Wright, Richard

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{{epname|Wright, Richard}}
  
'''Richard Nathaniel Wright''' ([[September 4]], [[1908]] – [[November 28]],[[1960]]) was an [[United States|American]] [[author]] of [[novel]]s, [[short stories]] and [[Non-fiction|non-fiction]].
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{{Infobox Writer
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| name = Richard Nathaniel Wright  
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| image = Richard Wright.jpg
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| caption =
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| birth_date = September 4, 1908
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| birth_place = Roxie, Mississippi
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| death_date = November 28, 1960
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| death_place = [[Paris]], [[France]]
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| occupation = Novelist, short story writer
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| nationality = American
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| genre =
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| movement =
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| magnum_opus =
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| influences =
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| influenced =
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| website =
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| footnotes =
 +
}}
  
==Biography==
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'''Richard Nathaniel Wright''' (September 4, 1908 – November 28, 1960) was an African-American novelist and short story writer, who is arguably the most prominent and influential African-American novelist of the first half of the twentieth century. Wright's works, most notably the story collection ''Uncle Tom's Children'' and the novel ''Native Son'', depict movingly the trials and tribulations lower-class black Americans and their struggle for upward mobility in a segregated country.
Wright, the grandson of slaves, was born on a plantation in [[Roxie, Mississippi]], a tiny town located about 22 miles east of [[Natchez]], in [[Franklin County, Mississippi|Franklin County]]. Wright's family soon moved to [[Memphis, Tennessee]]. While in Memphis, his father Nathaniel, a former sharecropper, abandoned them. Wright, his brother, and mother Ella, a schoolteacher, soon moved to [[Jackson, Mississippi]], to live with relatives. In Jackson, Wright grew up and attended public high school. Here, he formed some of his most lasting early impressions of American [[racism]] before eventually moving back to Memphis in [[1927]], where he became acquainted with the works of such literary figures as [[H. L. Mencken]].  
 
  
Eventually, he moved to [[Chicago, Illinois|Chicago]], where he began to write and became active in the [[John Reed (journalist)|John Reed]] Clubs, eventually joining the [[Communist Party USA|Communist Party]]. He moved to [[New York City]] to become the [[Harlem]] editor of the ''[[Daily Worker]]'', a communist newspaper, also contributing to the ''[[New Masses]]'' magazine. Wright gained positive contact with whites during his communist activity—which he had only experienced on one occasion in the south—but became frustrated by the party's theoretical rigidity and disapproved of [[Great Purge|purges]] in the [[Soviet Union]].
+
Wright's early works, most notably the autobiographical work ''Black Boy'', are also notable for their political undertones; in addition to being an acclaimed writer Wright was also a political activist. He spent a number of years in his early career championing the cause of [[communism]], believing that it promised to bring about a future where people of all races and classes could live and work together as equals. Eventually Wright distanced himself from communism, even contributing a famous essay to the anthology ''The God That Failed'' detailing his disillusionment with that ideology.
  
Wright first gained attention for his collection of (originally) four short stories, ''Uncle Tom's Children'' ([[1937]]). In this work he fictionalised the incidents of [[Lynching in the United States|lynching]] in the [[Deep South]]. He followed with a novel ''[[Native Son]]'' ([[1940]]), which was the first [[Book of the Month Club]] recommendation by an African American author. Here the lead character, the murderer Bigger Thomas, was intended by Wright to be a representation of the limitations that society placed on African Americans, that Thomas could only gain his own [[Human agency|agency]] and self-knowledge through the heinous acts that he commits. Wright was much criticized for both works' concentration on violence, and, in the case of ''Native Son'', for a portrayal of a black person which might be seen as confirming whites' worst fears.  
+
Nonetheless, Wright continued to pursue, both in his fictions and in his actions, a means to bring about a change in racial attitudes in American society and his works, which are now seen as some of the most sincerely felt and sincerely written of all African-American literature, have become a cornerstone of multicultural American literature. A number of writers, both black and white, including [[James Baldwin]], have gone on to cite Wright as a major influence.  
  
