Difference between revisions of "Temple of Heaven" - New World Encyclopedia

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The '''Temple of Heaven''', literally the '''Altar of Heaven''' ({{zh-tsp|t=天壇|s=天坛|p=Tiāntán}}; [[Manchu language|Manchu]]: Abkai mukdehun) is a complex of [[Taoism|Taoist]] buildings situated in southeastern urban [[Beijing]], in [[Xuanwu District, Beijing|Xuanwu District]]. The complex was visited by the [[Emperor of China|Emperors]] of the [[Ming Dynasty|Ming]] and [[Qing Dynasty|Qing]] dynasties for annual ceremonies of prayer to [[Heaven]] for good harvest. It is regarded as a Taoist temple, although Chinese [[Heaven worship]], especially by the reigning monarch of the day, pre-dates Taoism.
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The '''Temple of Heaven''', literally the '''Altar of Heaven''' ({{zh-tsp|t=天壇|s=天坛|p=Tiāntán}}; [[Manchu language|Manchu]]: Abkai mukdehun) is a complex of [[Taoism|Taoist]] buildings situated in southeastern urban [[Beijing]], in [[Xuanwu District, Beijing|Xuanwu District]]. The [[Emperor of China|Emperors]] of the [[Ming Dynasty|Ming]] and [[Qing Dynasty|Qing]] dynasties visited the complex for annual ceremonies of prayer to [[Heaven]] for good harvest. It is regarded as a Taoist temple, although Chinese [[Heaven worship]], especially by the reigning monarch of the day, pre-dates Taoism.
  
 
==History==
 
==History==

Revision as of 15:26, 16 November 2008

Coordinates: 39°52′54.87″N 116°24′24.43″E / 39.8819083, 116.4067861

Temple of Heaven: an Imperial Sacrificial Altar in Beijing*
UNESCO World Heritage Site

Hall of Prayer for Good Harvests, the largest building in the Temple of Heaven
State Party Flag of the People's Republic of China.svg China
Type Cultural
Criteria i, ii, iii
Reference 881
Region** Asia-Pacific
Inscription history
Inscription 1998  (22nd Session)
* Name as inscribed on World Heritage List.
** Region as classified by UNESCO.

The Temple of Heaven, literally the Altar of Heaven (Traditional Chinese: 天壇; Simplified Chinese: 天坛; pinyin: Tiāntán; Manchu: Abkai mukdehun) is a complex of Taoist buildings situated in southeastern urban Beijing, in Xuanwu District. The Emperors of the Ming and Qing dynasties visited the complex for annual ceremonies of prayer to Heaven for good harvest. It is regarded as a Taoist temple, although Chinese Heaven worship, especially by the reigning monarch of the day, pre-dates Taoism.

History

Xuanwu District in Beijing

The temple complex was constructed from 1406 to 1420 during the reign of the Yongle Emperor, who was also responsible for the construction of the Forbidden City in Beijing. The complex was extended and renamed Temple of Heaven during the reign of the Jiajing Emperor in the 16th century.[1] The Jiajing Emperor also built three other prominent temples in Beijing, the Temple of Sun in the east (日坛), the Temple of Earth in the north (地坛), and the Temple of Moon in the west (月坛). The Temple of Heaven was renovated in the 18th century under the Qianlong Emperor.

In 1914, Yuan Shih-kai, then President of the Republic of China, performed a Ming prayer ceremony at the temple, as part of an effort to have himself declared Emperor of China.

The Temple of Heaven was inscribed as a UNESCO World Heritage Site in 1998 and was described as "a masterpiece of architecture and landscape design which simply and graphically illustrates a cosmogony of great importance for the evolution of one of the world’s great civilizations..." as the "symbolic layout and design of the Temple of Heaven had a profound influence on architecture and planning in the Far East over many centuries."[2]

According to Xinhua, in early 2005, the Temple of Heaven underwent a 47 million yuan (5.9 million USD) restoration in preparation for the 2008 Beijing Summer Olympics and the restoration was completed on May 1st, 2006.

The Temple of Heaven is a very popular park for exercising, and particularly for practicing taiji bailong ball, which is a paddleball variation of Tai Chi. Developed by Chinese Olympic boxing coach Bai Rong, taiji bailong ball is known as Rhythmball in North America.

