Difference between revisions of "Django Reinhardt" - New World Encyclopedia

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'''Jean Baptiste "[[Django]]" Reinhardt''' ([[January 23]], [[1910]] – [[May 16]], [[1953]]) through his remarkable improvisational skills on guitar
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'''Jean Baptiste "[[Django]]" Reinhardt''' ([[January 23]], [[1910]] – [[May 16]], [[1953]]), the legendary gypsy jazz guitarist, is one of the most innovational European musicians of the twentieth century, having contributed to the transformation of early straight jazz to "hot jazz" with his masterful improvisational skills and long, dancing arpeggios.
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Born into and raised along the caravan trail traveled by a tribe of French gypsies, or Manouches, Reinhardt picked up music early on, inheriting the assimilated stylings of his nomadic culture who moved from region to region acquiring new musical influences as they went. Django later incorporated his unique musical upbringing into the already thriving jazz scene, introducing to the world an interpretation of the genre which still holds influence today.
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==Biography==
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Born in [[Liberchies]], [[Pont-à-Celles]], [[Belgium]], Reinhardt spent most of his youth in [[Roma people|gypsy]] encampments close to [[Paris]], playing [[banjo]], [[guitar]] and [[violin]] from an early age professionally at [[Bal-musette]] halls in [[Paris]]. He started first on the [[violin]] and eventually moved on to a [[Guitjo|banjo-guitar]] that had been given to him and his first known recordings (in 1928) were of him playing the banjo (a banjo guitar has six strings tuned in standard guitar tuning).
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[[Image:Django_Reinhardt.jpg|thumb|left|Django Reinhardt as a boy]]
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At the age of 18 Reinhardt was injured in a fire that ravaged the caravan he shared with Bella, his first wife. They were very poor, and when the fire broke out they lost what little they had. She made imitation flowers out of celluloid and paper for her living.  Consequently, their home was full of this highly flammable material. Returning from a performance late one night, Django apparently knocked over a candle on his way to bed. While his family and neighbors were quick to pull him to safety, he received first- and second-degree burns over half his body.  His right leg was paralyzed and his left hand was badly burnt. Doctors believed that he would never play guitar again and intended to amputate the leg. But he left the hospital after a short time and within a year could walk with use of a cane. 
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His brother Joseph Reinhardt, an accomplished guitarist in his own right, bought Django a new guitar.  With painful rehabilitation and practice Django relearned his craft in a completely new way, even as his third and fourth fingers remained partially paralyzed.  Hence, he used to play solos with only two fingers, and managed to use the injured one for some chords.
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[[Image:Django&Grappelli.jpg|right|300px|Reinhardt (left) & Grappelli (right).]]
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In 1934, Louis Vola formed the "[[Quintette du Hot Club de France]]" with
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Reinhardt, [[violin]]ist [[Stéphane Grappelli]], Reinhardt's brother [[Joseph Reinhardt|Joseph]] and [[Roger Chaput]] on guitar, and [[Louis Vola|himself]] on bass. Occasionally Chaput was replaced by [[Pierre Ferret|Pierre "Baro" Ferret]]. The concept of "lead guitar" (Django) and backing "rhythm guitar" (Joseph Reinhardt/Roger Chaput or Pierre Ferret) was born with that band. They also used their guitars for percussive sounds, as they had no true percussion section.
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no other jazz musician who has a whole genre developed in his wake...gypsy jazz...cultural hero to young gypsies and play his music as an homage to him
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i lost my love for travel until i realized that every molecule contains its own distinct world.
  
