Difference between revisions of "Griffin" - New World Encyclopedia

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[[Category:Politics and social sciences]]
 
[[Category:Politics and social sciences]]
 
[[Category:Anthropology]]
 
[[Category:Anthropology]]
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[[Category:Mythical creatures]]
.[[image:Saena.jpg|200px|thumb|right| Persian silver plate of a Simurgh (Sēnmurw), fourth - sixth century C.E.]]
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The '''Griffin''', sometimes spelled '''gryphon''' or '''griffen''', ''gryphos'' in [[Greek|Ancient Greek]] or شیردال‌ ''shirdal'' in [[Persian]] is a [[legendary creature]] with the body of a [[lion]] and the head and wings of an [[eagle]]. Seen as guardians of secretly buried wealth, the griffin evolved from a ferocious animal of antiquity to become a [[symbol]] of strength and valor. It is one of the most common mythical creatures to appear in [[heraldry|heraldic]] images.
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[[Image:Cotta_Greif_1839.jpg|thumb|200 px|The logo of Cottasche Verlagsbuchhandlung, Stuttgart]]
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The '''Griffin''' (sometimes spelled '''gryphon''' or '''griffen''', ''gryphos'' in [[Greek language|Ancient Greek]] or شیردال ''shirdal'' in [[Persian language|Persian]]) is a [[legendary creature]] with the body of a [[lion]] and the head and wings of an [[eagle]]. Seen as guardians of secretly buried wealth, the griffin evolved from a ferocious animal of antiquity to become a [[symbol]] of strength and valor. It is one of the most common mythical creatures to appear in [[heraldry|heraldic]] images, fittingly representing the hoped for nobility of leaders in human society.  
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{{toc}}
  
 
==Overview==
 
==Overview==
[[Image:Griffioen,Kasteel de Haar.JPG|thumb|left|200px|Heraldic guardian griffin at Kasteel de Haar, Netherlands]]  
+
 
Griffins are one of the few [[mythical creature]]s who have a rather consistent [[physiology]] throughout the ages. They are generally depicted with four legs, wings, and a beak, with [[eagle]]-like talons in place of a [[lion]]'s forelegs and feathered, [[horse|equine]]-like ears jutting from its skull. Of the few variations that exist are the traditions that claim that only the females had wings, while others indicate that the griffin's tails are [[serpent]]-like.
+
[[Image:Schweizer Tapisseur 001.jpg|thumb|250 px|left|Detail of fifteenth century tapestry]]
 +
 
 +
Griffins have had a rather consistent [[physiology]] throughout the ages. They are generally depicted with four legs, two wings, and a beak, with [[eagle]]-like talons in place of a [[lion]]'s forelegs and feathered, and [[horse|equine]]-like ears jutting from the skull. Among the few variations are those traditions claiming that only the females had wings and others indicating that the griffin's tails are [[serpent]]-like.
  
 
==Origins==
 
==Origins==
[[Adrienne Mayor]], a classical [[folklore|folklorist]], has made tentative connections, in ''Fossil Hunters: Paleontology in Greek and Roman Times'', between the rich fossil beds around the [[Mediterranean]] and across the steppes to the [[Gobi Desert]] and the myths of griffins, [[centaurs]] and archaic giants originating in the classical world. Mayor draws upon similarities that exist between the [[Protoceratops]] (b.c.e. millions of years) skulls of the steppes leading to the Gobi Desert, and the legends of the gold-hoarding griffin told by nomadic Scythians of the region (less ancient). <ref> Mayor, Adrienne. "Fossil Hunters: Paleontology in Greek and Roman Times" Princeton University Press, 2000. </ref>  
+
One suggested set of associations extends from the rich [[fossil]] beds around the [[Mediterranean Sea|Mediterranean]] across the steppes to the [[Gobi Desert]] and on to the [[myth]]s of griffins, [[centaur]]s, and archaic giants originating in the classical world. Classical [[folklore|folklorist]] Adrienne Mayor draws upon similarities between the skulls of [[Protoceratops]] living millions of years ago in the steppes leading to the Gobi Desert, and the [[legend]]s of the [[gold]]-hoarding griffin told by [[nomad]]ic [[Scythian]]s of the region.<ref>Mayor, Adrienne. 2001. ''Fossil Hunters: Paleontology in Greek and Roman Times''. Princeton, NJ: Princeton University Press. ISBN 0691089779</ref>  
[[Image:Lots of Pictures 063 resize.jpg|thumb|right|Griffin ([[Homa]]) in [[Persepolis]], Iran]]
+
 
