Wonder, Stevie

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{{Infobox musical artist
 
{{Infobox musical artist
 
| Name = Stevie Wonder
 
| Name = Stevie Wonder
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| Landscape =
 
| Landscape =
 
| Background = solo_singer
 
| Background = solo_singer
| Birth_name = Stevland Hardaway Judkins <!-- spelling of Steveland is not correct, multiple other sources spell it without the second "e"—>
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| Birth_name = Stevland Hardaway Judkins  
 
| Alias =Stevland Hardaway Morris<br/>Little Stevie Wonder<br/>Eivets Rednow
 
| Alias =Stevland Hardaway Morris<br/>Little Stevie Wonder<br/>Eivets Rednow
 
| Born = {{birth date and age|mf=yes|1950|5|13}}<br/>[[Saginaw, Michigan]], [[United States]]
 
| Born = {{birth date and age|mf=yes|1950|5|13}}<br/>[[Saginaw, Michigan]], [[United States]]
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| URL = http://www.steviewonder.org.uk
 
| URL = http://www.steviewonder.org.uk
 
}}
 
}}
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'''Stevie Wonder''' (born '''Stevland Hardaway Judkins''' on May 13, 1950, name later changed to '''Stevland Hardaway Morris''') is a [[United States|American]] [[singer-songwriter]], [[multi-instrumentalist]], and [[record producer]]. A prominent figure in [[popular music]] during the latter half of the twentieth century, Wonder has recorded more than 30 top-ten hits and won 26 [[Grammy Award]]s, a record for a solo artist. He also won an [[Academy Award]] for Best Song and has been inducted into both the [[Rock and Roll Hall of Fame|Rock and Roll]] and [[Songwriters Hall of Fame|Songwriters]] hall of fame.
  
'''Stevie Wonder''' (born '''Stevland Hardaway Judkins''' on May 13, 1950, name later changed to '''Stevland Hardaway Morris''') is a [[United States|American]] [[singer-songwriter]], [[multi-instrumentalist]], and [[record producer]]. A prominent figure in [[popular music]] during the latter half of the twentieth century, Wonder has recorded more than 30 top-10 hits and won 26 [[Grammy Award]]s (a record for a solo artist). He also won an [[Academy Award for Best Song]] and has been inducted into both the [[Rock and Roll Hall of Fame|Rock and Roll]] and [[Songwriters Hall of Fame|Songwriters]].
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[[Blindness|Blind]] from infancy, Wonder signed with [[Motown Records]] as a pre-[[adolescent]] and, after a period of estrangement in the 1970s, continues to perform and record for the label today. He had ten US number-one hits on the pop charts including "Fingertips (Pt. 2)," "I Just Called to Say I Loved You," and "You Are the Sunshine of My Life," as well as 20 [[R&B]] number-one hits, such as "Superstition" and "Living for the City." His albums have been hailed by critics as pioneering classics, with sales exceeding 150 million units. He is also noted for his musical sophistication, experimentation in the studio, and for helping significantly in the development of the [[synthesizer]] as an integral part of popular music.
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Wonder also writes and produces songs for many of his label-mates and outside artists as well. As an instrumentalist he was best known in his early career for his [[harmonica]] work, but today he is better known for his [[musical keyboard|keyboard]] skills and vocal ability.
  
[[Blindness|Blind]] from infancy, Wonder signed with [[Motown Records]] as a pre-[[adolescent]] at age 12 and continues to perform and record for the label to this day. He had ten US number-one hits on the pop charts including "I Just Called to Say I Loved You," and "You Are the Sunshine of My Life", as well as 20 [[R&B]] number-one hits, such as "Superstition" and "Living for the City." His album sales  exceed 150 million units.
 
 
Wonder also writes and produces songs for many of his label-mates and outside artists as well. As an instrumentalist he was best known in his early career for his harmonica work, but today he is better known for his [[musical keyboard|keyboard]] skills and vocal ability.
 
 
==Biography==
 
==Biography==
 
===Early life===
 
===Early life===
 
Stevie Wonder was born on May 13, 1950 in [[Saginaw, Michigan|Saginaw]], [[Michigan]], [[United States]]. He was a premature baby, and because the [[blood vessels]] at the back of his eyes had not yet reached the front, an aborted growth spurt caused his [[retina]]s to detach. He was thus blind from infancy.
 
Stevie Wonder was born on May 13, 1950 in [[Saginaw, Michigan|Saginaw]], [[Michigan]], [[United States]]. He was a premature baby, and because the [[blood vessels]] at the back of his eyes had not yet reached the front, an aborted growth spurt caused his [[retina]]s to detach. He was thus blind from infancy.
  
His family moved to Detroit when he was four. He took up [[piano]] the same year and had mastered it by age nine. During his childhood, he was active in his church's [[choir]]. He also taught himself to play the [[harmonica]] and the [[drums]], and had mastered both by age ten.
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His family moved to Detroit when he was four. Stevie took up [[piano]] the same year and had mastered it by age nine. During his childhood, he was active in his church's [[choir]]. He also taught himself to play the [[harmonica]] and the [[drums]], and had mastered both by age ten.
  
 
===Early career, 1961–1971===
 
===Early career, 1961–1971===
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[[Image:Hitsville USA.jpg|250px|thumb|Hitsville USA, home of the [[Motown]] recording studios where Wonder worked in the 1960s.]]
 
In 1961, at the age of 11, Stevie was introduced to [[Ronnie White]] of the popular Motown act [[The Miracles]]. White brought the boy and his mother to [[Motown Records]]. Impressed by the young musician, Motown CEO [[Berry Gordy]] signed Morris to Motown's [[Tamla]] label with the name "Little Stevie Wonder." He then recorded the minor hit "I Call It Pretty Music, But The Old People Call It The Blues."
 
In 1961, at the age of 11, Stevie was introduced to [[Ronnie White]] of the popular Motown act [[The Miracles]]. White brought the boy and his mother to [[Motown Records]]. Impressed by the young musician, Motown CEO [[Berry Gordy]] signed Morris to Motown's [[Tamla]] label with the name "Little Stevie Wonder." He then recorded the minor hit "I Call It Pretty Music, But The Old People Call It The Blues."
  
At 13, he had a major hit, "[[Fingertips (song)|Fingertips (Pt. 2)]]," a 1963 single taken from a live recording of a [[Motor Town Revue]] performance, issued on the album, ''[[Recorded Live: The 12 Year Old Genius]]''. The song, featuring Wonder on vocals, bongos, and harmonica, with a young [[Marvin Gaye]] on drums, was a number-one hit on the US pop and R&B charts and launched Wonder suddenly into the public consciousness.
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At 13, he had a major hit, "[[Fingertips (song)|Fingertips (Pt. 2)]]," a 1963 single taken from a live recording of a [[Motor Town Revue]] performance, issued on the album, ''[[Recorded Live: The 12 Year Old Genius]]''. The song, featuring Wonder on vocals, bongos, and [[harmonica]], with a young [[Marvin Gaye]] on [[drum]]s, was a number-one hit on the US pop and R&B charts and launched Wonder suddenly into the public awareness.
  
Later dropping the "Little" from his moniker, Wonder went on to have a number of other hits during the mid-60s, including the smash hit "[[Uptight (Everything's Alright)]]," as well as "With a Child's Heart," and "[[Blowin' in the Wind]]," a [[Bob Dylan]] cover which was one of the first songs to reflect Wonder's social consciousness. He also began to work in the Motown songwriting department, composing songs both for himself and his label-mates, including "[[Tears of a Clown]]," a number-one hit by [[Smokey Robinson & the Miracles]].
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Later dropping the "Little" from his moniker, Wonder went on to have a number of other successes during the mid-1960s, including the smash hit "[[Uptight (Everything's Alright)]]," as well as "With a Child's Heart," and "[[Blowin' in the Wind]]," a [[Bob Dylan]] cover which was one of the first songs to reflect Wonder's social consciousness. He also began to work in the Motown songwriting department, composing songs both for himself and his label-mates, including "[[Tears of a Clown]]," a number-one hit by [[Smokey Robinson & the Miracles]].
  
