Difference between revisions of "Behistun Inscription" - New World Encyclopedia

From New World Encyclopedia
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{{Claimed}}{{Contracted}}
 
{{Claimed}}{{Contracted}}
  
[[Image:BehistunInscriptionSketch.jpg|thumb|300px|The '''Behistun Inscription''', carved into a cliff side, gives the same text in three languages, telling the story of [[Darius I of Persia|King Darius']] conquests, with the names of twenty-three provinces subject to him. It is illustrated by life-sized carved images of King Darius with other figures in attendance.]]  
+
[[Image:BehistunInscriptionSketch.jpg|thumb|300px|The '''Behistun Inscription''', carved into a cliff side, gives the same text in three languages, telling the story of King Darius' conquests, with the names of twenty-three provinces subject to him. It is illustrated by life-sized carved images of King Darius with other figures in attendance.]]  
  
The '''Behistun Inscription''' (also '''Bisitun''' or '''Bisutun''', بیستون in [[Persian language|modern Persian]]; in Old Persian is '''Bagastana''' the meaning is "the god's place or land") is to [[Cuneiform script|cuneiform]] what the [[Rosetta Stone]] is to [[Egyptian hieroglyph]]s: the document most crucial in the [[decipherment]] of a previously lost [[writing system|script]]. It is located in the [[Kermanshah Province]] of [[Iran]].
+
The '''Behistun Inscription''' (also '''Bisitun''' or '''Bisutun''', بیستون in [[Persian language|modern Persian]]; in Old Persian is '''Bagastana''' the meaning is "the god's place or land") is to [[cuneiform]] what the [[Rosetta Stone]] is to [[ancient Egypt|Egyptian]] [[hieroglyph]]s: the document most crucial in the decipherment of a previously lost script. It is located in the Kermanshah Province of [[Iran]].
  
The inscription includes three versions of the same text, written in three different [[cuneiform script]] languages: [[Old Persian language|Old Persian]], [[Elamite language|Elamite]], and [[Babylonian language|Babylonian]]. A British army officer, [[Sir Henry Rawlinson]], had the inscription transcribed in two parts, in 1835 and 1843. Rawlinson was able to translate the Old Persian cuneiform text in 1838, and the Elamite and Babylonian texts were translated by Rawlinson and others after 1843. Babylonian was a later form of [[Akkadian language|Akkadian]]: both are [[Semitic languages]].
+
The inscription includes three versions of the same text, written in three different cuneiform script languages: [[Old Persian language|Old Persian]], [[Elamite language|Elamite]], and [[Babylonian language|Babylonian]]. A British army officer, Sir [[Henry Rawlinson]], had the inscription transcribed in two parts, in 1835 and 1843. Rawlinson was able to translate the Old Persian cuneiform text in 1838, and the Elamite and Babylonian texts were translated by Rawlinson and others after 1843. Babylonian was a later form of [[Akkadian language|Akkadian]]: both are [[Semitic languages]].
  
 
==The inscription==  
 
==The inscription==  
The text of the inscription is a statement by [[Darius I of Persia]], written three times in three different scripts and languages: two languages side by side, [[Old Persian language|Old Persian]] and [[Elamite language|Elamite]], and [[Babylonian language|Babylonian]] above them. Darius ruled the [[Persian Empire]] from [[521 BC|521]] to [[486 BC], and some time around [[515 BC]], he arranged for the inscription to be made. The inscription was about his accession in the face of the usurper [[Smerdis of Persia]] and Darius' subsequent successful wars and suppressions of rebellion. The inscription was to be on a cliff near the modern town of Bisistun, in the foothills of the [[Zagros Mountains]] of [[Iran]], just as one reaches them from the [[Kermanshah Plain]].  
+
The text of the inscription is a statement by [[Darius I of Persia]], written three times in three different scripts and languages: two languages side by side, [[Old Persian language|Old Persian]] and [[Elamite language|Elamite]], and [[Babylonian language|Babylonian]] above them. Darius ruled the [[Persian Empire]] from 521 B.C.E. to 486 B.C.E., and some time around 515 B.C.E., he arranged for the inscription to be made. The inscription was about his accession in the face of the usurper [[Smerdis of Persia]] and Darius' subsequent successful wars and suppressions of rebellion. The inscription was to be on a cliff near the modern town of Bisistun, in the foothills of the Zagros Mountains of [[Iran]], just as one reaches them from the Kermanshah Plain.  
  