 +
While it is possible that ancient cultures devised griffin legends from the fossils of actual animals, it is more likely that the griffins were creations of myth and [[symbolism]].
  
While it is probable that ancient cultures devised griffin legends from the fossils of actual animals, it is more likely that the griffins were seen as creations of [[myth]] and symbolism.
+
The earliest references to griffins come out of [[Persian Empire|ancient Persia]]. In [[Persian mythology]], in particular during the [[Achaemenid Empire]], griffins or [[Homa]] were used widely as [[statue]]s and symbols in palaces. Homa also had a special place in Persian literature as guardians of light. In [[Ancient Egypt]], griffins were depicted with a slender, [[cat|feline]] body and the head of a [[falcon]]. Early statuary depicts them with wings that are horizontal and parallel along the back of the body. During the [[New Kingdom]], depictions of griffins included [[hunting]] scenes. Several figures in [[Egyptian mythology]] were depicted as griffins, including Sefer, Sefert, and Axex. Griffins were also sometimes seen as pulling the chariot of the [[pharaoh]]s.<ref> Crystal, Ellie. [http://www.crystalinks.com/griffins.html ''Griffins: The Eagle and the Lion''.] Access date: February 9, 2007.</ref>
The earliest references of griffins comes out of [[Ancient Persia]]. In [[Persian mythology]], in particular during the [[Achaemenid dynasty]], griffins called [[Homa (mythology)|Homa]] were used widely as statues and symbols in palaces. Homa also had a special place in [[Persian literature]] as guardians of light. In [[Ancient Egypt]], griffins were depicted with a slender, feline body and the head of a falcon. Early statuary depicts them with wings that are horizontal and parallel along the back of the body. During the [[New Kingdom]], depictions of griffins included hunting scenes. Several figures in [[Egyptian mythology]] were depicted as griffins, including Sefer, Sefert, and Axex. Griffins were also sometimes seen as pulling the chariot of the [[pharaoh]]s. <ref> Crystal, Ellie. "Griffins: The Eagle and the Lion" http://www.crystalinks.com/griffins.html Retrieved February 9, 2007 </ref>
 
  
Tales of griffins and the [[Arimaspi]] of distant [[Scythia]] near the cave of [[Boreas]], the North Wind (''Geskleithron'') were elaborated in the lost archaic poem of [[Aristeas|Aristeas of Proconnesus]], ''Arimaspea'', and eagerly reported by [[Herodotus]] and in [[Pliny's Natural History]]. The griffin was said to build a nest, like an eagle. Instead of eggs, it lays [[agate]]s. The animal was supposed to watch over gold [[mining|mines]] and hidden treasures, and to be the enemy of the horse. Griffins were consecrated to the [[Sun]]; and ancient painters represented the chariot of the Sun as drawn by griffins. The griffin was a common feature of "animal style" Scythian gold; it was said to inhabit the [[Scythia]] steppes that reached from the modern Ukraine to central [[Asia]]; there gold and precious stones were abundant; and when strangers approached to gather the stones, the creatures would leap on them and tear them to pieces.
+
Tales of griffins and the [[Arimaspi]] of distant [[Scythia]] near the cave of [[Boreas]], the North Wind ''(Geskleithron)'', were elaborated in the lost archaic poem of Aristeas of Proconnesus, ''Arimaspea'', and eagerly reported by [[Herodotus]] and in [[Pliny]]'s ''Natural History''. The griffin was said to build a nest, like an eagle. Instead of eggs, it laid [[agate]]s. The animal was supposed to watch over gold [[mining|mines]] and hidden treasures, and to be the enemy of the horse. Griffins were consecrated to the [[Sun]]; and ancient painters represented the chariot of the Sun as drawn by griffins. The griffin was a common feature of "animal style" Scythian gold; it was said to inhabit the Scythian steppes that reached from the modern [[Ukraine]] to central [[Asia]]; there gold and precious stones were abundant; and when strangers approached to gather the stones, the creatures would leap on them and tear them to pieces.
 