 
By 1970 Wonder had scored more major hits, including "[[I Was Made to Love Her (song)|I Was Made to Love Her]]" (1967), "[[For Once in My Life]]" (1968), "[[Shoo-Be-Do-Be-Do-Da-Day]]" (1968), "[[My Cherie Amour]]" (1969), "[[Yester-Me, Yester-You, Yesterday]]" (1969) and "[[Signed, Sealed, Delivered I'm Yours]]" (1970).
 
By 1970 Wonder had scored more major hits, including "[[I Was Made to Love Her (song)|I Was Made to Love Her]]" (1967), "[[For Once in My Life]]" (1968), "[[Shoo-Be-Do-Be-Do-Da-Day]]" (1968), "[[My Cherie Amour]]" (1969), "[[Yester-Me, Yester-You, Yesterday]]" (1969) and "[[Signed, Sealed, Delivered I'm Yours]]" (1970).
  
On September 14, 1970, at the age of 20, Wonder married [[Syreeta Wright]], a songwriter and former company secretary for Motown.
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On September 14, 1970, at the age of 20, Wonder married [[Syreeta Wright]], a songwriter and former company secretary for Motown. Wonder and Wright divorced 18 months later, but they continued to collaborate on musical projects.
Wonder and Wright divorced 18 months later, but they continued to collaborate on musical projects.
 
  
 
Along with Marvin Gaye, Wonder was one of the few Motown stars to contest the label's factory-like operation methods: artists, songwriters, and producers were usually kept in specialized collectives, and artists had little creative control. When Gaye wrested creative control from Motown in order to release his innovative, socially conscious album ''[[What's Going On]]'', Wonder was inspired to seek similar creative freedom from the label. Wonder argued with Motown owner [[Berry Gordy]] over creative control a number of times, and finally allowed his Motown contract to expire. He left the label on his twenty-first birthday in 1971. His final album before his departure was ''[[Where I'm Coming From]]'', which Gordy had strongly opposed releasing. The album produced one top-10 hit, "[[If You Really Love Me]]."
 
Along with Marvin Gaye, Wonder was one of the few Motown stars to contest the label's factory-like operation methods: artists, songwriters, and producers were usually kept in specialized collectives, and artists had little creative control. When Gaye wrested creative control from Motown in order to release his innovative, socially conscious album ''[[What's Going On]]'', Wonder was inspired to seek similar creative freedom from the label. Wonder argued with Motown owner [[Berry Gordy]] over creative control a number of times, and finally allowed his Motown contract to expire. He left the label on his twenty-first birthday in 1971. His final album before his departure was ''[[Where I'm Coming From]]'', which Gordy had strongly opposed releasing. The album produced one top-10 hit, "[[If You Really Love Me]]."
  
 
===Classic period, 1972–1976===
 
===Classic period, 1972–1976===
Wonder independently recorded two albums, which he used as a bargaining tool while negotiating with Motown. Eventually the label agreed to his demands for full creative control and the rights to his own songs, and Wonder returned to Motown in March 1972 with ''[[Music of My Mind]]'', an album which is considered a classic of the era. Unlike most previous artist LPs on Motown, which usually consisted of a collection of singles, [[B-side]]s and covers, ''Music of My Mind'' was an actual LP, a full-length artistic statement, and began a string of five albums&nbsp;– released over a period of less than five years&nbsp;– that make up what is generally considered Stevie Wonder's classic period. This album also marked the beginning of a long collaboration with synthesiser pioneers [[Tonto's Expanding Head Band]] ([[Robert Margouleff]] and [[Malcolm Cecil]]).
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Wonder independently recorded two albums, which he used as a bargaining tool while negotiating with Motown. Eventually the label agreed to his demands for full creative control and the rights to his own songs, and Wonder returned to Motown in March 1972 with ''[[Music of My Mind]]'', an album which is considered a classic of the era. This album also marked the beginning of a long collaboration with synthesizer pioneers [[Tonto's Expanding Head Band]] ([[Robert Margouleff]] and [[Malcolm Cecil]]).
 
 
October 1972's album ''[[Talking Book]]'' featured the number-one pop and R&B hit "[[Superstition (song)|Superstition]]," which is one of the most distinctive examples of the sound of the Hohner [[clavinet]] keyboard. The song, originally intended for rock guitarist [[Jeff Beck]], features a rocking groove that garnered Wonder an additional audience on rock radio stations.
 
 
 
Wonder's audience was further broadened when he opened for [[The Rolling Stones]] on their much-heralded [[The Rolling Stones American Tour 1972|1972 American Tour]]. Wonder's pop following was not neglected, however, as "[[You Are the Sunshine of My Life]]" went to number one on the pop charts and has been a staple love song in the decades since. Between them the songs won three [[Grammy Awards]].
 
  
Political considerations were brought into greater focus than ever before on his third consecutive masterwork of the decade and his career, ''[[Innervisions]]'', featuring the driving, percolating "[[Higher Ground (song)|Higher Ground]]" (number four on the pop charts) followed by the memorable epic "[[Living for the City]]" (number eight), which found Wonder more evocatively describing a time and place in American life than he would anywhere else in his career. Both songs reached number one on the R&B charts. Popular ballads such as "[[Golden Lady(song)|Golden Lady]]" and "[[All in Love Is Fair]]" were also present, in a mixture of moods that nevertheless held together as a unified whole. The album generated three more Grammy Awards, including [[Album of the Year]]. ''Innervisions'' is ranked number 23 on ''[[Rolling Stone]]'' Magazine's 500 Greatest Albums of All Time.
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October 1972's ''[[Talking Book]]'' featured the number-one pop and R&B hit "[[Superstition (song)|Superstition]]," which is one of the most distinctive examples of the sound of Wonder's work the Hohner [[clavinet]] [[keyboard]], sometimes mistaken for a [[harmonica]]. The song, originally intended for rock guitarist [[Jeff Beck]], garnered Wonder an additional audience on rock radio stations. Wonder's audience was further broadened when he opened for [[The Rolling Stones]] on their much-heralded [[The Rolling Stones American Tour 1972|1972 American Tour]]. In the meantime, his "[[You Are the Sunshine of My Life]]" went to number one on the pop charts and has been a staple love song in the decades since. His efforts for the year garnered him three [[Grammy Award]]s.
  
The album ''[[Fulfillingness' First Finale]]'' appeared in July 1974 and set two hits high on the pop charts: the number-one "[[You Haven't Done Nothin']]" (a political protest song aimed at Richard Nixon) and the Top-Ten "[[Boogie On Reggae Woman]]." The Album of the Year was again one of three Grammies won. This year Wonder took part in the bootleg album which would later be known as ''[[A Toot and a Snore in '74]]'', the only known post-Beatles recording of [[John Lennon]] and [[Paul McCartney]] playing together. He also wrote the music and produced every song on the Syreeta Wright album ''[[Stevie Wonder Presents Syreeta]]'', which is generally regarded as her best effort as an artist.
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The album ''[[Innervisions]]'' featured the driving "[[Higher Ground (song)|Higher Ground]]" (number four on the pop charts) was followed by the evocative "[[Living for the City]]" (number eight). Both songs reached number one on the R&B charts. The album generated three more Grammy Awards, including [[Album of the Year]]. ''Innervisions'' is ranked number 23 on ''[[Rolling Stone]]'' Magazine's 500 Greatest Albums of All Time.
  
