Les Paul

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Les Paul
Les Paul with a "Les Paul" guitar
Les Paul with a "Les Paul" guitar
Background information
Birth name Lester William Polsfuss
Also known as Wizard of Waukesha, Red Hot Red, Rhubarb Red
Born June 9 1915(1915-06-09)
Waukesha, Wisconsin, Flag of United States United States
Died August 14, 2009
Genre(s) Jazz, Pop
Occupation(s) Musician, Songwriter, Inventor
Instrument(s) Guitar, Banjo, Harmonica
Years active 1928 – Present
Associated acts Les Paul and Mary Ford, Less Paul Trio
Website www.lespaulonline.com
Notable instrument(s)
Gibson Les Paul

Les Paul (born Lester William Polsfuss) (June 9, 1915 - August 14, 2009) was an American jazz and country guitarist, one of the key developers of the electric guitar, and a pioneer in the field of recording electronics. As a result of his trend-setting music with the Les Paul Trio and later with the duo of Les Paul and Mary Ford in the 1940s and 50s, Paul influenced a generation of guitarists, especially through his use of overdubbing and other special effects. Paul also pioneered the development of the solid-body electric guitar and thus had a major impact on the evolution of rock and roll. His many recording innovations include overdubbing, delay effects, phasing effects, and multitrack recording. Paul was also instrumental in the development of new recording technologies with the Ampex Corporation.

Paul was one of the first to experiment with improving the sound of electric guitars in the 1940s and later lent his name to the Gibson "Les Paul" model guitar, one of the industry's most popular models. He was the first known artist to use overdubbing, a technique which he invented, and soon launched a successful career with his wife, Mary Ford, featuring this and other new special effects. The couple's hits included "How High the Moon," "Bye Bye Blues," and "Vaya Con Dios."

In 1978, Les Paul and Mary Ford were inducted into the Grammy Hall of Fame. Paul was inducted into the Rock and Roll Hall of Fame in 1988, and entered the National Inventors Hall of Fame in 2005. He was named the forty-sixth best guitarist of all time in 2003, by Rolling Stone. Paul died at the age of 94 on August 14, 2009 at White Plains Hospital in New York state.


Paul was born in Waukesha, Wisconsin, to George and Evelyn Polfuss. He later took the stage name of "Les Paul." He also used the nickname "Red Hot Red."

Les first became interested in music at the age of eight, when he began playing the harmonica. After an attempt at learning the banjo, he began to play the guitar. By 13, Paul was performing semi-professionally as a country music guitarist. At the age of 17, Paul played with Rube Tronson's Cowboys. Soon after, he dropped out of high school to join Wolverton's Radio Band in St. Louis, Missouri on station KMOX.

In the 1930s, Paul performed jazz music on Chicago radio. His first two records were released in 1936. One was credited to "Rhubarb Red," Paul's hillbilly alter ego, and the other was as an accompanist for blues artist Georgia White.

The Les Paul Trio

In 1938, Paul moved to New York and landed a featured spot with Fred Waring's Pennsylvanians radio show. Paul moved to Hollywood in 1943, where he formed a new trio. As a last-minute replacement for Oscar Moore, Paul played with Nat King Cole and other artists in the inaugural Jazz at the Philharmonic concert in Los Angeles on July 2, 1944. Also that year, Paul's trio appeared on Bing Crosby's radio show. Crosby went on to sponsor Paul's recording experiments.

Crosby and Paul also recorded together several times, including a 1945 number-one hit, "It's Been A Long, Long Time." In addition to backing Crosby and artists like The Andrews Sisters, Paul's trio recorded several albums of their own on the Decca label in the late 1940s.

"The Les Paul" guitar

Gibson "Les Paul" studio model

Paul was dissatisfied with the electric guitars that were sold in the mid 1930s, and began experimenting with designs of his own. He thus created "The Log" in 1941, which was simply a length of common 4"-by-4" fence post, to which he added a bridge, guitar neck, and pickup. His innovation solved two main problems: feedback, as the acoustic body no longer resonated with the amplified sound, and lack of sustain, as the energy of the strings was not dissipated in generating sound through the guitar body.