   
 
   
Elsewhere in Ancient Greek myth, the griffins were said to be "the hounds of Zeus", but were also associated with [[Nemesis]], the goddess of retribution, as well as the god [[Apollo]]. <ref> Hamilton, Edith "Mythology" Little Brown: New York, 1942 </ref>.
+
Elsewhere in Ancient [[Greek mythology]], the griffins were said to be "the hounds of Zeus," but were also associated with [[Nemesis]], the goddess of retribution, as well as the god [[Apollo]].<ref>Hamilton, Edith. 1998. ''Mythology''. Back Bay Books. ISBN 0316341517</ref>
  
Ancient [[Elam]]ites used griffin symbol extensively in their architecture. In Elam legends, a Griffin was presented to Elamite Gods.
+
Ancient [[Elam]]ites used griffin symbolism extensively in their [[architecture]]. In Elam legends, a Griffin was presented to Elamite Gods.
  
 
==European Cultural depictions==
 
==European Cultural depictions==
[[Image:Schweizer Tapisseur 001.jpg|thumb|200 px| Detail of fifteenth century tapestry]]
 
The griffin continued to be largely represented in the fine arts in Europe, such as tapestries and illustrations, but later on also began to take on [[Christian]] symbolism as well. The dual nature of the griffin was often mirrored to the dual nature of [[Christ]], particularly because a griffin flew in the sky as easily as it walked on the ground, complementing Christ's divine and human qualities. In English literature, the griffin became seen as a symbol of fidelity, thanks to the Irish writer Stephen Scotus, who used the griffin to represent the church's views on remarriage; griffins had one mate for life, and if one died, the other never mated again.
 
  
In architectural decoration the griffin is usually represented as a four-footed beast with wings and the head of a leopard or tiger with horns, or with the head and beak of an eagle.
+
The griffin continued to be largely represented in the fine arts in [[Europe]], such as [[tapestry|tapestries]] and illustrations, but later on also began to take on [[Christianity|Christian]] [[symbolism]] as well. The dual nature of the griffin was often seen as mirroring the dual nature of [[Jesus of Nazareth|Christ]], particularly because a griffin flew in the sky as easily as it walked on the ground, reflecting Christ's divine and human qualities. In English literature, the griffin became seen as a symbol of fidelity&mdash;griffins had one mate for life, and if one died, the other never mated again.
 +
 
 +
In [[architecture|architectural]] decoration the griffin is usually represented as a four-footed beast with wings and the head of a [[leopard]] or [[tiger]] with horns, or with the head and beak of an [[eagle]].
  
 
==Heraldic Griffins==
 
==Heraldic Griffins==
[[Image:Herb Gryf1.jpg|thumb|left|180px| Coat of Arms for Polish ''Herb'' (clan) Gryf]]
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[[image:griffin3.jpg|thumb|200px|Medieval figure of a heraldic griffin]]The griffin is often seen as a "charge" in [[heraldry]].<ref> ''The Gryphon In Heraldry''.</ref>
[[image:griffin3.jpg|thumb|200px|Medieval figure of a heraldic griffin]]The griffin is often seen as a [[heraldry#Charges|charge]] in [[heraldry]].
+
 