Buildings and layout


Panorama with the Hall of Prayer for Good Harvests in the center, viewed from the South
Panorama with the Hall of Prayer for Good Harvests in the center, viewed from the South

The Temple grounds covers 2.73 km² of parkland,[3] and comprises three main groups of constructions, all built according to strict philosophical requirements:

  • The Hall of Prayer for Good Harvests (祈年殿) is a magnificent triple-gabled circular building, 32 metres in diameter and 38 metres tall, built on three levels of marble stone base, where the Emperor prayed for good harvests. The building is completely wooden, with no nails.[4]
  • The Imperial Vault of Heaven (皇穹宇) is a single-gabled circular building, built on a single level of marble stone base. It is located south of the Hall of Prayer for Good Harvests and resembles it, but is smaller. It is surrounded by a smooth circular wall, the Echo Wall, that can transmit sounds over large distances. The Imperial Vault is connected to the Hall of Prayer by the Vermilion Steps Bridge, a 360 meter long raised walkway that slowly ascends from the Vault to the Hall of Prayer.[5]
  • The Circular Mound Altar (圜丘坛) is the altar proper, located south of the Imperial Vault of Heaven. It is an empty circular platform on three levels of marble stones, where the Emperor prayed for favorable weather. It was built in 1530 by the Jiajing Emperor and rebuilt in 1740.[6]

Ceremony

Panorama of the three main halls
Panorama of the three main halls

In ancient China, the Emperor of China was regarded as the Son of Heaven, who administered earthly matters on behalf of, and representing, heavenly authority. To be seen to be showing respect to the source of his authority, in the form of sacrifices to heaven, was extremely important. The temple was built for these ceremonies, mostly comprising prayers for good harvests.

Twice a year the Emperor and all his retinue would move from the Forbidden city through Beijing to encamp within the complex, wearing special robes and abstaining from eating meat.[7] No ordinary Chinese was allowed to view this procession or the following ceremony. In the temple complex the Emperor would personally pray to Heaven for good harvests. The highpoint of the ceremony at the winter solstice was performed by the Emperor on the Earthly Mount. The ceremony had to be perfectly completed; it was widely held that the smallest of mistakes would constitute a bad omen for the whole nation in the coming year.

Symbolism

Inside the Hall of Prayer for Good Harvests

Earth was represented by a square and Heaven by a circle; several features of the temple complex symbolize the connection of Heaven and Earth, of circle and square. The whole temple complex is surrounded by two cordons of walls; the outer wall has a taller, semi-circular northern end, representing Heaven, and a shorter, rectangular southern end, representing the Earth. Both the Hall of Prayer for Good Harvests and the Circular Mound Altar are round, each standing on a square yard, again representing Heaven and Earth.

The number nine represents the Emperor and is evident in the design of the Circular Mound Altar: a single round marmor plate is surrounded by a ring of nine plates, then a ring of 18 plates, and so on for a total of nine surrounding rings, the outermost having 9×9 plates.

The Hall of Prayer for Good Harvests has four inner, twelve middle and twelve outer pillars, representing the four seasons, twelve months and twelve traditional Chinese hours respectively.

All the buildings within the Temple have special dark blue roof tiles, representing the Heaven.

The Seven-Star Stone Group, east of the Hall of Prayer for Good Harvest, represents the seven peaks of Taishan Mountain, a place of Heaven worship in classical China.

Gallery

See also

Notes

  1. Damian Harper. Beijing. Lonely Planet city guide. (Melbourne: Lonely Planet, 2005), p. 46.
  2. UNESCO World Heritage Site - Temple of Heaven: an Imperial Sacrificial Altar in Beijing
  3. Damian Harper. Beijing. Lonely Planet city guide. (Melbourne: Lonely Planet, 2005), p. 68.
  4. Joan Lebold Cohen and Jerome Alan Cohen. China today and her ancient treasures (New York: Abrams, 1980), p. 180.
  5. Nancy Shatzman Steinhardt. Chinese architecture. The culture and civilization of China (New Haven: Yale University Press, 2002), p. 222
  6. Frank Ching, Mark Jarzombek, and Vikramaditya Prakash. A global history of architecture (Hoboken, N.J.: J. Wiley & Sons, 2007), p. 428.
  7. James A. Millward. New Qing imperial history: the making of inner Asian empire at Qing Chengde ( London: Routledge, 2004), p. 72

References
ISBN links support NWE through referral fees

  • Ching, Frank, Mark Jarzombek, and Vikramaditya Prakash. 2007. A global history of architecture. Hoboken, N.J.: J. Wilandey & Sons. ISBN 9780471268925.
  • Cohen, Joan Lebold, Jerome Alan Cohen. 1980. China today and her ancient treasures. New York: Abrams. ISBN 9780810907546.
  • Harper, Damian. 2005. Beijing. Lonely Planet city guide. Melbourne: Lonely Planet. ISBN 9781740597821.
  • Millward, James A. 2004. New Qing imperial history: the making of inner Asian empire at Qing Chengde. London: Routledge. ISBN 9780415320061.
  • Steinhardt, Nancy Shatzman. 2002. Chinese architecture. The culture and civilization of China. New Haven: Yale University Press. ISBN 9780300095593.

External links

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