 
gypsies, picking up music as they travel and leaving behind, were perfect conduits of the world music spirit
 
gypsies, picking up music as they travel and leaving behind, were perfect conduits of the world music spirit
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one visit to u.s. and the great myth is that it was a complete disaster....1946 with duke ellington's orchestra as a special guest soloist....media couldn't fine enough superlatives for his music...was a dreamer, and thought he would become a great american star...but this didn't happen so he considered the tour a failure...came to america playing swing, returned to paris thinking of beebop and modern jazz which is the new direction he took
 
one visit to u.s. and the great myth is that it was a complete disaster....1946 with duke ellington's orchestra as a special guest soloist....media couldn't fine enough superlatives for his music...was a dreamer, and thought he would become a great american star...but this didn't happen so he considered the tour a failure...came to america playing swing, returned to paris thinking of beebop and modern jazz which is the new direction he took
 
no other jazz musician who has a whole genre developed in his wake...gypsy jazz...cultural hero to young gypsies and play his music as an homage to him
 
 
 
 
 
 
 
 
was a [[Belgium|Belgian]] [[Sinti|Sinto]] [[jazz]] [[guitarist]]. He was one of the first prominent jazz musicians to be born in Europe, and one of the most renowned jazz guitarists of all time. His most renowned tunes include "My Sweet", "Minor Swing", "Tears", "Belleville", "Djangology" and "Nuages" ([[French language|French]], meaning "Clouds").  His name is pronounced {{IPA|[dʒɑ̃ŋˌgo ʀeˈnɑʀt]}}.
 
 
==Biography==
 
Born in [[Liberchies]], [[Pont-à-Celles]], [[Belgium]], Reinhardt spent most of his youth in [[Roma people|gypsy]] encampments close to [[Paris]], playing [[banjo]], [[guitar]] and [[violin]] from an early age professionally at [[Bal-musette]] halls in [[Paris]]. He started first on the [[violin]] and eventually moved on to a [[Guitjo|banjo-guitar]] that had been given to him and his first known recordings (in 1928) were of him playing the banjo (a banjo guitar has six strings tuned in standard guitar tuning).
 
[[Image:Django_Reinhardt.jpg|thumb|left|Django Reinhardt as a boy]]
 
 
At the age of 18 Reinhardt was injured in a fire that ravaged the caravan he shared with Bella, his first wife. They were very poor, and when the fire broke out they lost what little they had. She made imitation flowers out of celluloid and paper for her living.  Consequently, their home was full of this highly flammable material. Returning from a performance late one night, Django apparently knocked over a candle on his way to bed. While his family and neighbors were quick to pull him to safety, he received first- and second-degree burns over half his body.  His right leg was paralyzed and his left hand was badly burnt. Doctors believed that he would never play guitar again and intended to amputate the leg. But he left the hospital after a short time and within a year could walk with use of a cane. 
 
 
His brother Joseph Reinhardt, an accomplished guitarist in his own right, bought Django a new guitar.  With painful rehabilitation and practice Django relearned his craft in a completely new way, even as his third and fourth fingers remained partially paralyzed.  Hence, he used to play solos with only two fingers, and managed to use the injured one for some chords.
 
[[Image:Django&Grappelli.jpg|right|300px|Reinhardt (left) & Grappelli (right).]]
 
In 1934, Louis Vola formed the "[[Quintette du Hot Club de France]]" with
 
Reinhardt, [[violin]]ist [[Stéphane Grappelli]], Reinhardt's brother [[Joseph Reinhardt|Joseph]] and [[Roger Chaput]] on guitar, and [[Louis Vola|himself]] on bass. Occasionally Chaput was replaced by [[Pierre Ferret|Pierre "Baro" Ferret]]. The concept of "lead guitar" (Django) and backing "rhythm guitar" (Joseph Reinhardt/Roger Chaput or Pierre Ferret) was born with that band. They also used their guitars for percussive sounds, as they had no true percussion section.
 
  
 
Reinhardt later formed bands with more conventional instrumentations as with [[clarinet]] or [[saxophone]], [[piano]], [[double bass|bass]] and [[drums]]. He produced numerous recordings at this time with the quintet. But he played and recorded also with many American Jazz legends such as [[Coleman Hawkins]], [[Benny Carter]],  [[Rex Stewart]] (who later stayed in Paris), and a jam-session with jazz legend [[Louis Armstrong]]. Reinhardt could neither read nor write music, and was barely literate.  Stéphane took the band's downtime to teach him.
 
