Stevie Wonder

From New World Encyclopedia
Stevie Wonder
Stevie Wonder at a conference in Bahia, Brazil
Stevie Wonder at a conference in Bahia, Brazil
Background information
Birth name Stevland Hardaway Judkins
Also known as Stevland Hardaway Morris
Little Stevie Wonder
Eivets Rednow
Born May 13 1950 (1950-05-13) (age 73)
Saginaw, Michigan, United States
Occupation(s) Singer-songwriter, multi-instrumentalist, producer
Instrument(s) Vocals, keyboards, piano, harmonica, drums, bass guitar
Years active 1961–present
Label(s) Motown
Website http://www.steviewonder.org.uk

Stevie Wonder (born Stevland Hardaway Judkins on May 13, 1950, name later changed to Stevland Hardaway Morris) is a American singer-songwriter, multi-instrumentalist, and record producer. A prominent figure in popular music during the latter half of the twentieth century, Wonder has recorded more than 30 top-10 hits and won 26 Grammy Awards (a record for a solo artist). He also won an Academy Award for Best Song and has been inducted into both the Rock and Roll and Songwriters.

Blind from infancy, Wonder signed with Motown Records as a pre-adolescent at age 12 and, after a period of estrangement in the 1970s, continues to perform and record for the label today. He had ten US number-one hits on the pop charts including "I Just Called to Say I Loved You," and "You Are the Sunshine of My Life", as well as 20 R&B number-one hits, such as "Superstition" and "Living for the City." His album sales exceed 150 million units.

Wonder also writes and produces songs for many of his label-mates and outside artists as well. As an instrumentalist he was best known in his early career for his harmonica work, but today he is better known for his keyboard skills and vocal ability.

Biography

Early life

Stevie Wonder was born on May 13, 1950 in Saginaw, Michigan, United States. He was a premature baby, and because the blood vessels at the back of his eyes had not yet reached the front, an aborted growth spurt caused his retinas to detach. He was thus blind from infancy.

His family moved to Detroit when he was four. He took up piano the same year and had mastered it by age nine. During his childhood, he was active in his church's choir. He also taught himself to play the harmonica and the drums, and had mastered both by age ten.

Early career, 1961–1971

In 1961, at the age of 11, Stevie was introduced to Ronnie White of the popular Motown act The Miracles. White brought the boy and his mother to Motown Records. Impressed by the young musician, Motown CEO Berry Gordy signed Morris to Motown's Tamla label with the name "Little Stevie Wonder." He then recorded the minor hit "I Call It Pretty Music, But The Old People Call It The Blues."

At 13, he had a major hit, "Fingertips (Pt. 2)," a 1963 single taken from a live recording of a Motor Town Revue performance, issued on the album, Recorded Live: The 12 Year Old Genius. The song, featuring Wonder on vocals, bongos, and harmonica, with a young Marvin Gaye on drums, was a number-one hit on the US pop and R&B charts and launched Wonder suddenly into the public consciousness.

Later dropping the "Little" from his moniker, Wonder went on to have a number of other hits during the mid-60s, including the smash hit "Uptight (Everything's Alright)," as well as "With a Child's Heart," and "Blowin' in the Wind," a Bob Dylan cover which was one of the first songs to reflect Wonder's social consciousness. He also began to work in the Motown songwriting department, composing songs both for himself and his label-mates, including "Tears of a Clown," a number-one hit by Smokey Robinson & the Miracles.

By 1970 Wonder had scored more major hits, including "I Was Made to Love Her" (1967), "For Once in My Life" (1968), "Shoo-Be-Do-Be-Do-Da-Day" (1968), "My Cherie Amour" (1969), "Yester-Me, Yester-You, Yesterday" (1969) and "Signed, Sealed, Delivered I'm Yours" (1970).

On September 14, 1970, at the age of 20, Wonder married Syreeta Wright, a songwriter and former company secretary for Motown. Wonder and Wright divorced 18 months later, but they continued to collaborate on musical projects.