Paul's invention was not the first solid body guitar, as Adolph Rickenbacher had marketed his version of a solid-body instrument in the 1930s. Leo Fender independently created his own solid-body electric guitar around the same time that Paul did.

In the early 1950s, the Gibson Guitar Corporation designed a guitar incorporating Paul's suggestions and presented it to him to try. He was impressed enough to sign a contract for what became the "Les Paul" model and agreed never to play in public or be photographed with anything other than a Gibson guitar. This arrangement persisted until 1961, when Gibson changed the design of the guitar without Paul's knowledge. He reportedly first saw the "new" Gibson "Les Paul" in a music store window, and disliked it. Though his contract required him to pose with the guitar, he said it was not "his" instrument and asked Gibson to remove his name from the headstock. Gibson renamed the guitar the "SG," and it, too, became one of the company's best sellers.

Later, Paul resumed his relationship with Gibson, and continued to endorse the "Less Paul" guitar until the present, although he modifies his personal guitars to suit himself.

Today, the Gibson "Les Paul" guitar is used all over the world, by both novice and professional guitarists, much admired for its ease of play and high level of sustain. Also designed was an Epiphone "Les Paul" model, with the same outer look, but offered at a lower price.

Multitrack recording innovations

In 1947, Capitol Records released a recording that had begun as an experiment in Paul's garage, entitled "Lover (When You're Near Me)," which featured Paul playing eight different parts on electric guitar, some of them recorded at half-speed, hence "double-fast" when played back at normal speed for the master. This was the first time that multi-tracking had been used in a recording. Paul did not use magnetic tape for his experiments, but wax disks. Paul would record a track onto a disk, then record himself playing another part with the first. Recording parts at slightly different speeds and with delay, Paul generated his signature sound, with diverse echoes and birdsong-like guitar riffs. He later began using magnetic tape, allowing him to take his recording rig on tour with him.

In January 1948, Paul was injured in a near-fatal automobile accident in Oklahoma, which shattered his right arm and elbow. Doctors told Paul that there was no way for them to rebuild his elbow in a way that would let him regain movement, and that his arm would remain in whatever position they placed it in permanently. Paul then instructed the surgeons to set his arm at a 90-degree angle that would allow him to cradle and pick the guitar. It took him a year and a half to recover.

Career with Mary Ford and Ampex

In the early 1950s, Paul made a number of revolutionary recordings with his wife, Mary Ford, who sang. These records were unique for their heavy use of overdubbing. The couple's hits included "How High the Moon," "Bye Bye Blues," "The World Is Waiting for the Sunrise," and "Vaya Con Dios." These songs featured Mary harmonizing with herself, giving the vocals a novel sound.

Bing Crosby soon gave Les Paul what was only the second Ampex Model 200 tape record to be produced, and Paul immediately saw its potential both for special effects, such as echo and flanging, as well as its suitability for improved multitrack recording.

Using this machine, Paul developed his tape multitrack system by adding an additional recording head and extra circuitry, allowing multiple tracks to be recorded separately and asynchronously on the same tape. Paul's invention was quickly developed by Ampex into commercially-produced two-track and three-track recorders, and these machines were the backbone of the professional recording studio, radio, and TV industry in the 1950s and early 1960s.

Internal workings of a three-head Ampex tape recorder c. 1965

In 1954, Paul continued to develop this technology by commissioning Ampex to build the first eight track tape recorder, at his expense. The machine took three years to get working properly, and Paul says that by the time it was functional, his music was out of favor and so he never had a hit record using it. His design, later known as "Sel-Sync," (Selective Synchronization) in which a specially modified recording head could either record a new track or play back a previously recorded one, was the core technology for multitrack recording for the next 30 years.

Paul and Ford, as well as Crosby, also used the now-ubiquitous recording technique known as close miking, where the microphone is less than six inches from the singer's mouth. This produces a more intimate, less reverberant sound than is heard when a singer is a foot or more from the microphone. The technique emphasizes low-frequency sounds in the voice due to the microphone's proximity effect and can give a more relaxed feel because the performer is not working so hard. The result is a singing style which diverged strongly from unamplified theater-style singing.