By 1975, in his twenty-fifth year, Stevie Wonder had won two consecutive Grammy Awards: in 1974 for ''Innervisions'' and in 1975 for ''Fulfillingness' First Finale''. The following year, singer-songwriter [[Paul Simon]] won the Grammy for Album of the Year for ''[[Still Crazy After All These Years]]''. In his Grammy acceptance speech, Simon jokingly thanked Stevie Wonder for not releasing an album that year. Simon's joke proved prophetic.
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The album ''[[Fulfillingness' First Finale]]'' appeared in July 1974 and had two hits high on the pop charts: the number-one "[[You Haven't Done Nothin']]" (a political protest aimed at [[Richard Nixon]]) and the Top-Ten "[[Boogie On Reggae Woman]]." Three more Grammys resulted, including one for Album of the Year. He also wrote the music and produced every song on the Syreeta Wright album ''[[Stevie Wonder Presents Syreeta]]''.
  
Wonder released what he intended as his "[[magnum opus]]," the [[double album]]-with-extra-[[Extended Play|EP]] ''[[Songs in the Key of Life]]'', in September 1976. Sprawling in style, unlimited in ambition, and sometimes lyrically difficult to fathom, the album was hard for some listeners to assimilate, yet is regarded by many as Wonder's crowning achievement and one of the most recognizable and accomplished albums in pop-music history. The album became the first of an American artist to debut straight at number one in the Billboard charts, where it remained for 14 non-consecutive weeks. Two tracks fairly jumped out of the radio with energy, becoming the number-one pop/r&b hits "[[I Wish (Stevie Wonder song)|I Wish]]" and "[[Sir Duke]]." The baby-celebratory "[[Isn't She Lovely]]",(written about his newborn daughter Aisha), was a future [[wedding]] and [[bat mitzvah]] fixture, while songs such as "[[Love's in Need of Love Today]]" reflected a far more pensive mood.''Songs in the Key of Life'' won Album of the Year and two other Grammies. The album ranks fifty-sixth on The Rolling Stone Magazine's 500 Greatest Albums of All Time.
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Wonder released what he intended as his "[[magnum opus]]," the [[double album]]-with-extra-[[Extended Play|EP]] ''[[Songs in the Key of Life]]'', in September 1976. Sprawling in style and sometimes lyrically difficult to fathom, the album was hard for some listeners to assimilate, yet is regarded by many as Wonder's crowning achievement. It became the first album by an American artist to debut at number one on the Billboard charts, where it remained for 14 (non-consecutive) weeks. It generated two more number-one hits: "[[I Wish (Stevie Wonder song)|I Wish]]" and "[[Sir Duke]]." The celebratory "[[Isn't She Lovely]]," written about Wonder's newborn daughter Aisha, became a future fixture at [[wedding]]s and [[bat mitzvah]]s fixture, while songs such as "[[Love's in Need of Love Today]]" reflected a far more pensive mood. ''Songs in the Key of Life'' won Album of the Year and two additional Grammys. The album ranks 56 on The Rolling Stone Magazine's 500 Greatest Albums of All Time.
  
Possibly exhausted by this concentrated and sustained level of creativity, Wonder stopped recording for three years, releasing only the [[Triple album|3 LP]] [[Looking Back (Stevie Wonder album)|''Looking Back'']], an anthology of his first Motown period.
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After this amazingly successful run, Wonder stopped recording for three years, releasing only the [[Triple album|3 LP]] [[Looking Back (Stevie Wonder album)|''Looking Back'']], an anthology of his first Motown period.
  
===Commercial period, 1979–1990===
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===1979–1990===
It was in Wonder's next phase that he began to commercially reap the rewards of his legendary classic period. The 1980s saw Wonder scoring his biggest hits and reaching an unprecedented level of fame evidenced by increased album sales, charity participation, high-profile collaborations, and television appearances.
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[[Image:StevieWonderGrammyAwards.jpg|thumb|Stevie Wonder at a rehearsal for the [[Grammy Award]]s in 1990.]]
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In Wonder's next phase he began to reap the commercial rewards of his efforts though soundtracks and collaborative efforts. The 1980s saw Wonder scoring some of his biggest hits and reaching an unprecedented level of fame, evidenced by increased album sales, charity participation, high-profile collaborations, and [[television]] appearances.
  
This period had a muted beginning, for when Wonder did return, it was with the [[soundtrack album]] ''[[Journey through the Secret Life of Plants]]'' (1979), featured in the film [[The Secret Life of Plants (film)|''The Secret Life of Plants'']]. Mostly instrumental, the album was panned at the time of its release, but has come to be regarded by some critics as an unusual classic. In this year, Wonder also wrote and produced the dance hit "Let's Get Serious," performed by [[Jermaine Jackson]] and (ranked by ''Billboard'' as the number-one R&B single of 1980).
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This period had a muted beginning, however, as Wonder returned to recording with the [[soundtrack album]] ''[[Journey through the Secret Life of Plants]]'' (1979). Mostly instrumental, the album was panned at the time of its release, but of late has come to be highly regarded by some critics. Wonder also wrote and produced the dance hit "Let's Get Serious," for [[Jermaine Jackson]] and, ranked by ''Billboard'' as the number-one R&B single of 1980.
  
''[[Hotter than July]]'' (1980) became Wonder's first platinum-selling single album, and its single "[[Happy Birthday (1980 song)|Happy Birthday]]" was a successful vehicle for his campaign to establish Dr. [[Martin Luther King]]'s birthday as a [[Martin Luther King, Jr. Day|national holiday]]. The album also included "[[Master Blaster (Jammin')]]," his tribute to [[Bob Marley]], "[[All I Do]]," and the sentimental ballad, "[[Lately (Stevie Wonder song)|Lately]]," which was later [[Lately (Jodeci song)|covered by Jodeci]] and [[S Club 7]].
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''[[Hotter than July]]'' (1980) was a major success, with its single "[[Happy Birthday (1980 song)|Happy Birthday]]" acting as an effective vehicle for Wonder's campaign to establish Dr. [[Martin Luther King]]'s birthday as a [[Martin Luther King, Jr. Day|national holiday]]. The album also included his tribute to [[Bob Marley]], "[[Master Blaster (Jammin')]]," as well as "[[All I Do]]," and the sentimental ballad, "[[Lately (Stevie Wonder song)|Lately]]."
  
In 1982, Wonder released a retrospective of his 1970s' work with ''[[Stevie Wonder's Original Musiquarium]]'', which included four new songs: the 10-minute [[funk]] classic "Do I Do" (which included legendary jazz trumpeter [[Dizzy Gillespie]]); "That Girl" (one of the year's biggest singles to chart on the [[R&B]] side); "Front Line," a narrative about a soldier in the Vietnam War that Stevie wrote and sang in the first person; and "[[Ribbon in the Sky]]," one of his many classic compositions. Wonder also gained a number-one hit that year in collaboration with [[Paul McCartney]] in their paean to racial harmony, "[[Ebony and Ivory]]."
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In 1982, Wonder released a retrospective of his 1970s' work with ''[[Stevie Wonder's Original Musiquarium]]'', which featured four new songs, including the ten-minute [[funk]] classic "Do I Do," which included legendary jazz trumpeter [[Dizzy Gillespie]], and "That Girl," one of the year's biggest [[R&B]] singles. Wonder also gained a number-one hit that year in collaboration with [[Paul McCartney]] in their paean to racial harmony, "[[Ebony and Ivory]]." In 1983, Wonder performed the song "[[Stay Gold]]," the theme to [[Francis Ford Coppola]]'s film adaptation of [[S.E. Hinton]]'s novel [[The Outsiders (film)|''The Outsiders'']]. Often mistakenly attributed solely to Stevie Wonder, the music is by [[Carmine Coppola]], while Wonder wrote the lyrics.
  