Along with Marvin Gaye, Wonder was one of the few Motown stars to contest the label's factory-like operation methods: artists, songwriters, and producers were usually kept in specialized collectives, and artists had little creative control. When Gaye wrested creative control from Motown in order to release his innovative, socially conscious album What's Going On, Wonder was inspired to seek similar creative freedom from the label. Wonder argued with Motown owner Berry Gordy over creative control a number of times, and finally allowed his Motown contract to expire. He left the label on his twenty-first birthday in 1971. His final album before his departure was Where I'm Coming From, which Gordy had strongly opposed releasing. The album produced one top-10 hit, "If You Really Love Me."

Classic period, 1972–1976

Wonder independently recorded two albums, which he used as a bargaining tool while negotiating with Motown. Eventually the label agreed to his demands for full creative control and the rights to his own songs, and Wonder returned to Motown in March 1972 with Music of My Mind, an album which is considered a classic of the era. This album also marked the beginning of a long collaboration with synthesiser pioneers Tonto's Expanding Head Band (Robert Margouleff and Malcolm Cecil).

October 1972's Talking Book featured the number-one pop and R&B hit "Superstition," which is one of the most distinctive examples of the sound of Wonder's work the Hohner clavinet keyboard, sometimes mistaken for a harmonica. The song, originally intended for rock guitarist Jeff Beck, garnered Wonder an additional audience on rock radio stations. Wonder's audience was further broadened when he opened for The Rolling Stones on their much-heralded 1972 American Tour. In the meantime, his "You Are the Sunshine of My Life" went to number one on the pop charts and has been a staple love song in the decades since. His efforts for the year garnered him three Grammy Awards.

The album Innervisions featured the driving "Higher Ground" (number four on the pop charts) followed by the evocative "Living for the City" (number eight). Both songs reached number one on the R&B charts. The album generated three more Grammy Awards, including Album of the Year. Innervisions is ranked number 23 on Rolling Stone Magazine's 500 Greatest Albums of All Time.

The album Fulfillingness' First Finale appeared in July 1974 and had two hits high on the pop charts: the number-one "You Haven't Done Nothin'" (a political protest aimed at Richard Nixon) and the Top-Ten "Boogie On Reggae Woman." Three more Grammys resulted, including one for Album of the Year. He also wrote the music and produced every song on the Syreeta Wright album Stevie Wonder Presents Syreeta.

Wonder released what he intended as his "magnum opus," the double album-with-extra-EP Songs in the Key of Life, in September 1976. Sprawling in style and sometimes lyrically difficult to fathom, the album was hard for some listeners to assimilate, yet is regarded by many as Wonder's crowning achievement. It became the first album by an American artist to debut at number one on the Billboard charts, where it remained for 14 (non-consecutive) weeks. It generated two more number-one hits: "I Wish" and "Sir Duke." The celebratory "Isn't She Lovely", written about Wonder's newborn daughter Aisha, became a future fixtures at weddings and bat mitzvahs fixture, while songs such as "Love's in Need of Love Today" reflected a far more pensive mood. Songs in the Key of Life won Album of the Year and two addition Grammys. The album ranks 56 on The Rolling Stone Magazine's 500 Greatest Albums of All Time.

After this, Wonder stopped recording for three years, releasing only the 3 LP Looking Back, an anthology of his first Motown period.

Commercial period, 1979–1990

In Wonder's next phase that he began to reap the commercial rewards of his efforts. The 80s saw Wonder scoring his biggest hits and reaching an unprecedented level of fame, evidenced by increased album sales, charity participation, high-profile collaborations, and television appearances.

This period had a muted beginning, however, as Wonder return to recording with the soundtrack album Journey through the Secret Life of Plants (1979). Mostly instrumental, the album was panned at the time of its release, but has come to be highly regarded by some critics recently. Wonder also wrote and produced the dance hit "Let's Get Serious," for Jermaine Jackson and, ranked by Billboard as the number-one R&B single of 1980.

Hotter than July (1980) was a major success, with its single "Happy Birthday" acting as an effective vehicle for Wonder's campaign to establish Dr. Martin Luther King's birthday as a national holiday. The album also included his tribute to Bob Marley, "Master Blaster (Jammin')," as well as "All I Do," and the sentimental ballad, "Lately."

