Difference between revisions of "Bacchanalia" - New World Encyclopedia

From New World Encyclopedia
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==Bacchus==
 
==Bacchus==
 
{{main|Dionysus}}
 
{{main|Dionysus}}
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Bacchus was the Roman characterization of the Greek '''Dionysus''', a deity who represented the power of intoxication and ecstasy (literally "being outside the self").<ref>Mikalson, 92.</ref> He was known as the Liberator (Gk: ''Eleutherios'' / Lat: ''Liber''), freeing one from one's normal self, through drunkenness, madness, or artistic expression.<ref>Sutton, p.2, mentions Dionysus as The Liberator in relation to the City Dionysia festivals.</ref> Paradoxically, he was also viewed as the promoter of [[civilization]], a [[law]]giver, and lover of [[peace]] — as well as the patron deity of [[agriculture]] and the [[theatre]]. The divine mission of Dionysus was to bring an end to care and worry.<ref>Fox, p.221. Fox cites Euripides as a direct source for this statement. Euripedes, ''Bacchae'', Choral II, lines 379-381: "[370] Holiness, queen of the gods, Holiness, who bear your golden wings along the earth, do you hear these words from Pentheus? Do you hear his unholy  [375]  insolence against Bromius, the child of Semele, the first deity of the gods at the banquets where guests wear beautiful garlands? He holds this office, to join in dances,  [380]  to laugh with the flute, and to bring an end to cares, whenever the delight of the grape comes at the feasts of the gods, and in ivy-bearing banquets  [385]  the goblet sheds sleep over men." [http://www.perseus.tufts.edu/cgi-bin/ptext?lookup=Eur.+Ba.+370]</ref>
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Bacchus/Dionysus was an important figure in the religious imagination of the Greeks and Romans, as he was thought to represent the union between the realms of the living and the dead (as per the two mythic [[#Birth|stories of his death and rebirth]]).<ref>Riu, Xavier, ''Dionysism and Comedy'', Chapter 4, Happiness and the Dead, p.105, "Dionysus presides over communications with the Dead".</ref> This chthonic role was especially pronounced in Roman religion, which spurred on the development of the [[Bacchanalia]] &mdash; a rebirth/renewal festival with a basis in the [[Greek]] [[Mystery Religion]]s.
  
 
==The Bacchanalia==
 
==The Bacchanalia==
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{{seealso|Mystery Religion}}
 
The '''bacchanalia''' were wild and mystic festivals of the [[Roman mythology|Roman]] god [[Dionysus|Bacchus]]. Introduced into [[Rome]] from lower [[Italy]] by way of [[Etruria]] (c. 200 B.C.E.), the bacchanalia were originally held in secret and attended by women only. The festivals occurred on three days of the year in the grove of [[Simila]] near the [[Aventine Hill]], on March 16 and March 17.  Later, admission to the rites was extended to men and celebrations took place five times a month. According to [[Livy]], the extension happened in an era when the leader of the [[Bacchus]] cult was [[Paculla Annia]] - though it is now believed that some men had participated before that.  
 
The '''bacchanalia''' were wild and mystic festivals of the [[Roman mythology|Roman]] god [[Dionysus|Bacchus]]. Introduced into [[Rome]] from lower [[Italy]] by way of [[Etruria]] (c. 200 B.C.E.), the bacchanalia were originally held in secret and attended by women only. The festivals occurred on three days of the year in the grove of [[Simila]] near the [[Aventine Hill]], on March 16 and March 17.  Later, admission to the rites was extended to men and celebrations took place five times a month. According to [[Livy]], the extension happened in an era when the leader of the [[Bacchus]] cult was [[Paculla Annia]] - though it is now believed that some men had participated before that.  
  
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==External links==
 
==External links==
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''All links retrieved December 21, 2007''
 
* [http://www.thelatinlibrary.com/scbaccanalibus.html ''Senatus consultum de Bacchanalibus'' in Latin] at The Latin Library. Retrieved December 19, 2007.
 
* [http://www.thelatinlibrary.com/scbaccanalibus.html ''Senatus consultum de Bacchanalibus'' in Latin] at The Latin Library. Retrieved December 19, 2007.
 