Reinhardt later formed bands with more conventional instrumentations as with [[clarinet]] or [[saxophone]], [[piano]], [[double bass|bass]] and [[drums]]. He produced numerous recordings at this time with the quintet. But he played and recorded also with many American Jazz legends such as [[Coleman Hawkins]], [[Benny Carter]],  [[Rex Stewart]] (who later stayed in Paris), and a jam-session with jazz legend [[Louis Armstrong]]. Reinhardt could neither read nor write music, and was barely literate.  Stéphane took the band's downtime to teach him.

Revision as of 19:13, 24 May 2007

Template:Infobox Guitarist

Jean Baptiste "Django" Reinhardt (January 23, 1910 – May 16, 1953), the legendary gypsy jazz guitarist, is one of the most innovational European musicians of the twentieth century, having contributed to the transformation of early straight jazz to "hot jazz" with his masterful improvisational skills and long, dancing arpeggios.

Born into and raised along the caravan trail traveled by a tribe of French gypsies, or Manouches, Reinhardt picked up music early on, inheriting the assimilated stylings of his nomadic culture who moved from region to region acquiring new musical influences as they went. Django later incorporated his unique musical upbringing into the already thriving jazz scene, introducing to the world an interpretation of the genre which still holds influence today.


Biography

Born in Liberchies, Pont-à-Celles, Belgium, Reinhardt spent most of his youth in gypsy encampments close to Paris, playing banjo, guitar and violin from an early age professionally at Bal-musette halls in Paris. He started first on the violin and eventually moved on to a banjo-guitar that had been given to him and his first known recordings (in 1928) were of him playing the banjo (a banjo guitar has six strings tuned in standard guitar tuning).

File:Django Reinhardt.jpg
Django Reinhardt as a boy

At the age of 18 Reinhardt was injured in a fire that ravaged the caravan he shared with Bella, his first wife. They were very poor, and when the fire broke out they lost what little they had. She made imitation flowers out of celluloid and paper for her living. Consequently, their home was full of this highly flammable material. Returning from a performance late one night, Django apparently knocked over a candle on his way to bed. While his family and neighbors were quick to pull him to safety, he received first- and second-degree burns over half his body. His right leg was paralyzed and his left hand was badly burnt. Doctors believed that he would never play guitar again and intended to amputate the leg. But he left the hospital after a short time and within a year could walk with use of a cane.

His brother Joseph Reinhardt, an accomplished guitarist in his own right, bought Django a new guitar. With painful rehabilitation and practice Django relearned his craft in a completely new way, even as his third and fourth fingers remained partially paralyzed. Hence, he used to play solos with only two fingers, and managed to use the injured one for some chords.

In 1934, Louis Vola formed the "Quintette du Hot Club de France" with Reinhardt, violinist Stéphane Grappelli, Reinhardt's brother Joseph and Roger Chaput on guitar, and himself on bass. Occasionally Chaput was replaced by Pierre "Baro" Ferret. The concept of "lead guitar" (Django) and backing "rhythm guitar" (Joseph Reinhardt/Roger Chaput or Pierre Ferret) was born with that band. They also used their guitars for percussive sounds, as they had no true percussion section.

no other jazz musician who has a whole genre developed in his wake...gypsy jazz...cultural hero to young gypsies and play his music as an homage to him

i lost my love for travel until i realized that every molecule contains its own distinct world.

gypsies, picking up music as they travel and leaving behind, were perfect conduits of the world music spirit father was a musician, mother sang and danced on the tailgate of their caravan guitar virtuosa and incorporate gypsy music into his jazz sometimes jaunty, sometimes sad django= romany word that meant "i awake"...a first person verb that seemed to have some kind of sense of destiny playing music at country fairs and at towns to earn money...fixing musical instruments, weaving baskets, etc. french musicals...first learned violin from his father around camp fires, later played banjo, when he was 14 hired to play in an underworld working class dance halls of paris accompanying classical parisian accordianist...long,glorious arpeggios of notes using two fingers dashing up and down the fret board

can you do this? sir, i will die without having ever learned how to do anything remotely like this.