In 1982, Wonder released a retrospective of his 1970s' work with Stevie Wonder's Original Musiquarium, which featured four new songs, including the 10-minute funk classic "Do I Do," which included legendary jazz trumpeter Dizzy Gillespie, and "That Girl," one of the year's biggest R&B singles. Wonder also gained a number-one hit that year in collaboration with Paul McCartney in their paean to racial harmony, "Ebony and Ivory." In 1983, Wonder performed the song "Stay Gold," the theme to Francis Ford Coppola's film adaptation of S.E. Hinton's novel The Outsiders. Often mistakenly attributed solely to Stevie Wonder, the music is by Carmine Coppola, while Wonder wrote the lyric.

In 1984 Wonder released the soundtrack album for The Woman in Red. The lead single, "I Just Called to Say I Love You," was another number-one pop and R&B hit. It went on to win an Academy Award for Best Song in 1985. That year Wonder was in a featured duet with Bruce Springsteen on the all-star charity single for African famine relief, "We Are the World." He was also part of another charity single the following year, the AIDS-targeted "That's What Friends Are For." His album In Square Circle featured the number-one pop hit "Part-Time Lover." In 1987, Wonder appeared on Michael Jackson's Bad album on the duet "Just Good Friends."

Later career, 1991–present

After 1987's Characters LP, Wonder continued to release new material, but at a slower pace. In 1991, he recorded a soundtrack album for Spike Lee's film Jungle Fever in 1991. In 1996, Stevie Wonder's Songs in the Key of Life was selected as a documentary subject for the Classic Albums documentary series. He also collaborated with Babyface for an emotionally charged song about spousal abuse (domestic violence) called "How Come, How Long." That year, he also performed John Lennon's song "Imagine" in the closing ceremony of the Olympic Games, held in Atlanta.

In 1999, Wonder was featured on harmonica in the Sting hit "Brand New Day." In 2000, he contributed two new songs to the soundtrack for Spike Lee's satire based on minstrelsy, Bamboozled: "Misrepresented People" and "Some Years Ago." In 2001, he worked with Damian Marley and Stephen Marley, sons Bob Marley. In March 2002, he performed at the opening ceremonies of the 2002 Winter Paralympics in Salt Lake City. On July 2, 2005, he performed in the U.S. part of the "Live 8" series of concerts in Philadelphia.

Wonder's first new album in ten years, A Time to Love, was released on October 18, 2005. He performed at the pre-game show for Super Bowl XL in Detroit in early 2006, singing various hit singles (with his four-year-old son on drums) and accompanying Aretha Franklin during "The Star Spangled Banner."

In March 2006, Wonder received new national exposure on the top-rated American Idol television program. Each of 12 contestants were required to sing one of his songs, after having met and received guidance from him. That year, he sang a duet with Andrea Bocelli in his album Amore with harmonica and additional vocals on "Canzoni Stonate." Wonder also performed at Washington, D.C.'s 2006 "A Capitol Fourth" celebration, which was hosted by actor star Jason Alexander.

On August 2, 2007, Wonder announced the "A Wonder Summer's Night" 13-concert tour —his first U.S. tour in over ten years. New projects for Wonder include: a new album titled The Gospel Inspired By Lula which will deal with the various spiritual and cultural crises facing the world; and Through The Eyes Of Wonder, an album which Wonder has described as a performance piece that will reflect his experience as a blind man.

On September 8, 2008, Wonder started the European leg of his "Wonder Summer's Night Tour," the first time he toured Europe in over a decade.

Technique

Wonder's songs are renowned for being quite difficult to sing and helped raise the bar for the complexity of vocal lyrics. He has a very developed sense of harmony and uses many extended chords utilizing tensions such as ninths, 11ths, 13ths, etc. in his compositions. Many of his melodies make abrupt, unpredictable changes, while his vocal melodies are also melismatic, meaning that a syllable is sung over several notes. Many of his most frequently covered songs are played in keys which are more often found in jazz than in pop and rock. For example, "Superstition" and "Higher Ground" are in the key of E-flat minor, and feature distinctive riffs in the E-flat minor pentatonic scale (i.e. largely on the black notes of the keyboard).