The inscription is approximately 15 [[meter]]s high by 25 meters wide, and 100 meters up a [[limestone]] cliff from an ancient road connecting the capitals of [[Babylonia]] and [[Medes|Media]] ([[Babylon]] and [[Ecbatana]]). The site itself is extremely inaccessible, as the mountainside was removed to make the inscription more visible after its completion. The Old Persian text contains 414 lines in five columns; the Elamite text includes 593 lines in eight columns and the Babylonian text is in 112 lines. The inscription was illustrated by a life-sized bas-relief of Darius, holding a [[bow]] as a sign of kingship, with his left foot on the chest of a figure lying on his back before him. The prostrate figure is reputed to be the [[pretender]] [[Gaumata]]. Darius is attended to the left by two servants, and ten one-meter figures stand to the right, with hands tied and rope around their necks, representing conquered peoples. [[Faravahar]] floats above, giving his blessing to the king. One figure appears to have been added after the others were completed, as was (oddly enough) Darius' beard, which is a separate block of stone attached with [[iron]] pins and [[lead]]. [[Image:Behistun DB1 1-15.jpg|thumb|330px|Column 1 (DB I 1-15), sketch by [[Friedrich von Spiegel|Fr. Spiegel]] (1881)]]
+
The inscription is approximately 15 meters high by 25 meters wide, and 100 meters up a [[limestone]] cliff from an ancient road connecting the capitals of Babylonia and Media ([[Babylon]] and [[Ecbatana]]). The site itself is extremely inaccessible, as the mountainside was removed to make the inscription more visible after its completion. The Old Persian text contains 414 lines in five columns; the Elamite text includes 593 lines in eight columns and the Babylonian text is in 112 lines. The inscription was illustrated by a life-sized bas-relief of Darius, holding a [[bow]] as a sign of kingship, with his left foot on the chest of a figure lying on his back before him. The prostrate figure is reputed to be the pretender Gaumata. Darius is attended to the left by two servants, and ten one-meter figures stand to the right, with hands tied and rope around their necks, representing conquered peoples. Faravahar floats above, giving his blessing to the king. One figure appears to have been added after the others were completed, as was (oddly enough) Darius' beard, which is a separate block of stone attached with [[iron]] pins and [[lead]]. [[Image:Behistun DB1 1-15.jpg|thumb|330px|Column 1 (DB I 1-15), sketch by Friedrich von Spiegel (1881)]]
  
It is believed that Darius placed the inscription in an inaccessible position to make it tamper-resistant. Readability took second place to this demand: the text is completely illegible from ground level. The Persian king did not account for the creation of a pool of water at the bottom of the cliff, which brought increased human traffic to the area. Considerable damage has been caused to some figures.
+
It is believed that Darius placed the inscription in an inaccessible position to make it tamper-resistant. Readability took second place to this demand: the text is completely illegible from ground level. The Persian king did not account for the creation of a pool of water at the bottom of the cliff, which brought increased human traffic to the area. Considerable damage has been caused to some figures.
  