In 1983, Wonder performed the song "[[Stay Gold]]," the theme to [[Francis Ford Coppola]]'s film adaptation of [[S.E. Hinton]]'s novel [[The Outsiders (film)|''The Outsiders'']]. Often mistakenly attributed solely to Stevie Wonder, the music is by [[Carmine Coppola]], while Wonder wrote the lyric.
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In 1984 Wonder released the soundtrack album for ''[[The Woman in Red]]''. The lead single, "[[I Just Called to Say I Love You]]," was another number-one pop and R&B hit. It went on to win an [[Academy Awards|Academy Award]] for Best Song in 1985. That year Wonder was in a featured duet with [[Bruce Springsteen]] on the all-star charity single for African famine relief, "[[We Are the World]]." He was also part of another charity single the following year, the AIDS-targeted "[[That's What Friends Are For]]." His album ''[[In Square Circle]]'' featured the number-one pop hit "[[Part-Time Lover]]." In 1987, Wonder appeared on [[Michael Jackson]]'s ''Bad'' album on the duet "Just Good Friends."
 
 
1984 saw the release of Wonder's soundtrack album for ''[[The Woman in Red]]''. The lead single, "[[I Just Called to Say I Love You]]," was a number-one pop and R&B hit in both the United States and the United Kingdom, where it was placed thirteenth in the list of best-selling singles in the UK published in 2002. It went on to win an [[Academy Awards|Academy Award]] for "Best Song" in 1985. The following year's ''[[In Square Circle]]'' featured the number-one pop hit "[[Part-Time Lover]]."
 
 
 
By 1985, Stevie Wonder was an American icon, the subject of good-humored jokes about blindness and affectionately impersonated by [[Eddie Murphy]] on ''Saturday Night Live''. Wonder was in a featured duet with [[Bruce Springsteen]] on the all-star charity single for African famine relief, "[[We Are the World]]," and he was part of another charity single the following year, the AIDS-targeted "[[That's What Friends Are For]]."
 
 
 
In 1987, Wonder appeared on [[Michael Jackson]]'s ''Bad'' album on the duet "Just Good Friends."
 
 
 
Wonder has also recorded with Jon Gibson, a Christian Soul musician, in particular a remake of his own song, "Have a Talk With God," covered by Gibson on which Wonder plays harmonica. The two men met in the late 1980s.
 
  
 
===Later career, 1991–present===
 
===Later career, 1991–present===
After 1987's ''Characters'' LP, Wonder continued to release new material, but at a slower pace. He recorded a soundtrack album for [[Spike Lee]]'s film ''[[Jungle Fever]]'' in 1991.  
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After 1987's ''Characters'' LP, Wonder continued to release new material, but at a considerably slower pace. In 1991, he recorded a soundtrack album for [[Spike Lee]]'s film ''[[Jungle Fever]]'' in 1991. In 1996, his ''[[Songs in the Key of Life]]'' was selected as a documentary subject for the [[Classic Albums]] documentary series. He also collaborated with [[Babyface]] for an emotionally charged song about spousal abuse (domestic violence) called "[[How Come, How Long]]." That year, he also performed [[John Lennon]]'s song "[[Imagine (song)|Imagine]]" in the closing ceremony of the [[Olympic Games]], held in [[1996 Summer Olympic Games|Atlanta]].
 
 
In 1996, Stevie Wonder's ''[[Songs in the Key of Life]]'' was selected as a documentary subject for the [[Classic Albums]] documentary series. This series dedicates 60 minutes to one groundbreaking record per feature. Wonder also collaborated with [[Babyface]] for an emotionally charged song about spousal abuse (domestic violence) called "[[How Come, How Long]]." That year, he performed [[John Lennon]]'s song "[[Imagine (song)|Imagine]]" in the closing ceremony of the [[Olympic Games]], held in [[1996 Summer Olympic Games|Atlanta]].
 
 
 
Wonder also performed in a unique remix of "[[Seasons of Love]]" from the [[Jonathan Larson]] musical ''[[Rent (musical)|Rent]]''.
 
 
 
In 1999, Wonder was featured on harmonica in the [[Sting (musician)|Sting]] hit "[[Brand New Day]]."
 
 
 
In 2000, he contributed two new songs to the soundtrack for Spike Lee's satire based on minstrelsy, ''[[Bamboozled]]'': "Misrepresented People" and "Some Years Ago."
 
 
 
In 2001, Stevie worked with [[Damian Marley]] and [[Stephen Marley]], sons of late reggae superstar Bob Marley. The song was titled "Still Searchin" on Damian Marley's album titled ''[[Halfway Tree]]''.
 
 
 
In March 2002, Wonder performed at the opening ceremonies of the [[2002 Winter Paralympics]] in [[Salt Lake City]].
 
 
 
On July 2, 2005, he performed in the U.S. part of the "Live 8" series of concerts in Philadelphia.
 
 
 
Wonder's first new album in 10 years, ''[[A Time to Love]]'', was released on October 18, 2005.
 
 
 
Wonder performed at the pre-game show for [[Super Bowl XL]] in Detroit in early 2006, singing various hit singles (with his four-year-old son on drums) and accompanying [[Aretha Franklin]] during "[[The Star Spangled Banner]]."
 
  
In March 2006, Wonder received new national exposure on the top-rated ''[[American Idol]]'' television program. Each of 12 contestants were required to sing one of his songs, after having met and received guidance from him. That year, he sang a duet with [[Andrea Bocelli]] in his album ''[[Amore]]'' with harmonica and additional vocals on "Canzoni Stonate." Wonder also performed at [[Washington, D.C.]]'s 2006 "A Capitol Fourth" celebration, which was hosted by actor star [[Jason Alexander]].
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[[Image:Stevie Wonder 2.jpg|thumb|250px|left|Wonder in concert, 2006]]
  
On August 2, 2007, Stevie Wonder announced the "A Wonder Summer's Night" 13-concert tour&nbsp;—his first U.S. tour in over 10 years.
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In 1999, Wonder was featured on [[harmonica]] in the [[Sting (musician)|Sting]] hit "[[Brand New Day]]." In 2000, he contributed two new songs to the soundtrack for Spike Lee's satire ''[[Bamboozled]]'': "Misrepresented People" and "Some Years Ago." In 2001, he worked with [[Damian Marley]] and [[Stephen Marley]], sons of Bob Marley. In March 2002, he performed at the opening ceremonies of the [[2002 Winter Paralympics]] in [[Salt Lake City]]. On July 2, 2005, he performed in the U.S. part of the "Live 8" series of concerts in Philadelphia.
  
Stevie's current musical director is [[University of Alabama at Birmingham|UAB]] professor Dr. [[Henry Panion]]. Panion is a renowned arranger, composer, and conductor, and a pioneer in the development of college music-technology programs.
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Wonder's first new album in ten years, ''[[A Time to Love]]'', was released on October 18, 2005. He performed at the pre-game show for [[Super Bowl XL]] in Detroit in early 2006, singing various hit singles (with his four-year-old son on drums) and accompanying [[Aretha Franklin]] during "[[The Star Spangled Banner]]."
  
New projects for Wonder include: a new album titled ''The Gospel Inspired By Lula'' which will deal with the various spiritual and cultural crises facing the world; and ''Through The Eyes Of Wonder'', an album which Wonder has described as a performance piece that will reflect his experience as a blind man.
+
In March 2006, Wonder received new national exposure on the top-rated ''[[American Idol]]'' television program. Each of 12 contestants were required to sing one of his songs, after having met and received guidance from him. That year, he sang a duet with [[Andrea Bocelli]] in his album ''[[Amore]]'' with harmonica and additional vocals on "Canzoni Stonate." Wonder also performed at [[Washington, D.C.]]'s 2006 "A Capitol Fourth" celebration, which was hosted by actor [[Jason Alexander]].
  
On September 8, 2008, Stevie Wonder started the European leg of his "Wonder Summer's Night Tour," the first time he toured [[Europe]] in over a decade. His opening show was at the [[National Indoor Arena]] in [[Birmingham, England]]. His other stops on the tour were in Holland, Sweden, Germany, Norway, France, Italy, and Denmark. In October 2008, Wonder toured Australia and New Zealand.
+
On August 2, 2007, Wonder announced the "A Wonder Summer's Night" 13-concert tour&nbsp;—his first U.S. tour in over ten years. New projects for Wonder include: a new album entitled ''The Gospel Inspired By Lula'' which will deal with the various spiritual and cultural crises facing the world; and ''Through The Eyes Of Wonder'', an album which Wonder has described as a performance piece that will reflect his experience as a blind man.
  