nazis were rounding up gypsies, nazis liked jazz, paris was the nazis brothel...greatest star was django so they spared him.

nuage means clouds, bittersweet melancholy, ersatz anthem for the french, invoking the days before the war

didn't talk much in general, similar to harpo marx when on stage, talked through his guitar, french was his second languge, romany his first

would vanish from time to time, heard the call of nature, disappearing for a week or two weeks to play at gypsy campfires, played when the spirit moved him

owned his own club in paris during second world war

pre-fire recordings? yes, but mostly where he's backing up the accordianist on the banjo...you here the viruouso, but not the arpeggios

friend took him upstairs and played him a record...1933, 1932...indian cradle song by louis armstrong turned achmon, my brother, my brother, stupifaction at this music that represented incredible freedom...played jazz for the rest of his life.

gypsy legend

index finger and long finger on his fretting hand, other two fingers formed into a claw

was definitely a family man, gypsies are famous for extended family...was around his family all the time...his brother was his rhythem guitarist

wherever he stayed became an encampment for his extended family...had difficulty moving into normal apartments...would leave water running to sound like a stream, hated electric lights and preferred lanterns

one visit to u.s. and the great myth is that it was a complete disaster....1946 with duke ellington's orchestra as a special guest soloist....media couldn't fine enough superlatives for his music...was a dreamer, and thought he would become a great american star...but this didn't happen so he considered the tour a failure...came to america playing swing, returned to paris thinking of beebop and modern jazz which is the new direction he took

Reinhardt later formed bands with more conventional instrumentations as with clarinet or saxophone, piano, bass and drums. He produced numerous recordings at this time with the quintet. But he played and recorded also with many American Jazz legends such as Coleman Hawkins, Benny Carter, Rex Stewart (who later stayed in Paris), and a jam-session with jazz legend Louis Armstrong. Reinhardt could neither read nor write music, and was barely literate. Stéphane took the band's downtime to teach him.

As World War II was declared, the original quintet was on tour in the United Kingdom. Reinhardt returned to Paris at once, leaving his wife behind. Grappelli remained in the United Kingdom for the duration of the war and Reinhardt reformed the quintet in Paris with Hubert Rostaing on clarinet in place of Grappelli's violin.

Reinhardt survived World War II unscathed, unlike many other Gypsies who perished in the concentration death camps of the Nazis. It was especially hard for Django's people because jazz itself was not allowed under Hitler's regime. He had the help of a Luftwaffe official named Dietrich Schulz-Köhn, also known as "Doktor Jazz", who deeply admired his music. In 1943 Django married Sophie Ziegler in Salbris, with whom he had a son, Babik Reinhardt, who went on to become a respected guitarist in his own right.

After the war, Reinhardt rejoined Grappelli in the UK, and went on to tour the United States, opening for Duke Ellington, and playing at Carnegie Hall, with many notable musicians and composers such as Maury Deutsch. Despite Reinhardt's great pride in touring with Ellington (one of his two letters to Grappelli relates this excitement), he wasn't really integrated into the band, playing only a few tunes at the end of the show, with no special arrangements written personally for him. He was used to his brother, Joseph, carrying around his guitar for him and tuning it. Allegedly, Reinhardt was given an untuned guitar to play with (discovered after strumming a chord) and it took him five whole minutes to tune it. Also, he was used to playing the Selmer Maccaferri, the guitar he made famous, but he was required to play a new amplified model. After "going electric", the results were not as much liked by fans. He returned to France with broken dreams, but continued to play and make many recordings.

Django Reinhardt was among the first people in France to appreciate and understand the music of Charlie Parker and Dizzy Gillespie whom he sought after when he arrived in New York. Unfortunately they were all on tour.

After returning to France, Django spent the remainder of his days re-immersed in gypsy life, having found it difficult to adjust to the modern world. He would sometimes show up for concerts without a guitar or amp, or wander off to the park or beach, and on a few occasions he refused even to get out of bed. However, he did continue to compose and is regarded as among the most advanced guitar players of jazz music.

