Encyclopedia, Difference between revisions of "Alvin Etler" - New World

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'''Alvin Derald Etler''' (February 19, 1913 - June 13, 1973) was an [[United States|American]] [[composer]], inspiring composition teacher, and [[oboe|oboist]].
 
'''Alvin Derald Etler''' (February 19, 1913 - June 13, 1973) was an [[United States|American]] [[composer]], inspiring composition teacher, and [[oboe|oboist]].
  
A student of [[Paul Hindemith]], Etler is noted for his highly rhythmic, harmonic and texturally complex compositional style, taking inspiration from the works of [[Béla Bartók|Bartók]] and [[Aaron Copland|Copland]] as well as the syncopated rhythms of [[jazz]]. He did his formal studies at the University of Illinois, the Cleveland Institute of Music and Western Reserve University in Cleveland, [[Ohio]],
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A student of [[Paul Hindemith]], Etler is noted for his highly rhythmic, harmonic and texturally complex compositional style, taking inspiration from the works of [[Béla Bartók|Bartók]] and [[Aaron Copland|Copland]] as well as the syncopated rhythms of [[jazz]]. He did his formal studies at the University of Illinois, the Cleveland Institute of Music and Western Reserve University in Cleveland, Ohio,
  
Though Etler's later works are the progenies of serialism and the post [[World War II]] compositional rationale, these works tend to have distinct tonal references. Like his mentor Paul Hindemith, he embraced the "neo-Baroque" concepts of form and polyphonic writing.  
+
Though Etler's later works are the progenies of [[serialism]] and the post [[World War II]] compositional rationale, these works tend to have distinct tonal references. Like his mentor Paul Hindemith, he embraced the "neo-Baroque" concepts of form and polyphonic writing.  
  
Etler's views on the creative process also reflect those of Hindemith when he states: "A composer creates music because it is a function of the whole person similar to other spiritual and physical functions. If he is compelled to perform this function with sufficient intensity, and is likewise endowed with certain requisite sensibilities and intellectual vigor, then his work is apt in turn to perform its own function relative to society and to the development of the art he practices." The idea of [[art]] in relationship to the society in which it is conceived and presented echoes Hindemith's perspectives on the role of art and artists in developing a culture that manifests the best attributes of humanity.
+
Etler's views on the creative process also reflect those of Hindemith when he states: "A composer creates music because it is a function of the whole person similar to other spiritual and physical functions. If he is compelled to perform this function with sufficient intensity, and is likewise endowed with certain requisite sensibilities and intellectual vigor, then his work is apt in turn to perform its own function relative to society and to the development of the art he practices." The idea of art in relationship to the society in which it is conceived and presented echoes Hindemith's perspectives on the role of art and artists in developing a culture that manifests the best attributes of humanity.
  
Though he played with the Indianapolis Symphony in 1938, he eventually abandoned his orchestral life in order to focus on his increasingly successful compositional career (which earned him two Guggenheim Fellowships during this period). In 1942 he joined the faculty at [[Yale University]] as conductor of the university band and instructor of wind instruments, where he began his studies with Hindemith. In 1954 he won the Young Composers Award of the American Federation of Music Clubs and was the first recipient of the Yale Distinguished Alumnus Award in 1963.
+
Though he played with the Indianapolis Symphony in 1938, he eventually abandoned his orchestral life in order to focus on his increasingly successful compositional career (which earned him two Guggenheim Fellowships during this period). In 1942 he joined the faculty at Yale University as conductor of the university band and instructor of wind instruments, where he began his studies with Hindemith. In 1954 he won the Young Composers Award of the American Federation of Music Clubs and was the first recipient of the Yale Distinguished Alumnus Award in 1963.
  
 
He was a respected teacher at Cornell University and the University of Illinois before accepting a position at Smith College, which he held until his death.
 
