Difference between revisions of "Ted Shawn" - New World Encyclopedia

From New World Encyclopedia
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==Biography==
 
==Biography==
  
Edwin Myers Shawn was born on October 21, 1891 in [[Kansas City, Missouri]], but grew up in [[Denver]]. While studying to become a minister, Shawn suffered a bout of diphtheria, leaving him paralyzed. He was 19. His physician advised him to take up dance as a form of physical therapy. Dancing cured Shawn's paralysis while spurring him on to leave divinity school and pursue the artform as a life-long profession.
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Edwin Myers Shawn was born on October 21, 1891 in [[Kansas City, Missouri]], but grew up in [[Denver]]. While studying to become a minister, Shawn suffered a bout of diphtheria which left him paralyzed. He was 19. His physician advised him to take up dance as a form of physical therapy. Dancing cured Shawn's paralysis while spurring him on to leave divinity school and pursue the artform as a life-long profession.
  
 
While Shawn did not have the ideal body type of a male dancer (he was over six feet tall and weighed 175lbs), he achieved some success starting out. Shawn's first dance experience was with a Metropolitan Opera ballerina and he garnered a few fans as part of an exhibition ballroom team. He soon moved to Los Angeles, opened a dance studio and joined forces with [[Norma Gould]],????. There he would make one of the first dance motion pictures ''Dancing of the Ages''. ???
 
While Shawn did not have the ideal body type of a male dancer (he was over six feet tall and weighed 175lbs), he achieved some success starting out. Shawn's first dance experience was with a Metropolitan Opera ballerina and he garnered a few fans as part of an exhibition ballroom team. He soon moved to Los Angeles, opened a dance studio and joined forces with [[Norma Gould]],????. There he would make one of the first dance motion pictures ''Dancing of the Ages''. ???
  
During a tour in New York he met Ruth St. Denis (1878-1968) and married her almost immediately on August 13, 1914. Their union would set his artistic life in motion as the pair formed the Denishawn studios and dancers.  
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During a tour in New York he met Ruth St. Denis (1878-1968) and married her almost immediately on August 13, 1914. Their union would set his artistic life in motion as the pair formed the Denishawn studios and dancers. He would also serve in a stint in the United States Army, first as an enlisted man, then an Officer during World War I, before devoting himself completely to dance.
 
 
Just before throwing himself into the dance world, Shawn served a stint in the United States Army, first as an enlisted man, then an Officer during World War I.
 
  
 
During the next 15 years, the activities of the couple's Denishawn Company and School changed the course of dance history. It was the first American institution to combine performance and touring with dance curriculum. It was also the only respectable school to which parents could safely send daughters. Most of today's modern dancers trace their ancestry to Denishawn. It was Shawn who first recognized [[Martha Graham]]'s potential. He was also instrumental in shaping the early careers of [[Charles Weidman]], [[Doris Humphrey]] and [[Jack Cole]]. While St. Denis provided most of the creative sparks, Shawn had the business sense to make Denishawn a coast-to-coast success.
 
During the next 15 years, the activities of the couple's Denishawn Company and School changed the course of dance history. It was the first American institution to combine performance and touring with dance curriculum. It was also the only respectable school to which parents could safely send daughters. Most of today's modern dancers trace their ancestry to Denishawn. It was Shawn who first recognized [[Martha Graham]]'s potential. He was also instrumental in shaping the early careers of [[Charles Weidman]], [[Doris Humphrey]] and [[Jack Cole]]. While St. Denis provided most of the creative sparks, Shawn had the business sense to make Denishawn a coast-to-coast success.
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During the darkest days of the Great Depression (1929-1939), Ted Shawn bought an abandoned farmhouse  in western Massachusetts known as [[Jacob's Pillow]] (named after a large pillow-shaped rock behind the house). By the time Shawn acquired the Pillow in 1930, his stormy marriage to the famous dancer Ruth St. Denis had ended, which also brought on the dissolution of their cash cow, Denishawn.  
 
During the darkest days of the Great Depression (1929-1939), Ted Shawn bought an abandoned farmhouse  in western Massachusetts known as [[Jacob's Pillow]] (named after a large pillow-shaped rock behind the house). By the time Shawn acquired the Pillow in 1930, his stormy marriage to the famous dancer Ruth St. Denis had ended, which also brought on the dissolution of their cash cow, Denishawn.  
  
This property would become Shawn's summer dance retreat. He would also begin to lay the groundwork both for his revolutionary company of men dancers and America's oldest dance festival. The Jacob's Pillow Dance Festival began as a series of tea concerts given by Shawn's company for the local ladies of the community. The men, dressed in white bathrobes, served sandwiches to the patrons, then stripped to flesh-colored trunks and danced. The concerts were an unqualified hit, and the current festival at the Ted Shawn Theatre, an eclectic mix of dance, continues to be a summertime attraction in the Berkshires.
+
This property became Shawn's summer dance retreat. He slowly began to lay the groundwork both for his revolutionary company of men dancers and America's oldest dance festival. The Jacob's Pillow Dance Festival began as a series of tea concerts given by Shawn's company for the local ladies of the community. The men, dressed in white bathrobes, served sandwiches to the patrons, then stripped to flesh-colored trunks and danced. The concerts were an unqualified hit, and the current festival at the Ted Shawn Theatre, an eclectic mix of dance, continues to be a summertime attraction in the Berkshires.
  