Wright is also renowned for the autobiographical ''[[Black Boy]]'' (1945), which describes his early life from Roxie through his move to Chicago, his clashes with his [[Seventh-day Adventist Church|Seventh-day Adventist]] family, his difficulties with white employers and social isolation.  ''[[American Hunger]]'', (published posthumously in [[1977]]) was originally intended as the second book of ''Black Boy'' and is restored to this form in the [[Library of America]] edition. This details his involvement with the [[John Reed (journalist)|John Reed]] Clubs and then (ambivalently) the [[Communist Party USA|Communist Party]], which he left in [[1942]], though the book implies that it was earlier, and the fact was not made public until [[1944]]. In its restored form, its diptych structure mirrors the certainties and intolerance of organised communism, (the "bourgeois" books and condemned members) with similar qualities in fundamentalist organized religion. During [[McCarthyism]], his membership in the Communist Party resulted in him and his works being [[Hollywood blacklist|blacklisted]] by the [[Hollywood, Los Angeles, California|Hollywood]] [[movie studio]] bosses in the [[1950s]].
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==Biography==
 +
Wright, the grandson of slaves, was born on a plantation in Roxie, Mississippi, a tiny town located about 22 miles east of Natchez, in Franklin County. Wright's family soon moved to Memphis, Tennessee. While in Memphis, his father Nathaniel, a former sharecropper, abandoned them. Wright, his brother, and mother Ella, a schoolteacher, soon moved to Jackson, Mississippi, to live with relatives. In Jackson, Wright grew up and attended public high school. Here, he formed some of his most lasting early impressions of American [[racism]] before eventually moving back to Memphis in 1927, where he began to read extensively and become enamored with literary writing, and particularly the writings of the preeminent American journalist [[H. L. Mencken]].  
  
In May [[1946]] he travelled to [[France]] as a guest of the French government, where he was well-received by French intellectuals. It was after this visit that he settled in Paris to become a permanent American [[expatriate]]. Wright had a mixed marriage and he had become frustrated by the attitudes of people they came in contact with as a couple.  
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Eventually, Wright moved to [[Chicago]], where he began to write, becoming active in the [[John Reed]] Clubs, and eventually joining the Communist Party. Wright moved to [[New York City]] to become the Harlem editor of the ''Daily Worker'', a communist newspaper, also contributing to the ''New Masses'' magazine. Wright experienced positive contact with whites during his communist activity, but became frustrated by the party's theoretical rigidity and disapproved of the Soviet Union's [[Great Purges|purges]].  
  
In [[1949]] he contributed to the anti-communist anthology ''[[The God That Failed]]''; the essay had been published in the ''[[Atlantic Monthly]]'' three years earlier. This led to an invitation to become involved with the [[Congress for Cultural Freedom]], which he rejected, correctly suspecting that it had connections with the [[CIA]]. That organization, with the [[FBI]], had Wright under surveillance from [[1943]].
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Wright first gained notoriety for his collection of short stories entitled ''Uncle Tom's Children'', published in 1937. In this work he fictionalized the incidents of lynching in the Deep South. He followed up this work with a novel ''Native Son'' (1940), which was the first book written by an African-American to receive the endorsement of the National Book of the Month Club. ''Native Son'' relates the story of the murderer, Bigger Thomas, intended by Wright to be a representation of the limitations that society placed on African Americans. In the novel, Thomas, desperate from poverty and struggling to survive, is only able gain his own freedom through becoming a heinous criminal. Wright was much criticized for the book’s concentration on violence, but the book nonetheless garnered serious critical acclaim and continues to be widely read and taught on college campuses.
  
Other works include ''[[The Outsider (Richard Wright)|The Outsider]]'' ([[1953]]) and ''[[White Man, Listen!]]'' ([[1957]]), as well as a collection of [[short story|short stories]], ''[[Eight Men]]'', published after his death in [[1961]]. His works primarily deal with the poverty, anger, and protest of northern and southern urban Blacks.  
+
Wright is also renowned for the autobiographical ''Black Boy'' (1945), which describes his early life from Roxie through his move to Chicago, his clashes with his [[Seventh-Day Adventist]] family, his difficulties with white employers and social isolation. ''American Hunger'', (published posthumously in 1977) was originally intended as the second book of ''Black Boy'', which details his involvement and ultimate disillusionment with the Communist Party, which he left in 1942.  
  