He was a respected teacher at Cornell University and the University of Illinois before accepting a position at Smith College, which he held until his death.
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===Important Works===
 
===Important Works===
  
Etler received several important commissions from major orchestras and a number of these works were premiered by prominent conductors including [[Fritz Reiner,]] who conducted the premiere of the ''Symphonietta'' in 1941, his ''Passacaglia and Fugue'' in 1947 with the Pittsburgh Symphony Orchestra, and George Szell, who commissioned the ''Concerto in One Movement'' for the Cleveland Orchestra in 1957. His ''Concerto for Wind Quintet and Orchestra'' was premiered by the [[Japan]] Philharmonic in 1960 and was subsequently performed in 1962 by both the [[New York Philharmonic]], under the baton of [[Leonard Bernstein,]] and the Boston Symphony Orchestra, under the direction of [[Erich Leinsdorf]].
+
Etler received several important commissions from major orchestras and a number of these works were premiered by prominent conductors including [[Fritz Reiner,]] who conducted the premiere of the ''Symphonietta'' in 1941, his ''Passacaglia and [[Fugue]]'' in 1947 with the Pittsburgh Symphony Orchestra, and George Szell, who commissioned the ''[[Concerto]] in One Movement'' for the Cleveland Orchestra in 1957. His ''Concerto for Wind Quintet and Orchestra'' was premiered by the [[Japan]] Philharmonic in 1960 and was subsequently performed in 1962 by both the [[New York Philharmonic]], under the baton of [[Leonard Bernstein,]] and the Boston Symphony Orchestra, under the direction of Erich Leinsdorf.
  
 
His ''Concerto for Brass Quintet, String Orchestra and Percussion'' and his ''Sonic Sequence for Brass'' (both composed in 1967), were recorded by the National Orchestra Association under conductor John Barnett for CRI.  
 
His ''Concerto for Brass Quintet, String Orchestra and Percussion'' and his ''Sonic Sequence for Brass'' (both composed in 1967), were recorded by the National Orchestra Association under conductor John Barnett for CRI.  
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Etler is also the author of ''Making Music: An Introduction to Theory'', an introductory-level theory text published posthumously in 1974.
 
Etler is also the author of ''Making Music: An Introduction to Theory'', an introductory-level theory text published posthumously in 1974.
  
==Reference==
+
==References==
Grove Dictionary of Music and Musicians, "Alvin Etler"
+
* Grove Dictionary of Music and Musicians, "Alvin Etler"
 
American Composers: A Biographical Dictionary, by David Ewen, G.P. Putnam's Sons, New York, 1982
 
American Composers: A Biographical Dictionary, by David Ewen, G.P. Putnam's Sons, New York, 1982
 
==Additional References==
 
 
* Harris, Edward Carl, "Original twentieth century works for solo clarinet and wind ensemble by American composers: an analytical and stylistic study", Thesis/dissertation, 1985. OCLC 20442622
 
* Harris, Edward Carl, "Original twentieth century works for solo clarinet and wind ensemble by American composers: an analytical and stylistic study", Thesis/dissertation, 1985. OCLC 20442622
 
* Nicholes, William Roy, "A comprehensive performance project in clarinet literature with an essay on the wind music of Alvin Etler (1913-1973), Thesis/dissertation, 1976. OCLC 26945518
 
* Nicholes, William Roy, "A comprehensive performance project in clarinet literature with an essay on the wind music of Alvin Etler (1913-1973), Thesis/dissertation, 1976. OCLC 26945518
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[[Category:Music]]
 
[[Category:Music]]
 
[[Category:Art, music, literature, sports and leisure]]
 
[[Category:Art, music, literature, sports and leisure]]
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{{credit|74343702}}
 
{{credit|74343702}}

Revision as of 17:22, 10 May 2007

Alvin Derald Etler (February 19, 1913 - June 13, 1973) was an American composer, inspiring composition teacher, and oboist.

