Nix

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The Rhine maidens and Sigfried, by Arthur Rackham.
Strömkarlen from 1884 by Ernst Josephson has formed many modern Swedes' view of Näcken.

The Nix (Nixie plural, sometimes referred to as Nicker in English) is the most popular term for the shapeshifting water spirits of Germanic and Nordic folklore. Often times these creatures appear as humans, and are sometimes linked with such similar creatures as the Greek Sirens or the European Mermaids; however, more often than not they are closer to nymphs or sprites in both demeanor and appearance.

Etymology

In Norway, Theodor Kittelsen's Nøkken from 1904 is equally famous.

The term Nix comes from the Old High German Nichus, which became nickes or niches in Middle High German before finally becoming Nix in Modern German. The term Nicker, more than likely is a variation of both the German variations as well as the Nordic ones: nyker in Old Norwegian, nykur in Icelandic, nok in Danish and finally, Neck in Swedish.[1]

The differences in the terms are subtle. While Nix and its variations translate simply as "water elf", Nicker and its roots are more commonly described as "An imaginary being supposed to live in the water; a water demon, kelpie or river horse".[2] The differences in terms suggestions the more narrowed defined Germanic version of Nix, while the Scandinavian forms of the creature are more broad in scope.

Origin

Cultural Variants

Scandanavia

The Scandinavian näcken, nøkken, strömkarlen,[3] Grim or Fosse-Grim were male water spirits who played enchanted songs on the violin, luring women and children to drown in lakes or streams. However, not all of these spirits were necessarily malevolent; in fact, many stories exist that indicate at the very least that Fossegrim were entirely harmless to their audience and attracted not only women and children, but men as well with their sweet songs. Stories also exist wherein the Fossegrim agreed to live with a human who had fallen in love with him, but many of these stories ended with the Fossegrim returning to his home, usually a nearby waterfall or brook. Fossegrim are said to grow despondent if they do not have free, regular contact with a water source.

This late 19th century painting by Johan Tirén shows a more conservative Swedish Näcken wearing the clothes of the local people.

If properly approached, he will teach a musician to play so adeptly "that the trees dance and waterfalls stop at his music," [1]

It is difficult to describe the actual appearance of the nix, as one of his central attributes was thought to be shapeshifting. Perhaps he did not have any true shape. He could show himself as a man playing the violin in brooks and waterfalls (though often imagined as fair and naked today, in actual folklore he was more frequently wearing more or less elegant clothing) but also could appear to be treasure or various floating objects or as an animal — most commonly in the form of a "brook horse" (see below). The modern Scandinavian names are derived from an Old Norse nykr, meaning "river horse." Thus, likely the brook horse preceded the personification of the nix as the "man in the rapids." Fossegrim and derivatives were almost always portrayed as especially beautiful young men, whose clothing (or lack thereof) varied widely from story to story.

Nils Blommér's the Nix and Ægir's daughters makes the Nix of Scandinavian folklore meet the Nixes of Scandinavian mythology.

The enthralling music of the nix was most dangerous to women and children, especially pregnant women and unbaptised children. He was thought to be most active during Midsummer's Night, on Christmas Eve and on Thursdays. However, these superstitions do not necessarily relate to all the versions listed here, and many if not all of them were developed after the Christianizing of the Northern countries, as were similar stories of faeries and other entities in other areas.

When malicious nix attempted to carry off people, they could be defeated by calling their name; this, in fact, would be the death of them.[4]

If you brought the nix a treat of three drops of blood, a black animal, some brännvin (Scandinavian vodka) or snus (wet snuff) dropped into the water, he would teach you his enchanting form of music.

The nix was also an omen for drowning accidents. He would scream at a particular spot in a lake or river, in a way reminiscent of the loon, and on that spot a fatality would later take place.

Bäckahästen (translated as the brook horse) is a mythological horse in Scandinavian folklore. It has a close parallel in the Scottish kelpie.

The Nix as a brook horse by Theodor Kittelsen, a depiction of the Nix as a white horse

It was often described as a majestic white horse that would appear near rivers, particularly during foggy weather. Anyone who climbed onto its back would not be able to get off again. The horse would then jump into the river, drowning the rider. The brook horse could also be harnessed and made to plough, either because it was trying to trick a person or because the person had tricked the horse into it.

