Wills, Bob

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'''James Robert (Bob) Wills''' (March 6, 1905 – May 13, 1975) was an [[United States|American]] [[country music]]ian, [[songwriter]], and [[big band]] leader.
 
  
==New Mexico, Texas, and Oklahoma==
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{{epname|Wills, Bob}}
He was born near [[Kosse, Texas]]; his father was a [[Musical styles (violin)#Fiddle|fiddle]] player who along with his grandfather, taught the young Wills to play the fiddle and the [[mandolin]]. After several years of drifting, "Jim Rob," then in his 20s, attended barber school, got married, and moved first to [[Roy, New Mexico]] then to [[Turkey, Texas]] (now considered his home town) to be a barber. He alternated barbering and fiddling even when he moved to [[Fort Worth, Texas|Fort Worth]] to pursue a career in music.  It was there that while performing in a [[medicine show]], where he learned comic timing and some of the famous "patter" he later delivered on his records, the show's owner gave him the nickname "Bob."
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[[Image:Bob Wills photograph - Cropped.jpg|thumb|300px|]]
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'''James Robert (Bob) Wills''' (March 6, 1905 – May 13, 1975) was an [[United States|American]] [[country music]]ian, [[songwriter]], and band leader. A pioneer of the [[Western Swing]] genre, Wills merged traditional country music with sophisticated jazz-influenced arrangements in the "[[big band]]" style.
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{{toc}}
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At its height in the 1940s, Wills' brand of Western Swing was outdrawing the most famous northern dance [[orchestra]]s. A captivating performer who entertained audiences with his stage banter and vocal encouragement of his fellow musicians as much as his own [[fiddle]] playing and singing, Wills' music gained a strong following first in [[Oklahoma]] and [[Texas]], then throughout the southern and western [[United States]]. After [[World War II]], he became a major force in developing the country music business in [[California]] and a strong influence on future country music stars such as [[Buck Owens]], [[Willie Nelson]], and [[Merle Haggard]]. His songs, especially "San Antonio Rose" and "Faded Love," remain country classics and have been covered by scores of artists.
  
In Fort Worth, Wills met Herman Arnspinger and formed The Wills Fiddle Band. In [[The 1930s in country music|1930]] [[Milton Brown]] joined the group as lead vocalist and brought a sense of innovation and experimentation to the band, now called the [[Light Crust Doughboys]] due to radio sponsorship by the makers of Light Crust Flour. Brown left the band in [[The 1930s in country music#1932|1932]] to form the Musical Brownies, the first true [[Western swing]] band. Brown added twin fiddles, tenor [[banjo]] and slap bass, pointing the music in the direction of swing, which they played on local [[radio]] and at [[dancehalls]].
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==Early years==
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Wills was born on a farm near Kosse, [[Texas]] on March 6, 1905, the first of ten children born to John and Emma Wills. His father was a [[fiddle]] player who, along with Bob's grandfather, taught the young Wills to play both fiddle and [[mandolin]]. His first public performance was at a ranch dance in 1915. At 17 he left home to travel.
  
Wills remained with the Doughboys and replaced Brown with new singer [[Tommy Duncan]] in 1932. He found himself unnable to get along with future Texas Governor [[W. Lee "Pappy" O'Daniel]], the authoritarian host of the Light Crust Doughboy radio show. O'Daniel had parlayed the show's popularity into growing power within Light Crust Flour's parent company, Burrus Mill and Elevator Company and wound up as General Manager, though he despised what he considered "hillbilly music." Wills and Duncan left the Doughboys in [[The 1930s in country music#1933|1933]] after Wills had missed one show too many due to his sporadic drinking.
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In his 20s, "Jim Rob" attended [[barber]] school, got married, and moved first to [[Roy, New Mexico]] then to [[Turkey, Texas]] to be a barber. He continued alternating between barbering and fiddling even when he moved to [[Fort Worth, Texas|Fort Worth]] to pursue a career in music. It was there, while performing in a [[medicine show]], that he learned comic timing and some of the famous "patter" he later delivered in performances and on his records. The show's owner gave him the nickname "Bob."
  