 
In March 1933, "Ted Shawn and His Men Dancers" gave their first, historic, all-male performance in Boston. By May 1940 when Shawn disbanded the group, the Company had danced for over a million people in all of the United States, in Canada, Cuba and England. Having challenged the dance world to accept male dancing as a legitimate addition to the artform, the troupe irrevocably changed the course of American dance.
 
In March 1933, "Ted Shawn and His Men Dancers" gave their first, historic, all-male performance in Boston. By May 1940 when Shawn disbanded the group, the Company had danced for over a million people in all of the United States, in Canada, Cuba and England. Having challenged the dance world to accept male dancing as a legitimate addition to the artform, the troupe irrevocably changed the course of American dance.
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==Later Years and Legacy==
 
==Later Years and Legacy==
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Shawn's greatest legacy was to show America that men could choose modern dance as a legitimate, masculine profession. Shawn purposely hired and trained men, many of whom had been star college athletes, to dance his choreography with his company. The dancers from his company, which endured from 1933 to 1940, were chosen for their athleticism and their looks - as can be seen from snapshots from the period.
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 +
"[The] photographs work incredibly well as homoerotic images in the year 2002," wrote David Gere, a professor of dance history and queer studies at the University of California, Los Angeles, in the foreword to the 2000 edition of the book by Barton Mumaw, who was both Shawn's leading dancer and clandestine lover for many years. Because it would have been impossible during the Depression to obtain professional credibility as gay men, Shawn and Mumaw kept their relationship closeted.
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 +
Consequently, Shawn overcompensated for this by rejecting any softness in his choreography. He was adamant about portraying a kind of hypermasculine image, rejecting the notion of effeminacy of the dancer characteristic in ballet. The prejudice in America against men dancing professionally was a powerful roadblock in the evolution of the art, but Shawn, driven by necessity, challenged the status quo and became a closeted pioneer for the rights of men. When his all-male company disbanded, Shawn claimed a major victory in the battle against prejudice. After the war, the Pillow become a welcoming retreat where dancers could go for the summer to study, work, and perform.
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Shawn made some powerful enemies in his later years, including former pupils Agnes de Mille and Martha Graham. Both said and wrote a great deal to damage the pioneer's reputation. A stalwart man of  seeming arrogance at times, films of the day depict a chunky, older man who by that time had become a better administrator than performer. Still, he was a courageous and relentless advocate for dance.
  
 
Shawn was honored with the Capezio Award (1957), the Dance Magazine Award (1970) and he was knighted by the King of Denmark for his efforts on behalf of the Royal Danish Ballet. Posthumously, Shawn was named as one of America's Irreplaceable Dance Treasures by the Dance Heritage Coalition in 2000.
 
Shawn was honored with the Capezio Award (1957), the Dance Magazine Award (1970) and he was knighted by the King of Denmark for his efforts on behalf of the Royal Danish Ballet. Posthumously, Shawn was named as one of America's Irreplaceable Dance Treasures by the Dance Heritage Coalition in 2000.

Revision as of 17:45, 10 December 2007


Ted Shawn (1891-1972) was a key figure, and the only male figure, in the founding period of modern dance. With his wife, Ruth St. Denis, he was half of the production company "Denishawn." They danced on their 50th anniversary at the Casino in Saratoga Springs, New York. Saratoga Springs is now the home of the National Museum of Dance, the world's only museum dedicated to professional dance. Shawn appeared in the classic films Intolerance in 1916 and Don't Change Your Husband in 1919.

Shawn's dance retreat in Becket, Massachusetts, became the renowned Jacob's Pillow Dance Festival.

The following quote is attributed to Ted Shawn: "I believe that dance communicates man’s deepest, highest and most truly spiritual thoughts and emotions far better than words, spoken or written."

Biography

Edwin Myers Shawn was born on October 21, 1891 in Kansas City, Missouri, but grew up in Denver. While studying to become a minister, Shawn suffered a bout of diphtheria which left him paralyzed. He was 19. His physician advised him to take up dance as a form of physical therapy. Dancing cured Shawn's paralysis while spurring him on to leave divinity school and pursue the artform as a life-long profession.

While Shawn did not have the ideal body type of a male dancer (he was over six feet tall and weighed 175lbs), he achieved some success starting out. Shawn's first dance experience was with a Metropolitan Opera ballerina and he garnered a few fans as part of an exhibition ballroom team. He soon moved to Los Angeles, opened a dance studio and joined forces with Norma Gould,????. There he would make one of the first dance motion pictures Dancing of the Ages. ???

During a tour in New York he met Ruth St. Denis (1878-1968) and married her almost immediately on August 13, 1914. Their union would set his artistic life in motion as the pair formed the Denishawn studios and dancers. He would also serve in a stint in the United States Army, first as an enlisted man, then an Officer during World War I, before devoting himself completely to dance.