A student of Paul Hindemith, Etler is noted for his highly rhythmic, harmonic and texturally complex compositional style, taking inspiration from the works of Bartók and Copland as well as the syncopated rhythms of jazz. He did his formal studies at the University of Illinois, the Cleveland Institute of Music and Western Reserve University in Cleveland, Ohio,

Though Etler's later works are the progenies of serialism and the post World War II compositional rationale, these works tend to have distinct tonal references. Like his mentor Paul Hindemith, he embraced the "neo-Baroque" concepts of form and polyphonic writing.

Etler's views on the creative process also reflect those of Hindemith when he states: "A composer creates music because it is a function of the whole person similar to other spiritual and physical functions. If he is compelled to perform this function with sufficient intensity, and is likewise endowed with certain requisite sensibilities and intellectual vigor, then his work is apt in turn to perform its own function relative to society and to the development of the art he practices." The idea of art in relationship to the society in which it is conceived and presented echoes Hindemith's perspectives on the role of art and artists in developing a culture that manifests the best attributes of humanity.

Though he played with the Indianapolis Symphony in 1938, he eventually abandoned his orchestral life in order to focus on his increasingly successful compositional career (which earned him two Guggenheim Fellowships during this period). In 1942 he joined the faculty at Yale University as conductor of the university band and instructor of wind instruments, where he began his studies with Hindemith. In 1954 he won the Young Composers Award of the American Federation of Music Clubs and was the first recipient of the Yale Distinguished Alumnus Award in 1963.

He was a respected teacher at Cornell University and the University of Illinois before accepting a position at Smith College, which he held until his death.

Important Works

Etler received several important commissions from major orchestras and a number of these works were premiered by prominent conductors including Fritz Reiner, who conducted the premiere of the Symphonietta in 1941, his Passacaglia and Fugue in 1947 with the Pittsburgh Symphony Orchestra, and George Szell, who commissioned the Concerto in One Movement for the Cleveland Orchestra in 1957. His Concerto for Wind Quintet and Orchestra was premiered by the Japan Philharmonic in 1960 and was subsequently performed in 1962 by both the New York Philharmonic, under the baton of Leonard Bernstein, and the Boston Symphony Orchestra, under the direction of Erich Leinsdorf.

His Concerto for Brass Quintet, String Orchestra and Percussion and his Sonic Sequence for Brass (both composed in 1967), were recorded by the National Orchestra Association under conductor John Barnett for CRI.

His large scale works include:

Music for Chamber Orchestra (1938)
Symphonietta (1941)
Passacaglia and Fugue (1947)
Concerto for String Quartet and Orchestra (1948)
Symphony (1951)
Dramatic Overture for Orchestra (1956)
Concerto for Wind Quintet and Orchestra (1960)
Concerto for Brass Quintet, String Orchestra and Percussion (1967)
Concerto for Cello and Chamber Orchestra (1970)


Other notable chamber and solo works include his two woodwind quintets (from 1955 and 1957), a bassoon sonata, the 1963 "Quintet for Brass Instruments", and "Fragments" for woodwind quartet.

Etler is also the author of Making Music: An Introduction to Theory, an introductory-level theory text published posthumously in 1974.

References
ISBN links support NWE through referral fees

  • Grove Dictionary of Music and Musicians, "Alvin Etler"

American Composers: A Biographical Dictionary, by David Ewen, G.P. Putnam's Sons, New York, 1982

  • Harris, Edward Carl, "Original twentieth century works for solo clarinet and wind ensemble by American composers: an analytical and stylistic study", Thesis/dissertation, 1985. OCLC 20442622
  • Nicholes, William Roy, "A comprehensive performance project in clarinet literature with an essay on the wind music of Alvin Etler (1913-1973), Thesis/dissertation, 1976. OCLC 26945518
  • Shelden, Paul M., "Alvin Etler (1913-1973): his career and the two sonatas for clarinet", Thesis/dissertation, 1978. OCLC 17600826

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