 
==In ancient history==  
 
==In ancient history==  
The first historical mention of the inscription is by the Greek [[Ctesias|Ctesias of Cnidus]], who noted its existence some time around [[400 BC]], and mentions a well and a garden beneath the inscription dedicated by Queen [[Semiramis of Babylon]] to [[Zeus]] (the Greek analogue of [[Ahura Mazda]]). [[Gaius Cornelius Tacitus|Tacitus]] also mentions it and includes a description of some of the long-lost ancillary monuments at the base of the cliff, including an altar to [[Hercules]]. What has been recovered of them, including a statue dedicated in 148 BC, is consistent with Tacitus' description. [[Diodorus Siculus|Diodorus]] also writes of "Bagistanon" and claims it was inscribed by Queen Semiramis.
+
The first historical mention of the inscription is by the Greek [[Ctesias|Ctesias of Cnidus]], who noted its existence some time around 400 B.C.E., and mentions a well and a garden beneath the inscription dedicated by Queen [[Semiramis of Babylon]] to [[Zeus]] (the Greek analogue of [[Ahura Mazda]]). [[Gaius Cornelius Tacitus|Tacitus]] also mentions it and includes a description of some of the long-lost ancillary monuments at the base of the cliff, including an altar to [[Hercules]]. What has been recovered of them, including a statue dedicated in 148 B.C.E., is consistent with Tacitus' description. [[Diodorus Siculus|Diodorus]] also writes of "Bagistanon" and claims it was inscribed by Queen Semiramis.
  
 
After the fall of the Persian Empire and its successors, and the fall of cuneiform writing into disuse, the nature of the inscription was forgotten and fanciful origins became the norm. For centuries, instead of being attributed to Darius — one of the first Persian kings — it was believed to be from the reign of [[Khosrau II of Persia|Chosroes II of Persia]] — one of the last.  
 
After the fall of the Persian Empire and its successors, and the fall of cuneiform writing into disuse, the nature of the inscription was forgotten and fanciful origins became the norm. For centuries, instead of being attributed to Darius — one of the first Persian kings — it was believed to be from the reign of [[Khosrau II of Persia|Chosroes II of Persia]] — one of the last.  
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==Translation efforts==
 
==Translation efforts==
 
[[Image:Darius I the Great's inscription.jpg|thumb|300px|Modern day picture of the inscription.]]
 
[[Image:Darius I the Great's inscription.jpg|thumb|300px|Modern day picture of the inscription.]]
The inscription was noted by an Arab traveler, [[Ibn Hawqal]], in the mid-900s, who interpreted the figures as a teacher punishing his pupils. It was not until 1598, when the [[England|Englishman]] [[Robert Sherley]] saw the inscription during a diplomatic mission to [[Iran|Persia]] on behalf of [[Austria]], that the inscription first came to the attention of western European scholars. His party came to the conclusion that it was a picture of the [[ascension]] of [[Jesus]] with an inscription in [[Greek language|Greek]].  
+
The inscription was noted by an Arab traveler, [[Ibn Hawqal]], in the mid-900s, who interpreted the figures as a teacher punishing his pupils. It was not until 1598, when the [[England|Englishman]] [[Robert Sherley]] saw the inscription during a diplomatic mission to [[Iran|Persia]] on behalf of [[Austria]], that the inscription first came to the attention of western European scholars. His party came to the conclusion that it was a picture of the [[ascension]] of [[Jesus]] with an inscription in [[Greek language|Greek]].  
  