Wills recalled the early days of what became known as Western swing music, in a 1949 interview.[http://www.npr.org/programs/morning/features/2003/honkytonks/] "Here's the way I figure it. We sure not tryin' to take credit for swingin' it." Speaking of Milt Brown and himself working with songs done by [[Jimmie Davis]], the Skillet Lickers,[http://www.southernmusic.net/gidtanner.htm] [[Jimmie Rodgers (country singer)| Jimmie Rodgers]],[http://www.jimmierodgers.com/home.html] and others, and songs he'd learned from his father, he said that "We'd pull these tunes down an set 'em in a dance catagory. It wouldn't be a runaway, and just lay a real nice beat behind it an the people would get to really like it. It was nobody intended to start anything in the world. We was just tryin' to find enough tunes to keep 'em dancin' to not have to repeat so much."
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==Success in the Southwest==
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[[Image:Cains Ballroom Sign.jpg|thumb|200px|Cain's Ballroom, the site of Wills' popular radio broadcasts and dance performances in the late 1930s.]]
  
After forming a new band, "The Playboys", and relocating to [[Waco, Texas|Waco]], Wills found enough popularity there to decide on a bigger market. They left Waco in January of [[The 1930s in country music#1934|1934]] for [[Oklahoma City]]. Wills soon settled the renamed "Texas Playboys" in [[Tulsa, Oklahoma]], and began broadcasting noontime shows over the 50,000 watt [[KVOO ]][[radio station]]. Their 12:30-1:15 Monday-Friday broadcasts became a veritable institution in the region.
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In Fort Worth, Wills met Herman Arnspinger and formed The Wills Fiddle Band. In [[The 1930s in country music|1930]] [[Milton Brown]] joined the group as lead vocalist and brought a sense of innovation and experimentation to the band, now called the [[Light Crust Doughboys]] in honor of their radio sponsor, Light Crust Flour. When Brown left the band in 1932, Wills replaced him with new singer [[Tommy Duncan]]. Wills and Duncan then left the Doughboys in 1933 and formed "The Playboys," relocating to [[Waco]], and then [[Oklahoma City]]. Wills soon settled the renamed "Texas Playboys" in [[Tulsa, Oklahoma]] and began broadcasting noontime shows over the 50,000 watt [[KVOO ]][[radio station]], originating from Cain's Ballroom. Their Monday-Friday noon hour broadcasts became a veritable institution in the region. In addition, they played to growing crowds at dances in the evenings.
Nearly all of the daily (except Sunday) shows originated from the stage of [[Cain's Ballroom]]. In addition, they played dances in the evenings, including regular ones at the ballroom on Thursdays and Saturdays.
 
By [[The 1930s in country music#1935|1935]] Wills had added [[horn section|horn]], [[reed]] players and [[drums]] to the Playboys. The addition of [[steel guitar]] whiz Leon McAuliffe in March, 1935 added not only a formidable instrumentalist but a second engaging vocalist. Wills himself largely sang [[blues]] and sentimental [[ballads]].
 
  
With its [[jazz]] sophistication, pop music and [[blues]] influence, plus improvised [[scats]] and [[wisecrack]] commentary by Wills (something he learned clowning in those earlier medicine shows), the band became the first [[superstar]]s of the genre. Milton Brown's tragic and untimely death in 1936 had cleared the way for the Playboys.  
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By 1935 Wills had added horns, [[reed]]s, and [[drums]] to the Texas Playboys. The addition of [[steel guitar]] virtuoso [[Leon McAuliffe]] in March 1935 added not only a formidable instrumentalist but a second engaging vocalist. Wills himself largely sang western style [[blues]] and sentimental [[ballads]]. With its [[jazz]] sophistication, pop music and blues influence, plus improvised [[scats]] and [[wisecrack]] commentary by Wills, the band became the first [[superstar]]s of [[Western Swing]]. Milton Brown's untimely death in 1936 made the Playboys the undisputed kings of the genre.  
  