Germany

The Rhine maidens

The German Nix and Nixe (and Nixie) are types of river merman and mermaid who may lure men to drown, like the Skandavian type, akin to the Celtic Melusine and similar to the Greek Siren. The German epic Nibelungenlied mentions the Nix in connection with the Danube, as early as 1180 to 1210.

Nixes in folklore became water sprites[5] who try to lure people into the water. The males can assume many different shapes, including that of a human, fish, and snake. The females are beautiful women with the tail of a fish. When they are in human forms, they can be recognized by the wet hem of their clothes. The Nixes are considered as malignant in some quarters, but as harmless and friendly in others.

By the 19th century Jacob Grimm mentions the nixie to be among the "water-sprites" who love music, song and dancing, and says "Like the sirens, the nixie by her song draws listening youth to herself, and then into the deep."[6] According to Grimm, they can appear human but have the barest hint of animal features: the nix had "a slit ear," and the nixie "a wet skirt." Grimm thinks these could symbolize they are "higher beings" who could shapeshift to animal form.[7]

One famous Nixe of German folklore was Lorelei. According to the legend, she sat on the rock at the Rhine which bears now her name, and distracted fishermen from the dangers of the reefs with the sound of her voice. In Switzerland there is a legend (myth) of a seamaid or Nixe that lived in lake Zug (the lake is in the Canton of Zug).

The Yellow Fairy Book by Andrew Lang includes a story called "The Nixie of the Mill-Pond" in which a malevalent spirit that lives in a mill pond strikes a deal with the miller that she will restore his wealth in exchange for his son.

The legend of Heer Halewijn a dangerous lord who lures women with a magic song to death, may have originated with the Nix.

File:Ring64.jpg
The Rhine maidens

Alternate names(kennings) for the female German Nixe are Rhine maidens (German: Rheintöchter) and Lorelei.

In a fictional depiction, the Rhine maidens are among the protagonists in the four-part Opera Der Ring des Nibelungen by the composer Richard Wagner, based loosely on the nix of the Nibelungenlied.

The Rhine maidens Wellgunde, Woglinde, and Floßhilde (Flosshilde) belong to a group of characters living in a part of nature free from human influence. Erda and the Norns are also considered a part of this 'hidden' world.

They are first seen in the first work of the Nibelungen cycle, Das Rheingold, as guardians of the Rheingold, a treasure of gold hidden in the Rhein river. The dwarf Alberich, a Nibelung, is eager to win their favour, but they somewhat cruelly dismiss his flattery. They tell him that only one who is unable to love can win the Rheingold. Thus, Alberich curses love and steals the Rheingold. From the stolen gold he forges a ring of power.

Further on in the cycle, the Rhine maidens are seen trying to regain the ring and transform it back into the harmless Rheingold. But no one, not even the supreme god Wotan, who uses the ring to pay the giants Fasolt and Fafner for building Valhalla, nor the hero Siegfried, when the maidens appear to him in the third act of Götterdämmerung, will return the ring to them. Eventually Brünnhilde returns it to them at the end of the cycle, when the fires of her funeral pyre cleanse the ring of its curse.

References
ISBN links support NWE through referral fees

  1. (1971) "Oxford English Dictionary" Oxford Press, ISBN 019861117X
  2. (1971) "Oxford English Dictionary" Oxford Press, ISBN 019861117X
  3. Or strömkarl (singular), per Grimm 1835:17:11.
  4. Francis James Child, The English and Scottish Popular Ballads, v 1, p 95-6, Dover Publications, New York 1965
  5. Grimm 1835:17:11.
  6. Grimm 1835:17:11.
  7. Grimm 1835:33:2.

External links

This article incorporates text from the public domain 1907 edition of The Nuttall Encyclopædia.


References

  • Grimm, Jacob (1835). Deutsche Mythologie (German Mythology); From English released version Grimm's Teutonic Mythology (1888); Available online by Northvegr © 2004-2007: Chapter 17, page 11; Chapter 33, page 2. File retrieved 06-04-2007.
  • Hellström, AnneMarie. (1985). Jag vill så gärna berätta.... ISBN 91-7908-002-2
  • Karlsson, S. (1970). I Tiveden, Reflex, Mariestad.
  • Haunted, Kelly Armstrong


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