* [http://www.forumromanum.org/literature/sc_bacchanalibusx.html ''Senatus Consultum de Bacchaniabus'' in English and Latin] at forumromanum.org. Retrieved December 19, 2007.
 
* [http://www.forumromanum.org/literature/sc_bacchanalibusx.html ''Senatus Consultum de Bacchaniabus'' in English and Latin] at forumromanum.org. Retrieved December 19, 2007.

Revision as of 15:56, 21 December 2007


Bacchanalia
Bacchanalia
The Bacchanal by Peter Paul Rubens
Observed by Ancient Romans
Type Pagan, Historical

Bacchus

Main article: Dionysus

Bacchus was the Roman characterization of the Greek Dionysus, a deity who represented the power of intoxication and ecstasy (literally "being outside the self").[1] He was known as the Liberator (Gk: Eleutherios / Lat: Liber), freeing one from one's normal self, through drunkenness, madness, or artistic expression.[2] Paradoxically, he was also viewed as the promoter of civilization, a lawgiver, and lover of peace — as well as the patron deity of agriculture and the theatre. The divine mission of Dionysus was to bring an end to care and worry.[3]

Bacchus/Dionysus was an important figure in the religious imagination of the Greeks and Romans, as he was thought to represent the union between the realms of the living and the dead (as per the two mythic stories of his death and rebirth).[4] This chthonic role was especially pronounced in Roman religion, which spurred on the development of the Bacchanalia — a rebirth/renewal festival with a basis in the Greek Mystery Religions.

The Bacchanalia

The bacchanalia were wild and mystic festivals of the Roman god Bacchus. Introduced into Rome from lower Italy by way of Etruria (c. 200 B.C.E.), the bacchanalia were originally held in secret and attended by women only. The festivals occurred on three days of the year in the grove of Simila near the Aventine Hill, on March 16 and March 17. Later, admission to the rites was extended to men and celebrations took place five times a month. According to Livy, the extension happened in an era when the leader of the Bacchus cult was Paculla Annia - though it is now believed that some men had participated before that.

Livy informs us that the rapid spread of the cult, which he claims indulged in all kinds of crimes and political conspiracies at its nocturnal meetings, led in 186 B.C.E. to a decree of the Senate—the so-called Senatus consultum de Bacchanalibus, inscribed on a bronze tablet discovered in Apulia in Southern Italy (1640), now at the Kunsthistorisches Museum in Vienna—by which the Bacchanalia were prohibited throughout all Italy except in certain special cases which must be approved specifically by the Senate. In spite of the severe punishment inflicted on those found in violation of this decree (Livy claims there were more executions than imprisonment), the Bacchanalia survived in Southern Italy long past the repression.

Bacchanalia (Auguste Léveque)

Modern scholars hold Livy's account in doubt and believe that the Senate acted against the Bacchants for one or more of three reasons. First, because women occupied leadership positions in the cult (contrary to traditional Roman family values). Second, because slaves and the poor were the cult's members and were planning to overthrow the Roman government. Or third, according to a theory proposed by Erich Gruen, as a display of the Senate's supreme power to the Italian allies as well as competitors within the Roman political system, such as individual victorious generals whose popularity made them a threat to the senate's collective authority.

Quotations to use

Their most direct "descendant" was, of course, the Roman Bacchanalia, a festival characterized by legendary levels of excess. As described by the Roman historian Livy:

When conducted under Roman auspices, the festival had earlier been confined to women, but in the grove of Stimula young men were being initiated into the cult, and there were allegations of both heterosexual and homosexual licence. Though previously restricted to three days a year, the ceremonies were now being conducted five times a month; moreover, the proceedings were being held in darkness. Allegations of dire misconduct were circulating, including charges of murder of unwilling initiates, forging of the wills of the dead, and perjury.[5]