 +
A heraldic griffin (or gryphon) has the hind parts (including legs and tail) of a [[lion]], the upper parts (including feathered neck, wings, claws, and head with beak) of an [[eagle]] and also ears. The ears distinguish the griffin's head from an eagle's head in heraldry, which is important because the griffin's head would otherwise be identical to the head of the eagle, both of which are often found in heraldry as heads without bodies. Since the lion and the eagle were both important charges in heraldry, it is perhaps not surprising that their hybrid, the griffin, was also a frequent choice:
 +
<blockquote>In the late fourteenth century, John de Bado Aureo wrote "A Griffin borne in arms signifies that the first to bear it was a strong pugnacious man, in whom were found two distinct natures and qualities, those of the Eagle and the Lion."<ref>Nigg, Joe. 1995. ''Wonder Beasts: Tales and Lore of the Phoenix, the Griffin, the Unicorn, and the Dragon''. Libraries Unlimited. ISBN 156308242X</ref></blockquote>
  
A heraldic griffin (or gryphon) has the hind parts (including legs and tail) of a lion, the upper parts (including feathered neck, wings, claws, and head with beak) of an eagle and also ears.  It is the ears which distinguish the griffin's head from an eagle's head in heraldry, which is important because, as well as the full griffin, the griffin's head is also often found in heraldry and would otherwise be identical to the head of the eagle. Since the lion and the eagle were both important charges in heraldry, it is perhaps not surprising that their [[hybrid]], the griffin, was also a frequent choice.
+
Heraldic griffins are usually shown rearing up, facing left, and standing on one hind leg with the other leg and the claws raised: this posture is described in the Norman-French language of heraldry as ''segreant'', a word uniquely applied to griffins, and which is the exact equivalent of the description of lions and other creatures in heraldry as ''rampant''.  
 
 
Heraldic griffins are usually shown rearing up, facing left, and standing on one hind leg with the other leg and the claws raised: this posture is described in the Norman-French language of heraldry as "sergeant", a word uniquely applied to griffins, and which is the exact equivalent of the description of lions and other creatures in heraldry as "rampant". 
 
[[image:citylondonarms.jpg|thumb|200px|Arms of the City of London flanked by the dragons popularly referred to as griffins]]
 
A heraldic griffin was included as one of the ten [[Queen's Beasts]] sculpted for the coronation of [[Elizabeth II of the United Kingdom|Queen Elizabeth II]] in 1953 (following the model of the King’s Beasts at Hampton Court) and this is now on display at [[Kew Gardens]].
 
  
The City of London adopted what are usually described as griffins as supporters for its [[coat of arms]], and it marks its boundaries with statues of a single "griffin" carrying the City coat of arms at each road leading into the City of London. However, the City of London griffins are, in fact, heraldic dragons, with scaly bodies and wings, no feathers, and no eagle's beak.
+
A heraldic griffin was included as one of the ten Queen's Beasts sculpted for the coronation of [[Elizabeth II of the United Kingdom|Queen Elizabeth II]] in 1953 (following the model of the King’s Beasts at [[Hampton Court]]) and this is now on display at [[Kew Gardens]].
 +
 
 +
The City of [[London]] adopted what are usually described as griffins as supporters for its [[coat of arms]], and it marks its boundaries with statues of a single "griffin" carrying the City coat of arms at each road leading into the City of London. However, the City of London griffins are, in fact, heraldic [[dragon]]s, with scaly bodies and wings, no feathers, and no eagle's beak.
  
 
==Literature==
 
==Literature==
[[image:gryphon.gif|thumb|left|200px|Gryphon illustration by Sir John Tenniel for Lewis Carroll’s Alice in Wonderland]]
 
The griffin has appeared in various types of literature. Echoing the classical depictions, in [[Dante]]'s ''Purgatorio'' a griffin pulled the chariot that brought Beatrice to Dante in Canto XXIX.
 
  
A griffin (spelled "gryphon") is featured in [[Lewis Carroll]]'s ''Alice in Wonderland'' in which the Queen of Hearts' orders the gryphon to take Alice to see the Mock Turtle and hear its story. For a young generation in nineteenth century [[England]], Sir [[John Tenniel]]'s illustration depicting the gryphon in an unusually naturalistic style, brought into popular culture the new idea of the griffin as part of a childlike fantasy world, akin to [[unicorn]]s or [[elf|elves]].  
+
The griffin has appeared in various types of literature. Echoing the classical depictions, in [[Dante Alighieri]]'s ''Purgatorio'' a griffin pulled the chariot that brought Beatrice to Dante in Canto XXIX.  
  