On August 28, 2008, Wonder performed at [[Invesco Field at Mile High]] at the [[Democratic National Convention]] in [[Denver]], Colorado. Songs included a previously unreleased song, "Fear Can't Put Dreams to Sleep," and "[[Signed, Sealed, Delivered I'm Yours]]," a song that has been used regularly during the [[Barack Obama]] campaign.
+
On September 8, 2008, Wonder started the European leg of his "Wonder Summer's Night Tour," the first time he toured [[Europe]] in over a decade.
  
 
==Technique==
 
==Technique==
Wonder's songs are renowned for being quite difficult to sing and helped raise the bar for the complexity of vocal [[lyrics]]. He has a very developed sense of [[harmony]] and uses many extended chords utilizing tensions such as ninths, 11ths, 13ths, etc. in his compositions. Many of his melodies make abrupt, unpredictable changes, while his vocal melodies are also [[melismatic]], meaning that a [[syllable]] is sung over several notes. Many of his most frequently covered songs are played in keys which are more often found in [[jazz]] than in pop and rock. For example, "[[Superstition (song)|Superstition]]" and "[[Higher Ground (song)|Higher Ground]]" are in the key of E-flat minor, and feature distinctive riffs in the E-flat minor [[pentatonic scale]] (i.e. largely on the black notes of the keyboard).
+
Wonder's songs are renowned for being difficult to sing and helped raise the bar for the complexity of the vocalization of [[lyrics]]. He is also noted for his highly developed sense of [[harmony]] and using many extended chords, such as ninths, 11ths, and 13ths in his compositions. His melodies often make abrupt, unpredictable changes and include [[melismatic]] vocalizations, meaning that a [[syllable]] is sung over several notes.
  
Wonder played a large role in bringing [[synthesizers]] to the forefront of popular music. With the help of [[Robert Margouleff]] and [[Malcolm Cecil]], he developed many new textures and sounds never heard before. It was Wonder's urging that led [[Raymond Kurzweil]] to create the first electronic synthesizers that realistically reproduced the sounds of orchestral instruments; Wonder had become acquainted with the inventor as an early user and evangelist of his [[reading machine]], the technology for which would prove instrumental in the success of the [[Kurzweil K250]].
+
Many of Wonder's songs are written in keys more often found in [[jazz]] than in pop and rock. For example, "[[Superstition (song)|Superstition]]" and "[[Higher Ground (song)|Higher Ground]]" are in the key of E-flat minor and feature distinctive riffs in the [[pentatonic scale]], i.e. largely on the black notes of the keyboard.
  
 
==Legacy==  
 
==Legacy==  
The albums Wonder released during his classic period (1972-1976) were influential on the music world; ''[[Rolling Stone Record Guide]]'' (1983) said that these albums "pioneered stylistic approaches that helped to determine the shape of pop music for the next decade"; ''Rolling Stone's'' 2003 list of [[the 500 Greatest Albums of All Time]] included four of the five, with three in the top 90; while in 2005 [[Kanye West]] said of his own work, "I'm not trying to compete with what's out there now. I'm really trying to compete with ''Innervisions'' and ''Songs in the Key of Life''. It sounds musically blasphemous to say something like that, but why not set that as your bar?"<ref>Jones, Steve (August 21, 2005). [http://www.usatoday.com/life/music/news/2005-08-21-kanye-main_x.htm "West hopes to register with musical daring"]. "USA Today." </ref>
+
The albums Wonder released during his classic period (1972-1976) were highly influential on the music world. ''Rolling Stone's'' 2003 list of [[the 500 Greatest Albums of All Time]] included four of these albums in its list with three in the top 90. His ability to combine complexity with soul push popular music to new levels of sophistication. At the same time, his experimentation in the studio helped increase the recording industry's standards of production.
  
Also adding to Wonder's legacy were hits written or cowritten for or covered by other artists. These include the Top-Ten hits "[[Tell Me Something Good]]" (Rufus with Chaka Khan) and [[Aretha Franklin]]'s "[[Until You Come Back to Me (That's What I'm Gonna Do)]]."
+
Wonder played a large role in bringing [[synthesizers]] to the forefront of popular music. With the help of [[Robert Margouleff]] and [[Malcolm Cecil]], he developed many new textures and sounds never heard before. It was also Wonder's urging that led [[Raymond Kurzweil]] to create the first electronic synthesizers that realistically reproduced the sounds of orchestral instruments.  
  
Wonder's success as a socially conscious musical performer influenced popular music. Among the musicians and performers who list Wonder as one of their major influences are [[Michael Jackson]], [[Carrie Underwood]], [[Gloria Estefan]], [[Alicia Keys]], [[Mariah Carey]], [[Prince (musician)|Prince]], [[Kanye West]], ([[Red Hot Chili Peppers]]), [[Sting (musician)|Sting]], and [[Beyoncé Knowles]].
+
Wonder's success as a socially conscious performer also influenced popular music. He has been a frequent activist for [[civil rights]] and endorsed [[Barack Obama]] for president of the United States in 2008. For his part, the future president responded to a ''Rolling Stone'' interview question about his musical heroes: "If I had one, it would have to be Stevie Wonder.
  
Wonder has appeared as guest musician/vocalist on numerous recordings by other artists, including [[Quincy Jones]], [[Barbra Streisand]], [[Andrea Bocelli]], [[Elton John]], [[James Taylor]], [[Roberta Flack]], [[Smokey Robinson]], [[Paul McCartney]], [[Tony Bennett]], [[Frank Sinatra]], [[The Supremes]], [[The Beach Boys]], [[Herbie Hancock]], [[Luther Vandross]], [[The Temptations]], [[Gloria Estefan]], [[John Denver]], [[Julio Iglesias]], [[Don Henley]], and [[B.B. King]].
+
Wonder has received 26 [[Grammy Award]]s as of early 2009. His other honors include the following:
 
+
*Induction into the [[Songwriters Hall of Fame]] (1983)
Songbirds [[Minnie Riperton]] and [[Deniece Williams]] both began their careers in the 1970s as backup vocalist for Wonder as part of "Wonderlove."
+
*[[Academy Award]] for Best Song for "[[I Just Called to Say I Love You]]" (1984)
 
+
*Induction into the [[Rock and Roll Hall of Fame]] (1989)
Wonder is an activist for civil rights and endorsed 2008 [[Democratic Party (United States)|United States Democratic Party]] presidential candidate [[Barack Obama]]. Apparently, the respect is more than mutual, as Obama responded to a ''[[Rolling Stone magazine|Rolling Stone]]'' interview question that asked him who his musical heroes are by saying: "If I had one, it would have to be Stevie Wonder. When I was just at that point where you start getting involved in music, Stevie had that run with ''Music of My Mind'', ''Talking Book'', ''Fulfillingness' First Finale'' and ''Innervisions'', and then ''Songs in the Key of Life''. Those are as brilliant a set of five albums as we've ever seen."<ref>[http://www.rollingstone.com/news/coverstory/21472234/page/4].</ref>
+
*[[Polar Music Prize]] and [[Kennedy Center Honors]] (1999)
 
+
*[[George and Ira Gershwin Lifetime Achievement Award]] at UCLA's [[UCLA Spring Sing|Spring Sing]], and [[Sammy Cahn Lifetime Achievement Award]] from the Songwriter's Hall of Fame (2002)
===Awards and recognition===
+
*[[Billboard Century Award]] and ranked number 15 on ''Rolling Stone's'' list of the [[100 Greatest Rock and Roll Artists of All Time]] (2004)
Wonder has received 26 [[Grammy Award]]s. In addition, he received the following: induction into the [[Songwriters Hall of Fame]] (1983); [[Academy Award for Best Song]] for "[[I Just Called to Say I Love You]]" from the movie ''[[The Woman in Red]]'' (1984); induction into the [[Rock and Roll Hall of Fame]] (1989); [[Polar Music Prize]] and [[Kennedy Center Honors]] (1999); [[George and Ira Gershwin Lifetime Achievement Award]] at UCLA's [[UCLA Spring Sing|Spring Sing]], and [[Sammy Cahn Lifetime Achievement Award]] from the Songwriter's Hall of Fame (2002); [[Billboard Century Award]], and ''Rolling Stone Magazine'' ranked him number 15 on their list of the [[100 Greatest Rock and Roll Artists of All Time]] (2004); and induction into the [[Michigan Walk of Fame]], and Lifetime Achievement Award from the [[National Civil Rights Museum]] in Memphis (2006); and second Gershwin Prize For Popular Song (2009).
 