In the last years of his life, Richard Wright became enamored with the [[Japanese poetry]] form [[haiku]] and he wrote over 4,000 of them. In [[1998]] a book was published ("''Haiku: This Other World''" ISBN 0-385-72024-6) with the 817 haiku that he preferred.
+
In May 1946 Wright traveled to [[France]] as a guest of the French government, where he was well received by French intellectuals. It was after this visit that he settled in Paris to become a permanent American expatriate, though on occasion he would return to the [[United States]].
  
Wright contracted amoebic dysentery on a visit to the British Gold Coast (now [[Ghana]]) in [[1957]], and despite various treatments, his health continued to deteriorate over the next three years. He [http://radio.echoditto.com/node/33 died] in Paris of a [[heart attack]] at the age of 52. He is interred there in [[Le Père Lachaise Cemetery]].
+
In the last years of his life, Richard Wright became enamored with the Japanese poetry form of [[haiku]], writing over four thousand of them. In 1998 a book of his haiku was published (''Haiku: This Other World'') with the 817 haiku that he preferred.
  
==Quotations==
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Wright contracted amoebic dysentery on a visit to the British Gold Coast (now [[Ghana]]) in 1957, and despite various treatments, his health continued to deteriorate over the next three years. He [http://radio.echoditto.com/node/33 died] in Paris of a heart attack at the age of 52. He is interred there in Le Père Lachaise Cemetery.
  
{{wikiquote}}
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==Works==
 +
===''Native Son''===
 +
''Native Son'', published in 1940, continues to be one of the most important texts in the history of African-American literature and is universally considered to be Wright's masterpiece. It tells the story of 20-year old Bigger Thomas, an African-American of the poorest class, struggling to live in Chicago's South Side ghetto in the 1930s. The novel opens with Thomas accidentally killing a white woman, and from there the novel follows him as he flees the police and scrambles for freedom, wreaking havoc as he goes.
  
* "'If laying down my life could stop the suffering in the world I'd do it. But I don't believe anything can stop it,' I told him.  He heard me but he did not speak.  I wanted to say more to him, but I knew that it would have been useless.  Though older than I, he had neither known nor felt anything of life for himself; he had been carefully reared by his mother and father and he had always been told what to feel." - From [[1945]] ''Black Boy''
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Written mostly in an objective and almost journalistic third-person narration, Wright gets inside the head of his "brute Negro," revealing his feelings, thoughts and point of view as he commits crimes, is confronted with racism, violence and debasement. While not apologizing for Bigger's crimes, Wright is sympathetic to the systemic inevitability behind them and the social injustices which forced young African-Americans to resort to theft and violence in order to stay alive. As Wright would later write, "No American Negro exists who does not have his private Bigger Thomas living in his skull."
  
* "All my life I have done nothing but feel and cultivate my feelings; all their lives they had done nothing but strive for petty goals, the trivial material prizes of American life. We shared a common tongue, but my language was a different language from theirs." - From [[1945]] ''Black Boy''
+
===Literary significance & criticism===
 +
When published, ''Native Son'' was an immediate bestseller, selling 250,000 hardcover copies in its initial run. It was one of the earliest successful attempts to explain the racial divide in America in terms of the social conditions imposed on African-Americans by white society. It also made Wright the wealthiest black writer of his time and established him as a spokesperson for African-American issues, and a "father of Black American literature."  
  