Wills' 1938 recording of "Ida Red" served as a model for Chuck Berry's decades later version of the same song - [[Maybellene]][http://www.famoustexans.com/bobwills.htm] [http://www.cmt.com/artists/news/1536306/07132006/wills_bob.jhtml]  .
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Wills' 1938 recording of "Ida Red" was a hit and served as a model for Chuck Berry's, decades later, song [[Maybellene]]. In 1940 Wills' "New San Antonio Rose"—a vocal version of Wills' 1938 instrumental recording—became the [[signature song]] of the Texas Playboys. By then, the Texas Playboys were virtually two bands: one a typical country fiddle-guitar-steel band with rhythm section, and the second a first-rate [[big band]] able to play the day's [[Swing (genre)|swing]] and [[pop music|pop]] hits as well as [[Dixieland]].  
In [[1940 in country music|1940]] "New San Antonio Rose" sold a million records and became the [[signature song]] of The Texas Playboys. The song's title referred to the fact that Wills had recorded it as a fiddle instrumental in [[The 1930s in country music#1938|1938]] as "San Antonio Rose".  By then, the Texas Playboys were virtually two bands: one a fiddle-guitar-steel band with rhythm section and the second a first-rate [[big band]] able to play the day's [[Swing (genre)|swing]] and [[pop music|pop]] hits as well as [[Dixieland]].  
 
  
In 1940 Wills, along with the Texas Playboysco-starred with Tex Ritter in “Take Me Back to Oklahoma”. Other films would follow. In late 1942 after several band members had left the group, and as World War II raged , Wills joined the Army, but received a medical discharge in 1943.  [http://www.tsha.utexas.edu/handbook/online/articles/WW/fwi45.html][http://www.bobwills.com/history.html][http://www.cmt.com/artists/az/wills_bob/bio.jhtml]
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In 1940, Wills and the Texas Playboys co-starred with [[Tex Ritter]] in the movie “Take Me Back to Oklahoma.Other films would follow. In addition to the 1940 film ''Take Me Back to Oklahoma'', Wills appeared in ''The Lone Prairie'' (1942), ''Riders of the Northwest Mounted'' (1943), ''Saddles and Sagebrush'' (1943), ''The Vigilantes Ride'' (1943), ''The Last Horseman'' (1944), ''Rhythm Round-Up'' (1945), ''Blazing the Western Trail'' (1945), and ''Lawless Empire'' (1945). He appeared in a total of 19 films.
  
 
==California==
 
==California==
After leaving the Army in 1943 Wills moved to Hollywood and began to reorganize the Texas Playboys. He became an enormous draw in Los Angeles, where many of his Texas, Oklahoma and regional fans had also relocated during World War II.
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In late 1942 after several band members had left the group, and as [[World War II]] raged, Wills himself joined the Army, but received a medical discharge in 1943. After leaving the Army, Wills moved to [[Hollywood]] and began to reorganize the Texas Playboys. He became an enormous draw in [[Los Angeles]], where many of his Texas, Oklahoma, and regional fans had also relocated. He commanded large fees playing dances there, and began to make more creative use of [[electric guitar]]s to replace the big horn sections of his Tulsa days. In 1944, however, the Wills band still included 23 members. That year, while on his first cross-country tour, he appeared at the [[Grand Ole Opry]] and was able to defy the show's normal ban on having drums on stage.  
  