Wonder played a large role in bringing synthesizers to the forefront of popular music. With the help of Robert Margouleff and Malcolm Cecil, he developed many new textures and sounds never heard before. It was Wonder's urging that led Raymond Kurzweil to create the first electronic synthesizers that realistically reproduced the sounds of orchestral instruments; Wonder had become acquainted with the inventor as an early user and evangelist of his reading machine, the technology for which would prove instrumental in the success of the Kurzweil K250.

Legacy

The albums Wonder released during his classic period (1972-1976) were highly influential on the music world. The Rolling Stone Record Guide (1983) said that these albums "pioneered stylistic approaches that helped to determine the shape of pop music for the next decade." Rolling Stone's 2003 list of the 500 Greatest Albums of All Time included four of the five, with three in the top 90; while in 2005 Kanye West said of his own work, "I'm not trying to compete with what's out there now. I'm really trying to compete with Innervisions and Songs in the Key of Life. It sounds musically blasphemous to say something like that, but why not set that as your bar?"[1]

Also adding to Wonder's legacy were hits written or cowritten for or covered by other artists. These include the Top-Ten hits "Tell Me Something Good" (Rufus with Chaka Khan) and Aretha Franklin's "Until You Come Back to Me (That's What I'm Gonna Do)."

Wonder's success as a socially conscious musical performer influenced popular music. Among the musicians and performers who list Wonder as one of their major influences are Michael Jackson, Carrie Underwood, Gloria Estefan, Alicia Keys, Mariah Carey, Prince, Kanye West, (Red Hot Chili Peppers), Sting, and Beyoncé Knowles.

Wonder has appeared as guest musician/vocalist on numerous recordings by other artists, including Quincy Jones, Barbra Streisand, Andrea Bocelli, Elton John, James Taylor, Roberta Flack, Smokey Robinson, Paul McCartney, Tony Bennett, Frank Sinatra, The Supremes, The Beach Boys, Herbie Hancock, Luther Vandross, The Temptations, Gloria Estefan, John Denver, Julio Iglesias, Don Henley, and B.B. King.

Songbirds Minnie Riperton and Deniece Williams both began their careers in the 1970s as backup vocalist for Wonder as part of "Wonderlove."

Wonder is an activist for civil rights and endorsed 2008 United States Democratic Party presidential candidate Barack Obama. Apparently, the respect is more than mutual, as Obama responded to a Rolling Stone interview question that asked him who his musical heroes are by saying: "If I had one, it would have to be Stevie Wonder. When I was just at that point where you start getting involved in music, Stevie had that run with Music of My Mind, Talking Book, Fulfillingness' First Finale and Innervisions, and then Songs in the Key of Life. Those are as brilliant a set of five albums as we've ever seen."[2]

Awards and recognition

Wonder has received 26 Grammy Awards. In addition, he received the following: induction into the Songwriters Hall of Fame (1983); Academy Award for Best Song for "I Just Called to Say I Love You" from the movie The Woman in Red (1984); induction into the Rock and Roll Hall of Fame (1989); Polar Music Prize and Kennedy Center Honors (1999); George and Ira Gershwin Lifetime Achievement Award at UCLA's Spring Sing, and Sammy Cahn Lifetime Achievement Award from the Songwriter's Hall of Fame (2002); Billboard Century Award, and Rolling Stone Magazine ranked him number 15 on their list of the 100 Greatest Rock and Roll Artists of All Time (2004); and induction into the Michigan Walk of Fame, and Lifetime Achievement Award from the National Civil Rights Museum in Memphis (2006); and second Gershwin Prize For Popular Song (2009).

Likewise, several artists have acknowledged Wonder's contributions to music, including opera star Luciano Pavarotti, who once referred to him in a concert as a "great, great musical genius" and Diana Ross called Wonder "Motown's musical genius."

Discography

U.S. and U.K. Top Ten singles

Thirty-four of Stevie Wonder's singles, listed below, reached the Top Ten on Billboard's Hot 100 chart in the United States, or in the United Kingdom.