* "This business of saving souls had not ethics; every human relationship was shamelessly exploited.  In essence, the tribe was asking us whether we shared its feelings; if we refused to join the church, it was equivalent to saying no, to placing ourselves in the position of moral monsters." - From [[1945]] ''Black Boy''
+
==Publications==
 +
*"Native Son: The Biography of a Young American" with Paul Green (New York: Harper, 1941)
  
* "All my life had shaped me for the realism, the naturalism of the modern novel, and I could not read enough of them."
+
===Fiction===
 +
*''Uncle Tom's Children'' (New York: Harper, 1938)
 +
*''Bright and Morning Star'' (New York: International Publishers, 1938)
 +
*''Native Son'' (New York: Harper, 1940)
 +
*''The Outsider'' (New York: Harper, 1953)
 +
*''Savage Holiday'' (New York: Avon, 1954)
 +
*''The Long Dream'' (Garden City, NY: Doubleday, 1958)
 +
*''Eight Men'' (Cleveland and New York: World, 1961)
 +
*''Lawd Today'' (New York: Walker, 1963)
  
* "[...] hurling words into the darkness [...]"
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===Nonfiction===
 +
*"How “Bigger” Was Born; the Story of Native Son" (New York: Harper, 1940)
 +
*"12 Million Black Voices: A Folk History of the Negro in the United States" (New York: Viking, 1941)
 +
*''Black Boy'' (New York: Harper, 1945)
 +
*"Black Power" (New York: Harper, 1954)
 +
*"The Color Curtain" (Cleveland and New York: World, 1956)
 +
*"Pagan Spain" (New York: Harper, 1957)
 +
*"White Man, Listen!" (Garden City, NY: Doubleday, 1957)
 +
*"Letters to Joe C. Brown" (Kent State University Libraries, 1968)
 +
*''American Hunger'' (New York: Harper & Row, 1977)
  
* "Living in the past with regret is like killing yourself on the inside and throwing them to darkness."
+
===Poetry===
 +
*''Haiku: This Other World'' (New York: Arcade Publishing, 1998. ISBN 1559704454)
  
* "I only got one life to live and all I want to do is spend the rest of my life with you."
+
==References==
 +
* Hart, Joyce. ''Native Son: The Story of Richard Wright''. Greensboro, NC: Morgan Reynolds, 2003. ISBN 1931798060
 +
* Kinnamon, Keneth. ''Richard Wright: An Annotated Bibliography of Criticism and Commentary''. Jefferson, NC: McFarland & Co., 2006. ISBN 2005001717
 +
* Rowley, Hazel. ''Richard Wright: The Life And Times''. New York: Henry Holt & Co., 2001. ISBN 080504776X
  
* "People say good things come to those who wait, well I've waited 16 years and now it seems too late."
 
 
* "And still when the delicate and unconscious machinery of race relations slips, there will be murder again.  How can law contradict the lives of millions of people and hope to be administered successfully?" - From [[1940]] ''Native Son''
 
 
* "Injustice which lasts for three long centuries and which exists among millions of people over thousands of square miles of territory, is injustice no longer; it is an accomplished fact of life.  Men adjust themselves to their land; they create their own laws of being; their notions of right and wrong. - From [[1940]] ''Native Son''
 
 
==Publications==
 
[[Image:Souvenir de Richard Wright - Natchez - Louisiane.jpg|thumb|250px|right|A Remembrance of Richard Wright in Natchez]]
 
===Drama===
 
*"Native Son: The Biography of a Young American" with '''Paul Green''' (New York: Harper, [[1941]])
 
 
===Fiction===
 
*''Uncle Tom's Children'' (New York: Harper, [[1938]])
 
*''Bright and Morning Star'' (New York: International Publishers, [[1938]])
 
*''[[Native Son]]'' (New York: Harper, [[1940]])
 
*''[[The Outsider (Richard Wright)|The Outsider]]'' (New York: Harper, [[1953]])
 
*''Savage Holiday'' (New York: Avon, [[1954]])
 
*''The Long Dream'' (Garden City, New York: Doubleday, [[1958]])
 
*''Eight Men'' (Cleveland and New York: World, [[1961]])
 
*''Lawd Today'' (New York: Walker, [[1963]])
 
 
===Nonfiction===
 
*"How “Bigger” Was Born; the Story of Native Son" (New York: Harper, [[1940]])
 
*"12 Million Black Voices: A Folk History of the Negro in the United States" (New York: Viking, [[1941]])
 
*"[[Black Boy]]" (New York: Harper, [[1945]])
 
*"Black Power" (New York: Harper, [[1954]])
 
*"The Color Curtain" (Cleveland and New York: World, [[1956]])
 