He commanded enormous fees playing dances there, and began to make more creative use of [[electric guitar]]s to replace the big horn sections the Tulsa band had boasted.  In [[1944 in country music|1944]] the Wills band included twenty-three members. [http://www.bobwills.com/history.html] While on his first cross-country tour, he appeared on the [[Grand Ole Opry]] and was able to defy that conservative show's ban on having drums onstage.  
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In 1945 Wills' dances were outdrawing those of [[Tommy Dorsey]] and [[Benny Goodman]]. He relocated to [[Fresno, California]], and then opened the Wills Point nightclub in [[Sacramento, California|Sacramento]] in 1947, continuing to tour the Southwest and Pacific Northwest from Texas to Washington State.
  
In [[1945 in country music|1945]] Wills' dances were out drawing those of Tommy Dorsey and Benny Goodman [http://www.bobwills.com/history.html], and he had moved to [[Fresno, California]] then in [[1947 in country music|1947]] he opened the Wills Point nightclub in [[Sacramento, California|Sacramento]] and continued touring the Southwest and Pacific Northwest from Texas to Washington State.
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During the postwar period, [[KGO (AM)|KGO]] radio in [[San Francisco]] syndicated a [[Bob Wills & His Texas Playboys]] show recorded at the [[Fairmont Hotel]]. Many of these recordings survive today as the Tiffany Transcriptions, and are available on [[Compact disc|CD]]. They showcase the band's instrumental strengths, in part because the group was not confined to the three-minute limits of 78 rpm discs. They featured superb work from fiddlers Joe Holley and Jesse Ashlock, steel guitarists Noel Boggs and Herb Remington, guitarists Eldon Shamblin and [[Junior Barnard]], and electric mandolinist-fiddler [[Tiny Moore]], as well as Wills himself.
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A binge drinker, Wills became increasingly unreliable in the late 1940s however, causing a rift with singer Tommy Duncan, who bore the brunt of audience anger when Wills' binges prevented him from appearing. Wills eventually fired Duncan in the fall of [[1948 in country music|1948]].
  
During the postwar period, [[KGO (AM)|KGO]] radio in [[San Francisco]] syndicated a [[Bob Wills & His Texas Playboys]] show recorded at the Fairmont Hotel.  Many of these recordings survive today as the Tiffany Transcriptions, and are available on [[Compact disc|CD]].  They show off the band's strengths significantly, in part because the group was not confined to the three-minute limits of 78 rpm discs. They featured superb instrumental work from fiddlers Joe Holley and Jesse Ashlock, steel guitarists Noel Boggs and Herb Remington, guitarists Eldon Shamblin and [[Junior Barnard]] and electric mandolinist-fiddler [[Tiny Moore]]. The original recorded version of Wills's "Faded Love," appeared on the Tiffanys as a fairly swinging instrumental unlike the ballad it became when lyrics were added in 1950.
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==Later career==
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Having lived a lavish lifestyle in [[California]], in 1949 Wills moved back to Oklahoma City, then went back on the road to maintain his payroll and the financially troubled Wills Point operation. A poor business decision came when he opened a second club, the Bob Wills Ranch House in [[Dallas]]. Dishonest managers left Wills in desperate financial straits, with heavy debts, including one to the [[Internal Revenue Service|IRS]] for back taxes that caused him to sell many assets, even including the rights to "New San Antonio Rose."
Still a binge drinker, Wills became increasingly unreliable in the late 1940s, causing a rift with Tommy Duncan (who bore the brunt of audience anger when Wills's binges prevented him from appearing). It ended when he fired Duncan in the fall of [[1948 in country music|1948]].
 
  
==Winding Down==
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In 1950 Wills had two Top Ten hits, "Ida Red Likes the Boogie" and the country classic, "Faded Love." He continued to tour and record through the 1950s into the early 1960s, despite the fact that Western Swing's popularity had greatly diminished. A 1958 return to Tulsa's KVOO, where his younger brother Johnnie Lee Wills had maintained the family's presence, did not produce the success he hoped for.
Having lived a lavish lifestyle in California, in 1949 Wills moved back to Oklahoma City, then went back on the road to maintain his payroll and Wills Point.  An even more disastrous business decision came when he opened a second club, the Bob Wills Ranch House in [[Dallas, Texas]]. Turning the club over to what was later revealed as dishonest managers left Wills in desperate financial straits with heavy debts to the [[Internal Revenue Service|IRS]] for back [[tax]]es that caused him to sell many assets including, mistakenly, the rights to "New San Antonio Rose."  It wrecked him financially.
 