Biblical misinterpretations by Europeans were rife for the next two centuries. French General Gardanne thought it showed Christ and his [[twelve apostles]], and [[Robert Ker Porter|Sir Robert Ker Porter]] thought it represented the 12 [[tribes of Israel]] and [[Shalmaneser I|Shalmaneser of Assyria]]. Italian explorer [[Pietro della Valle]] visited the inscription in the course of a pilgrimage in around 1621, and German surveyor [[Carsten Niebuhr]] visited in around 1764 while exploring Arabia and the middle east for [[Frederick V of Denmark]], publishing a copy of the inscription in the account of his journeys in 1777. Niebuhr's transcriptions were used by [[Georg Friedrich Grotefend]] and others in their efforts to decipher the Old Persian cuneiform script. Grotefend had deciphered ten of the 37 symbols of Old Persian by 1802.
+
Biblical misinterpretations by Europeans were rife for the next two centuries. French General Gardanne thought it showed Christ and his [[twelve apostles]], and [[Robert Ker Porter|Sir Robert Ker Porter]] thought it represented the 12 [[tribes of Israel]] and [[Shalmaneser I|Shalmaneser of Assyria]]. Italian explorer [[Pietro della Valle]] visited the inscription in the course of a pilgrimage in around 1621, and German surveyor [[Carsten Niebuhr]] visited in around 1764 while exploring Arabia and the middle east for [[Frederick V of Denmark]], publishing a copy of the inscription in the account of his journeys in 1777. Niebuhr's transcriptions were used by [[Georg Friedrich Grotefend]] and others in their efforts to decipher the Old Persian cuneiform script. Grotefend had deciphered ten of the 37 symbols of Old Persian by 1802.
  
In 1835, [[Henry Rawlinson|Sir Henry Rawlinson]], a British army officer training the army of the [[Shah]] of Iran, began studying the inscription in earnest. As the town of Bisistun's name was anglicized as "Behistun" at this time, the monument became known as the "Behistun Inscription". Despite its inaccessibility, Rawlinson was able to scale the cliff and copy the Old Persian inscription. The Elamite was across a chasm, and the Babylonian four meters above; both were beyond easy reach and were left for later.
+
In 1835, [[Henry Rawlinson|Sir Henry Rawlinson]], a British army officer training the army of the [[Shah]] of Iran, began studying the inscription in earnest. As the town of Bisistun's name was anglicized as "Behistun" at this time, the monument became known as the "Behistun Inscription." Despite its inaccessibility, Rawlinson was able to scale the cliff and copy the Old Persian inscription. The Elamite was across a chasm, and the Babylonian four meters above; both were beyond easy reach and were left for later.
  
 
Armed with the Persian text, and with about a third of the [[syllabary]] made available to him by the work of Grotefend, Rawlinson set to work on deciphering the text. Fortunately, the first section of this text contained a list of Persian kings identical to that found in [[Herodotus]], and by matching the names and the characters, Rawlinson was able to crack the form of cuneiform used for Old Persian by 1838 and present his results to the [[Royal Asiatic Society]] in [[London]] and the [[Société Asiatique]] in [[Paris]].
 
Armed with the Persian text, and with about a third of the [[syllabary]] made available to him by the work of Grotefend, Rawlinson set to work on deciphering the text. Fortunately, the first section of this text contained a list of Persian kings identical to that found in [[Herodotus]], and by matching the names and the characters, Rawlinson was able to crack the form of cuneiform used for Old Persian by 1838 and present his results to the [[Royal Asiatic Society]] in [[London]] and the [[Société Asiatique]] in [[Paris]].
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==Translation==
 
==Translation==
The monument tells of he ancient glory of Persia when she was the supreme power in the world, before Darius was defeated by the Greeks in 490 at Marathon. It begins with the genealogy of Darius, traced direct to Achaemenes, and then refers to the reign of Cambyses, who had preceded Darius, the murder of Smerdis (the brother of Cambyses), and the revolt of the Persians during the absence of Cambyses on his campaign in Egypt. At this moment Gaumata, also called "the great pretender" and the Magian, seized his opportunity. He declared himself to be Smerdis, the son of Cyrus, with a claim to the throne. Cambyses hastened homeward, but died on the way, and Gaumata, as the Babylonian contract tablets show, held sway for a brief period.  
+
The monument tells of he ancient glory of Persia when she was the supreme power in the world, before Darius was defeated by the Greeks in 490 at Marathon. It begins with the genealogy of Darius, traced direct to Achaemenes, and then refers to the reign of Cambyses, who had preceded Darius, the murder of Smerdis (the brother of Cambyses), and the revolt of the Persians during the absence of Cambyses on his campaign in Egypt. At this moment Gaumata, also called "the great pretender" and the Magian, seized his opportunity. He declared himself to be Smerdis, the son of Cyrus, with a claim to the throne. Cambyses hastened homeward, but died on the way, and Gaumata, as the Babylonian contract tablets show, held sway for a brief period.  
  
