has taken solid root on the World Café. There is a diverse group of bands influenced by the music operating out of different countries. A list of acts to watch would definitely include Femi Kuti (Fela's first son and a saxophonist) and the Positive Force; Ayetoro (a group led by Nigerian pianist/composer Funsho Ogundipe); Afrobeat Down, a Los Angeles based group working with Sandra Izsadore, Antibalas (Brooklyn, New York based multiracial Afrobeat Orchestra formed by baritone saxophonist Martin Perna); Chicago Afrobeat Project, which brings a fresh contemporary twist to the genre; Illinois based Afrobeat group the Alma Afrobeat Ensemble; Speak in Tones, originating from Tribeca's Walker Stage scene (international artists all over the world celebrating Afrobeat & indigenous rights.); and finally, Tony Allen, the man who held the drum chair during Fela's productive "Africa 70" phase, and whose drumming was, according to James Brown's autobiography, the influence behind his 'Discovery' of funk.


References
ISBN links support NWE through referral fees

  • The Afro caribbean Website Afro Caribbean videos website, watch movies, music videos and more. This website is powered by Sanaga LLC which is a video syndication service.

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