  
In 1950 Wills had two Top Ten hits, "Ida Red Likes the Boogie" and "Faded Love". He continued to tour and record through the 1950s into the early 1960s, despite the fact that Western Swing's popularity even in the Southwest, had greatly diminished.  Even a 1958 return to KVOO where his younger brother Johnnie Lee Wills had maintained the family's presence, did not produce the success he hoped for.  He kept the band on the road into the 1960s. After two heart attacks, in 1965 he dissolved the Texas Playboys (who briefly continued as an independent unit) to perform solo with house bands. While he did well in Las Vegas and other areas, and made records for the Kapp label, he was largely a forgotten figure — even though inducted into the [[Country Music Hall of Fame and Museum|Country Music Hall of Fame]] in 1968. A 1969 stroke left his right side paralyzed, ending his active career.
+
Wills kept the band on the road into the 1960s. However, after two heart attacks, in 1965 severed his relationship with the Texas Playboys, who briefly continued as an independent unit, to perform solo with house bands. While he did well in [[Las Vegas]] and made records for the Kapp label, he was largely a forgotten figure. A 1969 stroke left his right side paralyzed, ending his active career.
  
 
==Legacy==
 
==Legacy==
Wills' musical legacy, however, endured. His style influenced performers [[Buck Owens]] and [[Merle Haggard]] and helped to spawn a style of music now known as the [[Bakersfield Sound]] ([[Bakersfield, California]] was one of Wills' regular stops in his heyday). A 1970 [[tribute album]] by Haggard directed a wider audience to Wills' music, as did the appearance of younger "revival" bands like [[Asleep at the Wheel]] and the growing popularity of longtime Wills disciple and fan [[Willie Nelson]]. By 1971, Wills recovered sufficiently to travel occasionally and appear at tribute concerts. In 1973 he participated in a final reunion session with members of some the Texas Playboys from the 1930s to the 1960s. Merle Haggard was invited to play at this reunion. The session, scheduled for two days, took place in December, 1973, with the album to be titled ''For the Last Time''.  Wills appeared on a couple tracks from the first day's session but suffered a stroke overnight. He had a more severe one a few days later. His musicians completed the album without him. Wills by then was comatose. He lingered until his death on May 13, 1975.
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Wills' musical legacy, nevertheless, has been an enduring one. His style made California a second center of the country music industry after [[Nashville]], influencing performers such as [[Buck Owens]] and [[Merle Haggard]] and helping to spawn a style of music now known as the [[Bakersfield Sound]]. A 1970 [[tribute album]] by Haggard directed a wider audience to Wills' music, as did the appearance of younger "revival" bands such as [[Asleep at the Wheel]] and the growing popularity of longtime Wills disciple and fan [[Willie Nelson]].
  
Bob Wills was inducted into the [[Nashville Songwriters Hall of Fame]] in 1970, the [[Rock and Roll Hall of Fame]] in 1999, and received the [[Grammy Lifetime Achievement Award]] in 2007.
+
By 1971, Wills had recovered sufficiently from his stroke to travel occasionally and appear at tribute concerts. In 1973 he participated in a final reunion session with members of some the Texas Playboys from the 1930s to the 1960s. Merle Haggard also played at this reunion. The session, scheduled for two days, took place in December 1973, with the album to be titled ''For the Last Time''. Wills appeared on two tracks from the first day's session but suffered a stroke overnight and was unable to continue. He had a more severe stroke a few days later. The musicians completed the album without him.
  