 
It was Darius, the son of Hystaspes, who challenged the usurper, and with a small force, slew him and took the throne. Revolts broke out in many of the provinces, and the first years of Darius were spent in subduing them. Nidintu-Bel seized Babylon, claiming to be Nebuchadnezzar; Martiya headed a revolution in Susiana: in Media Phraortes gave himself out to be Khshathritha, of the family of Cyaxares, and led another revolt. These were all dealt with successfully, and all these unfortunate "pretenders" are to be seen on the sculptured panel above the inscription. The king stands with his arm raised and his foot on Gaumata; behind him are his generals or satraps. Before him, roped one to another, come the recalcitrant chiefs in the following order: Atrina, the first Susian pretender; Nidintu-Bel, of Babylon; Fravartish (Phraortes), of Media; Martiza, the second Susian pretender; Citrantakhma, of Sagartia; Vahyazdata, the second pseudo-Smerdis; Arakha, the second Babylonian pretender; Frada, of Margiana; and afterwards, even though it destroyed part of the Susian inscription, Skunkha, the Scythian, in his high peaked hat was added.  
 
It was Darius, the son of Hystaspes, who challenged the usurper, and with a small force, slew him and took the throne. Revolts broke out in many of the provinces, and the first years of Darius were spent in subduing them. Nidintu-Bel seized Babylon, claiming to be Nebuchadnezzar; Martiya headed a revolution in Susiana: in Media Phraortes gave himself out to be Khshathritha, of the family of Cyaxares, and led another revolt. These were all dealt with successfully, and all these unfortunate "pretenders" are to be seen on the sculptured panel above the inscription. The king stands with his arm raised and his foot on Gaumata; behind him are his generals or satraps. Before him, roped one to another, come the recalcitrant chiefs in the following order: Atrina, the first Susian pretender; Nidintu-Bel, of Babylon; Fravartish (Phraortes), of Media; Martiza, the second Susian pretender; Citrantakhma, of Sagartia; Vahyazdata, the second pseudo-Smerdis; Arakha, the second Babylonian pretender; Frada, of Margiana; and afterwards, even though it destroyed part of the Susian inscription, Skunkha, the Scythian, in his high peaked hat was added.  
  
 
==After Rawlinson==
 
==After Rawlinson==
Later expeditions, in 1904 sponsored by the [[British Museum]] and led by Leonard William King and Reginald Campbell Thompson and in 1948 by George G. Cameron of the [[University of Michigan]], obtained photographs, casts and more accurate transcriptions of the texts, including passages that were not copied by Rawlinson. It also became apparent that rainwater had dissolved some areas of the limestone in which the text is inscribed, while leaving new deposits of limestone over other areas, covering the text.
+
Later expeditions, in 1904 sponsored by the [[British Museum]] and led by Leonard William King and Reginald Campbell Thompson and in 1948 by George G. Cameron of the [[University of Michigan]], obtained photographs, casts and more accurate transcriptions of the texts, including passages that were not copied by Rawlinson. It also became apparent that rainwater had dissolved some areas of the limestone in which the text is inscribed, while leaving new deposits of limestone over other areas, covering the text.
  