During the next 15 years, the activities of the couple's Denishawn Company and School changed the course of dance history. It was the first American institution to combine performance and touring with dance curriculum. It was also the only respectable school to which parents could safely send daughters. Most of today's modern dancers trace their ancestry to Denishawn. It was Shawn who first recognized Martha Graham's potential. He was also instrumental in shaping the early careers of Charles Weidman, Doris Humphrey and Jack Cole. While St. Denis provided most of the creative sparks, Shawn had the business sense to make Denishawn a coast-to-coast success.

During the darkest days of the Great Depression (1929-1939), Ted Shawn bought an abandoned farmhouse in western Massachusetts known as Jacob's Pillow (named after a large pillow-shaped rock behind the house). By the time Shawn acquired the Pillow in 1930, his stormy marriage to the famous dancer Ruth St. Denis had ended, which also brought on the dissolution of their cash cow, Denishawn.

This property became Shawn's summer dance retreat. He slowly began to lay the groundwork both for his revolutionary company of men dancers and America's oldest dance festival. The Jacob's Pillow Dance Festival began as a series of tea concerts given by Shawn's company for the local ladies of the community. The men, dressed in white bathrobes, served sandwiches to the patrons, then stripped to flesh-colored trunks and danced. The concerts were an unqualified hit, and the current festival at the Ted Shawn Theatre, an eclectic mix of dance, continues to be a summertime attraction in the Berkshires.

In March 1933, "Ted Shawn and His Men Dancers" gave their first, historic, all-male performance in Boston. By May 1940 when Shawn disbanded the group, the Company had danced for over a million people in all of the United States, in Canada, Cuba and England. Having challenged the dance world to accept male dancing as a legitimate addition to the artform, the troupe irrevocably changed the course of American dance.

For the final three decades of his life, Shawn became a major impresario, bringing dance to mainstream America through the theater and school at Jacob's Pillow. To promote his principle of the importance and universality of dance, Shawn introduced countless foreign companies to American audiences, provided opportunities for promising young artists, and trained a myriad of students in a full range of dance styles. Shawn orchestrated premieres by both the established and emerging talents of his day including Agnes de Mille, Anton Dolin, Pearl Lang, Merce Cunningham, Anna Sokolow, Alvin Ailey and Robert Joffrey.

Later Years and Legacy

Shawn's greatest legacy was to show America that men could choose modern dance as a legitimate, masculine profession. Shawn purposely hired and trained men, many of whom had been star college athletes, to dance his choreography with his company. The dancers from his company, which endured from 1933 to 1940, were chosen for their athleticism and their looks - as can be seen from snapshots from the period.

"[The] photographs work incredibly well as homoerotic images in the year 2002," wrote David Gere, a professor of dance history and queer studies at the University of California, Los Angeles, in the foreword to the 2000 edition of the book by Barton Mumaw, who was both Shawn's leading dancer and clandestine lover for many years. Because it would have been impossible during the Depression to obtain professional credibility as gay men, Shawn and Mumaw kept their relationship closeted.

Consequently, Shawn overcompensated for this by rejecting any softness in his choreography. He was adamant about portraying a kind of hypermasculine image, rejecting the notion of effeminacy of the dancer characteristic in ballet. The prejudice in America against men dancing professionally was a powerful roadblock in the evolution of the art, but Shawn, driven by necessity, challenged the status quo and became a closeted pioneer for the rights of men. When his all-male company disbanded, Shawn claimed a major victory in the battle against prejudice. After the war, the Pillow become a welcoming retreat where dancers could go for the summer to study, work, and perform.

Shawn made some powerful enemies in his later years, including former pupils Agnes de Mille and Martha Graham. Both said and wrote a great deal to damage the pioneer's reputation. A stalwart man of seeming arrogance at times, films of the day depict a chunky, older man who by that time had become a better administrator than performer. Still, he was a courageous and relentless advocate for dance.

Shawn was honored with the Capezio Award (1957), the Dance Magazine Award (1970) and he was knighted by the King of Denmark for his efforts on behalf of the Royal Danish Ballet. Posthumously, Shawn was named as one of America's Irreplaceable Dance Treasures by the Dance Heritage Coalition in 2000.

In spite of declining health, Shawn remained at the helm of Jacob's Pillow until his death in 1972 at the age of 81. For most of his career he encouraged his students to call him "Papa" and his legacy as the artistic father for generations of dancers and teachers suggests that "Papa" was a very apt name indeed.

There are a number of "firsts" achieved by Ted Shawn during his lifetime:

  • The first American man to achieve a world reputation in dance.
  • He conceived, choreographed and appeared in one of the first dance films, the Thomas Edison Company's Dances of the Ages in 1912.
  • The first American dancer to be awarded an honorary degree by an American college.
  • The first male dancer to be listed in Who's Who in America.

External Links

References
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Credits

Initial content was copied from the following Wikipedia article:

  • Ted_Shawn (Dec 10, 2007) history

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