During the [[49th Grammy Awards]], [[Carrie Underwood]] preformed his song "[[San Antonio Rose]]."
+
Wills by then was comatose. He lingered until his death on May 13, 1975.
  
==Hollywoood films==
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Bob Wills was inducted into the [[Country Music Hall of Fame and Museum|Country Music Hall of Fame]] in 1968, the [[Nashville Songwriters Hall of Fame]] in 1970, and the [[Rock and Roll Hall of Fame]] in 1999. In 2005, Asleep at the Wheel was featured in the play "A Ride With Bob," including a live performance of 15 of Wills’ most well-known songs. The play sold out in theaters across the states and was attended by President and Mrs. [[George W. Bush]] at the [[Kennedy Center]] in 2006. Wills received the [[Grammy Lifetime Achievement Award]] in 2007.
In addition to the 1940 film  ''Take Me Back to Oklahoma'', Wills appeared in ''The Lone Prairie'' (1942), ''Riders of the Northwest Mounted'' (1943), ''Saddles and Sagebrush'' (1943), ''The Vigilantes Ride'' (1943), ''The Last Horseman'' (1944), ''Rhythm Round-Up'' (1945), ''Blazing the Western Trail'' (1945), and ''Lawless Empire'' (1945). According to one source [http://ctmh.its.txstate.edu/artist.php?cmd=detail&aid=25], he appeared in a total of 19 films.
 
  
==Reference==
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==References==
*Townsend, Charles R. (1998). "Bob Wills". In ''The Encyclopedia of Country Music''. Paul Kinsbury, Editor. New York: Oxford University Press. pp. 594-5.
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* McLean, Duncan. ''Lone Star Swing: On the Trail of Bob Wills and His Texas Playboys''. New York: Norton, 1998.
 +
* Sandlin, Tim. ''Western Swing''. New York: Holt, 1988.
 +
* Townsend, Charles R. ''San Antonio Rose: The Life and Music of Bob Wills''. Music in American life. Urbana: University of Illinois Press, 1976. ISBN 9780252004704
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* Wolfe, Charles K. ''The Devil's Box: Masters of Southern Fiddling''. Nashville: Country Music Foundation Press, 1997. ISBN 9780826512833
  
 
==External links==
 
==External links==
*[http://www.bobwills.com/ Official Website]
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All links retrieved February 8, 2022.
*[http://www.texasplayboys.net/ Texas Playboys website]
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*[http://www.bobwills.com/ Official Website] ''www.bobwills.com''
*[http://nfo.net/usa/weswing.html Western Swing]
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*[http://www.famoustexans.com/bobwills.htm Famous Texans]
 
  
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Revision as of 23:56, 11 January 2023


Bob Wills photograph - Cropped.jpg

James Robert (Bob) Wills (March 6, 1905 – May 13, 1975) was an American country musician, songwriter, and band leader. A pioneer of the Western Swing genre, Wills merged traditional country music with sophisticated jazz-influenced arrangements in the "big band" style.

At its height in the 1940s, Wills' brand of Western Swing was outdrawing the most famous northern dance orchestras. A captivating performer who entertained audiences with his stage banter and vocal encouragement of his fellow musicians as much as his own fiddle playing and singing, Wills' music gained a strong following first in Oklahoma and Texas, then throughout the southern and western United States. After World War II, he became a major force in developing the country music business in California and a strong influence on future country music stars such as Buck Owens, Willie Nelson, and Merle Haggard. His songs, especially "San Antonio Rose" and "Faded Love," remain country classics and have been covered by scores of artists.

Early years

Wills was born on a farm near Kosse, Texas on March 6, 1905, the first of ten children born to John and Emma Wills. His father was a fiddle player who, along with Bob's grandfather, taught the young Wills to play both fiddle and mandolin. His first public performance was at a ranch dance in 1915. At 17 he left home to travel.