The monument suffered some damage from soldiers using it for target practice during [[World War II]]. In recent years, Iranian archaeologists have been undertaking conservation works. The site became a [[UNESCO]] [[World Heritage Site]] in 2006. [http://www.payvand.com/news/06/jul/1130.html]
+
The monument suffered some damage from soldiers using it for target practice during [[World War II]]. In recent years, Iranian archaeologists have been undertaking conservation works. The site became a [[UNESCO]] [[World Heritage Site]] in 2006. [http://www.payvand.com/news/06/jul/1130.html]
  
  
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{{citations missing}}
 
{{citations missing}}
 
*Rawlinson, H.C., ''Archaeologia'', 1853, vol. xxxiv, p. 74
 
*Rawlinson, H.C., ''Archaeologia'', 1853, vol. xxxiv, p. 74
*Thompson, R. Campbell. "The Rock of Behistun". ''Wonders of the Past''. Edited by Sir J. A. Hammerton. Vol. II. New York: Wise and Co., 1937. (p. 760–767) [http://members.ozemail.com.au/~ancientpersia/behistun.html]
+
*Thompson, R. Campbell. "The Rock of Behistun." ''Wonders of the Past''. Edited by Sir J. A. Hammerton. Vol. II. New York: Wise and Co., 1937. (p. 760–767) [http://members.ozemail.com.au/~ancientpersia/behistun.html]
*Cameron, George G. "Darius Carved History on Ageless Rock". ''[[National Geographic Magazine]]''. Vol. XCVIII, Num. 6, December 1950. (p. 825–844) [http://members.ozemail.com.au/~ancientpersia/behistun.html]
+
*Cameron, George G. "Darius Carved History on Ageless Rock." ''[[National Geographic Magazine]]''. Vol. XCVIII, Num. 6, December 1950. (p. 825–844) [http://members.ozemail.com.au/~ancientpersia/behistun.html]
  
 
== External links ==
 
== External links ==

Revision as of 17:46, 18 March 2007


The Behistun Inscription, carved into a cliff side, gives the same text in three languages, telling the story of King Darius' conquests, with the names of twenty-three provinces subject to him. It is illustrated by life-sized carved images of King Darius with other figures in attendance.

The Behistun Inscription (also Bisitun or Bisutun, بیستون in modern Persian; in Old Persian is Bagastana the meaning is "the god's place or land") is to cuneiform what the Rosetta Stone is to Egyptian hieroglyphs: the document most crucial in the decipherment of a previously lost script. It is located in the Kermanshah Province of Iran.

The inscription includes three versions of the same text, written in three different cuneiform script languages: Old Persian, Elamite, and Babylonian. A British army officer, Sir Henry Rawlinson, had the inscription transcribed in two parts, in 1835 and 1843. Rawlinson was able to translate the Old Persian cuneiform text in 1838, and the Elamite and Babylonian texts were translated by Rawlinson and others after 1843. Babylonian was a later form of Akkadian: both are Semitic languages.

The inscription

The text of the inscription is a statement by Darius I of Persia, written three times in three different scripts and languages: two languages side by side, Old Persian and Elamite, and Babylonian above them. Darius ruled the Persian Empire from 521 B.C.E. to 486 B.C.E., and some time around 515 B.C.E., he arranged for the inscription to be made. The inscription was about his accession in the face of the usurper Smerdis of Persia and Darius' subsequent successful wars and suppressions of rebellion. The inscription was to be on a cliff near the modern town of Bisistun, in the foothills of the Zagros Mountains of Iran, just as one reaches them from the Kermanshah Plain.

The inscription is approximately 15 meters high by 25 meters wide, and 100 meters up a limestone cliff from an ancient road connecting the capitals of Babylonia and Media (Babylon and Ecbatana). The site itself is extremely inaccessible, as the mountainside was removed to make the inscription more visible after its completion. The Old Persian text contains 414 lines in five columns; the Elamite text includes 593 lines in eight columns and the Babylonian text is in 112 lines. The inscription was illustrated by a life-sized bas-relief of Darius, holding a bow as a sign of kingship, with his left foot on the chest of a figure lying on his back before him. The prostrate figure is reputed to be the pretender Gaumata. Darius is attended to the left by two servants, and ten one-meter figures stand to the right, with hands tied and rope around their necks, representing conquered peoples. Faravahar floats above, giving his blessing to the king. One figure appears to have been added after the others were completed, as was (oddly enough) Darius' beard, which is a separate block of stone attached with iron pins and lead.