*"Pagan Spain" (New York: Harper, [[1957]])
 
*"White Man, Listen!" (Garden City, New York: Doubleday, [[1957]])
 
*"Letters to Joe C. Brown" (Kent State University Libraries, [[1968]])
 
*"American Hunger" (New York: Harper & Row, [[1977]])
 
  
==See also==
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[[Category:Writers and poets]]
*[[African American literature]]
 
*[[Ralph Ellison]]
 
  
==External links==
 
* [http://www.olemiss.edu/depts/english/ms-writers/dir/wright_richard/ Richard Wright's Biography] at the [http://www.olemiss.edu Mississippi Writers Page]
 
* [http://www.itvs.org/richardwright/ Richard Wright] at the [http://www.itvs.org Independent Television Service]
 
* [http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=3961 Richard Wright's Photo & Gravesite]
 
  
[[Category: Art, music, literature, sports and leisure]]
+
{{credit2|Richard_Wright|81144218|Native_Son|79060810}}
{{credit|81144218}}
 

Latest revision as of 18:49, 11 August 2022


Richard Nathaniel Wright
Richard Wright.jpg
Born: September 4, 1908
Roxie, Mississippi
Died: November 28, 1960
Paris, France
Occupation(s): Novelist, short story writer
Nationality: American

Richard Nathaniel Wright (September 4, 1908 – November 28, 1960) was an African-American novelist and short story writer, who is arguably the most prominent and influential African-American novelist of the first half of the twentieth century. Wright's works, most notably the story collection Uncle Tom's Children and the novel Native Son, depict movingly the trials and tribulations lower-class black Americans and their struggle for upward mobility in a segregated country.

Wright's early works, most notably the autobiographical work Black Boy, are also notable for their political undertones; in addition to being an acclaimed writer Wright was also a political activist. He spent a number of years in his early career championing the cause of communism, believing that it promised to bring about a future where people of all races and classes could live and work together as equals. Eventually Wright distanced himself from communism, even contributing a famous essay to the anthology The God That Failed detailing his disillusionment with that ideology.

Nonetheless, Wright continued to pursue, both in his fictions and in his actions, a means to bring about a change in racial attitudes in American society and his works, which are now seen as some of the most sincerely felt and sincerely written of all African-American literature, have become a cornerstone of multicultural American literature. A number of writers, both black and white, including James Baldwin, have gone on to cite Wright as a major influence.

Biography

Wright, the grandson of slaves, was born on a plantation in Roxie, Mississippi, a tiny town located about 22 miles east of Natchez, in Franklin County. Wright's family soon moved to Memphis, Tennessee. While in Memphis, his father Nathaniel, a former sharecropper, abandoned them. Wright, his brother, and mother Ella, a schoolteacher, soon moved to Jackson, Mississippi, to live with relatives. In Jackson, Wright grew up and attended public high school. Here, he formed some of his most lasting early impressions of American racism before eventually moving back to Memphis in 1927, where he began to read extensively and become enamored with literary writing, and particularly the writings of the preeminent American journalist H. L. Mencken.

Eventually, Wright moved to Chicago, where he began to write, becoming active in the John Reed Clubs, and eventually joining the Communist Party. Wright moved to New York City to become the Harlem editor of the Daily Worker, a communist newspaper, also contributing to the New Masses magazine. Wright experienced positive contact with whites during his communist activity, but became frustrated by the party's theoretical rigidity and disapproved of the Soviet Union's purges.

Wright first gained notoriety for his collection of short stories entitled Uncle Tom's Children, published in 1937. In this work he fictionalized the incidents of lynching in the Deep South. He followed up this work with a novel Native Son (1940), which was the first book written by an African-American to receive the endorsement of the National Book of the Month Club. Native Son relates the story of the murderer, Bigger Thomas, intended by Wright to be a representation of the limitations that society placed on African Americans. In the novel, Thomas, desperate from poverty and struggling to survive, is only able gain his own freedom through becoming a heinous criminal. Wright was much criticized for the book’s concentration on violence, but the book nonetheless garnered serious critical acclaim and continues to be widely read and taught on college campuses.