 
 
Likewise, several artists have acknowledged Wonder's contributions to music, including opera star [[Luciano Pavarotti]], who once referred to him in a concert as a "great, great musical genius" and [[Diana Ross]] called Wonder "Motown's musical genius."
 
  
 
==Discography==
 
==Discography==
Line 145: Line 114:
 
* 1969: "[[My Cherie Amour]]" (U.S. #4, UK #4)
 
* 1969: "[[My Cherie Amour]]" (U.S. #4, UK #4)
 
* 1969: "[[Yester-Me, Yester-You, Yesterday]]" (U.S. #7, UK #2)
 
* 1969: "[[Yester-Me, Yester-You, Yesterday]]" (U.S. #7, UK #2)
* 1970: "Never Had A Dream Come True" (UK #5)
+
* 1970: "Never Had A Dream Come True" (UK #5)
 
* 1970: "[[Signed, Sealed, Delivered I'm Yours]]" (U.S. #3)
 
* 1970: "[[Signed, Sealed, Delivered I'm Yours]]" (U.S. #3)
 
* 1970: "[[Heaven Help Us All]]" (U.S. #8)
 
* 1970: "[[Heaven Help Us All]]" (U.S. #8)
Line 187: Line 156:
 
* 1995: ''[[Conversation Peace]]'' (U.S. #17, UK #8)
 
* 1995: ''[[Conversation Peace]]'' (U.S. #17, UK #8)
 
* 2005: ''[[A Time to Love]]'' (U.S. #4)
 
* 2005: ''[[A Time to Love]]'' (U.S. #4)
 
 
 
==Notes==
 
{{reflist}}
 
  
 
==References==
 
==References==
*Haskins, James, and Benson, Kathleen. ''The Stevie Wonder Scrapbook''. New York: Grosset & Dunlop, 1978. ISBN 978-0448144641
+
* Haskins, James, and Kathleen Benson. ''The Stevie Wonder Scrapbook''. New York: Grosset & Dunlop, 1978. ISBN 9780448144641
*Perone, James E. ''The Sound of Stevie Wonder: His Words and Music''. Westport, Conn.: Praeger, 2006. ISBN 978-0275987237
+
* Perone, James E. ''The Sound of Stevie Wonder: His Words and Music''. Westport, Conn.: Praeger, 2006. ISBN 9780275987237
*Swenson, John. ''Stevie Wonder''. New York: Perennial Library, 1986. ISBN 978-0060970673
+
* Swenson, John. ''Stevie Wonder''. New York: Perennial Library, 1986. ISBN 9780060970673
*Werner, Craig Hanse. ''Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul''. New York: Crown Publishers, 2004. ISBN 978-0609609934
+
* Werner, Craig Hansen. ''Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul''. New York: Crown Publishers, 2004. ISBN 9780609609934
  
 
==External links==
 
==External links==
 +
All links retrieved February 25, 2023.
 
*[http://www.imdb.com/name/nm0005567/ IMDB Profile]
 
*[http://www.imdb.com/name/nm0005567/ IMDB Profile]
  
 
+
[[category:art, music, literature, sports and leisure]]
{{Persondata
 
|NAME= Wonder, Stevie
 
|ALTERNATIVE NAMES=Judkins, Stevland Hardaway; Morris, Stevland Hardaway
 
|SHORT DESCRIPTION= American [[singer]], [[songwriter]], and [[record producer]]
 
|DATE OF BIRTH= May 13, 1950
 
|PLACE OF BIRTH=  [[Saginaw, Michigan|Saginaw]], [[Michigan]], [[United States]]
 
|DATE OF DEATH=
 
|PLACE OF DEATH=
 
}}
 
{{DEFAULTSORT:Wonder, Stevie}}
 
 
 
 
[[Category:music]]
 
[[Category:music]]
 
[[Category:musicians]]
 
[[Category:musicians]]
 
[[Category:biography]]
 
[[Category:biography]]
 +
[[Category:Living people]]
 
{{credit|246091591}}
 
{{credit|246091591}}

Latest revision as of 00:45, 26 February 2023

Stevie Wonder
Stevie Wonder at a conference in Bahia, Brazil
Stevie Wonder at a conference in Bahia, Brazil
Background information
Birth name Stevland Hardaway Judkins
Also known as Stevland Hardaway Morris
Little Stevie Wonder
Eivets Rednow
Born May 13 1950 (1950-05-13) (age 73)
Saginaw, Michigan, United States
Occupation(s) Singer-songwriter, multi-instrumentalist, producer
Instrument(s) Vocals, keyboards, piano, harmonica, drums, bass guitar
Years active 1961–present
Label(s) Motown
Website http://www.steviewonder.org.uk

Stevie Wonder (born Stevland Hardaway Judkins on May 13, 1950, name later changed to Stevland Hardaway Morris) is a American singer-songwriter, multi-instrumentalist, and record producer. A prominent figure in popular music during the latter half of the twentieth century, Wonder has recorded more than 30 top-ten hits and won 26 Grammy Awards, a record for a solo artist. He also won an Academy Award for Best Song and has been inducted into both the Rock and Roll and Songwriters hall of fame.

Blind from infancy, Wonder signed with Motown Records as a pre-adolescent and, after a period of estrangement in the 1970s, continues to perform and record for the label today. He had ten US number-one hits on the pop charts including "Fingertips (Pt. 2)," "I Just Called to Say I Loved You," and "You Are the Sunshine of My Life," as well as 20 R&B number-one hits, such as "Superstition" and "Living for the City." His albums have been hailed by critics as pioneering classics, with sales exceeding 150 million units. He is also noted for his musical sophistication, experimentation in the studio, and for helping significantly in the development of the synthesizer as an integral part of popular music.

Wonder also writes and produces songs for many of his label-mates and outside artists as well. As an instrumentalist he was best known in his early career for his harmonica work, but today he is better known for his keyboard skills and vocal ability.

Biography

Early life

Stevie Wonder was born on May 13, 1950 in Saginaw, Michigan, United States. He was a premature baby, and because the blood vessels at the back of his eyes had not yet reached the front, an aborted growth spurt caused his retinas to detach. He was thus blind from infancy.

His family moved to Detroit when he was four. Stevie took up piano the same year and had mastered it by age nine. During his childhood, he was active in his church's choir. He also taught himself to play the harmonica and the drums, and had mastered both by age ten.

Early career, 1961–1971

Hitsville USA, home of the Motown recording studios where Wonder worked in the 1960s.

In 1961, at the age of 11, Stevie was introduced to Ronnie White of the popular Motown act The Miracles. White brought the boy and his mother to Motown Records. Impressed by the young musician, Motown CEO Berry Gordy signed Morris to Motown's Tamla label with the name "Little Stevie Wonder." He then recorded the minor hit "I Call It Pretty Music, But The Old People Call It The Blues."