Column 1 (DB I 1-15), sketch by Friedrich von Spiegel (1881)

It is believed that Darius placed the inscription in an inaccessible position to make it tamper-resistant. Readability took second place to this demand: the text is completely illegible from ground level. The Persian king did not account for the creation of a pool of water at the bottom of the cliff, which brought increased human traffic to the area. Considerable damage has been caused to some figures.

In ancient history

The first historical mention of the inscription is by the Greek Ctesias of Cnidus, who noted its existence some time around 400 B.C.E., and mentions a well and a garden beneath the inscription dedicated by Queen Semiramis of Babylon to Zeus (the Greek analogue of Ahura Mazda). Tacitus also mentions it and includes a description of some of the long-lost ancillary monuments at the base of the cliff, including an altar to Hercules. What has been recovered of them, including a statue dedicated in 148 B.C.E., is consistent with Tacitus' description. Diodorus also writes of "Bagistanon" and claims it was inscribed by Queen Semiramis.

After the fall of the Persian Empire and its successors, and the fall of cuneiform writing into disuse, the nature of the inscription was forgotten and fanciful origins became the norm. For centuries, instead of being attributed to Darius — one of the first Persian kings — it was believed to be from the reign of Chosroes II of Persia — one of the last.

A legend arose that it had been created by Farhad, a lover of Chosroes' wife, Shirin. Exiled for his transgression, Farhad is given the task of cutting away the mountain to find water; if he succeeds, he will be given permission to marry Shirin. After many years and the removal of half the mountain, he does find water, but is informed by Chosroes that Shirin had died. He goes mad, throws his axe down the hill, kisses the ground and dies. It is told in the book of Chosroes and Shirin that his axe was made out of a Pomegranate tree, and where he threw the axe a Pomegranate tree grew with fruit that would cure the ill. Shirin is not dead, naturally, and mourns upon hearing the news.

Translation efforts

Modern day picture of the inscription.

The inscription was noted by an Arab traveler, Ibn Hawqal, in the mid-900s, who interpreted the figures as a teacher punishing his pupils. It was not until 1598, when the Englishman Robert Sherley saw the inscription during a diplomatic mission to Persia on behalf of Austria, that the inscription first came to the attention of western European scholars. His party came to the conclusion that it was a picture of the ascension of Jesus with an inscription in Greek.

Biblical misinterpretations by Europeans were rife for the next two centuries. French General Gardanne thought it showed Christ and his twelve apostles, and Sir Robert Ker Porter thought it represented the 12 tribes of Israel and Shalmaneser of Assyria. Italian explorer Pietro della Valle visited the inscription in the course of a pilgrimage in around 1621, and German surveyor Carsten Niebuhr visited in around 1764 while exploring Arabia and the middle east for Frederick V of Denmark, publishing a copy of the inscription in the account of his journeys in 1777. Niebuhr's transcriptions were used by Georg Friedrich Grotefend and others in their efforts to decipher the Old Persian cuneiform script. Grotefend had deciphered ten of the 37 symbols of Old Persian by 1802.

In 1835, Sir Henry Rawlinson, a British army officer training the army of the Shah of Iran, began studying the inscription in earnest. As the town of Bisistun's name was anglicized as "Behistun" at this time, the monument became known as the "Behistun Inscription." Despite its inaccessibility, Rawlinson was able to scale the cliff and copy the Old Persian inscription. The Elamite was across a chasm, and the Babylonian four meters above; both were beyond easy reach and were left for later.