Wright is also renowned for the autobiographical Black Boy (1945), which describes his early life from Roxie through his move to Chicago, his clashes with his Seventh-Day Adventist family, his difficulties with white employers and social isolation. American Hunger, (published posthumously in 1977) was originally intended as the second book of Black Boy, which details his involvement and ultimate disillusionment with the Communist Party, which he left in 1942.

In May 1946 Wright traveled to France as a guest of the French government, where he was well received by French intellectuals. It was after this visit that he settled in Paris to become a permanent American expatriate, though on occasion he would return to the United States.

In the last years of his life, Richard Wright became enamored with the Japanese poetry form of haiku, writing over four thousand of them. In 1998 a book of his haiku was published (Haiku: This Other World) with the 817 haiku that he preferred.

Wright contracted amoebic dysentery on a visit to the British Gold Coast (now Ghana) in 1957, and despite various treatments, his health continued to deteriorate over the next three years. He died in Paris of a heart attack at the age of 52. He is interred there in Le Père Lachaise Cemetery.

Works

Native Son

Native Son, published in 1940, continues to be one of the most important texts in the history of African-American literature and is universally considered to be Wright's masterpiece. It tells the story of 20-year old Bigger Thomas, an African-American of the poorest class, struggling to live in Chicago's South Side ghetto in the 1930s. The novel opens with Thomas accidentally killing a white woman, and from there the novel follows him as he flees the police and scrambles for freedom, wreaking havoc as he goes.

Written mostly in an objective and almost journalistic third-person narration, Wright gets inside the head of his "brute Negro," revealing his feelings, thoughts and point of view as he commits crimes, is confronted with racism, violence and debasement. While not apologizing for Bigger's crimes, Wright is sympathetic to the systemic inevitability behind them and the social injustices which forced young African-Americans to resort to theft and violence in order to stay alive. As Wright would later write, "No American Negro exists who does not have his private Bigger Thomas living in his skull."

Literary significance & criticism

When published, Native Son was an immediate bestseller, selling 250,000 hardcover copies in its initial run. It was one of the earliest successful attempts to explain the racial divide in America in terms of the social conditions imposed on African-Americans by white society. It also made Wright the wealthiest black writer of his time and established him as a spokesperson for African-American issues, and a "father of Black American literature."

Publications

  • "Native Son: The Biography of a Young American" with Paul Green (New York: Harper, 1941)

Fiction

  • Uncle Tom's Children (New York: Harper, 1938)
  • Bright and Morning Star (New York: International Publishers, 1938)
  • Native Son (New York: Harper, 1940)
  • The Outsider (New York: Harper, 1953)
  • Savage Holiday (New York: Avon, 1954)
  • The Long Dream (Garden City, NY: Doubleday, 1958)
  • Eight Men (Cleveland and New York: World, 1961)
  • Lawd Today (New York: Walker, 1963)

Nonfiction

  • "How “Bigger” Was Born; the Story of Native Son" (New York: Harper, 1940)
  • "12 Million Black Voices: A Folk History of the Negro in the United States" (New York: Viking, 1941)
  • Black Boy (New York: Harper, 1945)
  • "Black Power" (New York: Harper, 1954)
  • "The Color Curtain" (Cleveland and New York: World, 1956)
  • "Pagan Spain" (New York: Harper, 1957)
  • "White Man, Listen!" (Garden City, NY: Doubleday, 1957)
  • "Letters to Joe C. Brown" (Kent State University Libraries, 1968)
  • American Hunger (New York: Harper & Row, 1977)

Poetry

  • Haiku: This Other World (New York: Arcade Publishing, 1998. ISBN 1559704454)

References
ISBN links support NWE through referral fees

  • Hart, Joyce. Native Son: The Story of Richard Wright. Greensboro, NC: Morgan Reynolds, 2003. ISBN 1931798060
  • Kinnamon, Keneth. Richard Wright: An Annotated Bibliography of Criticism and Commentary. Jefferson, NC: McFarland & Co., 2006. ISBN 2005001717
  • Rowley, Hazel. Richard Wright: The Life And Times. New York: Henry Holt & Co., 2001. ISBN 080504776X


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