A griffin-like creature also appears in [[Maurice Sendak]]'s classic ''Where the Wild Things Are''. Many pop culture publications that incorporate classical elements, such as ''Dungeons and Dragons'', also use representations of griffins.
+
In ''Paradise Lost'', [[John Milton]] makes use of their very wondrous nature in a variety of metaphors and similes through his retelling of Man's downfall in the [[Garden of Eden]]:
 +
::As when a Gryfon through the Wilderness
 +
::With winged course ore Hill or moarie Dale,
 +
::Pursues the Arimaspian, who by stealth
 +
::Had from his wakeful custody purloined
 +
::The guarded Gold: So eagerly the fiend
 +
::Ore bog or steep, through strait, rough, dense, or rare,
 +
::With head, hands, wings, or feet pursues his way <ref> Milton, John. 1667. ''Paradise Lost''. Book II, lines 943-950.</ref>
  
==Footnotes==
+
A griffin (spelled "gryphon") is featured in [[Lewis Carroll]]'s ''Alice in Wonderland'' in which the Queen of Hearts' orders the gryphon to take Alice to see the Mock Turtle and hear its story. For a young generation in nineteenth-century [[England]], Sir [[John Tenniel]]'s illustration depicting the gryphon in an unusually naturalistic style, brought into popular culture the new idea of the griffin as part of a childlike fantasy world, akin to [[unicorn]]s or [[elf|elves]].
 +
 
 +
A griffin-like creature also appears in [[Maurice Sendak]]'s classic ''Where the Wild Things Are''. Many pop culture publications that incorporate classical elements, such as ''Dungeons and Dragons'', also use representations of griffins.
 +
 
 +
==Notes==
 
<references/>
 
<references/>
 +
 +
==References==
 +
* Conway, D. J. ''Magickal Mystical Creatures: Invite Their Powers Into Your Life''. Llewellyn Publications, 2001. ISBN 156718149X
 +
* Nigg, Joe. ''Wonder Beasts: Tales and Lore of the Phoenix, the Griffin, the Unicorn, and the Dragon''. Libraries Unlimited, 1995.  ISBN 156308242X
 +
* Vinycomb, John. ''Fictitious and Symbolic Creatures in Art with Special Reference to Their Use in British Heraldry''. Kessinger Publishing, 2004. ISBN 0766182487
  
 
==External Links==
 
==External Links==
 
+
All links retrieved July 17, 2017.
*[http://www.gryphonpages.com/ The Gryphon Pages], a repository of griffin lore and information
+
*[http://touregypt.net/featurestories/beasts.htm Beasts of Ancient Egypt]  
*[http://www.isidore-of-seville.com/griffins/ Griffins in Art and on the Web], an "art history through griffins"
+
*[http://www.gryphonpages.com/ The Gryphon Pages] &ndash; a repository of griffin lore and information
*[http://homepage.mac.com/cparada/GML/BESTIARY.html Greek Mythology Link ''Bestiary'':] Griffin, quoting [[Herodotus]], [[Pausanias (geographer)|Pausanias]], [[Strabo]]
 
*[http://pup.princeton.edu/titles/6811.html Fossil Hunters: Paleontology in Greek and Roman Times]
 
 
*[http://www.mythicalrealm.com/creatures/aerie.html Lady Gryphon's Mythical Realm: Griffin Aerie]  
 
*[http://www.mythicalrealm.com/creatures/aerie.html Lady Gryphon's Mythical Realm: Griffin Aerie]  
*[http://touregypt.net/featurestories/beasts.htm Beasts of Ancient Egypt]
 
*Gryphons on [http://www.guildersgallery.com/wiki/index.php/Gryphon GryphonWiki]
 
 
  
 
{{Credit1|Griffin|93539246|}}
 
{{Credit1|Griffin|93539246|}}

Latest revision as of 19:20, 31 January 2023


The logo of Cottasche Verlagsbuchhandlung, Stuttgart

The Griffin (sometimes spelled gryphon or griffen, gryphos in Ancient Greek or شیردال shirdal in Persian) is a legendary creature with the body of a lion and the head and wings of an eagle. Seen as guardians of secretly buried wealth, the griffin evolved from a ferocious animal of antiquity to become a symbol of strength and valor. It is one of the most common mythical creatures to appear in heraldic images, fittingly representing the hoped for nobility of leaders in human society.