  • 1963: "Fingertips - Part 2" (U.S. #1)
  • 1965: "Uptight (Everything's Alright)" (U.S. #2)
  • 1966: "Blowin' in the Wind" (U.S. #9)
  • 1966: "A Place in the Sun" (U.S. #9)
  • 1967: "I Was Made to Love Her"(U.S. #2, UK #5)
  • 1968: "For Once in My Life" (U.S. #2, UK #3)
  • 1968: "Shoo-Be-Doo-Be-Doo-Da-Day" (U.S. #7)
  • 1969: "My Cherie Amour" (U.S. #4, UK #4)
  • 1969: "Yester-Me, Yester-You, Yesterday" (U.S. #7, UK #2)
  • 1970: "Never Had A Dream Come True" (UK #5)
  • 1970: "Signed, Sealed, Delivered I'm Yours" (U.S. #3)
  • 1970: "Heaven Help Us All" (U.S. #8)
  • 1971: "We Can Work It Out" (U.S. #13)
  • 1971: "If You Really Love Me" (U.S. #8)
  • 1972: "Superstition" (U.S. #1)
  • 1973: "You Are the Sunshine of My Life" (U.S. #1, UK #3)
  • 1973: "Higher Ground" (U.S. #4)
  • 1973: "Living for the City" (U.S. #8)
  • 1974: "He's Misstra Know It All" (UK #8)
  • 1974: "You Haven't Done Nothin'" (with The Jackson 5) (U.S. #1)
  • 1974: "Boogie On Reggae Woman" (U.S. #3)
  • 1977: "I Wish" (U.S. #1, UK #4)
  • 1977: "Sir Duke" (U.S. #1, UK #2)
  • 1979: "Send One Your Love" (U.S. #4)
  • 1980: "Master Blaster (Jammin)" (U.S. #3, UK #2)
  • 1980: "I Ain't Gonna Stand For It" (UK #7)
  • 1981: "Lately" (UK #3)
  • 1981: "Happy Birthday" (U.S. #7, UK #2)
  • 1982: "That Girl" (U.S. #3)
  • 1982: "Do I Do" (U.S. #7, UK #5)
  • 1982: "Ebony and Ivory" (with Paul McCartney) (U.S. #1, UK #1)
  • 1982: "Ribbon in the Sky" (U.S. #47 pop, #9 R&B)
  • 1984: "I Just Called to Say I Love You" (U.S. #1, UK #1)
  • 1985: "Part-Time Lover" (U.S. #1, UK #2)
  • 1985: "That's What Friends Are For" (with Dionne Warwick, Elton John and Gladys Knight (U.S. #1)
  • 1985: "Go Home" (U.S. #9)

Top Ten U.S. and UK Albums

Twelve of Stevie Wonder's albums, listed below, reached the Top Ten in either the United States or the United Kingdom.

  • 1963: Recorded Live: The 12 Year Old Genius (U.S. #1)
  • 1972: Talking Book (U.S. #3)
  • 1973: Innervisions (U.S. #4, UK #6)
  • 1974: Fulfillingness' First Finale (U.S. #1, UK #5)
  • 1976: Songs in the Key of Life (U.S. #1, UK #2)
  • 1979: Journey through the Secret Life of Plants Soundtrack (U.S. #4, UK #7)
  • 1980: Hotter than July (U.S. #2, UK #2)
  • 1982: Stevie Wonder's Original Musiquarium (U.S. #4, UK #8)
  • 1984: The Woman in Red (U.S. #4, UK #2)
  • 1985: In Square Circle (U.S. #5, UK #5)
  • 1995: Conversation Peace (U.S. #17, UK #8)
  • 2005: A Time to Love (U.S. #4)


Notes

  1. Jones, Steve (August 21, 2005). "West hopes to register with musical daring". "USA Today."
  2. [1].

References
ISBN links support NWE through referral fees

  • Haskins, James, and Benson, Kathleen. The Stevie Wonder Scrapbook. New York: Grosset & Dunlop, 1978. ISBN 978-0448144641
  • Perone, James E. The Sound of Stevie Wonder: His Words and Music. Westport, Conn.: Praeger, 2006. ISBN 978-0275987237
  • Swenson, John. Stevie Wonder. New York: Perennial Library, 1986. ISBN 978-0060970673
  • Werner, Craig Hanse. Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul. New York: Crown Publishers, 2004. ISBN 978-0609609934

External links


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