At 13, he had a major hit, "Fingertips (Pt. 2)," a 1963 single taken from a live recording of a Motor Town Revue performance, issued on the album, Recorded Live: The 12 Year Old Genius. The song, featuring Wonder on vocals, bongos, and harmonica, with a young Marvin Gaye on drums, was a number-one hit on the US pop and R&B charts and launched Wonder suddenly into the public awareness.

Later dropping the "Little" from his moniker, Wonder went on to have a number of other successes during the mid-1960s, including the smash hit "Uptight (Everything's Alright)," as well as "With a Child's Heart," and "Blowin' in the Wind," a Bob Dylan cover which was one of the first songs to reflect Wonder's social consciousness. He also began to work in the Motown songwriting department, composing songs both for himself and his label-mates, including "Tears of a Clown," a number-one hit by Smokey Robinson & the Miracles.

By 1970 Wonder had scored more major hits, including "I Was Made to Love Her" (1967), "For Once in My Life" (1968), "Shoo-Be-Do-Be-Do-Da-Day" (1968), "My Cherie Amour" (1969), "Yester-Me, Yester-You, Yesterday" (1969) and "Signed, Sealed, Delivered I'm Yours" (1970).

On September 14, 1970, at the age of 20, Wonder married Syreeta Wright, a songwriter and former company secretary for Motown. Wonder and Wright divorced 18 months later, but they continued to collaborate on musical projects.

Along with Marvin Gaye, Wonder was one of the few Motown stars to contest the label's factory-like operation methods: artists, songwriters, and producers were usually kept in specialized collectives, and artists had little creative control. When Gaye wrested creative control from Motown in order to release his innovative, socially conscious album What's Going On, Wonder was inspired to seek similar creative freedom from the label. Wonder argued with Motown owner Berry Gordy over creative control a number of times, and finally allowed his Motown contract to expire. He left the label on his twenty-first birthday in 1971. His final album before his departure was Where I'm Coming From, which Gordy had strongly opposed releasing. The album produced one top-10 hit, "If You Really Love Me."

Classic period, 1972–1976

Wonder independently recorded two albums, which he used as a bargaining tool while negotiating with Motown. Eventually the label agreed to his demands for full creative control and the rights to his own songs, and Wonder returned to Motown in March 1972 with Music of My Mind, an album which is considered a classic of the era. This album also marked the beginning of a long collaboration with synthesizer pioneers Tonto's Expanding Head Band (Robert Margouleff and Malcolm Cecil).

October 1972's Talking Book featured the number-one pop and R&B hit "Superstition," which is one of the most distinctive examples of the sound of Wonder's work the Hohner clavinet keyboard, sometimes mistaken for a harmonica. The song, originally intended for rock guitarist Jeff Beck, garnered Wonder an additional audience on rock radio stations. Wonder's audience was further broadened when he opened for The Rolling Stones on their much-heralded 1972 American Tour. In the meantime, his "You Are the Sunshine of My Life" went to number one on the pop charts and has been a staple love song in the decades since. His efforts for the year garnered him three Grammy Awards.

The album Innervisions featured the driving "Higher Ground" (number four on the pop charts) was followed by the evocative "Living for the City" (number eight). Both songs reached number one on the R&B charts. The album generated three more Grammy Awards, including Album of the Year. Innervisions is ranked number 23 on Rolling Stone Magazine's 500 Greatest Albums of All Time.

The album Fulfillingness' First Finale appeared in July 1974 and had two hits high on the pop charts: the number-one "You Haven't Done Nothin'" (a political protest aimed at Richard Nixon) and the Top-Ten "Boogie On Reggae Woman." Three more Grammys resulted, including one for Album of the Year. He also wrote the music and produced every song on the Syreeta Wright album Stevie Wonder Presents Syreeta.

Wonder released what he intended as his "magnum opus," the double album-with-extra-EP Songs in the Key of Life, in September 1976. Sprawling in style and sometimes lyrically difficult to fathom, the album was hard for some listeners to assimilate, yet is regarded by many as Wonder's crowning achievement. It became the first album by an American artist to debut at number one on the Billboard charts, where it remained for 14 (non-consecutive) weeks. It generated two more number-one hits: "I Wish" and "Sir Duke." The celebratory "Isn't She Lovely," written about Wonder's newborn daughter Aisha, became a future fixture at weddings and bat mitzvahs fixture, while songs such as "Love's in Need of Love Today" reflected a far more pensive mood. Songs in the Key of Life won Album of the Year and two additional Grammys. The album ranks 56 on The Rolling Stone Magazine's 500 Greatest Albums of All Time.

After this amazingly successful run, Wonder stopped recording for three years, releasing only the 3 LP Looking Back, an anthology of his first Motown period.

1979–1990

Stevie Wonder at a rehearsal for the Grammy Awards in 1990.

In Wonder's next phase he began to reap the commercial rewards of his efforts though soundtracks and collaborative efforts. The 1980s saw Wonder scoring some of his biggest hits and reaching an unprecedented level of fame, evidenced by increased album sales, charity participation, high-profile collaborations, and television appearances.

This period had a muted beginning, however, as Wonder returned to recording with the soundtrack album Journey through the Secret Life of Plants (1979). Mostly instrumental, the album was panned at the time of its release, but of late has come to be highly regarded by some critics. Wonder also wrote and produced the dance hit "Let's Get Serious," for Jermaine Jackson and, ranked by Billboard as the number-one R&B single of 1980.

Hotter than July (1980) was a major success, with its single "Happy Birthday" acting as an effective vehicle for Wonder's campaign to establish Dr. Martin Luther King's birthday as a national holiday. The album also included his tribute to Bob Marley, "Master Blaster (Jammin')," as well as "All I Do," and the sentimental ballad, "Lately."

In 1982, Wonder released a retrospective of his 1970s' work with Stevie Wonder's Original Musiquarium, which featured four new songs, including the ten-minute funk classic "Do I Do," which included legendary jazz trumpeter Dizzy Gillespie, and "That Girl," one of the year's biggest R&B singles. Wonder also gained a number-one hit that year in collaboration with Paul McCartney in their paean to racial harmony, "Ebony and Ivory." In 1983, Wonder performed the song "Stay Gold," the theme to Francis Ford Coppola's film adaptation of S.E. Hinton's novel The Outsiders. Often mistakenly attributed solely to Stevie Wonder, the music is by Carmine Coppola, while Wonder wrote the lyrics.

In 1984 Wonder released the soundtrack album for The Woman in Red. The lead single, "I Just Called to Say I Love You," was another number-one pop and R&B hit. It went on to win an Academy Award for Best Song in 1985. That year Wonder was in a featured duet with Bruce Springsteen on the all-star charity single for African famine relief, "We Are the World." He was also part of another charity single the following year, the AIDS-targeted "That's What Friends Are For." His album In Square Circle featured the number-one pop hit "Part-Time Lover." In 1987, Wonder appeared on Michael Jackson's Bad album on the duet "Just Good Friends."

Later career, 1991–present

After 1987's Characters LP, Wonder continued to release new material, but at a considerably slower pace. In 1991, he recorded a soundtrack album for Spike Lee's film Jungle Fever in 1991. In 1996, his Songs in the Key of Life was selected as a documentary subject for the Classic Albums documentary series. He also collaborated with Babyface for an emotionally charged song about spousal abuse (domestic violence) called "How Come, How Long." That year, he also performed John Lennon's song "Imagine" in the closing ceremony of the Olympic Games, held in Atlanta.

Wonder in concert, 2006

In 1999, Wonder was featured on harmonica in the Sting hit "Brand New Day." In 2000, he contributed two new songs to the soundtrack for Spike Lee's satire Bamboozled: "Misrepresented People" and "Some Years Ago." In 2001, he worked with Damian Marley and Stephen Marley, sons of Bob Marley. In March 2002, he performed at the opening ceremonies of the 2002 Winter Paralympics in Salt Lake City. On July 2, 2005, he performed in the U.S. part of the "Live 8" series of concerts in Philadelphia.