Overview

Detail of fifteenth century tapestry

Griffins have had a rather consistent physiology throughout the ages. They are generally depicted with four legs, two wings, and a beak, with eagle-like talons in place of a lion's forelegs and feathered, and equine-like ears jutting from the skull. Among the few variations are those traditions claiming that only the females had wings and others indicating that the griffin's tails are serpent-like.

Origins

One suggested set of associations extends from the rich fossil beds around the Mediterranean across the steppes to the Gobi Desert and on to the myths of griffins, centaurs, and archaic giants originating in the classical world. Classical folklorist Adrienne Mayor draws upon similarities between the skulls of Protoceratops living millions of years ago in the steppes leading to the Gobi Desert, and the legends of the gold-hoarding griffin told by nomadic Scythians of the region.[1]

While it is possible that ancient cultures devised griffin legends from the fossils of actual animals, it is more likely that the griffins were creations of myth and symbolism.

The earliest references to griffins come out of ancient Persia. In Persian mythology, in particular during the Achaemenid Empire, griffins or Homa were used widely as statues and symbols in palaces. Homa also had a special place in Persian literature as guardians of light. In Ancient Egypt, griffins were depicted with a slender, feline body and the head of a falcon. Early statuary depicts them with wings that are horizontal and parallel along the back of the body. During the New Kingdom, depictions of griffins included hunting scenes. Several figures in Egyptian mythology were depicted as griffins, including Sefer, Sefert, and Axex. Griffins were also sometimes seen as pulling the chariot of the pharaohs.[2]

Tales of griffins and the Arimaspi of distant Scythia near the cave of Boreas, the North Wind (Geskleithron), were elaborated in the lost archaic poem of Aristeas of Proconnesus, Arimaspea, and eagerly reported by Herodotus and in Pliny's Natural History. The griffin was said to build a nest, like an eagle. Instead of eggs, it laid agates. The animal was supposed to watch over gold mines and hidden treasures, and to be the enemy of the horse. Griffins were consecrated to the Sun; and ancient painters represented the chariot of the Sun as drawn by griffins. The griffin was a common feature of "animal style" Scythian gold; it was said to inhabit the Scythian steppes that reached from the modern Ukraine to central Asia; there gold and precious stones were abundant; and when strangers approached to gather the stones, the creatures would leap on them and tear them to pieces.

Elsewhere in Ancient Greek mythology, the griffins were said to be "the hounds of Zeus," but were also associated with Nemesis, the goddess of retribution, as well as the god Apollo.[3]

Ancient Elamites used griffin symbolism extensively in their architecture. In Elam legends, a Griffin was presented to Elamite Gods.

European Cultural depictions

The griffin continued to be largely represented in the fine arts in Europe, such as tapestries and illustrations, but later on also began to take on Christian symbolism as well. The dual nature of the griffin was often seen as mirroring the dual nature of Christ, particularly because a griffin flew in the sky as easily as it walked on the ground, reflecting Christ's divine and human qualities. In English literature, the griffin became seen as a symbol of fidelity—griffins had one mate for life, and if one died, the other never mated again.

In architectural decoration the griffin is usually represented as a four-footed beast with wings and the head of a leopard or tiger with horns, or with the head and beak of an eagle.