In 1948, Reinhardt recruited a few Italian jazz players (on bass, piano, and snare drum) and recorded one of his most acclaimed contributions, "Djangology", once again with his compatriot Stephane Grappelli on violin. However, his experience in the U.S. made him a different person than what Grappelli had known, influenced greatly by American jazz. But on this recording, Reinhardt switched back to his old roots, once again playing the Acoustic Selmer-Maccafferi. This recording was recently discovered by jazz enthusiasts and is now available in the U.S. and Europe.

In 1951, he retired to Samois sur Seine, France, near Fontainebleau. He lived there for two years until May 16, 1953, when, while returning from the Avon train station, he collapsed outside his house from a brain hemorrhage. It took a full day for a doctor to arrive and Django was declared dead on arrival at the hospital in Fontainebleau.

Distinctive features

  • Reinhardt and other guitarists of the Quintet of the Hot Club of France used a Selmer Maccaferri acoustic guitar.
  • The Quintet of the Hot Club of France was one of the few well-known jazz bands to have no drums or percussion section. The percussive sounds were played on a guitar.
  • Reinhardt was known by his band, fans, and managers to be extremely unpredictable. He would often skip sold-out concerts to simply "walk to the beach" or "smell the dew".

Trivia

Influence on and admiration by other musicians

Many musicians have expressed admiration for Reinhardt, including guitarist Jimmy McCulloch, classical guitarist Julian Bream; country artist Chet Atkins, who placed Reinhardt #1 on a list of the ten greatest guitarists of the 20th century (he placed himself fifth); Latin rocker Carlos Santana; blues legend B.B. King; the Grateful Dead's Jerry Garcia; Black Sabbath's Tony Iommi; Jimi Hendrix; Shawn Lane; Stevie Ray Vaughan; Mark Knopfler; Les Paul; Joe Pass; Peter Frampton; Denny Laine;Jeff Beck; Steve Howe; Charlie Christian; George Benson; Wes Montgomery; Martin Taylor; Tchavolo Schmitt; Stochelo Rosenberg; Biréli Lagrène; John Jorgenson; Michael Angelo Batio; Richard Thompson; Robert Fripp; and Jeff Martin. Willie Nelson wore a Django Reinhardt T-shirt on tour in Europe in 2002, stating in an interview that he admired Django's music and ability. The British guitarist Diz Disley plays in a style based on Reinhardt's technique and he collaborated on numerous projects with Stéphane Grappelli;

Reinhardt also had an influence on other styles and musical genres, including Western Swing, notably in the work of Bob Wills.

Musicians have paid tribute to Reinhardt in many other ways, such as by invoking his name in their own work or personal life. Jimi Hendrix is said to have named one of his bands the Band of Gypsys because of Django's music. A number of musicians named their sons Django in reference to Reinhardt, including David Crosby, former Slade singer Noddy Holder, Jerry Jeff Walker, Richard Durrant, and actors Nana Visitor and Raphael Sbarge. Jazz musician Django Bates was named after him.

Songs written in Reinhardt's honor include "Django," composed by John Lewis, which has become a jazz standard performed by musicians such as Miles Davis. The Modern Jazz Quartet titled one of their albums Django in honor of him. The Allman Brothers Band song Jessica was written by Dickey Betts in tribute to Reinhardt — he wanted to write a song that could be played using only two fingers. This aspect of the artist's work also motivated Black Sabbath guitarist Tony Iommi, who was inspired by Reinhardt to keep playing guitar after a factory accident that cost him two fingertips.

In 2005, Django Reinhardt ended on the 66th place in the election of The Greatest Belgian (De Grootste Belg) in Flanders and on the 76th place in the Walloon version of the same competition Le plus grand belge.