Paul hosted a 15-minute radio program, The Les Paul Show, on NBC in 1950, featuring his trio (himself, Ford, and rhythm player Eddie Stapleton). The show also spotlighted Paul's electronic effects, dazzling renditions of classic pop and jazz numbers, and gentle humor between Paul and Ford. Several recordings of these shows survive among old-time radio collectors today.

Later career and legacy

Les Paul in the recording studio

In the late 1960s, Paul went into semi-retirement, although he returned to the studio occasionally. He and Mary Ford divorced in December 1964. Paul recorded a successful album for London Records, Les Paul Now in 1967, on which he updated some of his earlier hits. A decade later, backed by some of Nashville's celebrated studio musicians, he produced a meld of jazz and country improvisation with fellow guitar virtuoso Chet Atkins, entitled Chester and Lester, for RCA Victor.

In 1978, Les Paul and Mary Ford were inducted into the Grammy Hall of Fame. By the late 1980s, Paul had returned to active weekly live performances in New York City. He received a Grammy Trustees Award for his lifetime achievements in 1983. In 1988, Paul was inducted into the Rock and Roll Hall of Fame by Jeff Beck, who said, "I've copied more licks from Les Paul than I'd like to admit." Paul was inducted into the National Inventors Hall of Fame in May 2005, for his development of the solid-body electric guitar. In 2006, Paul was inducted into the National Broadcasters Hall of Fame. In 2006, at the age of 90, he won two Grammys at the 48th Annual Grammy Awards for his album, Les Paul & Friends: American Made World Played.

A biographical, feature length documentary, titled Chasing Sound: Les Paul at 90, made its world premiere on May 9, 2007 at the Downer Theater in Milwaukee, Wisconsin. Paul appeared at the event and spoke briefly to the enthusiastic crowd. In June 2008, an exhibit showcasing his legacy and featuring items from his personal collection opened at Discovery World in Milwaukee. Paul played a concert in Milwaukee to coincide with the opening of the exhibit.

Paul is the godfather of rock guitarist Steve Miller of the Steve Miller Band, to whom Paul gave his first guitar lesson.


Hit singles

  • "Rumors Are Flying"—Andrews Sisters & Les Paul (1946)
  • "Lover (When You're Near Me)" (1948)
  • "Brazil" (1948)
  • "What Is This Thing Called Love?" (1948)
  • "Nola" (1950)
  • "Goofus" (1950)
  • "Little Rock 69 Getaway" (1950/1951)
  • "Tennessee Waltz"—Les Paul & Mary Ford (1950/1951)
  • "Mockingbird Hill"—Les Paul & Mary Ford (1951)
  • "How High The Moon"—Les Paul & Mary Ford (1951)
  • "I Wish I Had Never Seen Sunshine"—Les Paul & Mary Ford (1951)
  • "The World Is Waiting for the Sunrise"—Les Paul & Mary Ford (1951)
  • "Just One More Chance"—Les Paul & Mary Ford (1951)
  • "Jazz Me Blues" (1951)
  • "Josephine" (1951)
  • "Whispering" (1951)
  • "Jingle Bells" (1951/1952)
  • "Tiger Rag"—Les Paul & Mary Ford (1952)
  • "I'm Confessin' (That I Love You)"—Les Paul & Mary Ford (1952)
  • "Carioca" (1952)
  • "In the Good Old Summertime"—Les Paul & Mary Ford (1952)
  • "Smoke Rings" - Les Paul & Mary Ford (1952)
  • "Meet Mister Callaghan" (1952)
  • "Take Me In Your Arms And Hold Me"—Les Paul & Mary Ford (1952)
  • "Lady of Spain" (1952)
  • "My Baby's Coming Home"—Les Paul & Mary Ford (1952)
  • "Bye Bye Blues"—Les Paul & Mary Ford (1953)
  • "I'm Sitting On Top Of The World"—Les Paul & Mary Ford (1953)
  • "Sleep" (Fred Waring's theme song) (1953)
  • "Vaya Con Dios"—Les Paul & Mary Ford (1953)
  • "Johnny (Is The Boy For Me)"—Les Paul & Mary Ford (1953)
  • "Don'cha Hear Them Bells"—Les Paul & Mary Ford (1953)
  • "The Kangaroo" (1953)
  • "I Really Don't Want To Know"—Les Paul & Mary Ford (1954)
  • "I'm A Fool To Care"—Les Paul & Mary Ford (1954)
  • "Whither Thou Goest"—Les Paul & Mary Ford (1954)
  • "Mandolino"—Les Paul & Mary Ford (1954)
  • "Hummingbird"—Les Paul & Mary Ford (1955)
  • "Amukiriki (The Lord Willing)"—Les Paul & Mary Ford (1955)
  • "Magic Melody"—Les Paul & Mary Ford (1955)
  • "Texas Lady"—Les Paul & Mary Ford (1956)
  • "Moritat" (Theme from "Three Penny Opera") (1956)
  • "Nuevo Laredo"—Les Paul & Mary Ford (1956)
  • "Cinco Robles (Five Oaks)"—Les Paul & Mary Ford (1957)
  • "Put A Ring On My Finger"—Les Paul & Mary Ford (1958)
  • "Jura (I Swear I Love You)"—Les Paul & Mary Ford (1961)