Cicero, De Legibus II.8 <does this help make the case?>

Let men approach the gods with purity---let men appear before them in the spirit of devotion---let men remove riches from their temples; whoever does otherwise shall suffer the vengeance of heaven---let no one have private gods---neither new gods nor strange gods, unless publicly acknowledged, are to be worshiped privately---let the temples which our fathers have constructed in the cities, be upheld---let the people maintain the groves in the country, and the abodes of the Lares---let men preserve the customs of their fathers and of their family---let the gods who have been accounted celestial be worshiped, and those likewise who have merited celestial honors by their illustrious actions, such as Hercules, Bacchus, Aesculapius, Castor, Pollux, and Quirinus. Let due honor be likewise paid to those virtues, by which man is exalted to heaven---as Intelligence, Valor, Piety, Fidelity; and let temples be consecrated to their honor---with regard to the vices, let no sacred sacrifices be paid to them.
Let men put aside all contentions of every kind on the sacred festivals, and let servants enjoy them, their toils being remitted, for therefore they were appointed at certain seasons.---Let the priests duly render the public thank-offerings to heaven, with herbs and fruits, on the sacrificial days. Also, on the appointed holidays, let them offer up the cream of milk, and the sucklings; and lest the priests should commit any mistakes in these sacrifices, or the season of these sacrifices, let them carefully observe the calendar, and the revolutions of the stars.---Let them provide those particular victims which are most appropriate and agreeable to each particular deity.---Let the different gods have different orders of priests.---Let them all have pontiffs in common; and let each separate god have his Flamen.

<more on Cicero here: [2]>

Modern usage and trivia

The term bacchanalia has since been extended to refer to any drunken revelry. In A Tale of Two Cities, Charles Dickens uses the phrase "the law was certainly not behind any other learned profession in its Bacchanalian propensities."

Representation in the arts:

  • One of the best-known melodies from Camille Saint-Saëns's 1877 opera Samson and Delilah is the Bacchanalia.
  • Bacchanalia is also a highly-regarded Atlanta restaurant by owner-chefs Anne Quatrano and Cliff Harrison, located in a former meatpacking plant.
  • Bacchanalia and Bacchanal is the term used to describe the drinking, dancing and general revelry associated with Trinidad and Tobago's annual carnival.
  • Bacchanalian is also a Montreal-based rock band.
  • A Bacchanal is held in Donna Tartt's book The Secret History, and is a pivotal plot device allowing a justification of the pre-defined murder.
  • Bacchanal is the title of the fifth track from the Clutch album, Transnational Speedway League: Anthems, Anecdotes, and Undeniable Truths.
  • A Brief Tutorial In Bacchanalia is a song by Fear Before The March Of Flames
  • The term is used in the second line of alternative rock band Third Eye Blind's song "Faster," which is track one of their third studio release Out of the Vein.

See also

  • Maenad - female worshipers of Dionysus
  • Dionysus - Greek version of Bacchus
  • Thriambus - a hymn sung in processions in honor of Dionysus
  • Dionysian Mysteries
  • Roman Senate - political body responsible for suppressing the Bacchanalia
  • Fear Before the March of Flames - for having a song titled "A Brief Tutorial In Bachanalia"
  • Eros Day A Modern Bacchanalian-Style Holiday Celebrating Eros

Notes

  1. Mikalson, 92.
  2. Sutton, p.2, mentions Dionysus as The Liberator in relation to the City Dionysia festivals.
  3. Fox, p.221. Fox cites Euripides as a direct source for this statement. Euripedes, Bacchae, Choral II, lines 379-381: "[370] Holiness, queen of the gods, Holiness, who bear your golden wings along the earth, do you hear these words from Pentheus? Do you hear his unholy [375] insolence against Bromius, the child of Semele, the first deity of the gods at the banquets where guests wear beautiful garlands? He holds this office, to join in dances, [380] to laugh with the flute, and to bring an end to cares, whenever the delight of the grape comes at the feasts of the gods, and in ivy-bearing banquets [385] the goblet sheds sleep over men." [1]
  4. Riu, Xavier, Dionysism and Comedy, Chapter 4, Happiness and the Dead, p.105, "Dionysus presides over communications with the Dead".
  5. Livy, summarized by P. G. Walsh, "Making a Drama out of a Crisis: Livy on the Bacchanalia," Greece & Rome (2nd Series), Vol. 43(2) (October 1996), 188-203. 188.

References
ISBN links support NWE through referral fees

This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain.

  • Euripides "Bacchae": a Greek tragedy that gives some insight as to what was involved in a Bacchanalian rite.

External links

All links retrieved December 21, 2007

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