Reinhardt in popular culture

Movies

  • Reinhardt is the idol of the fictional 1930s guitarist Emmet Ray (played by Sean Penn), who passes out upon meeting Django in the Woody Allen film Sweet and Lowdown (1999).
  • Reinhardt is portrayed in the opening sequence of the 2003 animated film Les Triplettes de Belleville. The third and fourth fingers of the cartoon Reinhardt are considerably smaller than the fingers used to play the guitar.
  • He is portrayed by guitarist John Jorgenson in the movie Head in the Clouds.
  • The song Johnny Depp plays in the river party scene in Lasse Hallström's Chocolat was Django and Grapelli's hit, "Minor Swing".
  • Reinhardt's music has been used in the soundtrack of many films, including the oracle scene in The Matrix; Rhythm Futur (95 minute mark) and I Can't Give You Anything But Love (41 minute mark) in The Aviator; Nuages in Gattaca; the score for Louis Malle's 1974 movie, Lacombe Lucien;the background for the Steve Martin movie L.A. Story; the background for a number of Woody Allen movies, including Stardust Memories, where Woody's character plays a Django record; Honeysuckle Rose in the background of the Central Park carriage ride scene in Kate and Leopold; during the Juilliard audition in the movie Daltry Calhoun; Minor Swing and Blues Clair in Metroland for which Mark Knopfler wrote the score; his rendition of Brazil can be heard on the "Something's Gotta Give" soundtrack; and Minor Swing in the scene in the painter's house in the Italian film "I Cento Passi". Reinhardt's work also figures heavily into B. Monkey and The Pallbearer.
  • Reinhardt is the idol of the character Arvid in the movie Swing Kids. The character loses movement in two of his fingers, but is inspired to continue by Reinhardt's example.
  • An extended discussion of Reinhardt takes place among several characters in the novel From Here to Eternity by James Jones.
  • The character Andre Custine has a double bass that had been played by Reinhardt in the novel Century Rain by Alastair Reynolds.
  • The 2002 video game Mafia used many of his songs on the soundtrack.
  • Sealab 2021 paid tribute to Django in the episode "Bebop Cola". In it, Captain Murphy comments on a drink dispensed from the Bebop Cola machine: "Ahh, Mango Reinhardt! The thinking man's pop!"
  • Harlan Ellison's short story "Django" is a fantasia about a guitarist, with similarities to Reinhardt.
  • The Django web framework, a Python web framework, was named after Reinhardt.
  • Author William Kotzwinkle's 1989 collection, The Hot Jazz Trio stars Reinhardt in a surrealistic fantasy also featuring Pablo Picasso.
  • In the classic Italian western, "Django", the titular hero is presumably named after Reinhardt. In the climax of the movies, his hands are smashed by his enemies and he is forced to fire a gun with his wounded hands,
  • The song Django from the 1973 Lindsey Buckingham / Stevie Nicks self-titled debut album is presumably a tribute to Reinhardt.
  • The song "Muskrat Love" by America (band) makes a comment about Django, though spelled "Jango" in the lyrics.

Discography

Releases

  • 1945 Paris 1945
  • 1951 Django Reinhardt and the Hot Club Quintet
  • 1951 At Club St. Germain
  • 1953 Django Reinhardt et Ses Rythmes
  • 1954 The Great Artistry of Django Reinhardt
  • 1955 Django's Guitar
  • 1959 Django Reinhardt and His Rhythm
  • 1980 Routes to Django Reinhardt - Bireli Lagrene, www.jazzpoint.de
  • 1996 Imagine
  • 2001 All Star Sessions
  • 2001 Jazz in Paris: Swing 39
  • 2002 Djangology (remastered) (recorded in 1948, discovered, remastered and released by Bluebird Records)
  • 2003 Jazz in Paris: Nuages
  • 2003 Jazz in Paris: Nuits de Saint-Germain des-Prés
  • 2004 Le Génie Vagabond
  • At least eight compilations have also been released.

See also

  • Gypsy Jazz
  • Golden Django
  • Django Reinhardt Jazz Festival
  • Jazz manouche
  • List of Roma, Sinti and Mixed People
  • Oscar Alemán
  • Sinti
  • List of compositions by Django Reinhardt

External links

Credits

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