Heraldic Griffins

Medieval figure of a heraldic griffin

The griffin is often seen as a "charge" in heraldry.[4]

A heraldic griffin (or gryphon) has the hind parts (including legs and tail) of a lion, the upper parts (including feathered neck, wings, claws, and head with beak) of an eagle and also ears. The ears distinguish the griffin's head from an eagle's head in heraldry, which is important because the griffin's head would otherwise be identical to the head of the eagle, both of which are often found in heraldry as heads without bodies. Since the lion and the eagle were both important charges in heraldry, it is perhaps not surprising that their hybrid, the griffin, was also a frequent choice:

In the late fourteenth century, John de Bado Aureo wrote "A Griffin borne in arms signifies that the first to bear it was a strong pugnacious man, in whom were found two distinct natures and qualities, those of the Eagle and the Lion."[5]

Heraldic griffins are usually shown rearing up, facing left, and standing on one hind leg with the other leg and the claws raised: this posture is described in the Norman-French language of heraldry as segreant, a word uniquely applied to griffins, and which is the exact equivalent of the description of lions and other creatures in heraldry as rampant.

A heraldic griffin was included as one of the ten Queen's Beasts sculpted for the coronation of Queen Elizabeth II in 1953 (following the model of the King’s Beasts at Hampton Court) and this is now on display at Kew Gardens.

The City of London adopted what are usually described as griffins as supporters for its coat of arms, and it marks its boundaries with statues of a single "griffin" carrying the City coat of arms at each road leading into the City of London. However, the City of London griffins are, in fact, heraldic dragons, with scaly bodies and wings, no feathers, and no eagle's beak.

Literature

The griffin has appeared in various types of literature. Echoing the classical depictions, in Dante Alighieri's Purgatorio a griffin pulled the chariot that brought Beatrice to Dante in Canto XXIX.

In Paradise Lost, John Milton makes use of their very wondrous nature in a variety of metaphors and similes through his retelling of Man's downfall in the Garden of Eden:

As when a Gryfon through the Wilderness
With winged course ore Hill or moarie Dale,
Pursues the Arimaspian, who by stealth
Had from his wakeful custody purloined
The guarded Gold: So eagerly the fiend
Ore bog or steep, through strait, rough, dense, or rare,
With head, hands, wings, or feet pursues his way [6]

A griffin (spelled "gryphon") is featured in Lewis Carroll's Alice in Wonderland in which the Queen of Hearts' orders the gryphon to take Alice to see the Mock Turtle and hear its story. For a young generation in nineteenth-century England, Sir John Tenniel's illustration depicting the gryphon in an unusually naturalistic style, brought into popular culture the new idea of the griffin as part of a childlike fantasy world, akin to unicorns or elves.

A griffin-like creature also appears in Maurice Sendak's classic Where the Wild Things Are. Many pop culture publications that incorporate classical elements, such as Dungeons and Dragons, also use representations of griffins.

Notes

  1. Mayor, Adrienne. 2001. Fossil Hunters: Paleontology in Greek and Roman Times. Princeton, NJ: Princeton University Press. ISBN 0691089779
  2. Crystal, Ellie. Griffins: The Eagle and the Lion. Access date: February 9, 2007.
  3. Hamilton, Edith. 1998. Mythology. Back Bay Books. ISBN 0316341517
  4. The Gryphon In Heraldry.
  5. Nigg, Joe. 1995. Wonder Beasts: Tales and Lore of the Phoenix, the Griffin, the Unicorn, and the Dragon. Libraries Unlimited. ISBN 156308242X
  6. Milton, John. 1667. Paradise Lost. Book II, lines 943-950.

References
ISBN links support NWE through referral fees

  • Conway, D. J. Magickal Mystical Creatures: Invite Their Powers Into Your Life. Llewellyn Publications, 2001. ISBN 156718149X
  • Nigg, Joe. Wonder Beasts: Tales and Lore of the Phoenix, the Griffin, the Unicorn, and the Dragon. Libraries Unlimited, 1995. ISBN 156308242X
  • Vinycomb, John. Fictitious and Symbolic Creatures in Art with Special Reference to Their Use in British Heraldry. Kessinger Publishing, 2004. ISBN 0766182487

External Links

All links retrieved July 17, 2017.

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