In his 20s, "Jim Rob" attended barber school, got married, and moved first to Roy, New Mexico then to Turkey, Texas to be a barber. He continued alternating between barbering and fiddling even when he moved to Fort Worth to pursue a career in music. It was there, while performing in a medicine show, that he learned comic timing and some of the famous "patter" he later delivered in performances and on his records. The show's owner gave him the nickname "Bob."

Success in the Southwest

Cain's Ballroom, the site of Wills' popular radio broadcasts and dance performances in the late 1930s.

In Fort Worth, Wills met Herman Arnspinger and formed The Wills Fiddle Band. In 1930 Milton Brown joined the group as lead vocalist and brought a sense of innovation and experimentation to the band, now called the Light Crust Doughboys in honor of their radio sponsor, Light Crust Flour. When Brown left the band in 1932, Wills replaced him with new singer Tommy Duncan. Wills and Duncan then left the Doughboys in 1933 and formed "The Playboys," relocating to Waco, and then Oklahoma City. Wills soon settled the renamed "Texas Playboys" in Tulsa, Oklahoma and began broadcasting noontime shows over the 50,000 watt KVOO radio station, originating from Cain's Ballroom. Their Monday-Friday noon hour broadcasts became a veritable institution in the region. In addition, they played to growing crowds at dances in the evenings.

By 1935 Wills had added horns, reeds, and drums to the Texas Playboys. The addition of steel guitar virtuoso Leon McAuliffe in March 1935 added not only a formidable instrumentalist but a second engaging vocalist. Wills himself largely sang western style blues and sentimental ballads. With its jazz sophistication, pop music and blues influence, plus improvised scats and wisecrack commentary by Wills, the band became the first superstars of Western Swing. Milton Brown's untimely death in 1936 made the Playboys the undisputed kings of the genre.

Wills' 1938 recording of "Ida Red" was a hit and served as a model for Chuck Berry's, decades later, song Maybellene. In 1940 Wills' "New San Antonio Rose"—a vocal version of Wills' 1938 instrumental recording—became the signature song of the Texas Playboys. By then, the Texas Playboys were virtually two bands: one a typical country fiddle-guitar-steel band with rhythm section, and the second a first-rate big band able to play the day's swing and pop hits as well as Dixieland.

In 1940, Wills and the Texas Playboys co-starred with Tex Ritter in the movie “Take Me Back to Oklahoma.” Other films would follow. In addition to the 1940 film Take Me Back to Oklahoma, Wills appeared in The Lone Prairie (1942), Riders of the Northwest Mounted (1943), Saddles and Sagebrush (1943), The Vigilantes Ride (1943), The Last Horseman (1944), Rhythm Round-Up (1945), Blazing the Western Trail (1945), and Lawless Empire (1945). He appeared in a total of 19 films.

California

In late 1942 after several band members had left the group, and as World War II raged, Wills himself joined the Army, but received a medical discharge in 1943. After leaving the Army, Wills moved to Hollywood and began to reorganize the Texas Playboys. He became an enormous draw in Los Angeles, where many of his Texas, Oklahoma, and regional fans had also relocated. He commanded large fees playing dances there, and began to make more creative use of electric guitars to replace the big horn sections of his Tulsa days. In 1944, however, the Wills band still included 23 members. That year, while on his first cross-country tour, he appeared at the Grand Ole Opry and was able to defy the show's normal ban on having drums on stage.

In 1945 Wills' dances were outdrawing those of Tommy Dorsey and Benny Goodman. He relocated to Fresno, California, and then opened the Wills Point nightclub in Sacramento in 1947, continuing to tour the Southwest and Pacific Northwest from Texas to Washington State.