  • Feedback (1944)—compilation
  • Les Paul Trio (1946)—compilation
  • Hawaiian Paradise (1949)
  • The Hit Makers! (1950)
  • The New Sound (1950)
  • Les Paul's New Sound, Volume 2 (1951)
  • Bye Bye Blues! (1952)
  • Gallopin' Guitars (1952)—compilation
  • Les and Mary (1955)
  • Time to Dream (1957)
  • Lover's Luau (1959)
  • The Hits of Les and Mary (1960)—compilation
  • Bouquet of Roses (1962)
  • Warm and Wonderful (1962)
  • Swingin' South (1963)
  • Fabulous Les Paul and Mary Ford (1965)
  • Les Paul Now! (1968)
  • Guitar Tapestry
  • Lover
  • The Guitar Artistry of Les Paul (1971)
  • The World is Still Waiting for the Sunrise (1974)—compilation
  • The Best of Les Paul with Mary Ford (1974)—compilation
  • Chester and Lester (1976)—with Chet Atkins
  • Guitar Monsters (1977)—with Chet Atkins
  • Les Paul and Mary Ford (1978)—compilation
  • Multi Trackin' (1979)
  • All-Time Greatest Hits (1983)—compilation
  • The Very Best of Les Paul with Mary Ford (1983)—compilation
  • Tiger Rag (1984)—compilation
  • Famille Nombreuse (1992)—compilation
  • The World Is Waiting (1992)—compilation
  • The Best of the Capitol Masters: Selections From "The Legend and the Legacy" Box Set (1992)—compilation
  • All-Time Greatest Hits (1992)—compilation
  • Their All-Time Greatest Hits (1995)—compilation
  • Les Paul: The Legend and the Legacy (1996; a four-CD box set chronicling his years with Capitol Records)
  • 16 Most Requested Songs (1996)—compilation
  • The Complete Decca Trios—Plus (1936-1947) (1997)—compilation
  • California Melodies (2003)
  • Les Paul & Friends: American Made World Played (2005)

See also

ISBN links support NWE through referral fees

  • Chapman, Richard. The Complete Guitarist. New York: Dorling Kindersley, 1993. ISBN 978-0751301540.
  • Ro, Lawrence. The Early Years of the Les Paul Legacy, 1915-1963. New York: Hal Leonard Books, 2008. ISBN 978-0634048616.
  • Shaughnessy, Mary Alice. Les Paul: An American Original. New York: W. Morrow, 1993. ISBN 978-0688084677.

External links

All links retrieved October 25, 2022.


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