Armed with the Persian text, and with about a third of the syllabary made available to him by the work of Grotefend, Rawlinson set to work on deciphering the text. Fortunately, the first section of this text contained a list of Persian kings identical to that found in Herodotus, and by matching the names and the characters, Rawlinson was able to crack the form of cuneiform used for Old Persian by 1838 and present his results to the Royal Asiatic Society in London and the Société Asiatique in Paris.

Next came the remaining two texts. After a stretch of service in Afghanistan, Rawlinson returned in 1843. Using planks he crossed the gap between the Old Persian text and the Elamite, and copied that. He was then able to find an enterprising local boy to climb up a crack in the cliff and rig ropes across the Babylonian writing, so that papier-mâché casts of it could be taken. Rawlinson set to work and translated the Babylonian writing and language, working independently of Edward Hincks, Julius Oppert and William Henry Fox Talbot, who also contributed to the decipherment; Edwin Norris and others were the first to do the same for the Elamite. As three of the primary languages of Mesopotamia, and three variations of the cuneiform script, these decipherments were one of the keys to putting Assyriology on a modern footing.

Translation

The monument tells of he ancient glory of Persia when she was the supreme power in the world, before Darius was defeated by the Greeks in 490 at Marathon. It begins with the genealogy of Darius, traced direct to Achaemenes, and then refers to the reign of Cambyses, who had preceded Darius, the murder of Smerdis (the brother of Cambyses), and the revolt of the Persians during the absence of Cambyses on his campaign in Egypt. At this moment Gaumata, also called "the great pretender" and the Magian, seized his opportunity. He declared himself to be Smerdis, the son of Cyrus, with a claim to the throne. Cambyses hastened homeward, but died on the way, and Gaumata, as the Babylonian contract tablets show, held sway for a brief period.

It was Darius, the son of Hystaspes, who challenged the usurper, and with a small force, slew him and took the throne. Revolts broke out in many of the provinces, and the first years of Darius were spent in subduing them. Nidintu-Bel seized Babylon, claiming to be Nebuchadnezzar; Martiya headed a revolution in Susiana: in Media Phraortes gave himself out to be Khshathritha, of the family of Cyaxares, and led another revolt. These were all dealt with successfully, and all these unfortunate "pretenders" are to be seen on the sculptured panel above the inscription. The king stands with his arm raised and his foot on Gaumata; behind him are his generals or satraps. Before him, roped one to another, come the recalcitrant chiefs in the following order: Atrina, the first Susian pretender; Nidintu-Bel, of Babylon; Fravartish (Phraortes), of Media; Martiza, the second Susian pretender; Citrantakhma, of Sagartia; Vahyazdata, the second pseudo-Smerdis; Arakha, the second Babylonian pretender; Frada, of Margiana; and afterwards, even though it destroyed part of the Susian inscription, Skunkha, the Scythian, in his high peaked hat was added.

After Rawlinson

Later expeditions, in 1904 sponsored by the British Museum and led by Leonard William King and Reginald Campbell Thompson and in 1948 by George G. Cameron of the University of Michigan, obtained photographs, casts and more accurate transcriptions of the texts, including passages that were not copied by Rawlinson. It also became apparent that rainwater had dissolved some areas of the limestone in which the text is inscribed, while leaving new deposits of limestone over other areas, covering the text.

The monument suffered some damage from soldiers using it for target practice during World War II. In recent years, Iranian archaeologists have been undertaking conservation works. The site became a UNESCO World Heritage Site in 2006. [1]


References
ISBN links support NWE through referral fees

  • Rawlinson, H.C., Archaeologia, 1853, vol. xxxiv, p. 74
  • Thompson, R. Campbell. "The Rock of Behistun." Wonders of the Past. Edited by Sir J. A. Hammerton. Vol. II. New York: Wise and Co., 1937. (p. 760–767) [2]
  • Cameron, George G. "Darius Carved History on Ageless Rock." National Geographic Magazine. Vol. XCVIII, Num. 6, December 1950. (p. 825–844) [3]

External links


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