During the postwar period, KGO radio in San Francisco syndicated a Bob Wills & His Texas Playboys show recorded at the Fairmont Hotel. Many of these recordings survive today as the Tiffany Transcriptions, and are available on CD. They showcase the band's instrumental strengths, in part because the group was not confined to the three-minute limits of 78 rpm discs. They featured superb work from fiddlers Joe Holley and Jesse Ashlock, steel guitarists Noel Boggs and Herb Remington, guitarists Eldon Shamblin and Junior Barnard, and electric mandolinist-fiddler Tiny Moore, as well as Wills himself.

A binge drinker, Wills became increasingly unreliable in the late 1940s however, causing a rift with singer Tommy Duncan, who bore the brunt of audience anger when Wills' binges prevented him from appearing. Wills eventually fired Duncan in the fall of 1948.

Later career

Having lived a lavish lifestyle in California, in 1949 Wills moved back to Oklahoma City, then went back on the road to maintain his payroll and the financially troubled Wills Point operation. A poor business decision came when he opened a second club, the Bob Wills Ranch House in Dallas. Dishonest managers left Wills in desperate financial straits, with heavy debts, including one to the IRS for back taxes that caused him to sell many assets, even including the rights to "New San Antonio Rose."

In 1950 Wills had two Top Ten hits, "Ida Red Likes the Boogie" and the country classic, "Faded Love." He continued to tour and record through the 1950s into the early 1960s, despite the fact that Western Swing's popularity had greatly diminished. A 1958 return to Tulsa's KVOO, where his younger brother Johnnie Lee Wills had maintained the family's presence, did not produce the success he hoped for.

Wills kept the band on the road into the 1960s. However, after two heart attacks, in 1965 severed his relationship with the Texas Playboys, who briefly continued as an independent unit, to perform solo with house bands. While he did well in Las Vegas and made records for the Kapp label, he was largely a forgotten figure. A 1969 stroke left his right side paralyzed, ending his active career.

Legacy

Wills' musical legacy, nevertheless, has been an enduring one. His style made California a second center of the country music industry after Nashville, influencing performers such as Buck Owens and Merle Haggard and helping to spawn a style of music now known as the Bakersfield Sound. A 1970 tribute album by Haggard directed a wider audience to Wills' music, as did the appearance of younger "revival" bands such as Asleep at the Wheel and the growing popularity of longtime Wills disciple and fan Willie Nelson.

By 1971, Wills had recovered sufficiently from his stroke to travel occasionally and appear at tribute concerts. In 1973 he participated in a final reunion session with members of some the Texas Playboys from the 1930s to the 1960s. Merle Haggard also played at this reunion. The session, scheduled for two days, took place in December 1973, with the album to be titled For the Last Time. Wills appeared on two tracks from the first day's session but suffered a stroke overnight and was unable to continue. He had a more severe stroke a few days later. The musicians completed the album without him.

Wills by then was comatose. He lingered until his death on May 13, 1975.

Bob Wills was inducted into the Country Music Hall of Fame in 1968, the Nashville Songwriters Hall of Fame in 1970, and the Rock and Roll Hall of Fame in 1999. In 2005, Asleep at the Wheel was featured in the play "A Ride With Bob," including a live performance of 15 of Wills’ most well-known songs. The play sold out in theaters across the states and was attended by President and Mrs. George W. Bush at the Kennedy Center in 2006. Wills received the Grammy Lifetime Achievement Award in 2007.

References
ISBN links support NWE through referral fees

  • McLean, Duncan. Lone Star Swing: On the Trail of Bob Wills and His Texas Playboys. New York: Norton, 1998.
  • Sandlin, Tim. Western Swing. New York: Holt, 1988.
  • Townsend, Charles R. San Antonio Rose: The Life and Music of Bob Wills. Music in American life. Urbana: University of Illinois Press, 1976. ISBN 9780252004704
  • Wolfe, Charles K. The Devil's Box: Masters of Southern Fiddling. Nashville: Country Music Foundation Press, 1997. ISBN 9780826512833

External links

All links retrieved February 8, 2022.


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