Wonder's first new album in ten years, A Time to Love, was released on October 18, 2005. He performed at the pre-game show for Super Bowl XL in Detroit in early 2006, singing various hit singles (with his four-year-old son on drums) and accompanying Aretha Franklin during "The Star Spangled Banner."

In March 2006, Wonder received new national exposure on the top-rated American Idol television program. Each of 12 contestants were required to sing one of his songs, after having met and received guidance from him. That year, he sang a duet with Andrea Bocelli in his album Amore with harmonica and additional vocals on "Canzoni Stonate." Wonder also performed at Washington, D.C.'s 2006 "A Capitol Fourth" celebration, which was hosted by actor Jason Alexander.

On August 2, 2007, Wonder announced the "A Wonder Summer's Night" 13-concert tour —his first U.S. tour in over ten years. New projects for Wonder include: a new album entitled The Gospel Inspired By Lula which will deal with the various spiritual and cultural crises facing the world; and Through The Eyes Of Wonder, an album which Wonder has described as a performance piece that will reflect his experience as a blind man.

On September 8, 2008, Wonder started the European leg of his "Wonder Summer's Night Tour," the first time he toured Europe in over a decade.

Technique

Wonder's songs are renowned for being difficult to sing and helped raise the bar for the complexity of the vocalization of lyrics. He is also noted for his highly developed sense of harmony and using many extended chords, such as ninths, 11ths, and 13ths in his compositions. His melodies often make abrupt, unpredictable changes and include melismatic vocalizations, meaning that a syllable is sung over several notes.

Many of Wonder's songs are written in keys more often found in jazz than in pop and rock. For example, "Superstition" and "Higher Ground" are in the key of E-flat minor and feature distinctive riffs in the pentatonic scale, i.e. largely on the black notes of the keyboard.

Legacy

The albums Wonder released during his classic period (1972-1976) were highly influential on the music world. Rolling Stone's 2003 list of the 500 Greatest Albums of All Time included four of these albums in its list with three in the top 90. His ability to combine complexity with soul push popular music to new levels of sophistication. At the same time, his experimentation in the studio helped increase the recording industry's standards of production.

Wonder played a large role in bringing synthesizers to the forefront of popular music. With the help of Robert Margouleff and Malcolm Cecil, he developed many new textures and sounds never heard before. It was also Wonder's urging that led Raymond Kurzweil to create the first electronic synthesizers that realistically reproduced the sounds of orchestral instruments.

Wonder's success as a socially conscious performer also influenced popular music. He has been a frequent activist for civil rights and endorsed Barack Obama for president of the United States in 2008. For his part, the future president responded to a Rolling Stone interview question about his musical heroes: "If I had one, it would have to be Stevie Wonder.”

Wonder has received 26 Grammy Awards as of early 2009. His other honors include the following:

  • Induction into the Songwriters Hall of Fame (1983)
  • Academy Award for Best Song for "I Just Called to Say I Love You" (1984)
  • Induction into the Rock and Roll Hall of Fame (1989)
  • Polar Music Prize and Kennedy Center Honors (1999)
  • George and Ira Gershwin Lifetime Achievement Award at UCLA's Spring Sing, and Sammy Cahn Lifetime Achievement Award from the Songwriter's Hall of Fame (2002)
  • Billboard Century Award and ranked number 15 on Rolling Stone's list of the 100 Greatest Rock and Roll Artists of All Time (2004)

Discography

U.S. and U.K. Top Ten singles

Thirty-four of Stevie Wonder's singles, listed below, reached the Top Ten on Billboard's Hot 100 chart in the United States, or in the United Kingdom.

  • 1963: "Fingertips - Part 2" (U.S. #1)
  • 1965: "Uptight (Everything's Alright)" (U.S. #2)
  • 1966: "Blowin' in the Wind" (U.S. #9)
  • 1966: "A Place in the Sun" (U.S. #9)
  • 1967: "I Was Made to Love Her"(U.S. #2, UK #5)
  • 1968: "For Once in My Life" (U.S. #2, UK #3)
  • 1968: "Shoo-Be-Doo-Be-Doo-Da-Day" (U.S. #7)
  • 1969: "My Cherie Amour" (U.S. #4, UK #4)
  • 1969: "Yester-Me, Yester-You, Yesterday" (U.S. #7, UK #2)
  • 1970: "Never Had A Dream Come True" (UK #5)
  • 1970: "Signed, Sealed, Delivered I'm Yours" (U.S. #3)
  • 1970: "Heaven Help Us All" (U.S. #8)
  • 1971: "We Can Work It Out" (U.S. #13)
  • 1971: "If You Really Love Me" (U.S. #8)
  • 1972: "Superstition" (U.S. #1)
  • 1973: "You Are the Sunshine of My Life" (U.S. #1, UK #3)
  • 1973: "Higher Ground" (U.S. #4)
  • 1973: "Living for the City" (U.S. #8)
  • 1974: "He's Misstra Know It All" (UK #8)
  • 1974: "You Haven't Done Nothin'" (with The Jackson 5) (U.S. #1)
  • 1974: "Boogie On Reggae Woman" (U.S. #3)
  • 1977: "I Wish" (U.S. #1, UK #4)
  • 1977: "Sir Duke" (U.S. #1, UK #2)
  • 1979: "Send One Your Love" (U.S. #4)
  • 1980: "Master Blaster (Jammin)" (U.S. #3, UK #2)
  • 1980: "I Ain't Gonna Stand For It" (UK #7)
  • 1981: "Lately" (UK #3)
  • 1981: "Happy Birthday" (U.S. #7, UK #2)
  • 1982: "That Girl" (U.S. #3)
  • 1982: "Do I Do" (U.S. #7, UK #5)
  • 1982: "Ebony and Ivory" (with Paul McCartney) (U.S. #1, UK #1)
  • 1982: "Ribbon in the Sky" (U.S. #47 pop, #9 R&B)
  • 1984: "I Just Called to Say I Love You" (U.S. #1, UK #1)
  • 1985: "Part-Time Lover" (U.S. #1, UK #2)
  • 1985: "That's What Friends Are For" (with Dionne Warwick, Elton John and Gladys Knight (U.S. #1)
  • 1985: "Go Home" (U.S. #9)

Top Ten U.S. and UK Albums

Twelve of Stevie Wonder's albums, listed below, reached the Top Ten in either the United States or the United Kingdom.

  • 1963: Recorded Live: The 12 Year Old Genius (U.S. #1)
  • 1972: Talking Book (U.S. #3)
  • 1973: Innervisions (U.S. #4, UK #6)
  • 1974: Fulfillingness' First Finale (U.S. #1, UK #5)
  • 1976: Songs in the Key of Life (U.S. #1, UK #2)
  • 1979: Journey through the Secret Life of Plants Soundtrack (U.S. #4, UK #7)
  • 1980: Hotter than July (U.S. #2, UK #2)
  • 1982: Stevie Wonder's Original Musiquarium (U.S. #4, UK #8)
  • 1984: The Woman in Red (U.S. #4, UK #2)
  • 1985: In Square Circle (U.S. #5, UK #5)
  • 1995: Conversation Peace (U.S. #17, UK #8)
  • 2005: A Time to Love (U.S. #4)

References
ISBN links support NWE through referral fees

  • Haskins, James, and Kathleen Benson. The Stevie Wonder Scrapbook. New York: Grosset & Dunlop, 1978. ISBN 9780448144641
  • Perone, James E. The Sound of Stevie Wonder: His Words and Music. Westport, Conn.: Praeger, 2006. ISBN 9780275987237
  • Swenson, John. Stevie Wonder. New York: Perennial Library, 1986. ISBN 9780060970673
  • Werner, Craig Hansen. Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul. New York: Crown Publishers, 2004. ISBN 9780609609934

External links

All links retrieved February 25, 2023.

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